Anna Maria & Maestro Vivaldi

Written by Jan L. Coates

Illustrated by François Thisdale

Red Deer Press

978-0-88995-645-2

32 pp.

Ages 6-9

2022

 

Though a fictionalized account of the relationship between historical persons Anna Maria dal Violin (also known as Anna Maria della Pietà) and composer Antonio Vivaldi, Anna Maria & Maestro Vivaldi is a telling story of a child's musicality and a mentorship that galvanized it.

From Anna Maria & Maestro Vivaldi by Jan L. Coates, illus. by François Thisdale

An orphan at the Ospedale della Pietà in Venice, Anna Maria is guided by the school's music director, Maestro Vivaldi. While other girls laugh at her ways, the child finds family and friendship, as well as her voice, in her violin through the music she sees as colours and textures. As a synesthete –"Music paints beautiful colours for me, and shapes"–Anna Maria is encouraged by Vivaldi who calls it a rare gift. Though she is only eight, he places her in the exclusive orphan choir called the Figlie del Coro. Ignoring the disapproval of the older musicians, she thrives, following his instructions–"Let your bow dance delicately, like a bee sipping nectar"–and pours herself into her music.

From Anna Maria & Maestro Vivaldi by Jan L. Coates, illus. by François Thisdale

When the Maestro takes her to see Marco Ricci's landscape paintings, to witness the inspiration for his latest poems which would become his Four Seasons, he decides Anna Maria will be the soloist for the concertos. And when she ultimately performs the masterpiece, her music paints each season as an image rife with colours and textures and heart. She is no longer alone; she has a famiglia musicale.

From Anna Maria & Maestro Vivaldi by Jan L. Coates, illus. by François Thisdale

Historical fiction does not often take a picture book format though it is an inspired configuration for blending the real with the fabricated. We know that Nova Scotian author Jan L. Coates builds her story on the real Vivaldi and Anna Maria but embeds it in speculation of the child's synesthesia–seeing colours and shapes with the music–and Vivaldi's mentorship of her. By allowing Anna Maria's music to grow and her gift to be nurtured, Vivaldi elevates his music along with the child. Anna Maria dal Violin may be known in musical circles, but Jan L. Coates introduces her here as a child with challenges. By focusing on her humble beginnings as an orphan without family, Jan L. Coates inspires young readers to find their passion, ignore the detractors and focus on that which brings joy and accomplishment. Anna Maria had to find her family in her music and she does so successfully, with Vivaldi's help.

I have always said that there is an ethereal quality to François Thisdale's illustrations. He blends acrylic painting and drawing with photography and digitally creates sublime artwork that may be grounded in reality, here in an 18th century Venice, but it has a heavenly nature with its filmy backgrounds. There may be a very real basilica and a charming tuxedo cat ever present, but Anna Maria's music takes her life into the celestial. Her feet may be planted on a patterned floor or rug but, when she sees the music which François Thisdale helps us see, she and her story are elevated to greater heights.

Anna Maria dal Violin may or may not have had synesthesia but her musicality which was nurtured by her relationship with Maestro Antonio Vivaldi is not in question. The two musicians may have been inspired in different ways but, in Jan L. Coates and François Thisdale's story, they will forever be linked as protégée and master, or rather Maestro, and their story will remain as colourful and textured as the music Anna Maria voiced.

Dancing with Daisy

Written by Jan L. Coates

Illustrated by Josée Bisaillon

Running the Goat, Books & Broadsides

978-1-927917206

44 pp.

Ages 4-8

June 2019

Dancing with Daisy is a grandfather's story told to a grandchild intrigued by an album of old photos and memories. It's also a a fisherman's story so you know it might be a bit of a tall tale.

From Dancing with Daisy, text by Jan L. Coates, art by Josée Bisaillon

"Back in '62 it was, a frosty fall day." So begins this fisherman's tale of the onslaught of Hurricane Daisy as she "came roaring up the coast. She whirled and spun and whipped the waves into such a frenzy, they started leaping straight up onto the deck."

From Dancing with Daisy, text by Jan L. Coates, art by Josée Bisaillon

In true tall tale fashion, the grandfather exaggerates Daisy's impact as she  throws him onto an island and tugs and grabs at him to draw him into a dance. His wrinkles are the result of Daisy trying to bribe him with dollars that sliced into his skin and created scars. His arthritic hands came from clutching the branches of the tree and his blue veins resulted from her freezing cold breath. His raspy voice came from barking communications with a seal washed up on shore and he lost his hair when Daisy grabbed at his hair, playing "He loves me, he loves me not."

From Dancing with Daisy, text by Jan L. Coates, art by Josée Bisaillon

He returned to shore first on a handcrafted raft and then upon his own home's red roof, walking seven back-breaking miles before losing his teeth that ended up as icebergs. Daisy only abandoned her quest to dance with the man after "Nana went out and gave her a good talking to."

From Dancing with Daisy, text by Jan L. Coates, art by Josée Bisaillon

The grandfather undoubtedly remembers every detail of his harrowing assault on his fishing boat while besieged by Hurricane Daisy which tracked through the Maritimes in early October of 1962. It took six lives in Canada and smashed fishing boats, piers, and buildings with its rainfall and high winds. But the grandfather of Jan L. Coates's story protects his grandchild from the devastating truths of Daisy's impact and instead makes it into a tall tale that explains his aging, its own overwhelming trial, even ending with a good laugh.

Josée Bisaillon's art is a wonderful accompaniment to Jan L. Coates's story, taking readers to the Atlantic coast of colourful buildings, cold grey waters and tumultuous weather through her illustrations of watercolours, pastels, pencil and cut paper. Presenting the wind is a formidable task but Josée Bisaillon conveys movement and power in the water and the sky without restraint. It may be scary and mighty but it's still playful in its dance, and with the affectionate closeness of grandparent and child, Dancing with Daisy becomes more intergenerational tale, even if a little tall, than recall of a disaster.

🌊🌊🌊🌊🌊🌊

Running the Goat Books & Broadsides shares a video of Jan L. Coates discussing her story and background for Dancing with Daisy on YouTube.

Uploaded to YouTube by Running the Goat on June 27, 2019.

Sky Pig

Written by Jan L. Coates

Illustrated by Suzanne Del Rizzo

Pajama Press

978-1-927485-98-9

32 pp.

Ages 4–7

April 2016

Ollie is a little pig with a big dream and, though he doesn’t speak (he is after all a pig and pigs can’t talk), his friend, Jack, a boy with a big heart and a bigger imagination, tries to help Ollie achieve his dream.

Ollie from Sky Pig by Jan L. Coates,

 illus. by Suzanne Del Rizzo

First Jack fastens leafy branches onto Ollie’s back and they climb to the top of a very high hill. Even though a fast run and a jump has Ollie believing that he’s flying, an “Oooooomph!” and a “Plop!” make it evident he did not.  Having Jack create a kite with some garden stakes, twine, a feed sack and scraps of fabric is Ollie’s next plan to become airborne.  A couple of oinks and another “Oooooomph!” and “Plop!” again foretell the futility of their endeavour. Finally, taking their cues from the geese, chickens and other birds, Jack fashions a set of wings for Ollie. Made from an assortment of papers, including maps and wrapping paper featuring airborne creatures, and miscellaneous gears and leather, Ollie takes to the sky like a kind of steampunk flyer.  Alas, that flight ends similarly.  Even a Mary Poppins-like contraption of umbrellas is unsuccessful.

It’s only when the two make use of an already-tried-and-true flying machine that Ollie is able to stay aloft and experience the joys of floating in the sky, even if only for a short time and at a cost of $5.

Dreamers can dream but, with a friend like Jack, Ollie’s dream that a pig could fly comes true.  It takes a little determination, a lot of imagination and being in the right place at the right time but Ollie’s dream, courtesy of Jack’s friendship and piggy bank, becomes a reality.  Jan L. Coates’ story is uplifting like much of her previous work including A Hare in the Elephant’s Trunk (Red Deer Press, 2010), The Power of Harmony (Red Deer Press, 2013), and The King of Keji (Nimbus, 2015), and even more so with Suzanne Del Rizzo’s spectacular art, previously enjoyed in Skink on the Brink (Fitzhenry & Whiteside, 2013) and Gerbil, Uncurled (Fitzhenry & Whiteside, 2015).  The doughy art (plasticine with polymer clay) with mixed media collage features adds the textures and colour to elevate the story even higher.  Beyond the cuteness of Ollie and Jack is a rich landscape of green pastures and trees, chickens and groundhogs, and flowers and dandelion fluff and sweet details of a chicken protecting her egg in a life-vest or basket and thwarting a mouse that tries to get too close.   There’s so much more to Sky Pig than making a pig fly and young readers will love going along for the ride.

From Sky Pig by Jan L. Coates, illus. by Suzanne Del Rizzo

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There will be two great opportunities to check out Sky Pig with author or illustrator.

Illustrator Suzanne Del Rizzo will be participating in the I Art Books Exhibit and Sale of Children's Book Illustration on April 30, 2016 at Blue Heron Books in Uxbridge, ON. Details here.

Author Jan L. Coates will be launching Sky Pig on May 7, 2016 at The Box of Delights Bookshop in Wolfville, NS. Details here.

The King of Keji: Book Launch (Wolfville)

Join 

author Jan L. Coates

and illustrator Patsy MacKinnon

for the launch of their new picture book

 from Nimbus Publishing

The King of Keji

978-1-771082815

32 pp.

More than just a camping trip to Nova Scotia’s Kejimkujik National Park

on Saturday, June, 6, 2015

11:00 a.m.

at

The Box of Delights Bookshop

466 Main Street

Wolfville, Nova Scotia

The Power of Harmony

by Jan L. Coates

Red Deer Press

978-0-88995-495-3

260 pp.

Ages 9-12

May, 2013

There's a nebulous haze that pervades the atmosphere of The Power of Harmony.  Sometimes it's the darker gray or mauve of coal-mining, grief and prejudice but sometimes there's a vague yellow of the canary peeking through, working at bringing up a message.  Though it is often difficult to heed a message that is unusual or contrary, those who listen will know the benefits of it.  In 1968 Springhill Nova Scotia, nine-year-old Jenny knows the gray of Springhill's mining disaster, perennial sinkholes, and the bullying by Sarah Saunders (a.k.a. Queen Smirkle Bee) and the Bad Boys (Junior and Wade) but her wonderful parents, joyous baby sister, Bethy, and books bring much light into her life.

But, when a new student, Melody Summer Syliboy, joins their class, Jenny watches how her Nanny and others respond to Melody with a full-range of prejudices levelled against Aboriginal People.  Melody may withdraw from the taunts of the Bad Boys and ignore other insensitive comments, but she stands up for Jenny when she is bullied and saves her when she almost drowns in Pit Pond.  The two girls become friends, sharing a love of singing and the need to share their fears and secrets.

With the upcoming Miners' Hall Concert, on the tenth anniversary of the Springhill mining disaster, Melody and Jennifer are asked to sing a song together. They heed the words of surprise guest, Anne Murray, who tells them,

"Remember - sing with your heart and soul; harmony's a powerful thing." (pg. 238)

The harmony of Melody and Jenny is a powerful force, helping the two girls face extraordinary life challenges of death, shame, prejudice, grief, fear, and abuse.  Together they support each other as no one else could, providing the strength needed to overcome those challenges.  For two young girls, they endure much trauma, both within their families and more publicly.  But Jan L. Coates does not depict Melody and Jenny as anything but ordinary children, albeit more aware of how people treat each other.  They are emotive ("Try to swallow the fat lump of sad in my throat." pg. 143) without being emotional; kind without gushiness; and clever without being smart-alecky.  It's Jan L. Coates evocative text and careful plotting that elevate the girls to extraordinary while the history of Springhill, Nova Scotia, including the coal mining, the residential school and the prison, ground the story in reality.  The Power of Harmony could have been a cacophony of anger, abuse and prejudice but, with Jan L. Coates' considerate story-telling, it is a sensitive coming of age story in a socially-evolving Canadian setting.