Short for Chameleon

Written by Vicki Grant
HarperTrophy Canada
978-1-44344-898-7
242 pp.
Ages 12+
April 2017

Hold onto that funny bone because it will be sprained from overuse if you read Vicki Grant's newest young adult novel Short for Chameleon in one sitting.  Take your time to savour the delicious humour that saturates her writing because, like a great meal, it's over far too quickly.

Cam is short for Cameron and he works with his dad, former sitcom actor William Redden, playing the roles of family members for anyone who'll pay the Almost Family Surrogate Agency.  Apparently the renting of family is not uncommon in some countries like Japan where Dad had tried to revive his failing career.  Now he and Cam and others in their employ shape and dress themselves into whatever the client needs: grieving son and grandson at a funeral; family visitors to prison; eye-candy for a high school reunion; whatever.  But getting recognized would not be good for business.  After all, you can't be remembered as a repeat grieving father and son at multiple grandmothers' funerals.

So when the wheelchair-bound Albertina Legge approaches them at one funeral, identifying them at scammers, Dad is pretty nervous, "sweating like a high-wire walker in a typhoon." (pg. 4) Unbeknownst to Dad, Albertina engages Cam to assist her in some scam-busting, all the while threatening him with revealing their lack of certification for a variety of government health regulations.  At fifteen and a half, Cam is none the wiser to her shenanigans, and goes along with her demands to assist her in investigations of scams upon seniors.  But things become more enticing for Cam when teen Raylene shows up hoping to hire a brother and gets involved as another sidekick of Albertina's.

Albertina's marks include the pharmacist she cons into refilling prescriptions, and the healer and medium Dr. Blaine T. Morley (to whom countless elderly streamed "like a scene from some zombie apocalypse movie, except with fewer missing body parts and more elastic-waist pants"; pg. 51) whose scamming she reveals to a crowd of devotees.  But she's got her sights set on two big scores: one against  a restaurateur named Lorenzo Martinelli whom she recognizes as the former investment cheat Wade Schmidt, and also looking into a young woman named Janie Aikens running the Time of Our Lives Adult Daycare. All the while, Cam is trying to get closer to Raylene, learn about her family and maybe get her interested in him like he is in her.

But like a British farce in which you can't tell who's telling the truth, Short for Chameleon is rife with scammers.  From Cam whose full name seems better suited to Chameleon rather than Cameron, and Raylene who keeps ditching him whenever he gets too close to learning the truth about her, to Albertina who has more than one agenda and doesn't care how she achieves what she wants, because going gently into the night is not an option for her.

"... she seemed a tad too alive–fuchsia lips, hair like Marge Simpson's only in a tasteful shade of tangerine, not to mention a good fifteen inches of wrinkly cleavage that made me think of the mighty Amazon snaking its way down the relief map I made in Mr. Jackman's geography class." (pg. 2)

Like life which is truly bittersweet for most of us, Short for Chameleon highlights the humour and the sadness of reality.  Doesn't matter whether you're a kid, a teen, an adult or an elderly person on the cusp of the end, life is not easy, there always being moments of grief and brightness.  All you can do is hope that sometimes there's someone there with you to share life's load.  (And if there isn't, there's always a rent-a-family agency around the corner to fill the need.  At least there is in Vicki Grant's Short for Chameleon.)

The Truth Commission

by Susan Juby

Razorbill Canada

978-067-006759-6

272 pp.

Ages 14+

For release April 2015

The truth really doesn't need any embellishments, does it?  It is as it should be. Nothing more, nothing less.  But sixteen-year-old Normandy Pale, the narrator and writer behind The Truth Commission, a piece of creative non-fiction for her Spring Special Project at Green Pastures Academy of Art and Applied Design in Nanaimo, does recognize that,

"When you tell a story, you shape the truth." (pg. 293)

And she and her best friends, Dusk (actually Dawn) Weintraub-Lee and Neil Sutton attempt to bring some much needed truth into a world overflowing with lies.  From Aimee Danes, whose new nose and chest scream to share her new truths with the world, and the snarly office secretary Mrs. Dekker to fellow students Tyler Jones, Zinnia McFarland, and Brian Forbes, the unofficial Truth Commission trio attempt to learn the truths about everything from motivations, love interests, heritage and substance abuse. But attempts to shed light on the truth are not always easy and rarely straightforward, often with unforeseen consequences.

But Normandy is having her own crisis of truths, dealing with the return home of her astoundingly successful older sister, Keira, from the California Institute of Art and Design. While still at Green Pastures, Keira had created a massively popular graphic novel series called the Diana Chronicles, about a girl who lives with her painfully average family on Earth and travels to an alternate universe, Vermeer, where she is queen.  Except for Diana, the family resembles Normandy's family in the worst possible way, exaggerating their attributes to humiliating proportions. But something is amiss with Keira and Normandy is looking to help by getting at the truth, though the family's head-in-the-sand attitude is problematic.

The truth may be out there but it may not always be ideal to seek it out.  Susan Juby's characters, both main and secondary, demonstrate the precarious nature of the truth, though some recognize that truth sooner than later.  But their interactions with regards to the truth are what makes the story so lively, particularly with Normandy bridging the extreme differences between her friends and family when seeking the truth. What to do?
 
To be honest, Susan Juby's writing is like a Disney bandage on your heart.  It has delightful colour and humour that can hide something as simple as a paper cut (still very painful!) or a deep, festering wound.  It's not until you look under the bandage that the true depth of the story is evident.  The reader is glad for the amusing cover-up because it helps manage the pain beneath.  Even though removing the bandage can be agonizing, it must be done. Not unlike the truth.  And, in my opinion, Susan Juby's truth is the quality she attributes to some authors:

"There are the truths...when some writer puts exactly the right words together and it's like their pen turned sword and pierced you right through the heart." (pg. 10)

Susan Juby's pen is both honest and piercing in The Truth Commission, and I relished it wholeheartedly.

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Two Truths and a Lie (from yesterday's post)

If you haven't guessed yet, #3 is the lie.  Norm is short for Normandy and is all girl.  Ask Neil.

Blues for Zoey: Blog Tour stop

by Robert Paul Weston

Razorbill
978-0-14-318328-0
272 pp.
Ages 13+
For release February 2014

Although the title of this book is Blues for Zoey, the reader would be hard-pressed not to sing the blues for sixteen-year-old Kaz whose life is filled with responsibilities and worries.  Though his family once lived comfortably in Rosemount, the death of Kaz's dad and his mother's illness has the family now living above the Sit N' Spin laundromat and dry cleaners where Kaz works for Mr. Rodolfo.  Mom suffers from somnitis, a disorder which causes her to fall asleep at anytime and for days, and she can no longer perform as an orchestral musician.  Between taking care of his eight-year-old sister Nomi, worrying about his mother, saving frantically so he can take her to an expensive treatment facility in New York City, working, and going to school, Kaz has little time for socializing.  But when Calen, his only Rosemount friend to stick by him, asks Kaz to join him and his girlfriend Alana at the big summer party of rich boy Topher Briggs, it's the beginning of something new.

Though Kaz's former girlfriend Becky is now going out with the pompous Topher, and Kaz is looking to grab the attention of the beautiful Christina Muniez, it's the girl with the blond dreadlocks who makes the biggest impression.  Kaz has spotted Zoey Zamani several times on the street near Dave Mizra's jewelry store, carrying a large cross-shaped structure which Kaz learns is a musical instrument she created and calls a rood.  When he hears her play it and sing the obscure music of Shain Cope (a curiously talented but tragic musician), Kaz is hooked.

But Kaz is soon burdened with more concerns. First, as he tries to get to know Zoey, he suspects a very dangerous situation with her father.  Then, Kaz starts watching and spying on his boss Mr. Rodolfo who Zoey suspects of being involved in illegal activities like gambling and laundering money.  Finally, amongst the various characters Kaz knows in the community of Evandale, two homeless veterans, A-Man and B-Man, draw Kaz's attention with regards to their enigmatic interactions with  Mr. Rodolfo, especially after B-Man disappears. 

A more welcome situation has Kaz scrambling to do the right thing after a producer shooting a TV pilot around Evandale spots Zoey's rood hidden at the Sit N' Spin and recognizes it as an instrument made by Shain Cope and stolen after his death.  His offer to buy it has Kaz contemplating the money he could make for his mother's treatment and his relationship with Zoey.

Though Robert Paul Weston's Blues for Zoey is a complete departure from his fantastic stories of Zorgamazoo (Razorbill, 2008), Dust City (Puffin, 2010), Prince Puggly of Spud and the Kingdom of Spiff (Puffin, 2013) and The Creature Department (Razorbill, 2013), his characteristically detailed plotting is still evident.  To young adult readers, the subplots and secondary characters may appear to be simple add-ons but they do so much more than just add flavour, never revealed until those "aha" moments closer to the story's conclusion.  Never overlook the inclusion of any story element in Robert Paul Weston's books.  He doesn't do filler.  Others might need more words to fully elaborate on criss-crossing story-lines but never Robert Paul Weston.  I was convinced I knew where the story was going, and appreciated where it was heading, until that one piece of information dropped into the text.  Then those story-lines sorted themselves out, again, and Blues for Zoey transformed from a story about a teen with worries and smitten with a girl to a teen with worries and still smitten with a girl. You'll see the difference when you read Blues for Zoey and recognize that Robert Paul Weston has found a new avenue for his writing, drawing older teens in now too.  Fortunate readers, I'd say.

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Check out my interview with Robert Paul Weston soon in which he shares some details about Blues for Zoey and this new writing venture.

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