Harvey Holds His Own

Written by Colleen Nelson
Illustrations by Tara Anderson

Pajama Press

978-1-77278-114-4

288 pp.

Ages 8-12

August 2020

It's funny how a little dog can help people without even trying. (pg.73)

After Harvey's first adventure (Harvey Comes Home, 2019) in which he becomes lost, Maggie's West Highland Terrier is happy to be home, though he does miss the boy who'd found him and the people at Brayside Retirement Villa where he'd spent much of his "leave." However, seventh grader Maggie doesn't necessarily feel very hospitable to Austin who, though he'd cared for Harvey well, had kept her dog without looking for his home. Still, as she chooses to do her volunteer hours at Brayside where Austin works alongside his grandfather, the head custodian of the facility, Maggie will learn more about connecting with others, even those with whom she seemingly has little in common, courtesy of a little dog.

Told from the different perspectives of Maggie, Austin and Harvey, Harvey Holds His Own follows multiple plot lines, all brought together via Maggie's volunteering at Brayside. There she meets new resident, Mrs. Josephine Fradette, a spirited senior, who shares her memories of being evacuated from Winnipeg to her grandparents' home during the Red River flood of 1950 and learning car mechanics from her Pépère. This connection is especially meaningful for Maggie who is feeling isolated from best friends Lexi and Brianne. Meanwhile Austin continues to help his grandfather at Brayside and is thrilled to reacquaint himself with Harvey during Maggie's visits–though he'd dearly love a dog of his own–but is distracted by fears that his Grandpa is in danger of losing his job.  And then there's adorable Harvey whose nose will lead him to both crisis and blessing, and bring Maggie, Austin, and others together in an ending that will leave readers smiling, heartened and satisfied.

From Harvey Holds His Own by Colleen Nelson, illus. by Tara Anderson

I am always apprehensive of animal stories as I anticipate hardships like vulnerabilities, injury and cruelty, especially at the hands of humans. Unfortunately, these things do happen in reality and they always leave me emotionally shattered. But Colleen Nelson, with her compassionate heart and love for Westies–there is a photo of her with her own family's–gives us a story of a girl, a boy and a dog (or two) that will make readers happy, both entertaining and reassuring them that things can work out well in the end. And while many will be drawn to this middle-grade novel because it is an animal story at its core, there are important messages about courage and perseverance, friendships new and old, and even love.

Loving something always comes with a risk; that's what makes it so special. (pg. 245)

I had to take a risk reading Harvey Holds His Own because of my own anxieties. What I got for that risk was a lovely story–with chapter headings delightfully illustrated by Tara Anderson–that reassures that there are good people who will always do right by others, whether they be their canine families, seniors in a long-term care facility, or friends. And isn't it nice to know, especially nowadays, that there is goodness out there?

Short for Chameleon

Written by Vicki Grant
HarperTrophy Canada
978-1-44344-898-7
242 pp.
Ages 12+
April 2017

Hold onto that funny bone because it will be sprained from overuse if you read Vicki Grant's newest young adult novel Short for Chameleon in one sitting.  Take your time to savour the delicious humour that saturates her writing because, like a great meal, it's over far too quickly.

Cam is short for Cameron and he works with his dad, former sitcom actor William Redden, playing the roles of family members for anyone who'll pay the Almost Family Surrogate Agency.  Apparently the renting of family is not uncommon in some countries like Japan where Dad had tried to revive his failing career.  Now he and Cam and others in their employ shape and dress themselves into whatever the client needs: grieving son and grandson at a funeral; family visitors to prison; eye-candy for a high school reunion; whatever.  But getting recognized would not be good for business.  After all, you can't be remembered as a repeat grieving father and son at multiple grandmothers' funerals.

So when the wheelchair-bound Albertina Legge approaches them at one funeral, identifying them at scammers, Dad is pretty nervous, "sweating like a high-wire walker in a typhoon." (pg. 4) Unbeknownst to Dad, Albertina engages Cam to assist her in some scam-busting, all the while threatening him with revealing their lack of certification for a variety of government health regulations.  At fifteen and a half, Cam is none the wiser to her shenanigans, and goes along with her demands to assist her in investigations of scams upon seniors.  But things become more enticing for Cam when teen Raylene shows up hoping to hire a brother and gets involved as another sidekick of Albertina's.

Albertina's marks include the pharmacist she cons into refilling prescriptions, and the healer and medium Dr. Blaine T. Morley (to whom countless elderly streamed "like a scene from some zombie apocalypse movie, except with fewer missing body parts and more elastic-waist pants"; pg. 51) whose scamming she reveals to a crowd of devotees.  But she's got her sights set on two big scores: one against  a restaurateur named Lorenzo Martinelli whom she recognizes as the former investment cheat Wade Schmidt, and also looking into a young woman named Janie Aikens running the Time of Our Lives Adult Daycare. All the while, Cam is trying to get closer to Raylene, learn about her family and maybe get her interested in him like he is in her.

But like a British farce in which you can't tell who's telling the truth, Short for Chameleon is rife with scammers.  From Cam whose full name seems better suited to Chameleon rather than Cameron, and Raylene who keeps ditching him whenever he gets too close to learning the truth about her, to Albertina who has more than one agenda and doesn't care how she achieves what she wants, because going gently into the night is not an option for her.

"... she seemed a tad too alive–fuchsia lips, hair like Marge Simpson's only in a tasteful shade of tangerine, not to mention a good fifteen inches of wrinkly cleavage that made me think of the mighty Amazon snaking its way down the relief map I made in Mr. Jackman's geography class." (pg. 2)

Like life which is truly bittersweet for most of us, Short for Chameleon highlights the humour and the sadness of reality.  Doesn't matter whether you're a kid, a teen, an adult or an elderly person on the cusp of the end, life is not easy, there always being moments of grief and brightness.  All you can do is hope that sometimes there's someone there with you to share life's load.  (And if there isn't, there's always a rent-a-family agency around the corner to fill the need.  At least there is in Vicki Grant's Short for Chameleon.)

Crush. Candy. Corpse.

Written by Sylvia McNicoll
Lorimer
978-1-4594-00627
219 pp.
Ages 12+
2012

Community service hours are a chore for many high school students. These hours, usually about 40, are spent volunteering in hospitals, seniors' homes, schools, food banks, etc., learning compassion and building a sense of community while developing the volunteerism we generally accept as civilized. Even those kids who are determined that it will be a miserable experience must complete, even begrudgingly, those forty hours if they intend to graduate from high school.

Sonja Ehret, sixteen, endearingly nicknamed Sunny by her grandmother, is assigned to help out at Paradise Manor, with those long-term care residents suffering with Alzheimer's. Sunny is a pretty good kid. She may look a little wild with her pink streaked hair, and she does sneak around behind her parents' backs with Donovan, 19, for whom shoplifting seems to be a vocation. And she sometimes blurts things out without thinking, like on her first day at Paradise Manor, when she is already late because her bus takes a detour because of a busted sewer line. When she mentions a smell at Paradise Manor, she makes a justifiable connection that it must be the result of a sewer line break too. Unfortunately, the bitter receptionist, Mrs. Johnson, never forgets Sunny's offensive faux pas regarding the smell which is actually the result of a resident soiling himself. After that, Mrs. Johnson sees all Sunny's actions as mistakes or flaws, even those which Sunny chooses to do because of her compassion for the residents.

In Sunny's journal, a requirement for her volunteering credit, she may sound whiny in her earlier entries about her time and activities at Paradise Manor. But soon enough, Sunny is speaking a little German (picked up from her grandmother before she passed) to encourage a lonely resident, Johann, to eat. Of course, those who already scorn Sunny see her feeding Johann too quickly or too much at a time or putting him in jeopardy of choking. This is especially unfortunate for Sunny when Helen Demers, the grandmother of fellow teen volunteer Cole, dies from choking on hard candies that she isn't supposed to eat because she is a diabetic. And Sunny is charged with manslaughter because of her death.

Mrs. Johnson insists that Sunny's Crush on Cole, who always gives his grandmother an unauthorized caramel Candy at the end of his visit, compelled her to help Helen Demers (i.e., the story's Corpse) in an effort to help Cole discharge his promise to end his grandmother's life when the Alzheimer's has progressed too far. Since Sunny returns to help out at Paradise Manor after she has completed her 40 hours of service, the fact that she is even implicated in Helen's death seems far-fetched, except when her actions, short journal entries and stray comments (out of context) are brought into evidence.

My banal synopsis of Crush. Candy. Corpse. does not do justice to Sylvia McNicoll's captivating story of Sunny's transforming relationships with Cole and the residents at Paradise Manor. I was lured into Sunny' story as she, the narrator, presents her actions and recollections in an honest manner. But it is most disheartening to realize that her story also demonstrates how snapshots of our actions can be used to represent unfairly the totality of our behaviour. For example, regardless of Sunny's motivations and the encouragement she receives from Cole, his mother goes ballistic after Sunny gives Helen Demers pink highlights. Instead of acknowledging her mother-in-law's wish for the highlights or Cole's suggestion that Sunny get the money from his grandmother, Cole's mom focuses on the humiliation she believes Sunny intended rather than the pleasure Sunny aspired to provide by honouring Helen's request.

Sylvia McNicoll gets Sunny's voice perfect, introducing the narrator as a teen who can make questionable decisions (as we all do when inexperienced) but who has the capacity to see beyond her initial assessments and amend her own actions and beliefs accordingly. I would be proud to have Crush. Candy. Corpse.'s Sunny as my granddaughter or caregiver to a family member knowing that she would bring the foibles of youth with the insight and compassion of a humanitarian and I would cheer for her throughout her trial and beyond. Sunshine like Sunny should not be eclipsed.