Harvey Holds His Own

Written by Colleen Nelson
Illustrations by Tara Anderson

Pajama Press

978-1-77278-114-4

288 pp.

Ages 8-12

August 2020

It's funny how a little dog can help people without even trying. (pg.73)

After Harvey's first adventure (Harvey Comes Home, 2019) in which he becomes lost, Maggie's West Highland Terrier is happy to be home, though he does miss the boy who'd found him and the people at Brayside Retirement Villa where he'd spent much of his "leave." However, seventh grader Maggie doesn't necessarily feel very hospitable to Austin who, though he'd cared for Harvey well, had kept her dog without looking for his home. Still, as she chooses to do her volunteer hours at Brayside where Austin works alongside his grandfather, the head custodian of the facility, Maggie will learn more about connecting with others, even those with whom she seemingly has little in common, courtesy of a little dog.

Told from the different perspectives of Maggie, Austin and Harvey, Harvey Holds His Own follows multiple plot lines, all brought together via Maggie's volunteering at Brayside. There she meets new resident, Mrs. Josephine Fradette, a spirited senior, who shares her memories of being evacuated from Winnipeg to her grandparents' home during the Red River flood of 1950 and learning car mechanics from her Pépère. This connection is especially meaningful for Maggie who is feeling isolated from best friends Lexi and Brianne. Meanwhile Austin continues to help his grandfather at Brayside and is thrilled to reacquaint himself with Harvey during Maggie's visits–though he'd dearly love a dog of his own–but is distracted by fears that his Grandpa is in danger of losing his job.  And then there's adorable Harvey whose nose will lead him to both crisis and blessing, and bring Maggie, Austin, and others together in an ending that will leave readers smiling, heartened and satisfied.

From Harvey Holds His Own by Colleen Nelson, illus. by Tara Anderson

I am always apprehensive of animal stories as I anticipate hardships like vulnerabilities, injury and cruelty, especially at the hands of humans. Unfortunately, these things do happen in reality and they always leave me emotionally shattered. But Colleen Nelson, with her compassionate heart and love for Westies–there is a photo of her with her own family's–gives us a story of a girl, a boy and a dog (or two) that will make readers happy, both entertaining and reassuring them that things can work out well in the end. And while many will be drawn to this middle-grade novel because it is an animal story at its core, there are important messages about courage and perseverance, friendships new and old, and even love.

Loving something always comes with a risk; that's what makes it so special. (pg. 245)

I had to take a risk reading Harvey Holds His Own because of my own anxieties. What I got for that risk was a lovely story–with chapter headings delightfully illustrated by Tara Anderson–that reassures that there are good people who will always do right by others, whether they be their canine families, seniors in a long-term care facility, or friends. And isn't it nice to know, especially nowadays, that there is goodness out there?

Undiscovered Country

Written by Jennifer Gold

Second Story Press

978-1-77260-031-5

320 pp.

Ages 13+

April 2017

I feel the familiar wave of sadness overtake me, trapping me underwater, stealing my breath.  Here in the jungle, it is easier to forget my grief.  Sometimes, it feels like something I forgot to pack, something there wasn't room for in my suitcase, and I feel I've won, I've escaped.  Then I remember, and it feels as fresh and raw as it did the night she closed her eyes for the last time. (pg. 125)

Seventeen-year-old Caitlin Marks' grief is as raw and unrelenting as the environs of Bolivia  to which she has thrown herself as a volunteer for nine months with Students Without Boundaries. SWB is Cat's way of running from Ohio and the recent death of her mother from cancer and a father too wrapped up in his own anguish to be a parent to his daughter. But what Cat discovers is that grief resides everywhere, in different forms, and can travel as easily as she does.

Told in alternating perspectives of Before and After, Undiscovered Country is Cat's story of the months leading to her mother's death from cancer and then her experiences as a volunteer in the village of Calantes, a community of poverty, violence and political unrest. As the reader learns of Cat's mom finding the lump in her breast and subsequent gruelling chemo, loss of hair, struggle for dignity and affliction with brain cancer which ultimately takes her life, Cat struggles with balancing being the support her mother needs and going on with her own life, taking her SAT, dealing with peers who see her in terms of her mother's illness, and planning for school at Stanford.  Each step is a struggle of emotions and logistics, helped only somewhat by her sessions with Dr. Shapiro who diagnoses her with Bipolar II.  Bolivia undoubtedly seems like a chance to really help while escaping the overwhelming torment of her sadness.

Sadness is like cancer that way, an unwelcome guest that takes the body or the mind hostage, stripping the joy... (pg. 138)

In Calantes, Cat meets bunkmates Margo who's there to appease her ultra-competitive parents and outdo her cousin who just got into law school; Taylor who'd flunked his first year of college after coming out as gay to his wealthy family; and Melody, a devout Christian, whose self-righteousness masks hidden traumas. And, though everything reminds her of her mother–make-up, Diet Coke, pretzels–Cat soldiers on, meeting the handsome local Rafael and others in the village where she ends up working in the rudimentary infirmary.  But, as she and fellow SWBers  struggle with their emotional baggage, the people of Calantes must deal with their social and political strife, troubles which Rafael is adamant can only be solved with dangerous actions.

The ambiguity that is Cat is normal after a tragedy.

Sometimes it feels as if there are two Cats–the one who longs for love and companionship, who's lonely and desperate for affection, and the other one, who's desperate and desolate and pushes people away, almost determined to stagnate in her grief. (pg. 187-188)

It's unfortunate that Dr. Shapiro and others in Undiscovered Country are so quick to label sadness and grief as mental illness in need of medication.  Cat's foray into a third-world country to volunteer and ease her impotence in helping her mother may not be ideal for all but it works for her, allowing her to discover herself and others in new circumstances.  Without realizing it, Cat's explorations abroad and within challenge her to accept her new normal.

Jennifer Gold, author of Soldier Doll (Second Story Press, 2014), again takes the issue of grief and connections and creates a story of loss, confusion and redemption, with honest characters dealing with realistic challenges but this time in a contemporary setting.  Her characters are dealing with grief, cancer, sexual abuse, foster care, sexuality, family expectations and the teen angst of relationships, peer and romantic.  It's a lot for them to deal with and a lot for Jennifer Gold to tackle.  Still Undiscovered Country, unlike most of us and most definitely Jennifer Gold's characters, never stumbles, instead exposing different paths of salvation to life's struggles, some safer than others, but all viable and very real.

Small Displays of Chaos

by Breanna Fischer

Coteau Books

978-1-55050-661-7

102 pp.

Ages 13+

May 2016

It wasn’t supposed to be this way.  Everything in her life was supposed to be better when she was thinner. (pg. 50)

For Saskatoon teen Rayanne Timko, her eating disorder began with a Phys Ed class fitness goal of healthy eating and improved exercise regime to get a good grade to match those of her academic subjects.  But the recording of all foods and monitoring her physical appearance became a ritual she couldn’t let go, ever hopeful of finding “the person who she wanted to be…hiding somewhere underneath.” (pg.  9).

Now a high school senior, Ray’s life is a complex existence of school counselling sessions, community service at a dog shelter, crushing on Josh Reid who’d witnessed her purging at a party, and convoluted family dynamics with a twin sister, an angry father, a conflicted mother and an impending family wedding that requires her dreading her participation as a bridesmaid.  And I haven’t even mentioned the voice of her judgemental thinner self Edie for whom Rayanne never seems to be good enough.

But even with a referral to an eating disorder specialist, Ray doesn’t know what she needs and finds it hard to ask for help.  It’s not until the family wedding that the desperate teen realizes that she’s been in the “final stage of a grand Disappearing Act” (pg. 74) from which she wouldn’t be able to hurt anyone and could finally just give up.

With all the positive affirmations about body image and awareness campaigns about eating disorders and mental illness, Small Displays of Chaos is still a timely and relevant story that needs to be told and heeded.  Breanna Fischer has based Small Displays of Chaos on her own experience being diagnosed with anorexia with bulimic behaviours and convincingly shares her skewed thinking and dangerous pursuits with candor and insight.  Luckily both Rayanne and Breanna Fischer are able to survive their crises and find the words to astutely convey the depth of those crises to provide valuable lessons. 

Being Me (A Rosie the Red Book)

by Rosemary McCarney

Illustrated by Yvonne Cathcart

Second Story Press

978-1-927583-93-7

24 pp.

Ages 4-8

April 2016

Still sporting the red cape from Tilt Your Head, Rosie the Red that helps empower and define her, Rosie the Red returns in her second story. This time she is thinking about what she should be when she grows up when she is realizes that that way of thinking negates any contribution she can make as a kid.  “That made Rosie feel unimportant…not very useful…a little smaller…as if she would only matter when she got big.”

A walk with her dad introduces Rosie to the local food bank where the manager, Mr. Santino, shows them around the busy warehouse and allows them to help pack cartons. While there, Rosie spots her friend Sam and his mother getting a box of food. Because he’s obviously embarrassed, Rosie spends the rest of the day thinking about how she could make him feel better.  With a tilt of her head–her standard thinking mode–Rosie comes up with a plan to help the food bank and Sam both.

Rosemary McCarney’s picture books consistently impart positive messages and, in Being Me, Rosie the Red is a great vehicle for teaching kids about food banks and that those who avail themselves of its offerings are no less than those who have enough food to eat without help.  By having Rosie acknowledging Sam’s artistic ability, she’s saying that everyone has strengths and everyone needs help with something, whether it is drawing a poster or getting enough food to eat.  That constructive and optimistic attitude is represented in Yvonne Cathcart’s cherry illustrations with their upbeat reds, greens, turquoise and golds.  The art is as sunny as Rosie’s approach to making life worthwhile and fair for all which is an important lesson to foster citizenship and community.

From Being Me
by Rosemary McCarney, illus. by Yvonne Cathcart

When Children Play: The Story of Right To Play

by Gina McMurchy-Barber

Fitzhenry & Whiteside

978-1-55455-154-5

56 pp.

Ages 8-12

2013

Non-fiction books about organizations such as Right to Play can be incredibly tedious reads.  Their stories may be important and their messages undoubtedly need sharing, but good work does not always translate to good writing.  Many such books are poorly organized, heavy in text and light on non-fiction features of text like information boxes, maps, graphs, captioned photographs or illustrations and differentiated fonts that can enhance the message. With its well-organized format and text that informs as well as personalizes the story of Right to Play, Gina McMurchy-Barber's When Children Play hits all the marks.

A humanitarian organization that supports the United Nations Convention on the Rights of the Child to engage in play and recreational activities, Right to Play "uses sports and play to educate, improve health, and build confident youth who want to give back to their communities." (pg. 7) Derived from the earlier Olympic Aid group, Right to Play goes beyond fundraising to the development of programs that support its motto, "Look After Yourself, Look After One Another." (pg. 18) By evolving into an NGO that uses play to normalize the difficult lives of children, mentors and coaches are able to spread the important messages of staying healthy, resolving conflicts, gaining self-esteem, developing physical skills and improving mindfulness.  Just as the Olympics have their 5 rings, Right to Play has five coloured rings to represent their 5 key areas of focus: mind, body, spirit, peace, and health.

By telling the stories of children and adults, from Uganda to Thailand and Mali and Toronto, both volunteers and game participants, from refugee camps to impoverished communities to those willing to extend their help, Gina McMurchy-Barber provides a global approach to the story-telling of When Children Play.  Right to Play is not about children who need relief and aid.  It's about everyone caring enough about everyone else to improve their lives.  Help others and you help yourself.  And, with the inclusion of instructions for games to try, like Batter Up and Tunnel, When Children Play becomes less of an educational non-fiction book and more an intermutual one that will engage readers and inspire them to play.

The Rule of Thirds

by Chantel Guertin
ECW Press
978-1-77041-159-3
192 pp.
Ages 13+
October 2013
Reviewed from Advance Reading Copy 

Most photographers will know The Rule of Thirds, the premise by which a frame is divided into thirds to help determine a photo's composition by placement.  This basic rule can make the difference between a photo that works and one that is solely documentation. Sixteen-year-old Philadelphia Greene, a.k.a. Pippa, photo editor of the school newspaper, president of the photo club, and daughter of a pro photographer, knows the rule of thirds.  And she can tell when there's something off about the composition of the parts.  But the photos that the new kid, handsome Ben Baxter, shows her to get in the photo club definitely work, thereby allowing him the opportunity to enter the Vantage Point photo competition.  Vantage Point, the temporal focus of all the chapter headings, drives everything Pippa does and wants, offering the opportunity to attend the Tisch School for the Arts camp at NYC.

"The photography competition–less than three weeks away, and whether I win or lose will alter the course of my life." (pg. 3)

But Ben's interest in her and confidence in connecting with her has Pippa perplexed, though somewhat intrigued. It's especially confusing when she gets a placement at St. Christopher's Hospital, the same hospital at which her father had died from pancreatic cancer just three months earlier. Here she reconnects with Dylan McCutter, an 18-year-old on whom she's been crushing for years.  Between dealing with panic attacks brought on by being around the hospital and other places associated with her father, and trying to get Dylan interested in her, even though he seems close to another girl who works at the hospital, Pippa continues to fulfil her placement obligations, visit her psychologist for grief counselling and keep photographing for Vantage Point.

Perhaps because of her grief, Pippa seems to be oblivious to a lot of goings-on around her, including how others see her.  So, when Ben continues to come on to Pippa, acting proprietary over her, and her best friend Dace starts running hot and cold, and there is a spate of technology thefts plaguing the school and the community, Pippa may notice but she doesn't take it in until it comes disastrously close to ruining everything she's been working towards.   

While Chanel Guertin does leave the reader satisfied that things will work out alright for Pippa in The Rule of Thirds, she doesn't distort circumstances to produce a blithe ending where the bad guy gets caught, the protagonist wins the competition, and boy and girl finally get together.  But things can and do still work themselves out, just as they often do in reality, though maybe not perfectly but credibly.  It's like that perfect photograph:  it might have all the right components but it's up to the photographer to see the art within and rearrange them to resonate for both the artist and the audience.  Chantel Guertin has accomplished that for the young adult reader, balancing fears, grief, romance, friendship, angst, ambitions and common sense, in different proportions to produce a picture that works.

Crush. Candy. Corpse.

Written by Sylvia McNicoll
Lorimer
978-1-4594-00627
219 pp.
Ages 12+
2012

Community service hours are a chore for many high school students. These hours, usually about 40, are spent volunteering in hospitals, seniors' homes, schools, food banks, etc., learning compassion and building a sense of community while developing the volunteerism we generally accept as civilized. Even those kids who are determined that it will be a miserable experience must complete, even begrudgingly, those forty hours if they intend to graduate from high school.

Sonja Ehret, sixteen, endearingly nicknamed Sunny by her grandmother, is assigned to help out at Paradise Manor, with those long-term care residents suffering with Alzheimer's. Sunny is a pretty good kid. She may look a little wild with her pink streaked hair, and she does sneak around behind her parents' backs with Donovan, 19, for whom shoplifting seems to be a vocation. And she sometimes blurts things out without thinking, like on her first day at Paradise Manor, when she is already late because her bus takes a detour because of a busted sewer line. When she mentions a smell at Paradise Manor, she makes a justifiable connection that it must be the result of a sewer line break too. Unfortunately, the bitter receptionist, Mrs. Johnson, never forgets Sunny's offensive faux pas regarding the smell which is actually the result of a resident soiling himself. After that, Mrs. Johnson sees all Sunny's actions as mistakes or flaws, even those which Sunny chooses to do because of her compassion for the residents.

In Sunny's journal, a requirement for her volunteering credit, she may sound whiny in her earlier entries about her time and activities at Paradise Manor. But soon enough, Sunny is speaking a little German (picked up from her grandmother before she passed) to encourage a lonely resident, Johann, to eat. Of course, those who already scorn Sunny see her feeding Johann too quickly or too much at a time or putting him in jeopardy of choking. This is especially unfortunate for Sunny when Helen Demers, the grandmother of fellow teen volunteer Cole, dies from choking on hard candies that she isn't supposed to eat because she is a diabetic. And Sunny is charged with manslaughter because of her death.

Mrs. Johnson insists that Sunny's Crush on Cole, who always gives his grandmother an unauthorized caramel Candy at the end of his visit, compelled her to help Helen Demers (i.e., the story's Corpse) in an effort to help Cole discharge his promise to end his grandmother's life when the Alzheimer's has progressed too far. Since Sunny returns to help out at Paradise Manor after she has completed her 40 hours of service, the fact that she is even implicated in Helen's death seems far-fetched, except when her actions, short journal entries and stray comments (out of context) are brought into evidence.

My banal synopsis of Crush. Candy. Corpse. does not do justice to Sylvia McNicoll's captivating story of Sunny's transforming relationships with Cole and the residents at Paradise Manor. I was lured into Sunny' story as she, the narrator, presents her actions and recollections in an honest manner. But it is most disheartening to realize that her story also demonstrates how snapshots of our actions can be used to represent unfairly the totality of our behaviour. For example, regardless of Sunny's motivations and the encouragement she receives from Cole, his mother goes ballistic after Sunny gives Helen Demers pink highlights. Instead of acknowledging her mother-in-law's wish for the highlights or Cole's suggestion that Sunny get the money from his grandmother, Cole's mom focuses on the humiliation she believes Sunny intended rather than the pleasure Sunny aspired to provide by honouring Helen's request.

Sylvia McNicoll gets Sunny's voice perfect, introducing the narrator as a teen who can make questionable decisions (as we all do when inexperienced) but who has the capacity to see beyond her initial assessments and amend her own actions and beliefs accordingly. I would be proud to have Crush. Candy. Corpse.'s Sunny as my granddaughter or caregiver to a family member knowing that she would bring the foibles of youth with the insight and compassion of a humanitarian and I would cheer for her throughout her trial and beyond. Sunshine like Sunny should not be eclipsed.