A Soft Place to Fall

Written by Tanya Christenson

Red Deer Press

978-0-889956384

409 pp.

Ages 12+

January 2022

 

Out of suffering have emerged the strongest souls;
the most massive characters are seared with scars. 

~ Kahlil Gibran 

Kahlil Gibran's words may end Tanya Christenson's debut novel, A Soft Place to Fall, but they work well as a preface to a story of struggles, challenges and loss from which triumphs emerge from the ordinary.

The story is told from the perspective of Creighton Fischer, a boy whose singing mom, Gracie Rae, left when he was just five, and whose father's work with the carnival has kept them moving for many years. When, after Creighton's Grade 7 year, Dad decides it's time for them to settle down, they move to Breton, Mom's old home town. Because of gaps in his learning and attendance, it is recommended that Creighton join an alternate school. There, under the compassionate and diverse teaching methods of Ms. Hayworth, Creighton becomes part of a unique cohort. The dozen or so students soon reveal themselves to be impacted by various traumas and disabilities but Ms. Hayworth's approach is to meet their needs and not slot them into the rigid curriculum. And by showing flexibility and empathy, she brings out the best in most of them. That is, except for Carlos a.k.a. Carcass. And for Creighton, he finds his first real friends in Carin, Ratchet and Schooner and the support system he and all of them need to brave the loss of loved ones, economic hardships, bullying, past traumas, criminal charges, and even love.

The twelve kids in Ms. Hayworth's class may attend L.O.S.E.R. (Lane Oslo School of Educational Reform) but they aren't losers. They may be flawed through trauma, mental health, disability or circumstances beyond their control but they are not losers. They are human. Their resilience may at times be shaky but it is undeniable and it thankfully allows them to persist.

 

BC's Tanya Christenson, a teacher and school counsellor, knows kids and she's written these kids as human as you and I. And she doesn't wrap up their struggles with happy endings, ribbons or balloons. Tanya Christenson makes their outcomes as real as the kids. They've suffered abandonment, abuse and upheaval, and they have endured. Sometimes they've triumphed over those struggles and  sometimes not, and like all of us, they have needed support and a soft place to fall. Because, after all, we will all fall some time, some way. I just hope that there will always be a soft place to fall, perhaps even land, for anyone challenged by life. And that's everyone.

Sadie

Written by Courtney Summers

Wednesday Books

978-1-250-10571-4

308 pp.

Ages 14+

September 2018

If you notice that the book cover is larger than I usually post, it's because Sadie, the book and the girl, should not be relegated to the back or to a corner to be forgotten. In her life, Sadie was neglected and abused and she may have felt insignificant, but she is courageous and responsible, and she deserves to be noticed–and not because of her stuttering–and her extraordinary efforts appreciated.

Sadie begins with the murder of Sadie's thirteen-year-old sister, Mattie Southern, after she'd left their home in Cold Creek, Colorado, ostensibly to search out their mother Claire, who'd left 3 years earlier. Mattie had never given up hope on her mother, an addict who'd showered her meagre love and limited attention on her youngest daughter and essentially ignored or was hostile to her eldest.

I can't even put into words what it's like to swallow down a moment like that, but I can tell you exactly how bitter it tastes. (pg. 55-6)

Sadie had given all of herself to her baby sister and mothered Mattie even more, when at 16, it was just the two of them, abandoned and living in a trailer park run by their surrogate grandmother, May Beth Foster.  When Sadie disappears eight months after her sister's murder and her car found abandoned the next month, May Beth contacts WNRK New York to get some media attention and help. So begins a serialized podcast, The Girls, by producer West McCray, who pursues Sadie's story and consequently Mattie's as well.

The Girls explores what happens when a devastating crime reveals a deeply unsettling mystery. It's a story about family, about sisters, and the untold lives lived in small-town America. It's about the lengths we go to protect the ones we love. . . and the high price we pay when we can't. (pg. 1)

Sadie alternates between The Girls podcast and Sadie's telling of her pursuit of justice for her sister. West's podcast includes narration and interviews with persons of interest as he tries to locate Sadie, all the while unravelling her story. There's May Beth Foster who acts as his home base for information and clarification, and then the people Sadie meets along her journey. The chapters based on Sadie's pursuit of Mattie's murderer begin at an out-of-town diner where Sadie suggests she's looking for her father, always showing a photo of her family with Claire's ex, Keith. From that starting point, she gets one lead after another, desperate to locate the man she is convinced is responsible for Mattie's death. Mixed with reminiscences, many unsettling, as triggered by those she meets, Sadie must uncover Keith's story, told from the points of view of those who considered him a good guy and those who won't reveal much from the cloak of shame and trauma. Regardless, she pursues and inevitably helps in ways she might never know.

Courtney Summers always tells bold stories, whether based on zombies (This is Not a Test, 2012; Please Remain Calm, 2014), on sexual assault and shame (All the Rage, 2015), on bullying (Some Girls Are, 2010) or self-destruction (Cracked Up to Be, 2008). They immerse the reader in tense situations of agonizing brutality, emotional and physical, that rarely have happy endings. But that's reality. Life is not neat and it's not fair. It's raw and real and not for the faint of heart. Courtney Summers sugarcoats nothing. Nothing at all. Even as West McCray speaks to witnesses or persons of interest, they spin Sadie's story with an effort to make themselves look better. It's not honest but it's real. Take Claire, for instance. This woman cared more for the child who looked like her than the one who didn't (and blames that on her youth, her mother's death and May Beth); neglected her children in favour of her addiction; sends an abuser packing only when she suspects he might have attacked her favourite; abandons her children for years; and blames West McCray when he can't find Sadie. Yikes. Sadie's story is gut-wrenching in itself: bullied for her stuttering, neglected by her mother, abused by her mother's boyfriend, abandoned, becoming a surrogate parent to a resentful child, and grief-stricken for her beloved sister. Her story is almost too much to take.

Don't look for a happy ending in Sadie, and it's not because Courtney Summers ends Sadie with another tragedy. It's just hard to tell what kind of an ending Courtney Summers has given readers. While there is justice, Courtney Summers also leaves a gaping hole in Sadie's story that readers will need to fill, either with hope for a new story for Sadie or with another tragedy to complete her original one. Read Sadie and let me know what you think happened to this fierce young woman because her story is far too important to let her be forgotten.

Fifteen Point Nine

Written by Holly Dobbie
DCB
978-1-77086-523-5
240 pp.
Ages 13+
June 2018

The bullying that fifteen-year-old Agatha Murphy and others endure at the hands of “Those Girls” and the “Idiot Boys” who follow them around is physical, degrading and unconscionable.  They only see that Susan is overweight, that Carson is very small, that Travis is highly intelligent, and that Nicole has sweat issues. But it’s Aggie’s countless issues that are at the heart of Fifteen Point Nine. Aggie’s mother Jane is a paranoid alcoholic who scavenges and hoards and is oblivious to her daughter’s needs for food, clean clothes, and even a functional washroom. The bullies may ridicule Aggie for being dirty and smelling, as well as rummaging for food, but they and everyone else, including the school, doesn’t know about her mother and Aggie’s need to self-harm to relieve her anxiety and despair. Aggie may lighten that despair with barbed monikers including “The Torture Chamber” for school and “The Dump” for home, by ranking potential moments on her Official Romantic Scale, and by imagining outrageous scenarios that would whisk her away, but Aggie knows her situation is becoming intolerable.

I’m going to try to be more of a human being and less of a rodent, although it’s obviously something that I’m not very good at. (pg. 14)

In an attempt to take some control, Aggie decides to use an old camcorder to document the bullying in all its visual and audio horror. Unexpectedly, Susan becomes an ally in Aggie’s video endeavour, as do Carson, Travis and Nicole. These teens, deemed misfits by their cruel peers, become the Warriors Video Club and resolve to expose the bullies.

While Aggie continues to suffer at the hands of her horrid mother and the bullies, there are unexpected glimmers of something better, including  kindness from a school janitor and several moms, some Johnny Cash-infused wisdom from Jane’s newest suitor,

"Pain ain’t no good thing. Aint’t nobody out there gonna hand you a prize for storin’ shit in your heart.” (pg. 185)

and, most importantly, notes from an anonymous boy who wants her to attend the Winter Solstice Carnival dance. But, when a classmate commits suicide, Aggie’s perspective on survival and taking charge is put to the test.

Fifteen Point Nine may be Holly Dobbie’s debut novel but her teaching experiences with teens have served her well in telling the story convincingly. For those living through bullying, parental neglect, suicide of a peer and dejection, the authenticity of Fifteen Point Nine will hit hard, particularly in its harshness and near hopelessness. Still, Holly Dobbie makes it clear that, for those who do suffer at the hands of others, every day of survival is a victory and making it past fifteen point nine (just less than sixteen years of age) is a triumph.


(A version of this review was originally written for and published in Quill & Quire, as noted in the citation below.)

Kubiw, H. (2018, September). [Review of the book Fifteen Point Nine, by Holly Dobbie]. Quill & Quire, 84 (7): 37.