Book Launch: 250 Hours (Winnipeg)

Author of

Tori by Design

Great Plains Books, 2011

and

The Fall

Great Plains Teen Fiction, 2013

Reviewed here

Colleen Nelson

and

Coteau Books

launch her newest book

250 Hours

250 Hours

by Colleen Nelson

Coteau Books

978-1-55050-641-9

200 pp.

Ages 12+

For release September 2015

on 

September 19, 2015

at
7 p.m.

at McNally Robinson Books
Grant Park in the Atrium
Winnipeg, MB

Here's the blurb from the McNally Robinson website:

Jess and Sara Jean couldn’t be more different. He’s a loner with a criminal record; a Metis raised on the Reserve; the son of a residential school survivor. She’s from nearby Edelburg, a conservative small town. Abandoned by her mother, Sara Jean cares for her obese grandmother and writes to escape.

When Jess is found guilty of arson, he’s ordered to complete 250 hours of community service, starting with Sara Jean’s neglected garage. Sorting through boxes left by her grandfather, they discover that the secrets keeping their communities apart are the very things that will bring them together.

Looking forward to reading this one!

Eden Mills Writers' Festival: Sunday, September 13, 2015

As a resident of the quaint hamlet of Eden Mills, just outside of Guelph, I love promoting its annual Eden Mills Writers' Festival celebrating the written and spoken word arts.  This year will be the 27th since Governor-General award-winning author and poet Leon Rooke started the festival and, though the festival continues to evolve over the years, it is at its heart an outdoor festival of authors of children's, young adult and adult literature reading from their works.  

Details about tickets (less expensive if purchased in advance) and schedule, and all the authors who will be present are available at the Eden Mills Writers' Festival website here.

If you're around southern Ontario on Sunday, September 13 (the main day event of readings and author events), come on down and visit with a few of our favourite CanLit authors, including the children's and young adult writers and illustrators I've listed below with images of some of their most recent works.

Children's Authors

Carolyn Beck 

Sean Cassidy 

Wallace Edwards 

Debbie Ridpath Ohi 

Jan Thornhill

Kari-Lynn Winters

Magician Ben Caesar and Singer-Songwriter Eddie Douglas will also be on hand to entertain in the Children's Venue.

Young Adult Authors

Lesley Choyce

Megan Crewe

Catherine Egan

Alyxandra Harvey

Norah McClintock

Caroline Pignat

Bill Swan

Caitlin Sweet

We're anticipating a great day, so come out and join us and meet a few of your favourite authors and illustrators, do a little book-buying on Publishers' Way and through The Bookshelf, get a book or five signed, and enjoy a spectacular day!  

Hope to see you there.

Sometimes I Feel Like a Fox

Written and illustrated by Danielle Daniel

Groundwood Books

978-1-55498-750-4

36 pp.

Ages 4-7

August 2015

Danielle Daniel may have written and illustrated Sometimes I Feel Like a Fox to “encourage her young son to connect with his Aboriginal roots” (author bio on book jacket) but the book’s wisdom reaches far beyond the Anishinaabe tradition of totems, inspiring all children to look within and find their own strengths of wisdom, vulnerability, determination, curiosity and more.

In four-line free verses, Danielle Daniel depicts twelve totem animals by identifying the animal, its characteristics, and its purposeful deeds.  From the bravery of the bear to the cleverness of the fox, the author-illustrator represents a child as each totem, with respect and admiration, directing them to help “identify with the positive character traits of animals that may be familiar to them” (Author’s Note; pg. 33) while still emphasizing the interconnectedness of all living things.

As a mixed-media artist (and another upcoming children’s book illustrator I will need to add to my growing lists of youngCanLit illustrators’ Who’s Who!) Danielle Daniel delivers wonderfully textured art of boys and girls in the masks +/- costumes of animal totems (as possible) standing before unique wallpapers of stripes, flowers and patterns.  Her palette is subtle in peaches, turquoises, mustard and taupes but powerful enough to stand out.  While moving with timidity, or joy, or seriousness, bravado or hesitancy, the children model a range of animal totems that reveal more about themselves, though apparently hiding their facial expressions.

Sometimes I feel like an owl,
Intuitive and discreet.
I fly across the dark night sky,
Always watching and listening. (pg. 16)

Sometimes I Feel Like a Fox is lovely and captivating and can so easily reach beyond the gorgeous artwork and natural similes to draw readers into discussions of family and clans, of spirit guides and of introspection and self-awareness.  An amazing feat for “just” a little picture book.

Uncertain Soldier

by Karen Bass

Pajama Press

978-1-927485-72-9

288 pp.

Ages 12+

April 2015

Our doubts are traitors and make us lose the good we oft might win, by fearing the attempt. 

- William Shakespeare, from Measure for Measure, 1.4.

If there’s any message that you can take from the latest young adult book of historical fiction from award-winning author of Graffiti Knight (Pajama Press, 2013) Karen Bass is that it isn’t always easy tell who your friends or enemies are, and even more so during wartime.  And the two young men whose stories are told within Uncertain Soldier, 17-year-old German soldier Erich Hofmeyer and 12-year-old Max Schmidt of Horley, Alberta, find themselves navigating uncertain paths as they attempt to survive as Germans in Canada during World War II.

After his German ship is sunk in the North Atlantic in 1943, Erich is sent to a prisoner-of-war camp near Lethbridge.  As decent as the Canadians seem to be, the camp is run by the German prisoners and specifically high-ranking Nazis.  Because he is reluctant to use his command of the English language to spy for the other German prisoners, Erich is suspected of disloyalty to the Fatherland and repeatedly assaulted in camp.  A consequent hospitalization leads to his removal voluntarily, and that of his bunkmate Johann Nikel, to the logging camp of Henry Lane in northern Alberta.  There, ten Germans deemed not to be pro-Nazi, join Canadian lumberjacks to bring down trees and work the sawmill.  Sadly, but not necessarily surprising, Erich must still endure the prejudice and abuse of other logging camp residents, both German and Canadian, and outsiders,  as well as in the local community of Horley.

Meanwhile, the story’s other protagonist, Max Schmidt, son of a German immigrant farmer, cannot seem to appease his father, who chastizes the boy for not standing up for himself and his heritage, and his peers who bully him with vicious taunts and regular beatings, and locals who look down their noses at his family.  His only respite comes when he runs errands to the logging camp where he is treated kindly by the Lanes and meets Erich with whom he becomes friends.

Though the two young men differ in their ages by five significant years–uncommon for lead characters and friends in youngCanLit–Karen Bass capably creates a friendship based in adversity and support that spans the years, experience and even birthplace.  Max and Erich are very different Germans but their hardships are monumental and the brutality they must endure because of their heritage is beyond wrong.  Each is a prisoner to their fears and the fears of others, challenging their loyalty in every direction.

A book like Uncertain Soldier does not go down easily.  It burns in your throat with the rising bile of injustice and cowardice and the horrors of prejudice inflicted in war and out.  It churns in your gut and then sits like a heavy meal of reality and history.  Sometimes getting beyond that all is tough.  Karen Bass again, as she did in Graffiti Knight, examines an ill-fated part of our history (her author’s note is an especially enlightening and valuable read) and textures it with humanity that makes it a touching story of distressing times.  Uncertain Soldier will blow the historical fiction award juries away with its power.

The Dragonfly Effect (Book 3 of The Hypnotists)

by Gordon Korman

Scholastic Press

978-0-545-50336-5

243 pp.

Ages 9-12

August 2015

When readers last visited with 12-year-old Jackson Opus, the kid had major problems and they all stemmed from the evil Dr. Elias Mako who was determined to manipulate Jax, a powerful hypnotist, into doing his mesmeric bidding.  Thankfully, Book 2 of The Hypnotists, The Memory Maze, ended with Mako being sent to jail, and Jax and his parents being whisked away by the military for their protection.  But, while the Opuses are currently safely ensconced at Fort Calhoun and Jax assists the very serious Colonel Brassmeyer in developing hypnotism as a weapon system as part of HoWarD, the Hypnotic Warfare Research Department, life isn’t as rosy as it might be expected to be.

Jax’s Mom and Dad are bored and miserable, not even able to go bird-watching without getting arrested for leaving without their identification. Not surprizing that Dad has become addicted to the FreeForAll website with its myriad of games and activites, not the least of which is tending to his virtual grass in Lawn Master!  Jax isn’t faring much better, having to deal with the humourless Colonel Brassmeyer, the HoWaRD psychiatrist Captain Pedroia, and the other hypnotists including the nasty Wilson DeVries, former thug for Mako, and eight-year-old orphan and powerful though unskilled hypnotist Stanley X.

In addition to their various activities including bending (hypnotizing) soldiers and each other–which is when Jax realizes how powerful Stanley is–and trying to teach hypnotism to ordinary people, Jax has been recruited to participate in Operation Aurora.  Using remote hypnotism, Jax mesmerizes all 753 volunteer inhabitants at an artificial test community called Delta Prime to stop all activity at a set time.  The collateral damage is frightening to Jax, though Brassmeyer’s miliary sense of duty keeps him from being bothered by it.  Not surprising that when Jax suspects that someone is using remote hypnotism via the FreeForAll website and using the newly-adopted Stanley, the teen hypnotist springs into action, regardless of the army’s intentions for him.

If you’ve read the earlier two books in The Hypnotists series, you’ll know that Gordon Korman keeps readers on the edge of their seats, anticipating the next manipulation by an evil one, or joining in on chase or escape from entrapment or worrying about whom to trust.  Jax’s life is an action-packed adventure he hopes he’ll live through.  And Jax is such a decent kid.  He’s concerned about how miserable his parents are at the cost of his safety.  He’s appalled by Brassmeyer’s relentless experimentation with hypnotism to develop it as a powerful weapon, regardless of the consequences.  And he seems to want to watch out for everyone at HoWaRD, recognizing their vulnerabilities, even the vicious Wilson.

But Gordon Korman is the master of tongue-in-cheek and keeps the reader smiling with his quips and barbs at everything from the military and online games, to bus drivers, and traffic in the Lincoln Tunnel.  

…he noticed Ashton Opus was still playing Lawn Master.  It was almost four hours now!

       In Lawn Master, you could plant, water, fertilize, weed, cut, top-dress, spray, and aerate your virtual lawn.  Dad had just spent the last four hours literally watching grass grow.  It wasn’t even real grass! (pg. 97-8)

But amidst all the skirmishes and problem-solving, Gordon Korman has Jax finding a way, even manipulating it, for himself to lead a “normal” life, and that “happy” ending in The Dragonfly Effect–even though it is important to recognize that, as Jax does, that “It was impossible to command someone to be happy” (pg. 22)–is worth the price, all costs included.

Remember

by Eileen Cook

Simon Pulse

978-1-4814-1696-2

320 pp.

Ages 12+

February 2015

People need to ball up.  Life isn't all sunshine and unicorns.  Now they're selling it to people our age?  What, because not getting into the college of our choice is crushing?  No date for prom causing premature PTSD?  It's not trauma; it's real life.  Life is hard sometimes.  It doesn't mean you don't face it. (pg. 12)

That's best friend Win's assessment of the Memtex treatment that teen Harper Bryne's father's company NeuroTech is now offering, with FDA approval, for the "softening" of painful memories that get in the way of living.  But when Harper's beloved horse, Harry, dies unexpectedly of colic, she is devastated and weeks later still unable to sleep or eat.  Though her parents refuse to allow her to receive treatment, Harper easily convinces her boyfriend, Josh, an part-time intern at NeuroTech–and a protegé of her father's– to sneak her in.  In recovery, Harper is thrilled to know she can still visualize Harry but without the devastating sadness and guilt, feeling like herself again.

That is, until she blacks out over memories of a woman falling and the smell of burning meat, and begins dreams of this woman.  Josh is convinced they are just false memories (he is so pro-NeuroTech).  But, having witnessed her blackout, Neil O’Malley, a college student involved in protests objecting to Memtex’s use, approaches her about the possible side effects of the treatment that he is convinced had a role in his older brother’s suicide.

Now Harper is delving into her past, doing some sleuthing around anomalous information about her horse and her mother, and getting Neil to help her with this research, while her relationship with Josh is put on hold and her friendship with Win takes a tailspin.  And then there’s her dad whom she’d always trusted to do everything and anything for her and now whom she is convinced is harbouring secrets and acting only in the best interests of his company.

Remember is a romance with a cautionary spin on the hazards of expecting lives filled only with lightness and good memories, devoid of the painful ones that help sculpt us into the persons we are.  Win is always remarking about Harper’s Mary Poppins’ positive attitude and is disappointed, almost angry, when Harper begins to be less so.  This is surprising considering she acknowledges that life isn’t all “sunshine and unicorns” (pg. 12). But, Win is not atypical, recognizing that sometimes life sucks while still preferring effusive busyness and happy demeanours at all costs.  Not surprising a lot of work related to PTSD and depression is done quietly and discreetly on the side.

Eileen Cook writes captivating realistic fiction with a hint of romance so well, ensuring some sweetness is always enmeshed in the conflict of keeping secrets and telling of lies.  Unraveling Isobel (SimonPulse, 2012)  and The Almost Truth (SimonPulse, 2012) are two more examples of her gripping YA that I’ve been pleased to review here on CanLit for LittleCanadians.  I know my young readers are as enthusiastic by Eileen Cook’s writing as I am, gripped by complex plotlines beyond their own lives and by romantic, friend and family relationships that reassure them that they are normal.  And Remember is one more YACanLit to add to that collection, albeit with a nuance of science fiction that makes us remember that the speculative may not always been that fantastic after all.

When Kacey Left

by Dawn Green

Red Deer Press

978-0-88995-523-3

228 pp.

Ages 12+

April 2015

Books that deal with suicide at their core are never easy to read or review.  They are heartbreaking ends to life. Period.  But When Kacey Left focuses that heartbreak on the survivors and less on the individual who committed suicide and that makes all the difference in the story-telling.  And it’s story-telling that gets to the crux of the repurcussions of suicide: that those left behind are left to grieve, to understand and to go on.

When Kacey Left is written as a series of letters in a journal by 16-year-old Sara a.k.a. Sticks to her best friend Kacey a.k.a. Stones as prescribed by Sara’s counsellor to deal in the aftermath of Kacey’s suicide.  The letters span the gamut of emotional devastation from sadness, depression, anger, denial, and guilt with questions, lots and lots of questions.  As reluactant as she is to pour out her emotions, Sara is very articulate about sharing everything with her friend.

Sara talks about their other friend, Drea, and her rise to popularity after Kacey’s suicide; about the reactions of fellow students to Kacey’s death and to Sara herself; about the funeral itself; about how their parents and teachers and even the school via principal directives have dealt with it.  Sara has to endure that stalklings of  an autistic girl whom she calls Weird Girl who wants to understand the spiritual consequence of Kacey’s demise.  There’s Sara’s mom who seems reluctant to give Sara time to herself, instead filling her time with guitar lessons, helping out at a school dance, and attending counselling sessions.  Dad’s reaction, on the other hand, is to get Sara a chocolate lab puppy she calls Hershey.  Sadly, Sara fells like everyone now knows her only as “the girl whose best friend killed herself.” (pg. 110)

As she attempts to make sense of Kacey’s suicide, taking months before she’ll even acknowledge that Kacey killed herself,  Sara finds herself trying to learn more about teen suicide and grief–such as the stages of denial, anger, bargaining, depression, and acceptance–ultimately helping her to open up to a major meltdown and help others understand what Kacey did.  No one might ever fully understand why Kacey did what she did but they would learn to accept it and and the consequences for all of them of what she did.

I’d told them I’d think about it. Me!? Some teen-suicide-prevention spokesperson? I feel like this is something I need to talk to you about, like I need your thoughts.  I’d be talking about you and I’m not sure you’d be okay with that.  I know you wouldn’t be.  But then again…you’re not here.  When you killed yourself, you kind of lost the right to have an opinion.  I think I’ve already made up my mind.  I just thought you should know…and I do hope you understand. (pg. 200-201)

I know that some people, like Principal Kline, are inclined to consider suicide a taboo subject that should not be discussed.  Whether it is the fear that others might consider suicide an option or the spiritual presumption that suicide leads to damnation, the reasons to keep it hush-hush is just ludicrous.   Dawn Green has done a great service to bringing suicide out of the closet and to the forefront of discussions by addressing what can happen in its aftermath.  By allowing Sara to share her own questions about Kacey taking her own life and trying to find answers whether through research, journaling or social discourse, Dawn Green will allow any young person who reads this book to take a closer look at suicide as more than just death or a storyline or an ending to pain, and instead a sorrowful consequence for those left behind.

I encourage everyone to read the section titled, “Suicide Information and Resources” with which Dawn Green appends her story.  It provides useful links and information, including the assertion that “There is a way through it.”  Her reference to the song, “Hold On” by Good Charlotte (© 2002 Sony BMG Music Entertainment) is especially positive but anguished. Here is a link to the group's YouTube video of the song so you can check it out for yourself.