When Kacey Left

by Dawn Green

Red Deer Press

978-0-88995-523-3

228 pp.

Ages 12+

April 2015

Books that deal with suicide at their core are never easy to read or review.  They are heartbreaking ends to life. Period.  But When Kacey Left focuses that heartbreak on the survivors and less on the individual who committed suicide and that makes all the difference in the story-telling.  And it’s story-telling that gets to the crux of the repurcussions of suicide: that those left behind are left to grieve, to understand and to go on.

When Kacey Left is written as a series of letters in a journal by 16-year-old Sara a.k.a. Sticks to her best friend Kacey a.k.a. Stones as prescribed by Sara’s counsellor to deal in the aftermath of Kacey’s suicide.  The letters span the gamut of emotional devastation from sadness, depression, anger, denial, and guilt with questions, lots and lots of questions.  As reluactant as she is to pour out her emotions, Sara is very articulate about sharing everything with her friend.

Sara talks about their other friend, Drea, and her rise to popularity after Kacey’s suicide; about the reactions of fellow students to Kacey’s death and to Sara herself; about the funeral itself; about how their parents and teachers and even the school via principal directives have dealt with it.  Sara has to endure that stalklings of  an autistic girl whom she calls Weird Girl who wants to understand the spiritual consequence of Kacey’s demise.  There’s Sara’s mom who seems reluctant to give Sara time to herself, instead filling her time with guitar lessons, helping out at a school dance, and attending counselling sessions.  Dad’s reaction, on the other hand, is to get Sara a chocolate lab puppy she calls Hershey.  Sadly, Sara fells like everyone now knows her only as “the girl whose best friend killed herself.” (pg. 110)

As she attempts to make sense of Kacey’s suicide, taking months before she’ll even acknowledge that Kacey killed herself,  Sara finds herself trying to learn more about teen suicide and grief–such as the stages of denial, anger, bargaining, depression, and acceptance–ultimately helping her to open up to a major meltdown and help others understand what Kacey did.  No one might ever fully understand why Kacey did what she did but they would learn to accept it and and the consequences for all of them of what she did.

I’d told them I’d think about it. Me!? Some teen-suicide-prevention spokesperson? I feel like this is something I need to talk to you about, like I need your thoughts.  I’d be talking about you and I’m not sure you’d be okay with that.  I know you wouldn’t be.  But then again…you’re not here.  When you killed yourself, you kind of lost the right to have an opinion.  I think I’ve already made up my mind.  I just thought you should know…and I do hope you understand. (pg. 200-201)

I know that some people, like Principal Kline, are inclined to consider suicide a taboo subject that should not be discussed.  Whether it is the fear that others might consider suicide an option or the spiritual presumption that suicide leads to damnation, the reasons to keep it hush-hush is just ludicrous.   Dawn Green has done a great service to bringing suicide out of the closet and to the forefront of discussions by addressing what can happen in its aftermath.  By allowing Sara to share her own questions about Kacey taking her own life and trying to find answers whether through research, journaling or social discourse, Dawn Green will allow any young person who reads this book to take a closer look at suicide as more than just death or a storyline or an ending to pain, and instead a sorrowful consequence for those left behind.

I encourage everyone to read the section titled, “Suicide Information and Resources” with which Dawn Green appends her story.  It provides useful links and information, including the assertion that “There is a way through it.”  Her reference to the song, “Hold On” by Good Charlotte (© 2002 Sony BMG Music Entertainment) is especially positive but anguished. Here is a link to the group's YouTube video of the song so you can check it out for yourself. 

The Journal

by Lois Donovan
Ronsdale Press
978-1-55380-350-8
204 pp.
Ages 10+
February, 2015

In October, 2004, almost thirteen-year-old Kami is uprooted from Vancouver to Edmonton where the girl has inherited her grandfather’s home–or she will if she lives there until her 18th birthday–and where her mother has secured a “career opportunity” as an urban designer. But The Journal is not just a coming-of-age story of new experiences and adventures.  It’s a story about power, compassion, courage and family.  The control imposed on others purportedly for their own good, whether it be adults upon children, the authorities to those whom they serve, or men onto women, will give readers much upon which to reflect.  And I mean lots.

Kami is definitely thrust into a situation in which she has no control and there is no one to whom she can turn for support: her mom who accepted the position in Edmonton before talking to Kami about it is always too busy; Kami hasn’t seen her father in years; her mom’s parents remain in Vancouver; her father’s mother has passed and the grandfather who has left her his home in Edmonton has moved to PEI to live with his daughter; and her friends are as distant as all her plans for playing soccer and a joint 13th birthday party with friend Becca.  Not surprising that Kami is left alone to investigate her new home, discovering some memorabilia including photos and an old journal in the attic where she intends to make her loft bedroom.

But the journal of thirteen-year-old Helen Mitchell slips Kami into January 1929–though she remains in the same house–where she overhears talk of pilot Captain “Wot” May's plan to fly an anti-toxin up to Little Red River Settlement in northern Alberta where a diphtheria outbreak has occurred.  Though Kami returns promptly to her own time, a visit to the library and reading a newspaper clipping in the journal about the “Mission of Mercy” transports her back in time again, this time making the acquaintance of Helen Mitchell and her family as they head to the airfield to see pilots May and Horner off. But Kami cannot find the means to be transported back to 2004, and must deal with the repercussions of being a girl of Japanese heritage, seemingly without family, in a time when cowering to those in authority is deemed respectful and showing gratitude.

Kami does return to her own time, and back to 1929 again as well, but no matter what time period she is in, she must find ways to deal with issues of inequality–racial, gender and age–and learn from those who have charted pathways to making things right.

Lois Donovan does a commendable job of intertwining historical events such as the Mission of Mercy and the actions of the Famous Five with Kami’s life in 2004 Canada, and having Kami see her own dilemmas in relation to those of much more difficult times.  But I could not stop myself from despising Kami’s mother, and this probably prevented me from experiencing the fullness of the plot of The Journal.  In a book in which ordinary individuals show extraordinary courage and compassion to deliver medicine to a remote community, Kami’s mother shines as a self-absorbed parent who repeatedly fails to see how her decisions are solely beneficial for herself and disrespectful of her daughter.  The Journal's ending, however, is proof of Kami’s ability to forgive and her youthful resilience, because the theory of karma suggests that Mom should be the one tripping over herself to make things right.

I suspect that younger readers will not overemphasize Kami’s mom’s flaws as I have and instead will recognize the plotting as an opportunity to see into a different time and the bounty of their own lives relative to 1929.  By making Kami into a young teen whose strife-filled life is still manageable, Lois Donovan has provided hope for all and any, even those with me-first mothers.

Unspeakable: Book Launch (Kanata)

Join

Caroline Pignat

author of historical fiction

Greener Grass (Red Deer Press, 2008)

Wild Geese (Red Deer Press, 2010)

Timber Wolf (Red Deer Press, 2011)

for the launch of her newest young adult novel

Unspeakable

Razorbill Canada

978-0143187554

288 pp.

Ages 12+

on 

Saturday, May 31, 2014

2-5 p.m.

at

D'arcy McGee's

655 Terry Fox Dr.

 Kanata, Ontario

 Featuring a reading by the author, books for sale, and  live music. 

 ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

The following information about Unspeakable comes from Caroline Pignat's website at http://www.carolinepignat.com/unspeakable.html

"Working as a stewardess aboard the Empress of Ireland allows Ellie Ryan to forget about why she has been banished from the family home, why her great aunt ultimately had to find her this job. On her second voyage, Ellie finds herself drawn to the solitary fire stoker who stands by the ship's rail late at night, often writing in a journal."

"Based on the true story of the sinking of the RMS Empress of Ireland in May 1914, a disaster that lost more passengers' lives than Titanic, Unspeakable will be published in time to mark the 100th anniversary of this tragedy. "