October 13, 2022

Ghostlight

Written by Kenneth Oppel
Puffin Canada
978-0-7352-7233-0
400 pp.
Ages 10+
September 2022

With Halloween almost upon us, how about a new middle grade novel about a trio of teens trying to help a ghost from the 1800s fight an evil one and save her father? Want some fantasy? How about some horror? Action-adventure? Ghostlight has it all. (Even a little romance.)

Sixteen-year-old Gabe is working the summer at Toronto Islands giving the island ghost tour while his best friend Yuri, a mechanical whiz, works maintenance for the rides at the amusement park. Part of Gabe's tour is the Gibraltar Point Lighthouse whose original keeper, William Strand, and daughter Rebecca met their unexplained and tragic ends in 1839. After Gabe unintentionally makes a connection with the ghost of Rebecca Strand in the off-limits lamp room of the lighthouse, enabling him to see and hear her, she tells him that she and her father were murdered by the ghost Nicholas Viker who devoured others to make himself more powerful. Rebecca's father, one of his victims, had been part of the Order of Keepers who protected harbours, cities and coastlines from ghosts by using powerful amber lights called ghostlights to strengthen a lamp's beam and zap ghosts.
We stand guard over the night, to protect the living from the wakeful and wicked dead. (pg. 12)
Enlisting the help of Yuri and a new acquaintance, Callie Ferreira, a teen who works at the CN Tower but also writes a ghost blog, Gabe and burgeoning-techie Rebecca follow ghosts and history to locate the ghostlight and thwart the diabolical Nicholas Viker–"His rage was boundless. His dream denied. His envy unvented." (pg. 109)–who wants the amber crystal for his own nefarious use. It's a race across time and space to find that ghostlight, fight evil spirits, ally themselves with those who do good, and reunite Rebecca with her father, while Gabe also comes to terms with the death of his own father after he'd abandoned the family. Whether they can make things right for Rebecca and her father, the other ghosts, the city of Toronto, and themselves is the story of Ghostlight and it's a doozy. 
 
Kenneth Oppel will always give us a grand story, often taking realistic fiction into the realms of fantasy but with such subtlety that the reader will always wonder: Could this really have happened? Whether it's bats or alien invasions, a sasquatch or a live-forever machine, Kenneth Oppel makes us believe. Often, he does this by embedding a strong historical basis for his story, as he does in Ghostlight, taking us to legitimate Toronto locations like the Gibraltar Point Lighthouse, the Grange, the CN Tower and the Fisher Rare Book Library at U of T, and including real persons as characters such as George Brown and William Ward. And Ghostlight makes us believe in the spirits that are still of our world, whether looking for release to a better place or to create havoc for the living. 
 
Whether you read Ghostlight for Halloween or save it for another time, Kenneth Oppel will give you the creepiness of a great ghost story but also remind readers of the pervasiveness of history, good and bad, and the promise of overcoming evil through partnerships. And that's as brilliant as any ghostlight.
From Ghostlight by Kenneth Oppel

• • • • • • •

Check out the following post for news of an author event with Kenneth Oppel this weekend.

October 12, 2022

2022 Governor General Literary Awards: Finalists announced

Today, the Canada Council for the Arts announced the finalists for the highly prestigious Governor General's Literary Awards.

The seven categories of books, both in French and English, for which awards are given are:
  • Fiction
  • Non-Fiction
  • Poetry
  • Young People's Literature (Text)
  • Young People's Literature (Illustration)
  • Drama
  • Translation

Congratulations to the finalists 
of all the awards.
 
I present here those finalists of
works for young people.



English-language: Young People's Literature (Text)


A Boy is Not a Ghost
Written by Edeet Ravel
Groundwood Books
 

Sorry for Your Loss
Written by Joanne Levy
Orca Book Publishers
 

Step
Written by Deborah Ellis
Groundwood Books
 

The Summer of Bitter and Sweet
Written by Jen Ferguson
Heartdrum
 

Urchin
Written by Kate Story
Running the Goat, Books & Broadsides





 
 
 
 
 
English-language: Young People's Literature (Illustration) 
 

kā-āciwīkicik/The Move

Written by Doris George and Don K. Philpot
Illustrated by Alyssa Koski
Heritage House
 

Mina
Written and illustrated by Matthew Forsythe
Simon & Schuster
 

The Big Bath House
Written by Kyo Maclear
Illustrated by Gracey Zhang
Random House Studio
 

The Sour Cherry Tree
Written by Naseem Hrab
Illustrated by Nahid Kazemi
Owlkids Books
 

Time is a Flower
Written and illustrated by Julie Morstad
Tundra Books
 







 
 
French-language: Young People's Literature (Text)

Cancer ascendant Autruche
Écrit par Julie Champagne
La courte échelle
 

Dessiner dans les marges et autres activités de fantôme
Écrit par Carolanne Foucher
Les Éditions de la Bagnole


Le pluie des autres
Écrit par Daphné B.
La courte échelle
 

Les bulles
Écrit par Reynald Cantin
Les Éditions du Boréal
 

Les carnets de novembre
Écrit par Marie-Hélène Jarry
La courte échelle









 
 
 
French-language: Young People's Literature (Illustration)

La fin des poux?
Écrit et illustré par Obie
Éditions Les 400 coups
 

Seuls
Écrit par Paul Tom
Illustré par Mélanie Baillairgé
La courte échelle
 

Trèfle
Écrit par Nadine Robert
Illustré par Qin Leng
Commes des géants
 

Truffe
Écrit par Fanny Britt
Illustré par Isabelle Arsenault
Les Éditions de la Pasteque
 

Un rhume de cheval
Écrit par Pierrette Dubé
Illustré par Enzo
Fonfon








Winning titles will be announced
on November 16, 2022.





October 10, 2022

Celebrating Meredith Tutching, Director of the Forest of Reading: Guest post by CANSCAIP president Sharon Jennings

This Friday, the Ontario Library Association's Forest of Reading will announce the nominees for its readers choice book awards.  This announcement is the culmination of year-round work led by Meredith Tutching, Director of the Forest of Reading. We'd like to give her a little love and recognition ahead of this year's announcement.
 
The following article, written by author Sharon Jennings, was first published in the Fall 2022 edition of CANSCAIP News Vol 44 (4): 13-15. It is reprinted here with the author's permission.
 
📕📕📕📕📕 

Sharon Jennings
One of the nicest things about this cross-our-fingers-and-hope-it-dies period of Covid is meeting up with people whom we haven’t seen for over two years—not even on Zoom. So I was thrilled when Meredith Tutching agreed to let me take her out for lunch and interview her for this column. She did note, however, that there are far more interesting people to interview than her. Not for those of us toiling in the children’s book world!
 
Meredith is the Director of the Forest of Reading Program. As such,
whether you know it or not, she is one of the most important people in our lives. Why? Meredith gets our books (the ones that make it onto the Tree lists) out to the most important people: our young readers. If you are fortunate enough to find your book nominated for a Tree (as most creators have fondly dubbed the awards), you will see more sales than ever before and be asked to more schools and libraries than you thought possible. In other words, royalties and income. Most publishers have little to no money for marketing and promotion, and some publishers (we all secretly believe) don’t seem to have much interest in some of our books. But if you make it to a Tree list, your marketing dreams will come true. (Not Fifty Shades of Grey true, but still.)
Meredith Tutching
Newcomers, or those of us not paying attention, may be wondering: what exactly is a Tree award and why is it important? The program is made up of ten reading categories or divisions, from primary grades to high school young adult, English and French. The
tenth category is for adult titles. There are also ten juries of approximately fifteen volunteers each—educators, library professionals, booksellers. These juries choose ten books for their lists. They are mindful of the fact that these awards are about the enjoyment of reading. It is a recreational (not literary) program. In other words—FUN!
 
The truly brilliant aspect of this program is that once the titles have been selected and the books received by participating schools/libraries, it is the kids who vote (excluding the Evergreen, adult division). Over a few months, they read each (most) of the books and get into heated arguments with their classmates about why this book or that should win. Then they vote; the votes are counted; the winners are announced. Some of us think that our
book should have won. But how do you rant against a bunch of six-year-olds? Or sneer at teenagers rolling their eyes? There isn’t a cash prize for winning, but, even better, there is the bulk sales of our books and the adoration of our fans. On a side note, sometimes a reader will tell you, “I didn’t vote for your book.” Why, thank you for sharing, young man.
 
Back to Meredith. She didn’t set out to have this career. She graduated from Queen’s University with a degree in geography. She is also a professional synchronized skating coach and consultant, in addition to mentoring with Skate Ontario and Skate Canada. This last may seem irrelevant to us, but as she enthused over lunch about her ideas and goals for the Forest program, I could picture her out on the ice, demanding precision and sharp lines and keeping many athletes working smoothly together.

Meredith took a two-week job with OLA (Ontario Library Association) back in 2001. She’s now been there for over twenty years. In the early days, Meredith was the assistant to the Executive Director of the OLA, and the Forest job took up 30% of her time; in 2009 it became her full-time job. Meredith had so many ideas for going bigger and better, and she was so enthusiastic about kids and reading and promoting creators that the job couldn’t be contained in a few hours a week.
 
Now, the Forest is the largest recreational reading program and the largest children’s literary event in Canada. And Meredith has still more plans for further growth. She has always dreamed of expanding the program to fill the gaps in other provinces, and to do so, she finally managed to remove the program from the OLA website and obtain a standalone Forest website–forestofreading.com. This made it easier to reach out to schools across Canada with a program that could be seen as national, rather than piggybacking on an Ontario institution. Historically, there have been four schools outside of Ontario; this year there are almost fifty. Meredith wants to get to 200 by June 2023.
 
Just to be clear: books from published creators across Canada have always been eligible for the Forest Program. Meredith wanted to change the number of schools that would participate in the Program. So, if you live in Saskatchewan and your book is nominated for the Blue Spruce, you can now (or hopefully soon) get school visits in your home province and not have to travel to the participating schools in Ontario. (But then you might miss the ‘I feel like a rock star’ ceremony in Toronto as you are swarmed by autograph-seeking readers.)
 
The Program is always changing as it receives feedback. There are occasionally some complaints and grievances from creators and publishers (I’m shocked!) and, therefore, the team continues to take steps towards greater transparency. Once the books have been chosen, Meredith holds a meeting every September, in partnership with the Official Wholesaler, so that the publishers can learn about any new developments with the program and ask questions. The lists of nominated books are kept confidential until the official announcement in mid-October. And before that announcement, the wholesaler has pre-packaged listed books in order that they may go out immediately. Last year, the Official Wholesaler, Tinlids, sold over 105,000 books alone.
 
Occasionally, the Program has been accused of ‘hiding’ things (Hmmm. That sounds intriguing!) Meredith is careful to make sure the rules for submission and participation are clear and understood. Also, there is a ten-clause contract between the wholesaler and publisher which must be upheld. For example, there is a fee for each nominated book ($550.00 for a Silver Birch title), the book must be published and available by October 15, and there must be a guaranteed number of books ready to ship (approximately 3500 copies for each Silver Birch title).
 
Smaller publishers pay willingly and order in the books because this is marketing that they can’t afford and offers big dividends. Interestingly, it is some of the larger publishers who get huffy.
 
Sometimes, publishers get huffy as well when a book they expected to be on a list isn’t there. On the other hand, I mentioned to Meredith that some of my colleagues aren’t sure if their books got submitted. If we have such doubts, we are allowed to ask; however, she won’t divulge the reasons why the book was declined. Another way our books are getting into our readers hands: all one hundred titles are sent to a company (AERO—Alternate Education Resources for Ontario) that makes each title accessible in several formats for young people with print disabilities.
 
So much work done on our behalf, and that isn’t all of it! For years, library staff ran the program in their individual schools. Now the Forest and its volunteers do it all because of, as Meredith stated, “the erosion of school libraries.” And, by the way, Meredith liaisons with over 250 volunteers. Another by the way, only 7% of the Forest budget comes from government funding. And one more: Meredith divulged that she doesn’t read our books. What?! She feels that if she reads one, she will have to read them all. So why is she in this job? “I love the logistics of it.” Yup. Out there on the ice with her whistle!
 
Two hours flew by. We finished our lunch—chicken and avocado sandwiches and lemon-mint slushies. To be accurate, Meredith finished; I still had half a sandwich to get through as I scrambled to take notes, hoping that I would be able to decipher my own shorthand. She left, and I kept scribbling. Meredith’s final words were about what a close and supportive and helpful community we have. “There is room for everyone in this program.” She also
mentioned that, “Sometimes, creators are hard to herd.” Don’t we know it!

~ Sharon Jennings is the author of over 60 books for young people and current president of CANSCAIP.
 
📕📕📕📕📕

October 05, 2022

Pebbles to the Sea

Written by Marie-Andrée Arsenault
Illustrated by Dominique Leroux
Translated by Shelley Tanaka
Groundwood Books
978-1-77306-824-4
40 pp.
Ages 3-6
October 2022
 
Les Îles de la Madeleine, a Quebec archipelago, is a truly unique maritime community in the Gulf of St. Lawrence. And La Grave, a heritage site on les Îles de la Madeleine, is the center of life for sisters Flo and Fée. It is quiet and lively, a solitude and a community, and it is home. 
From Pebbles to the Sea by Marie-Andrée Arsenault, illus. by Dominique Leroux
On a gray day, the two girls are told to stay put as their parents, separated in marriage and residence, head to work: Papa to the marina, and Maman to her workshop. Along the shore, Flo and Fée collect pebbles and decorate them with bits of colour. But, when a dot flies across the sky, they know it's Henri using his giant trebuchet and venture away to investigate, leaving their coloured pebbles to mark their path. They pass the marina, and then the café where Jean-Marc plays the piano that makes them dance. While they eat a large piece of three-layer cake, Jean-Marc heads out with a pot of paint.
From Pebbles to the Sea by Marie-Andrée Arsenault, illus. by Dominique Leroux
Another dot across the sky and Flo and Fée continue on their journey, stopping to visit with artist Francine at her shop, and admire her art that reflects their community, including Maman's house and Papa's, and share in her ice cream. Francine too takes off with a pot of paint and a brush as the two girls leave another pebble and move on. At Henri's giant trebuchet, the girls look out over the water and islands and learn of the ice bridge that once connected their own island–Havre-Aubert–with l'île de'Entrée.

The bridge between the two islands can never be broken, the same way you two will always link your mother and father.

When the two finally are returned home by their parents, there is a surprise for them that could only come from the many who united as one for them. 
 
Though artist Dominique Leroux gives Pebbles to the Sea a cool and damp feel, appropriate for a maritime landscape in which lined rubber books, thick woolen tights and hats are needed for outdoor play, the story is one of warmth and community. Marie-Andrée Arsenault's words, translated with honesty and heart by Shelley Tanaka, gives the story that spirit, even as the girls recognize the separation that is part of their family now. Still, they are reminded by everyone that they are part of something bigger. They are part of a community that will teach them, feed them, entertain them and watch over them. And they will do it with colour and affection.  The illustrations, multi-media created with paint and collage of photos, torn paper and lace, may mirror the same, seeming to be pervasively cool, as the girls might feel their circumstances may be, but brightened with colour and textures that cheer.

Des Couleurs sur la Grave (2019), the original French-language edition of Pebbles to the Sea, won the 2020 Le Prix Harry Black de l'album jeunesse for the best French-language Canadian picture book for children. Pebbles to the Sea will now introduce La Grave, les Îles de la Madeleine and creators Marie-Andrée Arsenault and Dominique Leroux to English-language young readers and perhaps reassure them that parental separation is not necessarily familial separation, and that family can go beyond the nuclear family.  Like Jean-Marc says of La Grave, Pebbles to the Sea is "the perfect playground for a happy life."
From Pebbles to the Sea by Marie-Andrée Arsenault, illus. by Dominique Leroux

October 03, 2022

Lana Llama

Written and illustrated by Lori Doody
Running the Goat, Books & Broadsides
978-1-927917-81-7
32 pp.
Ages 3-7
July 2022
 
Lana Llama looks similar to her flock. She is wooly like the sheep and she has four legs and two ears and a fuzzy tail. But she still notices that her legs and neck are longer and she can't bleat.
From Lana Llama by Lori Doody
As with any creature who wants to fit in, Lana tries to emulate the sheep of her flock. But it's awkward and she is unsuccessful.
From Lana Llama by Lori Doody
Still, when a barnyard bully, also with the same attributes of wooliness, four legs, two ears and a fuzzy tail, comes along, Lana Llama uses her differences to stand up to it and be accepted by her flock exactly as she is.

Now she's happy to stand up for others,
just by standing out.
 
From Lana Llama by Lori Doody
Every Lori Doody picture book that comes out is a treat for the heart and the eyes. Her folk art consists of simple lines and bold colours but it is more. It's both subtle and striking, and still cozy and true. She doesn't overwhelm with details in her characters or landscapes but the farm and its animals are definitive and real. Based in that reality is always a story that will resonate with young readers (and old ones too). Here it's about trying to fit in but finding the best fit comes from being oneself. Of course, Lana Llama wants to be like the sheep of her flock. They are her people, her community, and she believes that they give her her identity too. But Lori Doody reminds us that what makes us different makes us unique and valuable, with Lana Llama being the only one who can stand up to a barking bully by virtue of those very differences.

Whether you're a bleater, a hummer, a clucker or a barker, Lori Doody will find you the right community as she did for Lana Llama. After all, we all belong.

September 30, 2022

2022 Canadian Children's Book Centre Book Awards: English-language Winners announced

 

Yesterday, the Canadian Children's Book Centre announced the winners of the 2022 English-language CCBC Awards at a streamed event presented from Harbourfront as part of the Toronto International Festival of Authors. (See the CCBC website announcement here with pdf here.)
 
These are the children's book awards presented this year:
  • TD Canadian Children’s Literature Award ($50,000), Sponsored by TD Bank Group;
  • Marilyn Baillie Picture Book Award ($20,000), Sponsored by A. Charles Baillie;
  • Norma Fleck Award For Canadian Children's Non-Fiction ($10,000), Sponsored by the Fleck Family Foundation;
  • Geoffrey Bilson Award for Historical Fiction for Young People ($5,000), Sponsored by the Canadian Children’s Book Centre’s Bilson Endowment Fund;
  • Amy Mathers Teen Book Award ($5,000), Sponsored by Amy Mathers' Marathon of Books;
  • Jean Little First-Novel Award ($5,000);
  • Arlene Barlin Award for Science Fiction and Fantasy ($5,000), Sponsored by Elly Barlin-Daniels; and
  • David Booth Children’s and Youth Poetry Award ($3,500), Sponsored by Shelly Stagg Peterson.
 
Congratulations 
to all winners!

 

 📚📚📚

 

TD Canadian Children's Literature Award

WINNER

On the Trapline
Written by David A. Robertson
Illustrated by Julie Flett
Tundra Books





Marilyn Baillie Picture Book Award

WINNER 

Time is a Flower
Written and illustrated by Julie Morstad 
Tundra Books



Norma Fleck Award For Canadian Children's Non-Fiction

WINNER

The Power of Style: How Fashion and Beauty Are Being Used to Reclaim Cultures
Written by Christian Allaire
Illustrated by Jacqueline Li
Annick Press




Geoffrey Bilson Award for Historical Fiction for Young People

WINNER

Second Chances
Written by Harriet Zaidman
Red Deer Press




Amy Mathers Teen Book Award

WINNER

Iron Widow
Written by Xiran Jay Zhao
Penguin Teen Canada




Jean Little First-Novel Award

WINNER 

Elvis, Me, and the Lemonade Stand Summer
Written by Leslie Gentile
DCB

 
 
 
 

Arlene Barlin Award for Science Fiction and Fantasy

WINNER 

Iron Widow
Written by Xiran Jay Zhao
Penguin Teen Canada

 
 
 
 
 
David Booth Children’s and Youth Poetry Award

WINNER 

Summer Feet
Written by Sheree Fitch
Illustrated by Carolyn Fisher
Nimbus Publishing


 📚📚📚


n.b. The French-language award short lists will be announced in October and winners celebrated in November.
 

September 28, 2022

The Line in the Sand

Written and illustrated by Thao Lam
Owlkids Books
978-1-77147-570-9
48 pp.
Ages 5-8
September 2022
 
When a monster drags a stick behind them and creates a line in the sand, they are unaware of the conflict that results. But how that conflict is resolved is up to those who perceive it.
From The Line in the Sand by Thao Lam
A varied assortment of monsters are playing at the beach: collecting shells, playing games, flying kites and building sand structures. One seven-eyed and four-limbed creature amuses itself by dragging a stick behind itself. (Haven't we all dragged sticks through sand and dirt to create shapes?) But several of the other monsters notice this line. It divides them. And when one tries to step over the line, another gets distressed and directs it back.
From The Line in the Sand by Thao Lam
This does not please the purple-eyes-on-antennae creature who promptly lifts its foot across the line and stomps on the green webbed foot of the other. Though it is deliberate, the purple-eyed monster does not realize the impact it would have, causing the green one to stumble and fall across the line and into its assailant, blurring the line in the sand.
From The Line in the Sand by Thao Lam
Then a bee flies into the mix.  Both monsters are thrown into a tizzy trying to evade the insect and in the process kick up the sand, obliterating the line. Looking up to see the roughened sand, the two creatures realize that beyond their interaction are numerous more lines, all drawn by the same stick-dragging monster. But, no one is reacting to those lines at all. They walk across them, they ignore them, or they are oblivious. The lines are present but of no concern.  Soon enough, our two rivals recognize the emptiness of their conflict, especially as they'd already joined forces to try to defeat a bee.

Conflict is often borne of words so it's meaningful that Thao Lam wrote a picture book about conflict as a wordless story. That just tells you how much words can get in the way. (They can also work wonders when used well.) In The Line in the Sand, no words are needed to convey distress, discord, territoriality, shock or even rage. These creatures, though their morphologies suggest otherwise, are as human as Thao Lam's readers.  (Don't we all differ to some degree in our shapes, colour, limbs and more?) Like all of us, they can be protective and defensive if they perceive a slight, intentional or not. And intention is key here because the creature with the stick intended nothing except play. Sadly, that line in the sand was the basis for some inadvertent conflict. Only when the two come together in a common goal–ridding themselves of a bee–do they see their squabble as insignificant.
From The Line in the Sand by Thao Lam
From her very quirky characters, that vary in colour from green to orange, yellow, pink and blue, with or without stripes or dots or other patterns, and with various limbs, eyes and more, Thao Lam includes everyone and spotlights no one. In their peculiarities, they are us. And we are them, drawing lines accidentally, taking offence indiscriminately, and coming together only when we see our similarities, not our differences. 

The Line in the Sand reminds us that conflict can be borne of misunderstanding or disregard but with communication, even without words, and awareness, resolution is possible.