Anne of Green Gables: The Chapter Book Collection

Adapted by Kallie George

Illustrated by Abigail Halpin

Tundra Books

978-1-774887905

Ages 6–9

October 2025

 

Last year, the world celebrated the 150th anniversary of the birth of Lucy Maud Montgomery, the author of Anne of Green Gables. That book, published in 1908, continues to enamour its fans and new readers. While the book and its sequels have captivated readers of all ages, its language, particularly vocabulary, is more challenging for younger readers since it is generally more suitable for those 12 years of age and older. But it would be a shame for those younger readers to miss out on the enchantment that is Anne. To that end, Kallie George, writer of the Heartwood Hotel and The Magical Animal Adoption Agency series, and illustrator Abigail Halpin have found the perfect means to introduce early readers to this red-haired star.

Now, Tundra Books is releasing a boxed set of the six previously-published books of stories adapted by Kallie George and illustrated by Abigail Halpin from the Anne of Green Gables story. These are the six books that are included in the set:

1.    Anne Arrives (2018)
2.    Anne's Kindred Spirits (2019)
3.    Anne's School Days (2021)
4.    Anne's Tragical Tea Party (2022)
5.    Anne Dares (2023) 
6.    Anne Dreams (2024)
 
By dividing up Anne's story into six short (64-72 pages long) books, Kallie George's adaptation is manageable as well as thorough. And with Abigail Halpin's illustrations, the books are enriched with colour and detail.  

From Anne Arrives, adapted by Kallie George, illustrated by Abigail Halpin

Anne's story begins with Anne Arrives. All the key elements of Anne's beginnings, from Matthew picking her up at the station and being surprised by her being a girl, to Marilla's wanting to return Anne to the orphanage, and the altercation with Mrs. Rachel Lynde are included. There is a sweeter tone to the story than perhaps the original, though Anne's angst at being returned to the orphanage and her anger at having her hair compared to carrots are evident. 

That night, she cried herself to sleep. Not even the beautiful cherry tree outside her window made her feel better. (Anne Arrives, p. 27)

From Anne's School Days, adapted by Kallie George, illustrated by Abigail Halpin

Anne's Kindred Spirits focuses on the girl's friendship with Diana, while Anne's School Days highlights her relationship with Gilbert Blythe. Anne's Tragical Tea Party centers on Anne and Diana's relationship, from an infamous tea party that becomes a disaster because of some misguided sharing of cordial to Anne's redemption by caring for Diana's little sister.

The final two books in this adaptation show us Anne as she grows as a person, first finding the courage to take on some daring exploits including public speaking (Anne Dares), and then daring to dream of being a raven-haired beauty and going to college (Anne Dreams)

From Anne Dreams, adapted by Kallie George, illustrated by Abigail Halpin

Without giving us every part of Anne's original story, Kallie George gives us the key anecdotes and a true sense of Anne the girl. Her spirit and the foibles come through loud and clear in the stories, the dialogue and her thoughts. Making Anne the full character she is while using a reduced vocabulary and simpler text is an achievement, and it is one that young readers will appreciate, especially once they get to read the original. 

 

Abigail Halpin complements the story of Anne with her illustrations which are rendered in graphite, watercolour and coloured pencils and then coloured digitally. The artwork is plentiful, at least once on every double-page spread, and contribute greater detail than can be provided in the limited text needed for early readers. From Marilla's distress at Anne's green hair in Anne Dreams to the period clothing of the girls—oh, those puffy sleeves Anne wanted so desperately (Anne Dares)—Abigail Halpin takes us into the lives of Anne and her friends and family and to visit Green Gables, the schoolhouse and the Lake of Shining Waters. 

 

These six books have given us Anne. Her story may look a little different because of the text and the artwork but Anne, in all her splendour and simplicity, is truly here. And now, younger readers can meet her and experience why the world adores her.

"I am not changed," Anne said to Marilla. "Not really. I've grown and branched out. But me, the real me, is just the same. Where I go or how much I change on the outside won't make a difference." (Anne Dreams, p. 58)

Together: A Book about Community

Written and illustrated by Elise Gravel

North Winds Press (Scholastic Canada)

978-1-0397-1283-6

40 pp.

Ages 6–9

October 2025

 

As Canadians head into their Thanksgiving weekend, many will be thinking about the concept of community. What is a community? Why should we have communities? Do I have a community? How do I make a community? While a big concept in general, community will be a vague concept for young children. They might know the benefits of community, but grasping the nuances of community may be more challenging. Thankfully, Elise Gravel, author-illustrator of concept books like It's My Brain! (2024),  It's My Body! (2022), and Everybody! (2021), is heartily up for that challenge.

 

From Together: A Book about Community, written and illustrated by Elise Gravel

In Together: A Book about Community, Elise Gravel begins with statements about living in groups because it makes us feel safe and wanted. She show her colourful monsters helping those in need with medical attention, or sharing their food with those without, or lending a hand as needed. She even depicts one monster helping another who is being bullied for being different. The message is clear: Together we are better, safer, and happier.

From Together: A Book about Community, written and illustrated by Elise Gravel

Still, Elise Gravel is realistic in accepting that we don't always like other people, whether it is because they make us feel inadequate or unsafe. But, by rectifying injustice, sharing, and helping others, we build communities that are strong and safe and in which everyone feels respected.

From Together: A Book about Community, written and illustrated by Elise Gravel

Elise Gravel's little monsters again help young children understand a challenging concept like community. It's clear that her message is that we all belong and, with that belonging, comes strength and goodness. She doesn't make Together: A Book about Community a preachy book about getting along with others—although that message is clear—or how to make a community. Instead, Elise Gravel presents it as something to consider. In other words, if you help build community, these are the great things that happen for you and others. And because Elise Gravel's monsters are so adorable and completely unscary, as well as diverse in so many ways, the idea is demonstrated with delightful humour and unusual clarity. Togetherness has never been so much fun or so understandably constructive.

From Together: A Book about Community, written and illustrated by Elise Gravel

Kokum, Are These Moose Tracks?: Celebrating Fall

Written by Tyna Legault Taylor

Illustrated by Michelle Dao 

HighWater Press

978-1-774921470

40 pp.

Ages 5–8

October 2025 

 

When Tyna Legault Taylor introduced Joshua in her series Joshua Learns from the Land, her focus was on traditional and seasonal practices of her Indigenous family and ancestors. In Dad, Is It Time to Gather Mint? (2025), Joshua looked forward to summer and gathering mint for his mother's mint iced tea, though there were other seasons filled with activities like fishing, foraging, and hunting. That picture book celebrated all the seasons while Kokum, Are These Moose Tracks? focuses on the fall alone with the boy spending time with his Kokum (grandmother) tracking animals. 

From Kokum, Are These Moose Tracks?, written by Tyna Legault Taylor, illustrated by Michelle Dao

Joshua and Kokum have a special intergenerational relationship. But Tyna Legault Taylor's dedication indicates that it was even more memorable as Joshua's Kokum was the author's mother, Mary (Okimawinninew) Legault. And when fall comes, Joshua is delighted to join his Kokum or Nookomis (grandmother in both Omushkegomowin [Swampy Cree language] or Anishinaabemowin [Ojibwe language] respectively) in hunting moose, all for her delicious moose meat stew.

From Kokum, Are These Moose Tracks?, written by Tyna Legault Taylor, illustrated by Michelle Dao

As the two explore forests close to streams, muskeg and lakes, they watch for tracks. Dressed safely in orange and walking quietly, the two find multiple footprints. First there are the tracks of the red fox (osawakaysho / miskowaa waagosh), then the wolf, and the black bear before the moose tracks are spotted. With each animal track found, and all identified in both Omushkegomowin (Swampy Cree language) and Anishinaabemowin (Ojibwe language), Kokum reminds Joshua of the attributes of each. There's the fox's tail that is used for balance, the wolf that runs on its toes, and the black bear that stocks up on food in the fall. 

From Kokum, Are These Moose Tracks?, written by Tyna Legault Taylor, illustrated by Michelle Dao

Finally, they spot the tracks of a moose; in fact, they spot the tracks of a cow moose and a calf. And though Kokum uses her birchbark call, the day ends without finding a bull moose. Still, there is a full fall of hunting, fishing and foraging, and ultimately they bring home a bull moose for stew and a new pair of moccasins. 

From Kokum, Are These Moose Tracks?, written by Tyna Legault Taylor, illustrated by Michelle Dao

I know that many teachers and parents will use this book for teaching Indigenous traditions and fall activities, but I think it's important to see Kokum, Are These Moose Tracks? and the series as more. There is a great story here of a charming grandmother-grandson relationship, of an outing into the natural world to learn about animals, while picking up some words of Omushkegomowin and Anishinaabemowin. Tyna Legault Taylor, a member of Attawapiskat First Nation (Kattawapiskak), gives readers a lot to think about, discuss, and appreciate.

From Kokum, Are These Moose Tracks?, written by Tyna Legault Taylor, illustrated by Michelle Dao

As she did in Dad, Is It Time to Gather Mint?: Celebrating the Seasons, illustrator Michelle Dao drops us into the natural world through her use of colour and shape, and welcomes us in joining her characters on their hike. Her blend of golden shades with some reds and greens reflect the striking character of the season outside, while her characters give us the joy of togetherness and discovery.

 

I hope we get to enjoy more seasonal visits with Joshua and his family in the Joshua Learns from the Land series. After all, I know we'd love to experience winter or spring or summer activities with the boy and his moshom or perhaps his nimâmâ, and enjoy vicariously his jaunts outdoors and his exploration of traditional Indigenous practices.

2025 Lane Anderson Award: Shortlists

Yesterday, the finalists for the Lane Anderson Award, a book award that celebrates excellence in Canadian science writing, were announced. The Lane Anderson Award, created and sponsored by the Fitzhenry Family Foundation, is given in two categories, one for adults and the other for young readers. Each winner receives a generous $10,000.

 

 

The basic criteria for submissions are the following: 

• The author must be a Canadian citizen or permanent resident of Canada.
• The book must be published by a Canadian-owned publishing house, have an ISBN, and be available for sale in bookstores in Canada.
• All entries must be published in English between January 1, 2024 and December 31, 2024. 
  

 

The 2025 Lane Anderson Award Ceremony will take place on Thursday, January 29, 2026 in Toronto. Details about tickets have been posted below.

 

  • • • • • • •

Congratulations to this year's finalists 

in the Young Reader category

 

I Am Wind: An Autobiography
Written by Rachel Poliquin

Illustrated by Rachel Wada
Tundra Books

80 pp.

Ages 8-12

2024

A Planet Is a Poem
Written by Amanda West Lewis

Illustrated by Oliver Averill

Kids Can Press

56 pp.

Ages 8-12

2024

Remember This: The Fascinating World of Memory
Written by Monique Polak

Illustrated by Valéry Goulet

Orca Book Publishers

96 pp.

Ages 8-12

2024 

 

 

 

 

 

 

 

 

 

• • • • •

 

Update:

 

Details about the Lane Anderson Award Ceremony have been announced. Register here through Eventbrite.

 

Date:            Thursday, January 29, 2026

 

Time:           7:00–9:30 p.m. 

 

Location:     Palm House at Allan Gardens

                    160 Gerrard Street East

                    Toronto, ON 

                    M5A 2E5 

 

Tickets are free but you must register. 

 

• • • • • 

Never Silent: A Hiroshima Survivor's Story

Written by Setsuko Thurlow and Kathy Lowinger

Illustrated by Michelle Theodore

Annick Press

978-1-77321-985-1

64 pp.

Ages 11+

August 2025 

 

Setsuko Thurlow née Nakamura was born in Kojijn-machi, an eastern part of Hiroshima, in 1932. Her family had been samurai, and she'd had a rich childhood of family and education before the war came. With it, everything changed.

From Never Silent: A Hiroshima Survivor's Story, written by Setsuko Thurlow and Kathy Lowinger, illustrated by Michelle Theodore

As happened worldwide, daily life had to accommodate the threat of attack and the rationing to support military efforts. Hiroshima, a bustling city, was an important transportation and industrial hub and, with its port, it became a critical military harbour. Young children were sent away, food was rationed, and the people were encouraged to make sacrifices for "the glory of the country." (p. 25) As a thirteen-year-old, Setsuko and other girls were recruited to decode messages. August 6, 1945 was her first day as a decoder. She was at army headquarters in Hiroshima when the first atomic bomb was detonated on their city.

From Never Silent: A Hiroshima Survivor's Story, written by Setsuko Thurlow and Kathy Lowinger, illustrated by Michelle Theodore

Setsuko Thurlow's recollections of being buried in the rubble of a collapsed building, helping the countless burned and blinded, being reunited with some family and watching others suffer and die are horrific. And as a child, she lived this horror. Her parents set an unimaginable example of fortitude and courage. Still when those who had survived began to experience mysterious illnesses and die, there was new grief and confusion.

From Never Silent: A Hiroshima Survivor's Story, written by Setsuko Thurlow and Kathy Lowinger, illustrated by Michelle Theodore

Setsuko Thurlow's story does not end with the bombing of Hiroshima. She speaks of the aftermath including Japan's surrender and the occupation by U.S. and British Commonwealth forces, and the call for the abolition of nuclear weapons by herself and other Hibakusha (Japanese for explosion-affected persons) and activist groups worldwide.

 

The story of the bombing of Hiroshima and also Nagasaki is not an easy one. With so much suffering and devastation, any discussion would be brimming with tragedy, emotional distress, and worse. This story is even more so because it is told from the perspective of Setsuko Thurlow, herself a survivor. But Setsuko Thurlow and Kathy Lowinger go beyond the bombing itself and give the reader history of Hiroshima, of World War II, and of Setsuko Thurlow's activism and the awarding of the Nobel Peace Prize to the International Campaign for the Abolishment of Nuclear Weapons (ICAN) with which she is involved. (She delivered the Nobel lecture upon receiving the prize.) 

From Never Silent: A Hiroshima Survivor's Story, written by Setsuko Thurlow and Kathy Lowinger, illustrated by Michelle Theodore

While much of Never Silent: A Hiroshima Survivor's Story is illustrated with countless photographs and images of newspapers and other documents, Edmonton's Michelle Theodore provides artwork that elevates the book from documentation to personal. She uses ink and watercolour markers to create sombre and evocative illustrations that depict both deeply personal and deeply poignant scenes. Her focus is on the Japanese setting and people, but all converges on what they are experiencing whether it be childhood joy, distress with tragedy, or compassion.

 

The 80th anniversary of the dropping of the atomic bomb on Hiroshima was commemorated this past August which is when this book was released. Because many of the Hibakusha are elderly, their stories are precious recollections to inform us and encourage action for peace. Setsuko Thurlow's story in Never Silent gives us a unique perspective but also a comprehensive one by embedding it in the history of Hiroshima, World War II, and the peace movements against nuclear weaponry. It is a touching and enlightening read, and it is one we would be wise from which to learn.

There's a Song in the Forest

Written by Jennifer Britton

Illustrated by Jillian Thalman

Nimbus Publishing 

978-1-77471-403-4

24 pp.

Ages 3–7

September 2025 

 

If you've seen the videos of forest bathing, i.e., the Japanese practice of immersing oneself in a forest as a mindfulness exercise, then you will understand the premise of There's a Song in the Forest. But more than just being part of those forests, Nova Scotia's Jennifer Britton helps readers to experience the full breadth of music that can be heard within.

From There's a Song in the Forest, written by Jennifer Britton, illustrated by Jillian Thalman

Jennifer Britton invites us to tag along with her trio of walkers and . . .

If you listen, and quiet your mind . . .

If you block out the busy and the bustle

You'll be surprised by what you can find. 

From There's a Song in the Forest, written by Jennifer Britton, illustrated by Jillian Thalman

Everything you see in the canopy and on forest floor and hear in the leaves and twigs becomes a symphony. And who adds to that symphony? There's the geese and the wood thrush, the owls and the loons, and the rocks and the water, and they all contribute to song of the forest. They whisper and tinkle, hum and harmonize. Closer to the sea, there is the boom and crash of the drumming waves. It just takes being attentive to the "beauty of rhythm and melody" to hear the music of the forest.

 

Jennifer Britton, a teacher and musician as well as an author, speaks to the songs of nature with the language of music. (She appends her story with a list in "Musical words found in this book" including melody, percussion, and metronome.) And those with an ear for music undoubtedly have a good ear for the sounds of the natural world. But children for whom a walk in a forest is a novelty or for whom an urban landscape is the norm, There's a Song in the Forest might give them pause the next time they visit a park or a forest. Jennifer Britton encourages them to pause and listen to the quiet that really isn't as hushed as expected. When they become aware of the sounds, they will be privy to a melodic secret that is both varied and full, and giving of serenity, not unlike Jennifer Britton's rhyming text.

There's a secret that lies in the treetops

One that's hidden away, out of sight.

A symphony played under canopy leaves

Through the shadows that dapple with light. 

Her words calm while they hearten and that is what Jillian (Alisa) Thalman's illustrations do but with colour and shape and texture. Jillian Thalman uses a variety of techniques in the book's artwork including cut-paper collage, watercolours, pencil crayon and even digital means, and that undoubtedly explains the depth of her artwork. She gives us landscapes of stillness and sound, movement and restfulness. And the colours! Whether it's in the middle of a forest or alongside the ocean or sitting by a nighttime campfire, Jillian Thalman makes everything strikingly beautiful and eye-catching.

From There's a Song in the Forest, written by Jennifer Britton, illustrated by Jillian Thalman

As someone who enjoys the practice of forest bathing and mindfulness pursuits, There's a Song in the Forest spoke deeply to me. But even for those for whom a walk in the woods is unfamiliar, Jennifer Britton and Jillian Thalman will tempt them with words and art to find the music in nature, hopefully with a visit to a natural area but, if not, by finding it wherever they can.

The Case of the Tagalong Twin (A Gumboot Kids Nature Mystery)

by Eric Hogan and Tara Hungerford (Gumboot Kids Media)

Firefly Books

978-0-2281-0570-1

32 pp.

Ages 3–8

September 2025

 

Scout and Daisy, characters of multiple TV series starring The Gumboot Kids, are off exploring the outdoors yet again and learning about new science concepts. In The Case of the Tagalong Twin, Scout and Daisy have a new mystery to solve and, only by working through a number of clues, will they understand what they are actually seeing.

From The Case of the Tagalong Twin by Eric Hogan and Tara Hungerford

Daisy tells Scout that on her walk over to his place she'd noticed something very odd. She'd noticed someone following in sync alongside her. Scout calls this her tagalong twin and the two retrace her steps to try to solve the mystery of this twin. Even though they don't see this twin on their walk, Scout and Daisy peruse her field notes for clues she may have noticed. Even putting together the clues of the sun, the sidewalk, and Daisy herself, they can't replicate Daisy's tagalong twin. But when the clouds part and the sun shines again, both Daisy and Scout discover they have tagalong twins that show up on the sidewalk.

From The Case of the Tagalong Twin by Eric Hogan and Tara Hungerford

At the library, they discover a science book that teaches them about shadows and how they are formed. 

From The Case of the Tagalong Twin by Eric Hogan and Tara Hungerford

For young children, the concept of shadows and how and when they are created is a complex one. They may or may not notice them—helping children use their senses to make observations is an important part of The Gumboot Kids mysteries—but when they do, they will also notice that shadows don't always appear, that they may change size and shape, and that even lamp lights can produce them. (The appended "Field Notes" will help kids discover more about shadows, as well as introduce them to new words like opaque and light source.) The Gumboot Kids creators Eric Hogan and Tara Hungerford know how to blend science concepts like shadows (or spider webs, tides and woodpeckers) into easy-to-understand terms for young children. And with adorable, felted mice in three-dimensional landscapes—incredibly detailed with tea cups, flowerpots, quilts and books—learning about shadows is easy, engaging, and informative. With Eric Hogan and Tara Hungerford's supplementary notes and a nature craft, The Case of the Tagalong Twin becomes a STEM concept book as well as an art lesson all embedded in a story.

From The Case of the Tagalong Twin by Eric Hogan and Tara Hungerford

Kindergarten and primary elementary teachers would be wise to pick up all the books in The Gumboot Kids Nature Mystery series. (I've posted a list below.) Whether as a lesson starter or a read-aloud, these books will allow teachers to engage children and get them to see their world with new eyes, and nose, and ears... And with their textured, 3D artwork, and tie-in to a popular TV series, The Gumboots Kids will make discovery-based learning the norm for STEM education.

 

 • • • • • • •

 

The Gumboot Kids Nature Mystery series:

The Case of the Vanishing Caterpillar (2019)

The Case of the Story Rock (2019)
The Case of the Wooden Timekeeper (2019)
The Case of the Growing Bird Feeder (2019)
The Case of the Singing Ocean (2020)
The Case of the Buzzing Honey Makers (2020)
The Case of the Shrinking Friend (2021)
The Case of the Hanging Food Catcher (2021) 

The Case of the Disappearing Castle (2024) 

The Case of the Noisy Neighbor (2024)

The Case of the Tagalong Twin (2025)

The Case of the Buried Treasure (2025)