Dad, I Miss You

Written by Nadia Sammurtok

Illustrated by Simji Park

Inhabit Media

978-1-77227-482-0

40 pp.

Ages 9-12

August 2024

 

Dad, I Miss You is a conversation that only takes place in the minds of a father and son as the boy is returned, again, to a residential school, leaving his father, mother, and two-year-old sister behind. It is a heartbreaking exchange that never takes place in person but tells us so much about the family and what they went through.

From Dad, I Miss You, written by Nadia Sammurtok, illustrated by Simji Park

As a young boy recalls catching a fish, having learned from his father, his father watches his son out the window, also thinking about how proud he is for feeding the family and sure the boy will be a good provider for his own family when he is a man.

From Dad, I Miss You, written by Nadia Sammurtok, illustrated by Simji Park

When the child hears the plane that will transport him far from his home, in his mind he tells his dad that he doesn't want to go back there. Hearing the same plane, his father is hopeful that it will be over soon if the boy just does what they say. After all, "They said it will be better this way." (p. 9)

 

And as the boy packs his things, he wishes that his dad would stop them from taking him and not to let them take his baby sister too. His dad has the same worries about his daughter.

From Dad, I Miss You, written by Nadia Sammurtok, illustrated by Simji Park

As the boy is taken away and endures the horrors of residential school, from the cold and lack of food to punishment and loss of language, his father keeps hope that his child is learning and will be home soon. But things are different when he returns home. Thankfully there is still love and acceptance and the wisdom to understand what he may be going through.

I know you've forgotten some parts of yourself, but after some time, you'll find yourself again. (p. 37)

Every story that speaks to the residential school experiences of Indigenous families is heartbreaking. But Nadia Sammurtok approach of getting into the unspoken thoughts of both son and father remind us of the emotional toll on both parents and children. While the son knows what he must live with at the school, from hunger and abuse, loss of culture and homesickness, his father does not know. The boy's family has been told a sanitized and misleading version of what his child will learn and do, but without first-hand accounts they cannot know what happens there. Still, as both father and son show stoicism, revealing their feelings and thoughts only to themselves, Nadia Sammurtok shows us the depth of their connection. They think about similar things but from different perspectives and readers can only hope that this connection will sustain their relationship through the hardships of a child taken away to residential school. (As the story is based on Nadia Sammurtok's own family history of residential school separation, we hope that they found strength in that connection.)

From Dad, I Miss You, written by Nadia Sammurtok, illustrated by Simji Park

Simji Park, an artist based in England and the Netherlands, uses pencil and watercolours to create scenes of great heart and feeling. Just as the dialogue between father and son is repressed, Simji Park's illustrations are subdued, using soft tones and quiet lines to depict simple scenes of home and school. She still conveys the muted comfort of home and the angst of the residential experience, but she does so with hushed ambience, reflecting the unspoken dialogue between father and son.

Every book that speaks about the tragedy of families separated when Indigenous children were forced into residential schools is unique and revealing. By focusing on the unspoken thoughts of a parent and a child, Nadia Sammurtok makes us see something a little different. The bond between a parent and a child is stretched and almost severed and yet there is hope that there is enough resilience to reunite and strengthen. Dad, I Miss You is a story of tragedy but also one of the capacity of family to reconnect and prevail.

 

• • • • • • •

Teaching about the residential school experiences is a challenging one for teachers and parents. A QR code appended to the book links to downloads of educational support materials. 

• • • • • • •

Little Moons

Written by Jen Storm

Illustrated by Ryan Howe

Coloured by Alice RL

Lettered by Nickolej Villiger

HighWater Press

978-1-774921074

64 pp.

Ages 12–18

September 2024

 

Little Moons is a story of great loss. It's also a story of family and connection, even after loss. Sadly, it's also a story based too much in reality.

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Reena lives on the reserve with her mom, Andrea, 15-year-old sister Chelsea, young brother Theo and grandmother Koko. The kids' dad, Anthony, also lives there though Mom and Dad are not together anymore. Mom works tirelessly at traditional bead work which Chelsea learned to do, beading her own regalia after her woman's ceremony. 

 

And then Chelsea does not return from going shopping after school. Even with a community helping in the search and getting news out via social media and with involvement of the police, she is not found. The seasons come and go and still no Chelsea. 

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

But what changes is the family. While Reena tries to connect with Chelsea, wearing her regalia to a Pow Wow, beading, and watching flickering lights that may mean Chelsea's spirit is around, Mom has gone beyond her depression and has headed to the city. First, it's just for a break but then she decides to move there. 

"I don't want to live and die on the Rez." (p. 23)

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Mom may think this will work to alleviate her grief, meeting new people, getting a non-Indigenous boyfriend–who is both a jerk and racist–and getting a job away from the Rez but Dad convinces her to let the kids remain with him. And Theo reveals to Reena that he sees ghosts that look like little moons, and that "Sister" has told him that she's sorry.

When Chelsea's bag is found buried in the forest near the highway, the family finds a way to connect with each other and to follow their traditions "to light her way to the other side." (p. 52)

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Little Moons may be another story of another missing or murdered Indigenous woman but it's not just another story. Jen Storm, an Ojibwe writer from Couchiching First Nation, has put her own experiences with a loved one who went missing and was later found dead into her story. She witnessed the range of expressions of grief and guilt and coping that family and friends showed. Most just do their best with what they have available and with what is familiar. Running away, looking for answers, insulating from others, these are just some ways, and Jen Storm does not judge. She just shows what it can be like. But she always shows that there is solace in spirituality and in traditions. Theo, based on Jen Storm's own son, is reassured when he connects with Chelsea who approaches him via his toys and the orbs that he sees. Reena buries medicine pouches, burning her cut braid in the sacred fire, and more. We all know there is no one way to grieve but it all changes when it is a missing and then presumed murdered Indigenous woman. Connecting with their sacred traditions and each other worked for this family.

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

A lot of talent went into the creation of the graphics for Jen Storm's story. Saskatoon's Ryan Howe has created people and places that reflect the reserve on which this family resides, as well as the city to which Andrea moves. He gives us a family of a wise elder, a young and playful child, a forlorn Reena, and a restless Andrea, as well as a present but reserved Anthony. We see a community that sits around a fire but will take to social media when needed. He's given us the traditional and the urban, and his concepts of people and place evoke both the familiar and the less familiar. Ryan Howe's artwork is brought to life by the colouring of Alice RL, a non-binary Ojibwe artist living in Winnipeg, and the lettering of comic book artist and illustrator Nickolej Villiger of Lethbridge. Without these, the book would not be the graphic novel that is both heartrending and uplifting. There is no happy ending but there is still family and traditions that bind and elevate.

How to Staycation Like a Snail

Written by Naseem Hrab

Illustrated by Kelly Collier

Owlkids Books

978-1-771476126

40 pp.

Ages 5-8

September 15 2024

 

Snail, from Naseem Hrab's How to Party Like a Snail, is back. And while his many friends are heading to far-off places for their vacations, Snail has other plans.

From How to Staycation Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

Snail has always appreciated the quiet and serenity of his home. He sees the wonder in everything from a pebble to a map, the trails he leaves and the stars in the sky. He doesn't need the frenzy of travels away from home. So, when he declines his friends' invitations to join them on their party bus headed to the city, Snail stays behind with Stump, finding their own adventures at home.

From How to Staycation Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

They listen to a waterfall, they smell the smells, and they watch the light and shadows dance with the leaves. And just when they think that they've seen and done everything there is to do, some parachute seeds blow in. These wispy travellers are using the guidebook for Snail and Stump's location and are so delighted in the smells and sounds and "attractions" of their vacation spot that they decide to stay.

From How to Staycation Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

For children who may never get the opportunity to travel from home and are made to feel that their summer vacations don't count because they didn't go anywhere, How to Staycation Like a Snail validates their experiences and gives them directives on how to staycation with satisfaction. From watching and being mindful, to making new friends and spending time with old friends, Snail's staycation is fulfilling and heartwarming. Naseem Hrab's heartfelt insight into those who aren't party animals but still joyous in their living comes through loud and clear. (Okay, maybe quietly.) As she did in her Governor General award-winning picture book, The Sour Cherry Tree, illustrated by Nahid Kazemi, Naseem Hrab touches readers with heartfelt understanding how we are all different. How we find adventures in our lives or heal or find joy may be unusual but still valid and should never to be diminished with judgment.

From How to Staycation Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

Kelly Collier, who has illustrated Naseem Hrab's Otis & Peanut books as well as her own, like A Horse Named Steve and The Imposter, has the skill to bring humour and lightness to issues like fitting in and self-acceptance. She takes Naseem Hrab's words and spins them into joy, from seeds applauding the mesmerizing Stick to Stump tossing aside a tumbleweed that blew in near him (that is, after he spent time appreciating this new entity). Snail and Stump have few features to emote, but Kelly Collier makes them so expressive, giving them the ability to show surprise and shock, and distress, happiness and so much more. She brings them and the story to life in colour and line.

As someone who appreciates her home and doesn't feel the need to travel to find satisfaction or new experiences, I'm with Snail and Stump. There's always something wonderful and new to discover even in places with which you are familiar. So, instead of "Bon Voyage," let's wish all the staycationers a "Bon Sejour" and stop travel shaming those who prefer not to do so because...

 

It's hard being the only epic explorer who wants to stay home.

ABCs for a Peaceful Me: A Mindfulness Seek-and-Find Book

Written by Shelly Becker

Illustrated by Dan Yaccarino

Abrams Appleseed

978-1-419772719

40 pp.

Ages 3-7

August 2024 

 

I think many people believe anyone can write a concept book such as an alphabet book, not unlike every celebrity who thinks writing a picture book is a piece of cake. After all, everyone knows that alphabet so finding a bunch of words on a single theme should be easy. It's not if it's done well. And by making her book about mindfulness and incorporating a seek-and-find element, Shelly Becker makes ABCs for a Peaceful Me take on an important mental health practice while making it fun for young children.

 

From ABCs for a Peaceful Me, written by Shelly Becker, illustrated by Dan Yaccarino

The book begins with the following directive:

Feel  your breath move in and out.

Feel the peaceful energy.

Focus on the here and now...

and just BE.

Then, for each letter, a child is doing something that will give them an opportunity to focus and be in the moment. In each case, it's a single verb or verb phrase, allowing the reader to interpret and expand on the term to make it what they need. It could be to breathe or connect, to nurture or observe, and to visualize or wait. 

 

Finally, children are encouraged to...

Rise to your highest heights.

Embrace the sparkling star that you are,

Shine your one-of-a-kind light...

and just BE.

From ABCs for a Peaceful Me, written by Shelly Becker, illustrated by Dan Yaccarino

While an adult might read this book from A to Z, as well as the "Author's Note", the reading of this book should be approached differently for a child. Shelly Becker knows this, providing a discussion about how to do a "Mindful Reading" of the book, and how to conduct a "Five Senses Mindfulness Treasure Hunt." This book could become a whole teaching unit on being mindful, incorporating lessons on health and well-being, on the science of making observations and using the five senses to do so, on visual literacy to look for details within each illustration that begin with each letter, and so much more. ABCs for a Peaceful Me may be intended for young children but I believe it will be valuable tool for reducing stress for all.

From ABCs for a Peaceful Me, written by Shelly Becker, illustrated by Dan Yaccarino

Dan Yaccarino, an American author and illustrator, has collaborated with Shelly Becker on a number of picture books, but his digital artwork in ABCs for a Peaceful Me works especially well in a concept book. There is a simplicity that mirrors both the peaceful nature of the book and the alphabetical nature of the text. Dan Yaccarino uses colours and shapes that are both bold and reassuring, quite an accomplishment.

From ABCs for a Peaceful Me, written by Shelly Becker, illustrated by Dan Yaccarino

Some of the words in ABCs for a Peaceful Me are big. Words like appreciate, journey and uplift, but mindfulness is a big concept. The book may be aimed at the very young but the not-so-young will certainly appreciate its worth too.

The Hawk Shadow

Written by Jan Bourdeau Waboose

Illustrated by Karlene Harvey

Kids Can Press

978-1-5253-1084

32 pp.

Ages 4-7

September 2024

 

When Serenity's older brother, Big Ed, decides to go fishing with his shiny new store-bought rod, she tags along with the hand-made one of spruce and moose sinew that her father has given her. But, though Big Ed is focused on the fishing he will do, Serenity's focus is elsewhere.

From The Hawk Shadow, written by Jan Bourdeau Waboose, illustrated by Karlene Harvey

As the two head out along Big Ed's fishing path to the river, Serenity revels in all the wonders of the natural world, from the sun and the singing robin, to a raven and some chokecherries. Big Ed may walk faster than Serenity but, even as she dawdles, he watches out for her. He also teaches her about their cultural beliefs from why the river is called Hawk River, the value of the cedar tree, and more.

From The Hawk Shadow, written by Jan Bourdeau Waboose, illustrated by Karlene Harvey

But when they start fishing and Serenity is distracted by a Red-Tailed Hawk that circles around her, and then leaves and returns, she realizes that he wants her to follow him. Fortunately, she does and finds that a little sister's help is needed.

From The Hawk Shadow, written by Jan Bourdeau Waboose, illustrated by Karlene Harvey

It's always a treat to read a Jan Bourdeau Waboose picture book. It's been far too long since her The Spirit Trackers (illustrated by François Thisdale) and it's lovely to revisit a sibling relationship that is embedded in an Indigenous community. The Hawk Shadow may be considered an Indigenous story–Jan Bourdeau Waboose is First Nation Anishinaabe of the Ojibway Bear Clan–but it also speaks to the interactions of an older brother and younger sister, an appreciation for the natural world, and a mindfulness to it and the messages within. Serenity is like her brother's shadow, following him, listening to his teachings, asking him questions, and ultimately freeing him from a dangerous situation. If she hadn't been mindful of him and of her surroundings, including listening to the Hawk, the siblings' outing may have had a far worse outcome. Jan Bourdeau Waboose shows us that even though  Serenity is watching and listening to everything around her, and is ostensibly distracted from her brother's words and quicker step, she is fully engaged. It's a lesson in being wholly present in place and with people.

Karlene Harvey, who has illustrated several other picture books including Melanie Florence's Kaiah's Garden, is a Tsilhqot'in and Syilx illustrator who respects the Indigenous basis for the story without highlighting any of the major styles such as the Woodland Style.  The realism of the Hawk's morphology is blended with the bold and the bright of the characters as they journey and fish but Karlene Harvey still adds light touches to remind readers of the community from which Big Ed and Serenity were born. In addition to the glorious end papers of beaded flowers, there's Big Ed's beaded bear paw medallion necklace and the bead work on Serenity's collar.

From The Hawk Shadow, written by Jan Bourdeau Waboose, illustrated by Karlene Harvey

Here's to listening, seeing, and being a part of something, whether it be a sibling relationship, the natural world, or a community. There is always much to learn and appreciate, even from the shadows.

The Case of the Missing Spot (Nancy Spector: Monster Detective, Book 1)

Written by Stephen W. Martin

Illustrated by Linh Pham

Algonquin Young Readers

978-1-6437-5065-1

208 pp.

Ages 7-11

September 2024

 

A lost pet is a frightening and heartbreaking experience for many a fur parent but what if the pet is an invisible dog? Who is going to help the Invisible Man a.k.a. Professor Griffin find Spot, his invisible eight-year-old Border Collie who loves bacon? It's going to be Nancy Spector of the Monster Detective Agency.

From The Case of the Missing Spot, written by Stephen W. Martin, illustrated by Linh Pham

Nancy and her dog Jinx, who reluctantly accompanies her but will do anything for a belly scratch, start their search at the Professor's house. Except for Jinx developing a case of relentless sneezing, accompanied by copious amounts of snot, they find nothing and head to Spot's doghouse. There they discover an escape tunnel which leads to a cavern of snarly rock-like creatures and then above ground where they follow clues like a body print in wet cement–no paw prints because, of course, Spot is invisible–left by Eugene the vampire and visit Melvin's Diner where they hatch "Nancy's super awesome hot dog trap plan."

From The Case of the Missing Spot, written by Stephen W. Martin, illustrated by Linh Pham

But their trap doesn't work, and it takes more encounters with monsters and following more clues before they discover a vengeful plot and a new nemesis for Nancy but also the reunion of the Invisible Man and his Spot.

From The Case of the Missing Spot, written by Stephen W. Martin, illustrated by Linh Pham

Stephen W. Martin and Linh Pham take middle grade readers into another world–actually an island in the Atlantic Ocean–where monsters reside and the supernatural is the norm. Yet, they've made their characters playful and different. From the dragon-like monster who chows down on everything but denies eating Spot since he doesn't eat anything with fur, and Hank the two-headed rainbow-feathered bird, to Eugene's grandmother who uses bones as hairpins for her curlers, and of course, Nancy and Jinx, the characters in The Case of the Missing Spot are a little wacky with just a smidgeon of creepily weird and a whole lot of fun. And as they partake in the search for Spot, whether by design or by encounter, they keep the investigation zany and yet fruitful. 

 

Canadian-born Stephen W. Martin, a screenwriter as well as children's book author, gives young readers a little bit of everything, ensuring entertainment for them either through humour or fantasy. The humour comes by way of the characters themselves, especially via adorable Jinx, while the story is the fantasy. Readers will witness Nancy and her fellow investigators flying on Hank and a waitress with four arms, as well all manner of flamboyant monsters driving flashy cars. Everything is bold and brash and monstrously splashy in setting, characters, clothing, and more. Vancouver's Linh Pham gives this graphic novel the action and the intensity to accompany Stephen W. Martin's investigative adventure, collaborating with him to create a world like no other.

Since The Case of the Missing Spot is labelled as Book 1 in the Nancy Spector: Monster Detective series, I think we'll have more adventures and laughs coming from the eight-year-old detective and her talking dog. And since the map of their setting includes some locations not yet introduced, like the Cloud Sauna, the Never Rainbow, the Mermaid Cave, and Ice Horns, I think there will be more surprises and hoopla for Nancy and Jinx and their many acquaintances.

Playdate Surprise: Book launch (Kelowna, BC)

 

Karen Autio 

author of picture books, middle grade novels and non-fiction, including

I Can, Too!

 
is launching her newest picture book

 

 Playdate Surprise

 

Written by Karen Autio

Illustrated by Laura Watson

Scholastic Canada

978-1-443199810

24 pp.
Ages 3-7

September 2024

 

(also in French) 

Une surprise merveilleuse

978-1-443199841

 

on 

 

Sunday, September 22, 2024 

 

at

Once Upon a Bookstore
2795 Tutt Street
Kelowna, BC

 

at

 

 1 PM and 3 PM (local times)

(The 3 PM reading will be simultaneously interpreted in ASL)

Cost: $10 /two people (children under 2 attend free)

includes an autographed book (or store credit) and a sticker sheet 

Use this QR Code to purchase a ticket for either the 1 PM or 3 PM event

There will be storytime, a kids' craft and cake with author Karen Autio!