Everyday ABC

Written and illustrated by Paul Covello

HarperCollins

978-1-44345-441-4

30 pp.

Ages 0-4

May 2018

Alphabet books like most concept books tend to be rather simplistic, for two reasons. First, the patterns that the text will follow are predetermined. It's always going to be A through Z. Secondly, they are concept books, those which try to teach a new concept to the very young. They must be simple enough for children to grasp the concept through multiple readings. If there is any confusion or duality of message, the book is not serving its purpose. If the children are not familiar with the words that are selected for each letter, it does not serve its purpose.  Everyday ABC serves its purpose very well and with boldly colourful illustrations that will boost learning.

From Everyday ABC by Paul Covello

For each letter of the alphabet, artist Paul Covello, whose books Canada ABC, Canada 123 and Toronto ABC have already provided familiar Canadian perspectives to concept learning, shares commonplace examples for children.  The list includes: apple, ball, cat, dog, egg, flower, guitar, hat, ice cream, juice, kite, leaf, milk, nest, orange, paint, quilt, rainbow, shoe, tree, umbrella, vegetable, window, xylophone, yarn and zoo. Most children would already be familiar with these words, hearing them regularly in western households: "Put your shoe on" or "Eat your vegetable" or "Let's go to the zoo today." Now they can see the letters that starts these words, see how each word is spelled and learn the order of the letters in the alphabet.  Everyday ABC speaks to the child with things recognizable to them, not to impress the adult reader.

While the text fulfils its mandate of teaching the alphabet, Paul Covello's artwork is probably what children will most appreciate. The art is alive with colour and shape, drawing children to recognize and identify objects in the details and further the learning. E may be for egg, but a child will also learn where the egg comes from as well as the difference between a hen and chicks and a rooster, all in a sunny egg-yolk yellow landscape.

From Everyday ABC by Paul Covello

Moreover, every child, albeit in a western world, is represented here. There is diversity in where children live, what colour their skin is, what clothing they wear. There are boys and girls and children whose gender is irrelevant. There are indoor scenes and outdoor scenes, and scenes of activity and quiet times too.

From Everyday ABC by Paul Covello

While the focus of Everyday ABC differs from his earlier works, Paul Covello continues to recognize how to blend his artwork to help young children grasp new concepts and he does so with an earnest awareness of children's needs and likings that all will appreciate.

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Walking in the City with Jane: A Story of Jane Jacobs

Written by Susan Hughes
Illustrated by Valérie Boivin
Kids Can Press
978-1-77138-653-1
36 pp.
Ages 6-9
April 2018

Jane Jacobs is an icon of urban activism both in her birth country of the United States and her adopted home of Canada. In both places, her support of cities as communities for the people pitted her against traditional urban planners and developers but won her the support of her neighbours near and far.

Susan Hughes, author of numerous fiction (e.g., What Happens Next, The Four Seasons of Patrick, Virginia) and non-fiction (e.g., Off to Class, Case Closed?, Coming to Canada) books for young readers, takes Jane's story from humble but passionate beginnings–an anecdote about Jane being sent home from school when she wouldn't promise to brush her teeth everyday and trying to incite her classmates to follow is especially telling–to a move to New York City where she saw her city through "eyes on the street" and recognizing life in the city as a "ballet of the sidewalk."

From Walking in the City with Jane by Susan Hughes, illus. by Valérie Boivin

She knew that animals, plants, river, sunshine and rain all worked together as part of a healthy ecosystem. "But a city is also an ecosystem," she realized. "It is made of different parts – sidewalks, parks, stores, neighborhoods, City Hall ... and people, of course. When they all work together, the city is healthy. (pg. 14)

After her marriage to architect Bob Jacobs, Jane continued to work as a journalist. She used her writing to criticize city planning that supported businesses and transportation and thought seldom of the people upon which communities were built. She initiated protests that stopped the razing of her own neighbourhood for construction of a highway. It took years of protests and activism, including an arrest for interrupting a city meeting, before Jane and her fellow activists were able to stop the development of the expressway and even save a local park from traffic.  Her family's move to Toronto did not suppress her love of cities or the need to advocate for neighbourhoods.

She inspired communities to take a stand for their neighborhoods. She also encouraged everyone living in cities to look around them while they walked and to listen, linger and think about what they saw. (pg. 34)

From Walking in the City with Jane by Susan Hughes, illus. by Valérie Boivin

By highlighting key events in Jane Jacobs's life–school, the move to New York City, marriage and family, the protests against Robert Moses's plans for development, the move to Canada and continued advocacy for cities for people–Susan Hughes distills Jane's story to one of action. Of course, there is much more to her long-life story (she was 89 when she passed) but these milestones shaped the trajectory of her influence about the way we think about cities.

Illustration by Valérie Boivin used in Walking in the City with Jane by Susan Hughes retrieved from https://valerieboivin.carbonmade.com/projects/6410126

Quebec artist Valérie Boivin, already well-known for illustrating French-language books including 752 lapins, Le livre où la poule meurt à la fin, as well as her own Un après-midi chez Jules, brings structure and dynamics to Jane Jacobs's story. Just like the cities Jane Jacobs supported with her action, Valérie Boivin blends work and play and landmarks with conventional buildings to create landscapes that are familiar and still noteworthy.

Walking in the City with Jane honours Jane Jacobs's urban activism and reminds us to be functional players on the stages of our cities, not merely bit players with walk-on roles, and the best way to do that is to open our eyes and engage.

PB's Comet

Written by Marnie Parsons

Illustrated by Veselina Tomova

Running the Goat Books & Broadsides

978-1-927917-12-1

32 pp.

Ages 4-9

March 2018

While stories that support children's interests in the sciences, tech, math and engineering are becoming more and more common, I don't think there is one out there anything like PB's Comet which promotes the idea of following one's STEM dreams, even if ridiculed or ignored by others, with sheep and and a goat and Newfoundland flair.

PB is a lamb of Toads Cove (the original name of Tors Cove, NFLD) who, with other sheep and a goat, is taken over to Fox Island for summer grazing. While the others bide their time, grazing and watching tourists and whales, PB is reading about astronomer Edmond Halley, studying star charts and staying up at night to ponder the night sky. Her focus is on calculating when the next comet might stream across the sky.  But the old goat "who was inclined to be grumpy and rather remote" (pg. 12) does not appreciate her efforts.

From PB's Comet by Marnie Parsons, illus. by Veselina Tomova

So he'd hide PB's spyglass and munch on her maps
and jumble her numbers while poor PB napped.
But no matter the ills of the old goat's devising,
PB maintained an extremely surprising
insistence that soon her comet would come,
and with every assurance that goat seemed more glum. (pg. 15)

But when that old goat glimpses the night sky, which he'd been missing because of heading to bed earlier than most, PB's pest becomes her protege, joining her to watch the night sky and learn.

From PB's Comet by Marnie Parsons, illus. by Veselina Tomova

Though a picture book which many people incorrectly assume to be only for the very young, PB's Comet is sophisticated in its text and artwork and probably better suited to early and middle grade students who will be able to delve deeper into the science and history of the story. (The endpapers have a colourful timeline of possible sightings of Halley's Comet from 3 c. BC through 1986.) Still, though Marnie Parson's appended notes tell the story of Edmond Halley's 1700 visit to Toads Cove as well as the practice of Tors Cove farmers to take their sheep over to Fox and Ship Islands for summer grazing, PB's Comet is a story even bigger than these elements.

Marnie Parson's rhyming text is rich in word choice and mood. In fact, the rhythms propel the reader through PB's story easily with the text's rhyming scheme (AABBCC) and Marnie Parson's choice of vocabulary. But the text is neither simplistic nor contrived. It has a depth of language that seems of another time and place and perhaps that is what it is supposed to convey. Veselina Tomova's artwork supports that spirit including such elements as a sextant and old-fashioned telescope in PB's scientific tools. Veselina Tomova's etchings also have a grittiness of a time and place less sterile than today, more earthy and humble, and totally appropriate for the story of PB's Comet.

PB's Comet has an important message about following your own path and passions, even those not supported by your community. The reader can feel PB's intention and passion for the stars and elements of the night sky, as well as the old goat's indignation, perhaps because it feels threatened, with a young sheep who doesn't follow the path of the others. Still, young readers will realize that the lamb can do astronomy, even if there are those who oppose her efforts and even sabotage them, and it's this message that should be heeded.

PB's Comet is funny, rhythmic and imaginative, but more than that, for lambs, girls and those pursuing their passions, PB's Comet has an important message about self-actualization that teachers and parents would do well to share.

The Whirlpool

Written by Laurel Croza

Illustrated by Kelsey Garrity-Riley

Groundwood Books

978-1-77306-032-3

96 pp.

Ages 10-14

May 2018

Don't be deceived by the simple cover illustration and the less-than-100 page count. The Whirlpool, a collection of seven short stories from award-winning picture book author Laurel Croza, is not an early reader.  Its stories are sophisticated and aimed at upper middle grades, covering a wide variety of issues from emotional abuse and grief to destiny and bullying.

In It's a Step, the narrator Charity lives with her mother and abusive father.  As her dad rails against her mom taking a job at Tim's, both mother and daughter find the means to take a small step to a better life.  In Book of Dreams, Mike finds the support he doesn't get at home from his mom and her latest boyfriend at a restaurant where he gets respect, appreciation and a turkey dinner. While a very different story in terms of characters, OH! is also about finding home. The Oh! So Perfect Hair Dolly goes from factory to store shelf and dreams of being named by a child. The desolation of being passed over during Christmas shopping and then being relegated to the reduced price bin is reflective of any child who has felt unloved.  

The Whirlpool is the story of fifteen-year-old Jasmine who is the brunt of swirling rumours at the whirlpool that is school about her having a baby. As she deals with the gossip and nastiness, Jasmine resolves to "look the whirlpool in the eye" (pg. 30) and reveal her story. A Beautiful Smile also looks at nastiness at school, this time with a young teen from the north standing up to a mean girl at her new Toronto school. Most satisfying is the public and clever way in which Nicola finds support and salvation.

Although all the stories have something important to impart, my two favourite stories are The Sunflower and Destiny. Though told from the perspective of a squirrel, The Sunflower is neither trite nor silly. It is an emotional story about loss and grief and making connections, and I defy anyone not to sob at its telling.  Destiny is a revealing story about following one's dreams, regardless of others' desires and opinions.  Johnny helped inspire his younger sister Dani to play hockey even when her father thought figure skating would be more appropriate. Dani persevered and changed her father's mind about her playing hockey. Now, with Johnny drafted to the OHL, she wants to help her brother accept his true destiny too.

Each story in Laurel Croza's collection is packed with emotional growth, from taking first steps to fulfilling one's destiny, or saving yourself, or accepting strengths and weaknesses as part of the whole package. The stories may be brief (each less than 20 pages) but they wallop you with the power of their storytelling, dialogue and message. My favourite, The Sunflower, does that all in five pages.

I shouldn't be surprised that Laurel Croza can weave such powerful tales. Her highly-acclaimed picture books, I Know Here and From There to Here, which were beautifully illustrated by Matt James, conveyed amazing stories in few words. But these stories are not picture book tales transformed into text. They are not for our youngest readers, though, because of the length of the books, parents and teachers might expect them to be so.  The stories in The Whirlpool collection deal with issues of abuse, gossip, abandonment, and death. While these are issues with which younger readers may be familiar, the older protagonists in Laurel Croza's stories suggest that older middle grade readers might understand the messages better.

I've always loved short story collections for the breadth of stories that can be told and the piecemeal manner in which the text can be read. They are potent teaching tools and convenient for reading in shorter time periods. With The Whirlpool, Laurel Croza has provided a worthwhile addition to the youngCanLit collection of short story anthologies as it enlightens, reassures and inspires.

Whatshisface

Written by Gordon Korman

Scholastic Press

978-1-338-20016-4

231 pp.

Ages 8-12

May 2018

There's an anonymity that comes with being the new kid at school that can be refreshing. But most times, and twelve-year-old Cooper Vega knows this well, you're just Whatshisface, the guy no one cares to know. You're not part of the established cohorts or activities and many kids are not going to bother trying to include you in their lives.  Cooper feels like his job is just "to get out of the way." (pg. 1) But, in his new home town of Stratford, where Somerset Wolfson, Shakespearean fanatic and one of the richest men in the U.S., lives, it's looks like it might not work as it always has.

Being in Grade 7, Cooper and his classmates will be responsible for performing the annual Shakespearean play.  This year's play will be Romeo and Juliet, an endeavour supported financially by Mr. Wolfson. As much as Cooper might enjoy playing Romeo–the role assigned to the obnoxious Brock Bumgartner–opposite the incredible Jolie, he is selected for Second Watchman, a perfect role for a Whatshisface.

But when his new cell phone, the GX-4000, starts acting up and connects with the ghost of a young printer's apprentice, Roderick Barnabas Northrop, from 1596 England, staying a Whatshisface becomes a little harder.  This is especially true when Roddy, in his efforts to help Cooper become less of a Whatshisface and win Jolie's attentions, learns that the play they are performing is one he had started writing prior to his death!

Gordon Korman is a writing hero to middle graders. He has the heart of a middle grader or at least he writes like one and that's why young readers LOVE his books. He writes funny stories with great plots, relatable characters and satisfying endings that resolve with honesty and realism. That's pretty amazing considering there's a ghost in a cell phone in Whatshisface. Still the characters, other than Roddy, are real kids who want to fit in or be popular or get the lead role or want to stay under the radar. Most are just trying to survive middle school. Readers will see themselves in Cooper, a boy who doesn't feel like he belongs but does feel like he's always messing up.  He's not a loser but he certainly feels like one at times, not unlike just about everyone in the world. And they'll cheer for him when Roddy whips out insult after insult, in true sixteen-century style, to come to Cooper's defence.

"...had my fat hound thy face, I should shave its hindquarters and train it to present itself rearward." (pg. 81)

 (This is paraphrased by Cooper as "...if my dog had your face, I'd shave its butt and teach it to walk backward."; pg. 81) What child would not laugh uproariously at that irreverence?

While many young readers will be grabbed by the familiar plot of trying to fit in, the subplot related to Shakespeare's alleged theft of manuscripts is a fascinating one. By incorporating that controversy (and there is a history of allegations that Shakespeare may have adapted, if not stolen, the works of others) with the quirky friendship between boy and ghost, finding one's place, whether in middle school or in history, takes on a whole new dimension.

Past Tense

Written by Star Spider

HarperCollins

978-1-443452113

304 pp.

Ages 13+

April 2018 

When you're fifteen years old (Julie) and you think you're in love with your best friend (Lorelei) and dreaming of that first kiss while your mother (Olive) is acting weird, telling you her heart is gone, and your best friend's ex (Henry) whom you never liked is hanging around and Dad (Max) is always working and your baby brother is only six months old, everything is a worry.  Your world is beyond tense, it's almost unendurable.

This is Julie's present. Her friendship with Lorelei has always been solid, though probably more so because Julie usually accommodates her popular and assertive friend, more so now that she is crushing on her.  But Lorelei is keeping secrets and making choices that Julie is questioning, at least to herself, so Julie doesn't confide in her best friend when her mother starts acting really, really weird.  Julie has discovered her mom, a former firefighter, is barely eating, thinks she no longer has a heart, and driving out to the cemetery at night with the baby. Stranger yet, when Julie insists on going with her on these excursions, her mom wants her to play out a game called Rest in Peace where Julie eulogizes her mother.  Does she tell her father? No. He's too busy and just contends that her mom is tired.

And into the mix comes Henry, Lorelei's ex. At first, Julie is convinced Henry just wants to reconnect with Lorelei, but it soon becomes obvious to all that Henry likes Julie. Julie doesn't know what to think. Maybe she just likes girls. Maybe she likes both boys and girls. Still, Henry who has his own worries is the one person she can talk to about everything. But can she reveal everything to her new ally when Mom is trying out caskets and Lorelei may be hiding a secret about their teacher Mr. Gomez?

Though a writer of some acclaim, Past Tense is Star Spider's first novel, and it's a doozy. Having a young teen questioning her sexuality is not unusual, though the path Star Spider takes her on to help understanding it–watching others, listening to her heart, and pondering what her head is telling her–is fresh. But when mixed in with her mother's mental illness, later diagnosed as Cotard's delusion, and a family on the edge, along with friend who is both secretive and affectionate, Julie's story is far more angsty. Fortunately, by looking back through the past–each chapter begins with a memory of Julie and her mother–the reader will realize the past shapes our relationships and our future but does not determine it.  Julie's friendship with Lorelei does not have to remain as it was when they were younger, just as her relationship with Henry can be something different than it was when he dated Lorelei.  And her strong and capable mother is no less because of her illness or status as a stay-at-home parent.  Living in the past is futile. Moving forward is a necessity.

Eden Mills Writers' Festival 2018: September 9, 2018

This year the Eden Mills Writers' Festival is celebrating its 30th anniversary of bringing writers and readers together. We always have an incredible line-up of authors of books but I like to let readers at CanLit for LittleCanadians know about those writers of books for young people.  Do check out the full line-up as well as the other special events, workshops, contests, and details about tickets and getting here at the EMWF website at https://edenmillswritersfestival.ca/2018-festival/.

For now, mark September 9, 2018 for your chance to hear these outstanding authors of youngCanLit at this year's Eden Mills Writers' Festival.

Sigmund Brouwer

Lana Button

Dennis Lee 

Casey Lyall

Sylvia McNicoll 

Also, appearing in Children's venue will be storyteller Brad Woods

Because it's a special anniversary for the Eden Mills Writers' Festival, we'll be doing something a little different in the Young Adult Authors' venue this year.  Instead of just having readings by the authors, we'll be holding two panels, each with three authors. In each panel, the authors will read from their most recent books, discuss their writing and answer questions including those vetted from the audience.

Speculative Fiction: Young Adult Novels of the Fantastic

Natasha Deen

Lesley Livingston

Kari Maaren

Historical Fiction: Writing about the Past for the Contemporary

Karen Bass

Gillian Chan

Marsha Forchuk Skrypuch

 

See you at the Festival!