April 12, 2017

By the Time You Read This

Written by Jennifer Lanthier
Illustrated by Patricia Storms
Clockwise Press
 978-1-988347-05-9
32 pp.
Ages 4-8
April 2017

By the Time You Read This, this book will probably be out and I’ll have missed its launch, but, hey, what can you do? At least it’s not the devastating news like that which the arm cast-addled Oscar pens to his former friend Sam, beginning with “To my mortal enemy, By the time you read this….” He then proceeds to itemize all the play things he is dismantling or putting the kibosh on in light of their conflict: the Scientific Experiment of Glorious Doom; their Indestructible Fortress of Fiendishness; their Epic Battle of Giant Robots versus Alien Insects; the Magical Zoo of Mystical Creatures; the Neverending Novel of Awesome Adventures; the Precarious Portal for Intrepid Explorers; and the Time Travel Tower of Ultimate Power.  It seems Sam laughed when Oscar fell when skateboarding.

But all that anger dissipates when Sam finds Oscar and apologizes for laughing, not realizing he’d hurt himself.  Recalling all the fun things they had done together, Oscar relents, asking Sam if she’d like to sign his cast.  With that, the two surrender to their friendship and get back to the business of serious play.
From By the Time You Read This 
by Jennifer Lanthier 
illus. by Patricia Storms
Though Oscar is initially vehement in his new enemy-ship with Sam, as denoted by his powerful words and the decisiveness of his actions, he is not immune to a little empathy and an apology.  It’s amazing what a small step of humility and voiced regret can do to turn things around, especially in a childhood friendship.  Children are forever making friends and dissolving friendships on a whim, justifiably so or not.  It’s evident that, in By the Time You Read This, even anger and disappointment can be fleeting and resolved amicably with just a few words.  Jennifer Lanthier’s text demonstrates the depths of friendship in Oscar and Sam’s imaginative play, especially in their super-duper partnership in taking on the world.  How could Oscar and Sam not stay friends?
From By the Time You Read This 
by Jennifer Lanthier 
illus. by Patricia Storms
Patricia Storms, who can illustrate both tender books like Never Let You Go and playful picture books like The Ghosts Go Spooking, lends an energetic atmosphere to By the Time You Read This, portraying the spirit of children in her boldly-coloured cartoons and in the little details in signage (e.g., "Oscar + Sam ONLY, No Parents Allowed, No Brothers Either") and toys.   Kids will laugh themselves silly over the creatures in the Magical Zoo of Mystical Creatures, like the Farting Fur-Tail and Lionisaurus Rex, and probably recognize a few of their own toys within the pages of By the Time You Read This. They’ll definitely see themselves in the book.  This is a important as young readers need to know that friendships sometimes fall apart but can be reconstructed, sometimes with just a little bandage of kind words.  And even though By the Time You Read This ends with Oscar and Sam reconciled, back at play in their Planetary Pirate Ship, they might still have another falling out.  Such are the nature of friendships when you’re close to someone and care about what they feel and do. But, with a smile and a little play (perhaps the board game on the inside of By the Time You Read This' s cover), all might be forgiven.

April 11, 2017

Me (and) Me Blog Tour: Guest post by author Alice Kuipers



Today is the official release date for Alice Kuipers'
new young adult novel, Me (and) Me.  
Happy book birthday! 

Me (and) Me
Written by Alice Kuipers
HarperCollins Canada
9781443448826
288 pp.
Ages 14+
April 11, 2017

ORDER NOW:



As part of the blog tour for Me (and) Me, Alice Kuipers is sharing with us a little bit about her experiences with writing YA novels and I am delighted to post that here. 



Why I Write YA Novels? 
By Alice Kuipers


When I was eighteen, I wrote a novel about a girl who split into two people. She didn’t know which life was the best for her to live. Me (and) Me, my fifth YA novel is about the same theme: the main character, Lark, has to make a decision between two lives. And she can’t. The book I wrote when I was eighteen was never published. In fact, it was never read by anyone else. But I loved writing it. I loved the way writing made me feel: calm and focused. So I started work on another book. This book, like the first, was planned for adult readers. Again the character was young and lost—her baby boy had drowned. Again the book didn’t work on the page. But, again, I loved writing it.

When I’d written four books like this, books that I loved but that didn’t seem to work on the page, I had a conversation with someone who’d read one of them. She said, have you ever thought about writing for younger readers. It was as if a light went on in my head (total cliché, but I swear that’s what happened).
I didn’t know much about writing for young readers, but I had read a lot of books for teens and kids. And all my characters were young—they were at that place in their lives where they were becoming adults. They were making decisions that would forever mark them in their future lives. Writing about teenagers made me connect with the confused and frustrated teenager I’d been.

Everything lined up in my head after this reader made her comment. I quickly wrote a book for middle grade readers. It wasn’t good enough to be published, but it was the first book I’d written that I felt fully proud of: something about it worked. The book after that was called Life on the Refrigerator Door. It was about a teenager and her mother going through a terrible situation. This ended up being my first published novel—and weirdly, although I’d written it for teens, in many countries it was published as an adult novel. But I’ve always seen it as my first true YA book.


I’ve discovered that novels for young adult readers can be read by any age. But YA novels need to explore that moment of dramatic choice—when a teen takes the path that makes them the adult they are going to be. It took me many, many years and many books to figure out what sort of writer I was, and it took me four published YA novels to work out how to tell the story I began when I first attempted a novel. It seems to me that Me (and) Me is the original book I started trying to write when I was eighteen. The final version of this novel came alive when seventeen-year old Lark walked into my mind.

Lark, in the novel, eventually has to make a choice in her life. Just as making the choice to write YA led me to tell the stories that swirl around my head all the time.

For those of you who are writers yourselves, you can find the first of my online workshops free here or sign up to my free online writing course on my website. Hopefully these writing ideas help you find the writer you’re meant to be a whole lot more quickly than I did.


Many thanks to Alice Kuipers
for sharing her writing with us,
 in Me (and) Me and in this guest blog post,
 and for allowing us a glimpse into her world.



If you would like to connect with author Alice Kuipers or partake in her worthwhile writing course online, check out her various links here:

April 10, 2017

Me (and) Me

Written by Alice Kuipers
HarperCollins Canada
9781443448826
288 pp.
Ages 14+
April 2017

Lark Hardy’s seventeenth birthday should’ve been a fun day, and it had begun that way, a first date with Alec Sandcross canoeing at Pike Lake.  But one moment changes everything.  As the teens are about to embark on some swimming, a cry from Suzanne Fields, the mother of five-year-old Annabelle whom Lark had babysat, draws their attention to the child face down in the water. Alec dives in but hits his head and starts going down.  And as Suzanne yells at Lark to do something, the teen hesitates, not knowing whom to save.  So begins a novel split in two voices, both Larks and both Lark’s.

The first Lark begins to describe the days after the near drowning in which Alec has been saved and Annabelle lays in a hospital bed in a coma. Alec and Lark’s new relationship is blossoming, and he begins to teach her how to do parkour, climbing, running and jumping across obstacles such as buildings and bridges. Becoming so entwined with the attentive and charismatic Alec, Lark starts blowing off best friend Lucy and bandmates Nifty, Reid and Iona to spend time with Alec.  When she starts getting weird messages on her phone about Alec not being saved, Lark is disconcerted but has no answers. But when she visits Annabelle in the hospital, and hallucinates that she’s drowning in water and then glimpses a girl who is but isn’t her, Lark starts to think she’s going crazy.

In an alternate voice and chapters, a second Lark, one who cuts her hair short and dyes it red, recounts those same days, but ones in which music exec Martin Fields and wife Suzanne are ever grateful to her for saving their young daughter while Alec’s family sits by his hospital bedside, contemplating turning off the machines that are keeping him alive.  Lark still harbours much anger about her mother’s passing and translates that anger into petty shoplifting of items she doesn’t even want.  But though this Lark is starting to connect with bandmate Reid, she too is baffled by freaky messages including those of a not-hospital bound Alec and an intimate relationship with him.

Lark, whether the long- and dark-haired one or she of the red hair, have similar circumstances: a musical mother who has passed; a dad with heart issues; best friend Lucy; a passion for writing songs; and playing with bandmates Reid, Iona and Nifty.  She is also starting to suspect she’s losing it, seeing things like imaginary water near drowning her and disappearing messages.

The linchpin for Lark becomes the lyrics her mother started penning before her death.
Perhaps you see it differently
You and me
It’s just a case of who tells the story
Perhaps you see it differently.
(pg. 86)
Showering her intense text with astounding lyrics, Alice Kuipers  brings both Larks together to juxtapose the parallel lives they lead after the near drowning at the lake.  Confused by grief, fears and even guilt, both girls (or are they really two?) attempt to make sense of a world in which their own choices for actions have consequences that they wish they could undo.  They are two halves of the same whole, different but similar. They are Me (and) Me.  (There’s even a crazy moment when the two face off and shout, “Who even are you?” “Who the hell are you?”; pg. 240) It’s hard to say whether the two will come together equally, though Lark recognizes that,
I have to stitch myself back together.  I have to make myself whole. (pg. 270)
or whether Lark will become more of one than the other.  However, it’s clear that Alice Kuipers in her daring storytelling and almost maternal concern for her characters wants to help keep Lark together. Life is hard enough without questioning your decisions, especially those made under pressure, and when literally being torn apart by them.  I can’t tell you how it ends (you’ll see when you read Me (and) Me) but I can tell you that the story comes full circle, secured in its own way, though not tied up as you might expect.


Check back tomorrow for my Me (and) Me blog tour stop with a guest post by author Alice Kuipers.  Ever enlightening, Alice Kuipers speaks about why she writes YA.

April 09, 2017

Young Adult Stratford Writers Festival: May 6, 2017 (Stratford, ON)


On Saturday, May 6, 2017




presents

the Young Adult Stratford Writers Festival

an amazing gathering of Authors of YA and middle grade books



who will present writing workshops 
and participate in various discussion panels


Schedule
10 -11 a.m.: Young Adult Writing Workshop with author Marthe Jocelyn

11:30 a.m. -12:30 p.m.: Relationship Drama Panel Discussion with Danielle Younge-Ullman, Deb Loughead, Susan Marshall, and Marthe Jocelyn

1- 2 p.m.: Magnificent Middle Grade Panel Discussion with Sylvia McNicoll, R. J. Anderson, and Marthe Jocelyn

2:30 - 3:30 p.m.: Sword, Sorcery, and Star Wars Panel Discussion with Lesley Livingston, E. K. Johnston, and R. J. Anderson

4 - 5 p.m.: Self Publishing Workshop

5:30 - 6:30 p.m.: First Nations Panel with James Bartleman and Rick Revelle

7 - 9 p.m.: Canadian Change Conversation Showcase


Locations
Events are held at the Stratford Public Library, Knox Presbyterian Church and the Stratford Perth Museum.  



Tickets
While some events are free, others require tickets.
Full day passes (adult and students rates) are definitely the better deal but tickets can be purchased for single events as well.
Details and ticket information are available at DigiWriting at http://digiwriting.com/stratford-writers-festival-young-adult-2017/



April 07, 2017

Me (and) Me: Upcoming Blog tour



Alice Kuipers


who brought us award-winning young adult books
including
The Worst Thing She Ever Did
Life on the Refrigerator Door


is launching her newest YA novel

Me (and) Me
HarperCollins Canada
9781443448826
288 pp.
Ages 14+
April 2017

with a blog tour


Starting next week, sites across the blogsphere will be
reviewing this book and hosting guest posts, interviews
and more with author Alice Kuipers.


I'll be posting my review on April 10 and a guest post by Alice Kuipers on April 11 but here is the whole blog tour schedule:

April 10: Girl Plus Book
April 11: CanLit for LittleCanadians
April 12: Library of Pacific Tranquility
April 13: A Cupcake and a Latte
April 14: Stuck in YA Books
April 17: Jaime D's World 
April 19: Our Collective Muse
April 20: Book Store Finds
April 21: Mostly YA Lit
April 25: Rosie & the Riveters
April 28: BookCatPin

As a teaser for the book and blog tour, check out the following book trailer about Me (and) Me:

Book Trailer

Uploaded to YouTube  by Alice Kuipers on March 16, 2017.


See you back here on April 10 and April 11
for my contributions 
to Alice Kuipers' Me (and) Me Blog Tour

April 06, 2017

How Nivi Got Her Names

Written by Laura Deal
Illustrated by Charlene Chua
Inhabit Media
978-1-77227-137-9
32 pp.
Ages 5-7
April 2017

Naming children after their parents or grandparents in not unusual but the Inuit show great depth of respect and appreciation for their ancestry in the naming of their children, particularly those involved in the Inuit custom adoption, a profoundly generous sharing of children with those who do not have their own.

Adorable Nivi whose full name is Niviaq Kauki Baabi Irmela Jamesie is playing with her toys when she realizes that they each only have one name whereas she has lots.  How Nivi Got Her Names is the story of Mom explaining to her daughter, who came to them through the Inuit custom adoption, the origins of all her names.
From How Nivi Got Her Names 
by Laura Deal 
illus. by Charlene Chua
Niviaq means “little girl” and is the name her adopted parents gave her. Kauki was the grandmother of Nivi’s birth mother, and giving her that name allowed them to honour her and connect Nivi to her biological family.  Baabi was a special family friend who appeared in a dream and naming Nivi after him allowed his spirit and character to live on through her, as well as connecting the child to his family.  Mom explains that Nivi is named Irmela after her own grandmother Irma who was strong, resourceful and creative. Finally, the name Jamesie was to honour Nivi’s mother’s grandfather, a man with a generous heart and a loving spirit.

I wept with emotion for the words Nivi’s mother tells the child:
"We all love you, dear Nivi, for all that you are.  For the names that you have, for the character and traits we see in you, and the people we are reminded of when we are with you.” (pg. 22) 
From How Nivi Got Her Names 
by Laura Deal 
illus. by Charlene Chua
How Nivi Got Her Names may appear on the surface to be a parent explaining something to a child but it is more about providing context for the bonds and connections with those who are living and those who have passed. Giving a child a name for registration and for ease of communication is the norm but the Inuit tradition of naming is a means of “welcoming back a family member, a loved one, or a respected community member” (pg. 29)  and provide community for a child.  Nivi is Laura Deal’s own daughter, adopted through Inuit custom adoption and, though the author provides a glossary and extensive notes on Inuit kinship and naming customs, as well as bios on the individuals honoured in Nivi’s names, the gratitude and love with which the author infuses her story is very personal.  Even Charlene Chua’s art which is cheerful and playful, like Nivi and her daily routines, still pays respect to the practices described within, undoubtedly illustrating the individuals honoured in Nivi’s names with accuracy and dignity.

How Nivi Got Her Names may be an informative picture book about the Inuit tradition of naming and custom adoption but it is an intimate depiction of an admirable practice, one that provides an inheritance more valuable than anything normally pursued in western worlds.  How fortunate for young Niviaq Kauki Baabi Irmela Jamesie.
From How Nivi Got Her Names 
by Laura Deal 
illus. by Charlene Chua

April 05, 2017

Uncle Holland

Written by JonArno Lawson
Illustration by Natalie Nelson
Groundwood Books
978-1-55498-929-4
32 pp.
Ages 4-7
April 2017

Oh, Uncle Holland, he is a scamp! From the time he was a child (and not yet an uncle), Holland was always getting into trouble.  Seems Holland, one of three boys born to Palmer and Ella Lawson (note the last name connection to the author), liked helping himself to pretty things.  After being caught by the police for the thirty-seventh time (!), Holland is given the choice of jail or the army. Though his mother and brothers are devastated, his father "decided to spend the rest of this life watching his fish swim around in his fish tank" because "Fish can't disappoint me." (pg. 11) His mother takes some solace that her son, though a thief, was never a liar.  Holland chooses the army.

From Uncle Holland 
by JonArno Lawson 
illus. by Natalie Nelson
At the southern location to which Holland is sent, there are many splendid and tempting things like palm trees, parrots, flowers and exquisite fish but none he can slip into his pockets.  So Holland chooses to capture the beauty of the fish in paintings, even making some money selling this art. But when he sends money home, his parents are concerned about the origin of that money.  Fortunately, he is able to tell them truthfully that the money was not stolen but instead that he had learned that he could sell pictures of pretty things since "Not everything that's pretty can be stuffed in your pockets."(pg. 30)

You know there's probably more to this story than told here by JonArno Lawson, the author behind the wildly successful Sidewalk Flowers (illustrated by Sydney Smith; Groundwood, 2015), especially since his Author's Note explains that Holland was his Uncle Holland.  But Uncle Holland, the book, is still able to tell a story, caution children about stealing and telling lies, and provide reassurance that one can turn things around.  Okay, we know that you can't turn everything around (some illnesses, death, legal issues, etc.) but I think children would be comforted to know that sometimes you'll get a second chance (even thirty-seven of them) to make things right, though family might appear to turn their backs on you.

American illustrator Natalie Nelson's art, collages of mixed media, are both mischievous and sobering, not unlike Holland's situation.  There is gravitas associated with his infamous acts, often illustrated in neutral shades of black and greys, with only smidgens of colour in tears and fish in water.  Not until Holland is in the southern climes, witnessing beauty that must remain because he cannot squirrel it away, that the colours become vibrant and the art more playful.
From Uncle Holland 
by JonArno Lawson 
illus. by Natalie Nelson
Every family has a relative or two (or many) with incredible stories, some nefarious, some ridiculous, but we don't always like to share those embarrassing anecdotes.  That's unfortunate because they can be, like Uncle Holland, amusing learning and character-building opportunities. Thank you, JonArno Lawson, for choosing to share yours with young readers.