May I suggest . . . ? Five ways to help me help you promote your youngCanLit

While I am loathe to share my reviews as opinions—I firmly agree with Paulo Coelho who said, “The world is changed by your example, not by your opinion”—my mandate for CanLit for LittleCanadians has always been to promote great Canadian literature for children and young adults. To that end, may I suggest a few ways that authors, illustrators, publishers and publicists can help me to help you?

First, let me thank those generous authors, illustrators, publicists and publishers who are so kind to provide me with copies of their books for review, as well as include me in blog tours and allow me to interview our contemporary youngCanLit A-listers. Without these donations, I could not afford to review as many books as I do on CanLit for LittleCanadians.

That said, please limit the books you send for review to those written for young people. Just because there is a young person in the book does not mean that it is a book appropriate for or of interest to younger readers. Imagine expecting Timothy Findley’s The Piano Man’s Daughter (HarperCollins, 1995) or Heather O’Neill’s Lullaby for Little Criminals (HarperCollins, 2006) to be reviewed as youngCanLit? Not going to happen. And just because a younger reader is able to read the book doesn’t mean it’s youngCanLit. If your catalogue is publicizing a book as adult fiction, it’s not a juvenile or teen read, regardless of the age of the protagonist. Save yourself the review copy and the disappointment, and save me my reading time and the communication explaining why I’m not reviewing the book.

If I do review your book, there are several ways to ensure that review gets read by more and more people. While I may not get the million hits of a kitten playing with a bird on YouTube, CanLit for LittleCanadians does very well as a book blog. It is linked through multiple school boards and universities with teacher education programs, English and creative writing programs and library studies, as well as the Canadian Children’s Book Centre and other blogs. But it could always do better.  

Add a link to CanLit for LittleCanadians (www.canlitforlittlecanadians.blogspot.ca) on your website with a quote from the review or add me to your blog roll or become a subscriber. Doesn’t hurt, always helps.

Post a comment on the review. Thank you to author Monica Kulling, commentator extraordinaire, who always lets me know what she thinks of my reviews of her own books and those of others. Judging by the numbers on Google Analytics, this always brings in more readers. And don’t be dissuaded by my need to moderate the comments. I do this to avoid horrific amounts of spam, both commercial and irrelevant.

Support CanLit for LittleCanadians on social media. Each time I post on my blog, I will tweet several times about the book or the review or the event, ensuring the relevant parties (author, illustrator, publisher) know. Your retweets and likes bring in more and more followers and links and you know that in the end that means sales, the all-important bottom line. Whether I’m using the hashtags for youngCanLit or for teachers or teacher-librarians, those tweets are getting read. And don’t be shy about retweeting multiple times or multiple tweets about the same book. What catches one reader on Twitter may not be the same as for another. They all count. Toot your own horn, or at least join the band as I’m tooting away. I adore publicist Winston Stilwell at Fitzhenry & Whiteside, the king of retweeting and replying to my tweets for F & W books and Red Deer Press, Inhabit Media and Fifth House Publishers and Whitecap Books, because I know he makes an effort to get my tweets and reviews out there. And all those publishers who bring attention to my reviews through your Facebook pages, thank you.

Please don’t take it personally if I don’t review your book or don’t do it in a timely fashion. Sometimes life takes precedence over blog, and I get backlogged in reviews and can’t catch up. And sometimes the book just doesn’t grab me and I’d rather not review it than write a rant of an opinion piece. I alone write posts for CanLit for LittleCanadians, except for rare student reviewers, and do the best I can under constraints of time, health and motivation. I do what I can. With the plethora of outstanding Canadian authors and illustrators out there ready to have their works promoted and applauded, it’s a daunting task.

And while I’m asking for help, if you know of any one who is looking for someone to speak to teacher candidates or schools about youngCanLit or wants to hire a writer who peddles herself as an aficionado of Canadian children’s books or can think of a way for me to segue this blog into a salaried career, please leave a comment below.  Always happy to hear from my readers and writers.

Read youngCanLit!

Teen Bash: Author Event with E.K. Johnston, Morgan Rhodes and Teresa Toten

A Teen Bash extraordinaire!

Authors, books, trivia, prizes and more!

Tomorrow

Thursday, June 30, 2016

7-8 p.m.

at

Indigo

Sherway Gardens

Toronto, ON

Join award-winning young adult authors

E. K. Johnston

Morgan Rhodes

and 

Teresa Toten

for book fun and signings!

More details here

Trial by Fire: A Riley Donovan Mystery

by Norah McClintock

Orca Book Publishers

978-1-4598-0936-9

231 pp.

Ages 12+

April 2016

Everybody’s hiding something, big or little.  Everybody tells lies, even if they’re little white ones.  Everybody is a potential suspect until they’re eliminated from the list.  Every smile might be hiding black thoughts and even black actions. (pg. 154)

Teen Riley Donovan has already had a complicated life.  Her mother died when Riley was a baby and her father, who travels extensively as a medical docor with an international charity, left her in the care of her sixties rocker grandfather Jimmy Donovan with whom she toured for years.  Upon his death, Riley has moved in with her mother’s sister Ginny, a police detective, with whom she has just relocated to a small town.

Their moving boxes haven’t even been broken down before Riley discovers the barn of their neighbour, Mr. Goran, on fire and the man trapped within.  In critical condition, Mr. Goran is unable to say what happened, though small-town gossip suggests he set the fire himself for the insurance money.  Riley cannot believe that the kind gentleman from Kurdistan who welcomed them so warmly and spoke so lovingly of his farm would be capable of such fraud or destruction.  Though warned by her Aunt Ginny against poking her nose into police business, Riley discovers a small-town community steeped in bitterness and discrimination against Mr. Goran and knows that their neighbour was the victim, not the instigator.  And Riley sets out to prove it.

Though Norah McClintock's better-known mystery series for young people include her Robyn Hunter Mysteries, Chloe and Levesque Mysteries and Mike and Riel series, Riley Donovan is hardly a newcomer to Norah McClintock's repertoire of crime fiction.  This series which includes at least six titles previously published in Australia is now being published in Canada by Orca Book Publishers and Trial by Fire is essentially our introduction to this young sleuth and fortunately there is a follow-up title, From Above, due out in October. (Earlier English titles published by International Masters Publishers include Breaking In, Picking Up the Scent, Framed, The Secret of Golden Acres, Schooled and Web of Lies.)

While not as gritty as some of Norah McClintock’s other mysteries, Trial by Fire is as packed with the plot twists and turns of any of her award-winning crime fiction.  Moreover, setting it in a small-town, rife with familial connections and intolerant attitudes, adds further tension to this first-rate mystery.  As for Riley, she’s a character whose life adventures I hope we’ll continue to share.  Her past has shaped her into a conscientious and compassionate young woman who sees beyond the surface and endeavours to make things right.  What better grounds to establish a teen solver of mysteries?

How Things Came To Be: Inuit Stories of Creation

by Rachel and Sean Qitsualik-Tinsley

Illustrated by Emily Fiegenschuh and Patricia Ann Lewis-MacDougall

Inhabit Media

978-1-927095-78-2

80 pp.

Ages 5-11

2015

It may be the end of Aborginal Heritage Month (June) and the end of the school year, but How Things Came To Be: Inuit Stories of Creation will need to be on any booklist that focuses on the Inuit culture or myths and legends.  The unstoppable team of Rachel and Sean Qitsualik-Tinsley, whose collaborations include Lesson for the Wolf (Inhabit Media, 2015) and Tuniit: Mysterious Folk of the Arctic (Inhabit Media, 2015) and who won the 2015 Burt Award for First Nations, Métis and Inuit Literature, share nine classic creation stories based on the Inuit’s love and respect of the Land, the Sea and the Sky.

In their comprehensive introduction, Rachel and Sean Qitsualik-Tinsley familiarize young readers with the Inuit concepts of Nuna (the Land) and Sila (Grand Sky or Big Everything), as well as ideas of life and breath, riddles and dreams, and beginnings and endings. It’s a perfect opening for the stories When Things Came to Be; The Land’s Babies; The Battle of Day and Night; How the Caribou Came to Be; How the Sun and Moon Arose; Feathers and Ice; The Deep Mother; The Storm Orphans; and The One Who is Tied.

In the beginning, will was all that drove creation. What is will, but the dream of someone who is awake? (pg. 13)

When Things Came to Be is an all-inclusive beginning of the origins of the earth, flowers, humans and dogs, light and dark, and more, until forgetfulness about people's origins led to the diminishment of their Strength.  But the stories that follow are a record of “a few deeds of those times.  The tantrums.  The strangeness. The foolishness.  And the wonder.” (pg. 18)

The Land’s Babies tells of the time when babies were born of the Land and women had only to search for them, nearby for girls and farther out for baby boys. As such, the Land was everyone’s ancestor.  Light and darkness born out of conflict between the Fox and the Raven is the focus of The Battle of Day and Night.  While the emphases of the origin stories How Caribou Came to Be and How the Sun and Moon Arose are obvious, Feather and Ice is less so, though still deeply rooted in explaining how an infuriated shaman wields her ulu (a crescent-shaped knife) to create icebergs and waterfowl from the Sea in which her husband flees from her.

From How Things Came To Be: Inuit Stories of Creation 

by Rachel and Sean Qitsualik-Tinsley, 

illus. by Emily Fiegenschuh and Patricia Ann Lewis-MacDougall

Cruelty and weakness are the themes of the final stories in this collection.  Frightening elements of a spirit enslaving a young woman and of her father sacrificing her to the Sea permeate The Deep Mother, an origin story of the first seals and walruses and other ocean mammals, as well as the  torrential wrath the Sea can display.  The Storm Orphans spotlights two children whose suffering at the hands of the people of the Weak Sky transform them into Thunder and Lightning. Finally, in The One Who is Tied, the murder of a selfish giant and his wife, and the cruelty towards their orphaned baby creates the spirit Silaup Inua, the furious storm winds.

Completing the collection, Rachel and Sean Qitsualik-Tinsley append the stories with a discussion About Endings, and provide a Glossary of Inuktitut Terms, both useful in framing and for clarification.  But the ultimate finishing touch to How Things Came To Be is the artwork by illustrators Emily Fiegenschuh and Patricia Ann Lewis-MacDougall who meld the serene Arctic worlds of land and sea with both realistic and supernatural elements and model the Big Everything so vividly. How Things Came To Be is a complete package of story-telling and art for giving voice to classic Inuit creation stories and meaningful discussions of beginnings and endings.

Beware That Girl

by Teresa Toten

Delacorte Press

978-0-553-50790-4

336 pp.

Ages 14+

May 2016

Kate and Olivia.  Two eighteen-year-old seniors at a private school known as Waverly in New York City.  It’s hard to tell which girl is “that girl” mentioned in the title Beware That Girl.  Kate, the brilliant, manipulative liar who plans out every step she takes to ensure she gets the “big life she wants” or Olivia, rich and beautiful but emotionally fragile “just messed up enough” (pg. 4) for Kate to befriend.  The two secretive girls are “Two unlikely peas in a pod” (pg. 47) in more ways than one.

Kate O’Brian, a high-achieving Waverly scholar, is determined to get to Yale regardless of her current status as a basement boarder and employee at Chen’s Chinese Market and Apothecary.  Also working mornings at the school office, Kate searches for her ticket out of her miserable situation and targets Olivia Sumner whose record indicates missed school due to psychological issues.  The two girls become acquainted and, when charmed by the new director of fundraising, the charismatic Mark Redkin, to start a Student Advancement Committee, Kate gets Olivia, as well as classmates Serena, Morgan and Claire on board.  Soon Olivia has asked Kate to move in to the penthouse she shares with her globe-trotting lawyer father and their housekeeper Anka.

“Becoming friends was a kind of courtship.  A ritual of presenting your best self to the other.  Each knew not to push too much, too fast.  In their conversations, the girls reached for all their similarities willfully ignoring the differences.” (pg. 38)

It’s the differences and secrets that still separate the girls, neither being completely honest about their pasts and fears and desires.  They each have an agenda for their friendship, which becomes all the more complicated when Olivia becomes involved in an intimate relationship with Mark Redkin.  Recognizing him as a “player of biblical proportions” (pg. 120), Kate sees Redkin as more than a threat to their friendship, realizing that “Redkin was going for power, information and amusement.  What a trifecta.” (pg. 155)

Beware That Girl is a suspense-laden, surprise-ending story that provides a glimpse of a friendship based on the instability of secrets and schemes.  And even though there are moments of affability and benevolence–usually involving the irascible Mrs. Chen, the girls’ shared mutt Bruce, and the thoughtful Johnny who is crushing on Kate–Teresa Toten’s intimate portrayal of a friendship initiated in manipulation will disquiet the reader.  From the onset of the book, a scene in which one girl sits at the hospital bed of another while the police wait to question them, Beware That Girl is dominated by uncertainty and foreboding.  Teresa Toten may tease the reader with storylines that intimate which character should be heeded but you’ll never know for certain.  That is, until her crushing ending that reveals the strength of Teresa Toten’s plotting, story-telling and characterizations.  Don’t be alarmed if you have to reread the final four-page chapter–I did–just to assure yourself that this masterful writer has truly reconciled all those secrets and agendas in a bombshell of an ending.  She does and it is.

My Two Grandmothers

by Diane Carmel Léger

Illustrated by Jean-Luc Trudel

Nimbus Publishing

978-1-77108-400-0

32 pp.

Ages 4-8

April 2016

How fortunate these children are to have two grandmothers! Two grandmothers who are incredibly different-one Acadian, the other Scottish–and living in villages separated by the world's second-longest covered bridge.  Two grandmothers who are also so similar, connected by that same bridge and bonded by their love for their grandchildren.

From My Two Grandmothers

by Diane Carmel Léger, illus. by Jean-Luc Trudel

On one side of the Rockland bridge lives Mémére Hermance whose grandchildren call Grandmother Sun or Mémére Bee who lives her life with vitality and joie de vivre. She is a "very chic Acadian lady."  Nannie Henrietta, their Grandmother Moon or Nannie Hen, is a "calm and modest Scottish lady." What they offer their grandchildren in the way of treats, experiences and life lessons are very different but equally fulfilling.  Whether they get bonbons or toffee, or go to the beach or listen to a blethering brook, celebrate Réveillon or Christmas with Scottish cookies, the children, called petits escrables and wee lumbers, are loved, scolded, taught, protected, and entertained by their two grandmothers.

My Two Grandmothers is a captivating story of differences and similarities in a loving and lovely Canadian context, though Canadian and non-Canadian readers will both benefit from the glossary of French and Scottish vocabulary. (A listing of how to say "grandmother" and "grandfather" in over 20 languages is also included.)  A made-for-TV movie would have undoubtedly played up the differences between the two grandmothers making it into a competition but Diane Carmel Léger's My Two Grandmothers demonstrates how much the two older women are adored by the children who appreciate their distinct personalities as adding richness to their lives.  Illustrator Jean-Luc Trudel offers up flavourful portraits of both women, and their grandchildren, without stereotyping either.  By choosing to differentiate them both in their forms and the colours that surround them, Jean-Luc Trudel has created two contrasting but similarly soft and strong women.  As a child who grew up without grandmothers around, I would have been delighted to have had a Nannie and Mémére in my life.  For me and for those who are fortunate to have grandmothers in their lives, My Two Grandmothers will delight. And for those whose children are fortunate enough to have a French or Acadian grandmother, you might consider acquiring Mémère et Nannie, the French edition and co-publication by Bouton d'or Acadie.

From My Two Grandmothers

by Diane Carmel Léger, illus. by Jean-Luc Trudel

Those That Cause Fear

by Neil Christopher

Illustrated by Germaine Arnaktauyok

Inhabit Media

978-1-77227-085-3

40 pp.

Ages 7-10

June 2016

Those That Cause Fear is another magical collaboration between Nunavut author Neil Christopher and Inuit artist and illustrator Germaine Arnaktauyok whose recent picture book Way Back Then (Inhabit Media, 2015) also focused on the traditional stories of the Inuit.  Here, though, instead of focusing on stories from the past, Neil Christopher highlights twenty frightening creatures of Inuit mythology, evocatively induced by Germaine Arnaktauyok’s soft yet dark manifestations.

In his introduction, Neil Christopher makes clear that this book is about all manner of Arctic monsters, both extant and extinct, whose stories he has gleaned from hunters and elders, and journals of explorers.  If the book conjures terror and dread, as the stories were intended to warn of dangers, then Those That Cause Fear has accomplished its purpose. And heaven help those travellers who lose their way in the Arctic and are visited upon by one of these entities.

 Each two-page spread features an illustration and details of one type of creature, which include the amautalik, dog children, the palraijuq, earth children, Iqallijuq, the giant fish, Inukpasugjuk, Inukpasarjujuk, the battling giants, the sleeping giants, amarujjuat, akla Inua, kajjait, Mahahaa, Nuliajuk, the qallupilluk, Aasivak, taliillajuut, the Tuniit and nanurluk.  (In addition to this comprehensive listing of hidden Arctic dangers, Neil Christopher provides an Inuktitut pronunciation guide.)

Many are massive creatures, giants like the parka-wearing amautalik who steal away those who are lost, or Inukpasugjuk who could step over mountains, or Inukpasarjujuk who fished for bowhead whales as if they were but little fish.  Some are animals like amarujjuat which are magical and powerful wolves; or akla Inua, a grizzly bear in human form, or nanurluk, a giant polar bear as large as an iceberg.  Some live in the sea, others inhabit rivers and ponds, while there are those who seclude themselves on remote islands.  Except for the a few fear-inspiring but innocuous creatures, such as the taliillajuut and the Tunnit, the intentions of many  are cruel and mischievous, hence their moniker of Those That Cause Fear.  They lure, trap, steal, and kill if threatened, embarrassed, hungry or challenged, and they should be feared.

Neil Christopher’s details of these twenty creatures are given substance with Germaine Arnaktauyok’s bold artwork in its earthy tones of browns, greys and taupes, and cold water blues.  Like Those That Cause Fear, the books is brash and stark and mandates caution, an important lesson of most myths.

Aasivak from Those That Cause Fear
by Neil Christopher, illus. by Germaine Arnaktauyok