Takannaaluk

Written by Herve Paniaq

Illustrated by Germaine Arnaktauyok

Inhabit Media

978–1-77227-181-2

32 pp.

Ages 5-9

November 2018

In another outstanding Inuit origin story picture book from Inhabit Media, Igloolik elder Herve Paniaq tells the haunting tale of the mythological mother of the sea mammals, Takannaaluk, also known as Nuliajuk and Kannaaluk.

From Takannaaluk by Herve Paniaq, illus. by Germaine Arnaktauyok

Though her parents wish her to marry so there would be another man around to help out, their only daughter refuses all those who ask her and so she is called Uinigumasuittuq, the one who never wanted to marry. Men appear, though they are animals such as the caribou and the bearded seal transformed into persons, and she refuses them all. When a very tall and handsome man, seated in his qajaq and wearing snow goggles, calls to her, she goes with him. It's not until much later in their journey that she sees he has been sitting on a stool and his legs are very, very short and he has scary red eyes. She realizes she has been tricked as he is a fulmar, a type of seabird, transformed into a man but he refuses to let her go back to her parents. Uinigumasuittuq has no choice but to go with the man and learn how to be his wife.

From Takannaaluk by Herve Paniaq, illus. by Germaine Arnaktauyok

But then her father, who'd been so adamant about marrying his daughter off, decides to bring her back home and away from her horrible husband. When the husband pursues them, Uinigumasuittu's father ridicules his son-in-law who transforms into a fulmar, flying in such a way to cause the winds to pick up. Her angry father throws Uinigumasuittuq into the water and, as she clings to the side of his boat, he chops at her fingers with his knife. Where her fingers fall, seals appear.

From Takannaaluk by Herve Paniaq, illus. by Germaine Arnaktauyok

Her father, guilt-ridden at his actions, kills himself by drowning in the encroaching tides and Uinigumasuittuq, lost to the water, becomes known as Takannaaluk which means "the one down there" and becomes feared and revered as the legendary mother of the sea animals.

Herve Paniaq's retelling of this Inuit myth has the richness of great storytelling. There are villains and victims, choices and consequences, conflict and resolution. But this origin story becomes extraordinary with the illustrations by Germaine Arnaktauyok. I have always believed picture book illustrations are works of art but Germaine Arnaktauyok's images should be in art galleries. They are gorgeous, rich in colour and shape, culturally relevant and wholly appropriate for a story from the Arctic, making Takannaaluk bewitching as well as edifying.

Inuit Spirit: A Colouring Book

by Germaine Arnaktauyok

Inhabit Media

978-1-77227-126-3

48 pp.

Ages 7+

December 2016

This may be a colouring book and I know the expectation is that pencil crayons will be taken to the black-and-white line drawings, but it almost seems sacrilegious to mar Germaine Arnaktauyok’s stunning illustrations.  Perhaps this reverence is essential for all who behold this book as it will ensure that, even if you do take on the near impossible task of bringing new life to Germaine Arnaktauyok’s outlines, you do so with respect, care and an authentic appreciation for her images of traditional Inuit life.

From Inuit Spirit: A Colouring Book 

by Germaine Arnaktauyok

There are twenty-nine different line drawings that may be coloured, from the title page to Neil Christopher’s introduction and the author’s page, though the emphasis is definitely on the 26 drawings set up in double spreads opposite explanatory text about the art.  Some of the art focuses on the natural landscape of the North like the numerous drawings of the tundra plants including willow, lichens, saxifrage, bilberry, and its inhabitants such as the Arctic char, plankton, sea mammals, ptarmigan and gulls.  Other drawings feature characters  from traditional Inuit stories such as the very creepy mahahaa, the taliillajuuq, the qallupilluit, the nanurluk and Sedna, the mother of the sea mammals, as well as scenes from these tales. (See reviews of Way Back Then and Those That Cause Fear by Neil Christopher (Inhabit Media, 2015 and 2016, respectively) for original illustrations by Germaine Arnaktauyok for these and similar stories.) There are also several line drawings of Inuit dress and activities such as drumming.

From Inuit Spirit: A Colouring Book 

by Germaine Arnaktauyok

The text is informative, bringing a knowledge of Inuit life and traditions to help clarify the black-and-white artwork. While the snippets are generally quite brief, the text teaches while helping the reader/colourist discern the elements of the drawing and selecting colours.

Inuit Spirit may not be graced as completely as it could be with Germaine Arnaktauyok’s own colouring version of pointillism–though there is a lengthy discussion of her style being based on squiggles of varying densities–but this colouring book brings an interactive element to her remarkable illustration and to the book’s aim of bringing the art of Inuit life to those beyond the northern areas.  Perhaps by doing rather than just seeing, readers of Inuit Spirit will achieve a new appreciation for Inuit life in general and Germaine Arnaktauyok's art specifically as defining of the northern experience.

Those That Cause Fear

by Neil Christopher

Illustrated by Germaine Arnaktauyok

Inhabit Media

978-1-77227-085-3

40 pp.

Ages 7-10

June 2016

Those That Cause Fear is another magical collaboration between Nunavut author Neil Christopher and Inuit artist and illustrator Germaine Arnaktauyok whose recent picture book Way Back Then (Inhabit Media, 2015) also focused on the traditional stories of the Inuit.  Here, though, instead of focusing on stories from the past, Neil Christopher highlights twenty frightening creatures of Inuit mythology, evocatively induced by Germaine Arnaktauyok’s soft yet dark manifestations.

In his introduction, Neil Christopher makes clear that this book is about all manner of Arctic monsters, both extant and extinct, whose stories he has gleaned from hunters and elders, and journals of explorers.  If the book conjures terror and dread, as the stories were intended to warn of dangers, then Those That Cause Fear has accomplished its purpose. And heaven help those travellers who lose their way in the Arctic and are visited upon by one of these entities.

 Each two-page spread features an illustration and details of one type of creature, which include the amautalik, dog children, the palraijuq, earth children, Iqallijuq, the giant fish, Inukpasugjuk, Inukpasarjujuk, the battling giants, the sleeping giants, amarujjuat, akla Inua, kajjait, Mahahaa, Nuliajuk, the qallupilluk, Aasivak, taliillajuut, the Tuniit and nanurluk.  (In addition to this comprehensive listing of hidden Arctic dangers, Neil Christopher provides an Inuktitut pronunciation guide.)

Many are massive creatures, giants like the parka-wearing amautalik who steal away those who are lost, or Inukpasugjuk who could step over mountains, or Inukpasarjujuk who fished for bowhead whales as if they were but little fish.  Some are animals like amarujjuat which are magical and powerful wolves; or akla Inua, a grizzly bear in human form, or nanurluk, a giant polar bear as large as an iceberg.  Some live in the sea, others inhabit rivers and ponds, while there are those who seclude themselves on remote islands.  Except for the a few fear-inspiring but innocuous creatures, such as the taliillajuut and the Tunnit, the intentions of many  are cruel and mischievous, hence their moniker of Those That Cause Fear.  They lure, trap, steal, and kill if threatened, embarrassed, hungry or challenged, and they should be feared.

Neil Christopher’s details of these twenty creatures are given substance with Germaine Arnaktauyok’s bold artwork in its earthy tones of browns, greys and taupes, and cold water blues.  Like Those That Cause Fear, the books is brash and stark and mandates caution, an important lesson of most myths.

Aasivak from Those That Cause Fear
by Neil Christopher, illus. by Germaine Arnaktauyok

Way Back Then

by Neil Christopher

Illustrated by Germaine Arnaktauyok

Inhabit Media

978-1-77227-021-1

40 pp.

Ages 3-5

November 2015

Inhabit Media, an Inuit-owned publishing company that “aims to promote and preserve the stories, knowledge and spirit of northern Canada”, produces wonderful picture books many of which CanLit for LittleCanadians has had the pleasure of reviewing, including Games of Survival, Grandmother Ptarmigan, The Blind Boy and the Loon, The Legend of Lightning and Thunder, Lesson for the Wolf, Painted Skies, Sweetest Kulu, Kamik An Inuit Puppy Story, and Tuniit: Mysterious Folk of the Arctic.  Way Back Then continues that tradition by focusing on the Inuit oral tradition of a father, Kudlu, who begins to tell his sweet children, his “kuluit”, stories his grandparents told him about what things were like long ago.

There is the origin story of night and day, based on a fox who wanted darkness so that it could steal from others, and the one of how sea mammals arose from a woman tricked into marryng a bird spirit.  The myths about the origins of the caribou that fill the North and how the land populated itself with babies that were adoped by people of the North are also shared with Kudlu’s children.  And then there are the tales of magical igluit (pl. of iglu) that could travel through the air and of the nanurluk, the giant polar bear, which could be so large as to be mistaken for icebergs (see illustration below).

The stories, however, are short and not always complete, as Kudlu whispers to his sleeping children that “…when I was a child, I always fell asleep before my grandparents got to the end of each story, and I never heard the endings.” (pg. 33) Regardless, these stories are born of a time of magic and a place wholly arctic and lovingly illustrated by Inuit artist Germaine Arnaktauyok.  Germaine Arnaktauyok's illustrations, drawn meticulously with pen and coloured pencils, have a somewhat pointilistic flavour to them because of the visible dotting.  Yet, the artwork is easily identifiable (unlike much pointilism) and has an essence of ethereal realism to it, easily complementing the magic and natural world of Neil Christopher's stories and text.

Way Back Then may be short, incomplete myths told within the context of a bedtime story, but it is a larger-than-life (much like the lemming and giant polar bear within) story that celebrates oral storytelling, both in Inuktitut and English here, that will provide parents and educators with the seeds for expanding that storytelling practice to a new generation.