Dragonfly Kites / Pimithaagansa

by Tomson Highway

Illustrated by Julie Flett

Fifth House Publishers

978-1-89725-263-5

32 pp.

Ages 4+

March 2016

The two young Cree brothers from Tomson Highway’s Caribou Song (Fifth House, 2013) return in a new release of the second tale from the author and playwright’s Magical Songs of the North trilogy. This time the boys and their parents and dog Ootsie are heading to spend the summer further north in Manitoba.

From Tomson Highway’s reminiscent text and Julie Flett’s creative and evocative illustrations, Dragonfly Kites takes readers to a simpler time and one deep in traditions. A time of traveling north by canoe and erecting a tent by a lake so papa and mama could fish while the boys played by themselves on land, and “think up games with made-up toys.” (pg. 6) The boys are only limited by their imaginations and because their imaginations are so expansive, there are no constraints on their play.

They create personalities from sticks.  They make friends of terns, loons, rabbits, and eaglets.  And they create magical kites from dragonflies and string. But even after the sun sets and the boys are asleep, their dragonfly kites take them on wondrous adventures.

From Dragonfly Kites by Tomson Highway, illus. by Julie Flett

The story of Dragonfly Kites is both uplifting and calming and beautifully captivated by Julie Flett’s illustrations.  The clean lines of her art may appear to be stark but they conjure the lavish environment of the lakes and north of Tomson Highway’s story so persuasively that any “more” would have been too much.

Like Caribou Song, Dragonfly Kites is presented in English and Cree and shares another aspect of traditional Cree ways, the summer in the north. While most young readers could not imagine a whole summer away from their technology, Joe and Cody demonstrate the richness of a life based in family, the natural world and imaginative play is more than enough to fill their days and their dreams.

Malaika's Costume

by Nadia L. Hohn

Illustrated by Irene Luxbacher

Groundwood Books

978-1-55498-754-2

32 pp.

Ages 3-7

March 2016

Bring in the sunshine of the islands and the colours of Carnival and Trinidad and Tobago with Malaika's Costume which launches tomorrow in Toronto.

Young Malaika is anticipating her first Carnival without her mother who has moved to Canada to make a better life for Malaika and Grandma.  She is hopeful that her mother will be sending money for a costume, as promised.  But a letter arrives that has Grandma pulling out a “tired costume. It smell funny and it dusty.  The costume squeeze my belly and some of the sequins fall off.  I feel hot and itchy.”  Distraught, Malaika runs through the familiar streets of her community until a kaiso song reminds her of her grandmother and that being poor does not mean being without dignity.

With donated scraps of fabric from Ms. Chin the tailor lady and Grandma’s help, an astounding peacock costume of red, blue, jade and purple, with gold and more is created, ultimately bringing the Carnival to her mother in Canada.

Nadia L. Hohn has given Malaika’s Costume a rhythm that evokes the busyness and warmth of a community that nurtures and supports.  Even the young girl’s initial disappointment is tempered with the affection of her Grandma and the realization that she has so many good things in her life.  And the text, rich with dialogue of patois, ensures that the atmosphere was created for the ear as well as the eye.  Irene Luxbacher, whose own Mr. Frank (Groundwood, 2014) introduced the illustrator’s collage artwork, complements that text with brilliant and bold art that bombards the senses.  The colours are lush, the textures surreal and the balance of characters and setting make Malaika’s Costume as much a place to visit as a story to be told.

From Malaika's Costume by Nadia L. Hohn, illus. by Irene Luxbacher

The Inn Between

by Marina Cohen

Roaring Brook Press

978-1-62672-202-6

208 pp.

Ages 8-12

For release March 2016

Don’t be deceived by the gold and green turquoise lightness of the cover of The Inn Between.  The story is nothing but dark and I believe that Marina Cohen has achieved her goal of a Stephen King novel for middle grade readers.

Eleven-year-old Quinn Martin is travelling by car with her best friend Kara Cawston and Kara’s family–parents and older brother Josh–to the family’s new home in Santa Monica.  The two girls had been inseparable in Denver and the linking of their two woven frienship bracelets, which seems to intrigue the non-Norm man running Norm’s Diner, shows how close the two really are.  After a weird bright light in the desert accosts the family car, they stop at the Inn Between, a gorgeous old-fashioned hotel straddling the border between California and Nevada, that promises “We’ve been expecting you.” (pg. 28)

As beautiful as the hotel is, the people within are very strange (and this is an operative word for everything at the Inn Between) and oddly overly hospitable.  There’s the desk clerk Persephone, the elevator operator Sharon (for the elevaor they are not allowed to use) and the valet-doorman, Aides.  And the guests are just as odd. From old Mr. Mirabelli who tells Quinn “They’re going to pull the plug” (pg. 34) to the little girl with the singed doll and Rico the guy who’d partied a little too hard and had come for a rest.  Most scary though is a tall, unshaven man in a black and yellow ball cap whom Quinn notices pursuing them.

After the first night, Kara’s parents are gone, apparently with the van that had to be towed for servicing, and the three kids spend the time swimming, enjoying the food and just hanging out.  But Quinn’s mind is perpetually troubled with memories of her little sister Emma and the guilt she harbours about her, and smells and sounds at the hotel continue to play on these memories.

When Josh goes awol too, Quinn and Kara go in search of Emma, convinced the crying Quinn hears is her young sister who had gone missing.  But what they find starts Quinn realizing who the guests at the Inn Between really are and why they must escape, without Kara’s parents and Josh.

The Inn Between is a mermerizing read of creepiness and suspense with a healthy dose of action and psychological tension.  Young readers who never get enough of spine-chilling drama (and it is very limited in youngCanLit) will be pleasantly disturbed by the eerie story, unnerving setting, and sinister atmosphere of The Inn Between.  Marina Cohen has done it.  She has written a spooky–but ghost-free–story about a place you wouldn’t want to visit and wrapped it in a cosy hotel robe of mystery and unsettling thoughts, without completely terrifying young readers, though there are some frightening scenes.  Best of all, Marina Cohen has something to say about friendship and grief and guilt but does so in a wonderfully unique and  horrific narrative.

Elliot

by Julie Pearson

Illustrated by Manon Gauthier

Translated by Erin Woods

Pajama Press

978-1-927485-85-9

32 pp.

Ages 5-8

For release March 2016

As soon as I read Elliot, I knew it was something very, very special.  And then I learned that Elliot was a translation (capably handled by Pajama Press' Managing Editor Erin Woods) of a 2014 French-language picture book from Les 400 coups that had already won Le Prix du livre jeunesse des Bibliothèques de Montréal for 2015.  Its subtlety and poignancy ensures its sure status as a winner in English as well!

Elliot is a young rabbit with lots of spirit.  But when he cries, or yells, or misbehaves, like all children are want to do at some point, his parents do not understand his needs.  They seek help as caring parents might and a social worker named Thomas comes and takes Elliot to live with another family “until his parents learned how to take better care of him.”

Everything is different with this new family but best of all they understand when Elliot is hungry, upset or needs attention.  And things are better when Elliot’s parents come to visit, so much so that eventually they are ready to take Elliot home again.  But, when things don’t change at home, Elliot is sent to another family.  Though he gets to visit with his parents, Elliot is told by Thomas that his “parents could never take care of him, because they did not know how.”

But Thomas helps find Elliot a “a forever, forever family”,  one that does more than just understand him, because they love him.

Elliot is a heartfelt story about finding one’s true family, the one that will love and care for you forever. It might be a foster family, it may be the family you’re born into, or it might be the one that ultimately adopts you, as Elliot is fortunate to find.  But Julie Pearson embues the story of Elliot with an underlying sadness, for Elliot who is being a child and for his parents who try to do the best they can for him but can't quite manage it.  And Manon Gauthier’s subtle collages of muted colours, save for Elliot’s red striped shirt, express that sadness and the grayness of tenuous family so movingly.  I defy anyone to read Elliot and not cry for the emotional hardships Elliot braves and cheer for the rosy blush of happiness (with a splash of red text) that comes when Elliot becomes part of a new family.

There are very few picture books that I want to clutch a little tighter and hold onto in my heart a little longer.  Elliot is one that has touched me so.

From Elliot (pg. 27) by Julie Pearson

Way Back Then

by Neil Christopher

Illustrated by Germaine Arnaktauyok

Inhabit Media

978-1-77227-021-1

40 pp.

Ages 3-5

November 2015

Inhabit Media, an Inuit-owned publishing company that “aims to promote and preserve the stories, knowledge and spirit of northern Canada”, produces wonderful picture books many of which CanLit for LittleCanadians has had the pleasure of reviewing, including Games of Survival, Grandmother Ptarmigan, The Blind Boy and the Loon, The Legend of Lightning and Thunder, Lesson for the Wolf, Painted Skies, Sweetest Kulu, Kamik An Inuit Puppy Story, and Tuniit: Mysterious Folk of the Arctic.  Way Back Then continues that tradition by focusing on the Inuit oral tradition of a father, Kudlu, who begins to tell his sweet children, his “kuluit”, stories his grandparents told him about what things were like long ago.

There is the origin story of night and day, based on a fox who wanted darkness so that it could steal from others, and the one of how sea mammals arose from a woman tricked into marryng a bird spirit.  The myths about the origins of the caribou that fill the North and how the land populated itself with babies that were adoped by people of the North are also shared with Kudlu’s children.  And then there are the tales of magical igluit (pl. of iglu) that could travel through the air and of the nanurluk, the giant polar bear, which could be so large as to be mistaken for icebergs (see illustration below).

The stories, however, are short and not always complete, as Kudlu whispers to his sleeping children that “…when I was a child, I always fell asleep before my grandparents got to the end of each story, and I never heard the endings.” (pg. 33) Regardless, these stories are born of a time of magic and a place wholly arctic and lovingly illustrated by Inuit artist Germaine Arnaktauyok.  Germaine Arnaktauyok's illustrations, drawn meticulously with pen and coloured pencils, have a somewhat pointilistic flavour to them because of the visible dotting.  Yet, the artwork is easily identifiable (unlike much pointilism) and has an essence of ethereal realism to it, easily complementing the magic and natural world of Neil Christopher's stories and text.

Way Back Then may be short, incomplete myths told within the context of a bedtime story, but it is a larger-than-life (much like the lemming and giant polar bear within) story that celebrates oral storytelling, both in Inuktitut and English here, that will provide parents and educators with the seeds for expanding that storytelling practice to a new generation.

Girl on the Run

by B. R. Myers

Nimbus Publishing

978-1-77108-352-2

332 pp.

Ages 12+

September 2015

I’m sorry I didn’t review this book sooner but I should have recalled how much I’d been impressed with B. R. Myers’ debut novel, Butterflies Don’t Lie (Nimbus, 2014).  But, here I am again, reviewing in winter a book that takes place during summer. Let’s look at it this way, though:  it’s that time of year when high school students are thinking about summer jobs and parents are anticipating signing up their children for summer camps.  So, it’s still all good: both Girl on the Run and reviewing Girl on the Run now.

Seventeen-year-old Jesse Collins used to be a runner and a very good one.  But that all changed four months ago when her father died suddenly.

I used to care about provincial records, and even the Olympics, but not anymore.  Those were things I no longer had, and no longer deserved.  I put my hand on my stomach, on the heaviness that was always there.  A reminder of what I’d done and what I’d lost. (pg. 49)

Now it’s all she can do to push forward through her days, convince her mother that she’s not depressed and give in to her BFF’s attempts to get her dating and meeting the right guy.  Jesse needs a fresh start and two months at Kamp Krystal Lake as a counsellor is what she plans to do.  What she doesn’t plan on is there being a mix-up with the camp thinking she was a male and entrusting her with Cabin 4A, a small makeshift cabin, and four twelve-year-old boys: the camp owner’s terror of a son, Spencer; twins Liam and Duff; and the kindest of all, Scotty.

While Jesse tries to make the best of things, which isn’t always easy, she does meet new people who don’t know about her past and she’s so good with that.  There’s Devin, another counsellor (or so she thinks) that is making the moves on her; Lewis, recent grad and part of the kitchen staff; Alicia, a friendly lifeguard; Lacey, the perfect counsellor to a cabin of pink cupettes, as Jesse calls them; and Kirk, the head counsellor who always seems to catch her at her worst but whose milk chocolate eyes consistently attract her notice.

But the pranks pulled by the boys, including a fake drowning that costs Jesse a special necklace from her parents, commemorating her first provincial running record, brings her to the attention of the camp director, Susan, who wonders, along with Kirk and Lacey, whether they should be looking for another counsellor for the boys.  And, though the camp is eager to have Jesse run for them in the annual lake triathlon against other camps, Jesse is adamant that she will not.

Still, guilt-ridden about her dad’s death, Jesse perseveres, through humiliation and misunderstandings and misplaced crushings and some kissing, to find that she has a lot more gumption than she first thought and is able to make Kamp Krystal Lake a positive experience for more than just herself.

B. R. Myers embeds a lot of constructive messages in this sweet volume of teen chicklit. Not only do readers get to share in a summer fling with Jesse and go through the full camp experience of  outdoor activities, dances, dining hall shenanigans and food, they will learn a lot about Jesse’s namesake, runner Jesse Owens, about working through guilt and grief, and about resiliency.  Lessons well learned and even enjoyed by Jesse herself, the Girl on the Run.

Heart of a Champion: Book launch (Burnaby, BC)

Join

Ellen Schwartz

author of 

for the launch of her newest
middle-grade novel!

Join her and publisher

Tundra Books

an imprint of Penguin Random House

for the launch of

Heart of a Champion

by Ellen Schwartz

Tundra Books

978-1-77049-880-8

257 pp.

Ages 9-12

March, 2016

on

Sunday, March 13, 2016

2 p.m. (PST)

at

Nikkei National Museum & Cultural Centre

6688 Southoaks Crescent

Burnaby, BC

The book is described as follows on the Penguin Random House web page for the book:

Ten-year-old Kenny (Kenji in Japanese) worships his older brother, Mickey (Mitsuo), a baseball hero whose outstanding performance on the Asahi baseball team has given him fame and popularity. Despite Kenny's suspected heart condition, he is determined to practice secretly with Mickey so he, too, can one day try out for the Asahi. But world events soon overtake life in this quiet community. When Japan attacks Pearl Harbor in 1941, everything for Kenny and his family spirals out of control: schools are closed, businesses are confiscated, fathers are arrested and sent to work camps in the BC interior and mothers and children are relocated to internment camps. When Mickey is arrested for a small act of violence, Kenny manages to keep his family's spirits up, despite the deplorable conditions in camp. Coming across a "vacant" field covered with scrap wood, broken shakes and torn tar paper, Kenny gets permission to clear it and convert it into a baseball field. One by one, the boys in the camp pitch in, and the work gives purpose to their long days. Kenny's persistence, hard work and big dreams shape the teen he is to become in this story of happiness found despite all odds.

Retrieved from http://penguinrandomhouse.ca/books/250703/heart-champion#9781770498822 on February 20, 2016.