April 17, 2014

Not My Girl

by Christy Jordan-Fenton and Margaret Pokiak-Fenton
Illustrated by Gabrielle Grimard
Annick Press
978-1-554516247
36 pp.
Ages 6-9
January, 2014

Last year, Margaret Pokiak-Fenton's first biographic story, Fatty Legs (Annick, 2010), was successfully transformed into a picture book, When I Was Eight (Annick, 2013), reviewed here on April 28, 2013.  This book started the telling of Margaret's delivery to a residential school and her experiences there.  A subsequent book, A Stranger at Home (Annick, 2011) has Margaret, or rather Olemaun as she is known to her family, returning home.  Not My Girl is the poignantly illustrated version of that second book.

Margaret had been sent from her home on Banks Island, part of the Arctic archipelago, to attend a Catholic residential school in Aklavik, North West Territories, almost 750 km away as the crow flies (though I'm sure Margaret's journey was far more arduous). Two years later she returns to her homeNot surprising, when her mother sees her daughter, now with shortened hair, wearing clothes and shoes unfamiliar in their community, she shouts out, "Not my girl!" (pg. 3)

Thankfully, a warm welcome from her father, calling her Olemaun again, has her mother and siblings joining in that accepting embrace.  But no matter how much Olemaun wants to fit back into her family, her stomach is unaccepting of their food, the sled dogs don't recognize her scent and she has forgotten her language and the skills she'd learned as a child.  Her disappointment even leads to negligence when she keeps a new pup from his mother, almost causing his death.  But with patience and practice, both mother and daughter find their way back to each other, and the words, "My girl!" (pg. 35) spoken with pride again.

Margaret Pokiak-Fenton dedicates this book as follows:
"For all the children still trying to find their way home.  May you each discover a way to step out from the darkness behind you into the light ahead." (pg. 36)  
She obviously can recall the darkness of the residential school trials and knows of the difficulties associated with going home as a child altered by her experiences.  It is only with the love of her family and the connections with those who were similarly displaced that Olemaun/Margaret was able to find her way home.  While A Stranger at Home indicates that the process of that acceptance was much more complex than illustrated in Not My Girl, the selection of anecdotes here presents a general impression of those struggles without overwhelming younger readers with the horrors and emotional pain that were inevitable.  Gabrielle Grimard's multi-faceted illustrations display that same complexity of spirit, using pencil, gouache, watercolour and even oil paint. There are subtle details in watercolour, the brights of gouache and the depth of oil.  But it's Gabrielle Grimard's drawings of people that convey the breadth of emotions with just the simplest of strokes.  The sorrow and disappointment that must have been part of Olemaun/Margaret's homecoming are evident in the eyes, the turned cheek, the frowning lips.  But just as striking are the brilliant dance of the northern lights and the snow-flying dog-sledding.

Take Not My Girl as a biographic telling of a dark history for Olemaun/Margaret and so many Aboriginal People but experience the lesson of how a little girl and her family were able to turn to the light eventually and together.  The hope for that light is in the words and the illustrations of Not My Girl, and not to be missed.

April 16, 2014

Weeds Find a Way: Book Launch (Calgary)

What a perfect beginning to gardening season and spring!


Illustrator
Carolyn Fisher

invites youngCanLit readers to celebrate
the recent release of her non-fiction picture book

Weeds Find a Way
by Cindy Jenson-Elliott
Illustrated by Carolyn Fisher
Beach Lane Books/Simon & Schuster
 978-1442412606
40 pp.
Ages 4-8
Released February, 2014


Join her

on

Saturday, April 26, 2014
at 
2:00 p.m. 
Monkeyshines
Calgary, Alberta

Listen to the story, then make some weedy art!

Everyone welcome!




April 15, 2014

The Legend of Lightning and Thunder

by Paula Ikuutaq Rumbolt
Illustrated by Jo Rioux
Inhabit Media
978-1-927095-7
40 pp.
Ages 6-8
2013


Taking a story that is typically told orally and transforming it into a text can be difficult but also disastrous.  The oral storytelling tradition relies heavily on the storyteller's craft: of rhythm, intonation, pacing and dramatic effects, all with the aim of interacting with the audience.  Attempting to harness those key features in text, without making that text cumbersome or awkward, and still retain the essence of the story, is a craft in itself.  Paula Ikuutaq Rumbolt, whose bio indicates she is from Baker Lake, Nunavut, has obviously learned well from her grandmother and other elders in her community, but she has demonstrated a strong skill in putting her traditions to paper, penning a strong and accessible origin story with a twist here in The Legend of Lightning and Thunder.

During a festival when Inuit from far and wide come together to celebrate the beginning of spring, an orphaned brother and sister are turned away.  Secretly the two children steal some caribou meat and hide away to consume it.  When finished and still hungry, the two search through the belongings of visitors, looking for more food.  When they find no food, they try to distract themselves with play.  The sister finds a dry caribou skin which she waves in the air and bangs with her hand, while her younger brother uses a rock and a piece of flint found near a tent to create sparks and hopefully fire.  But when the night begins to fall, the children find a way to hide, convinced that they will be punished for their thefts.

Although the story explains how the two orphans ran away to hide in the sky and thus create thunder and lightning whenever they are bored or lonely and in need of play, the culminating message is far more broad.
"So, you see, because two orphaned children were neglected and ignored, we now have lightning and thunder in the world." (pg. 33)
I could hardly begin to understand the depth of the Inuit mythology which The Legend of Lightning and Thunder reveals but the clarity and richness of Paula Ikuutaq Rumbolt's story easily and eloquently tells the legend.  Jo Rioux's illustrations, in blacks and grays, with the tints and shades of oranges and browns, and few inclusions of blue or red, match the desperation of the children's situation and the actions they choose to take.  Though generally an illustrator of graphic novels, Jo Rioux's drawings capture the spiritual and supernatural elements of the story well, and I look forward to enjoying her artwork in more youngCanLit.  In fact, pairing Paula Ikuutaq Rumbolt and Jo Rioux again to bring more Inuit stories to book form would be a promising endeavour and an enriching one for all young readers.

April 13, 2014

Secrets Underground: North America's Buried Past

by Elizabeth MacLeod
Annick Press
978-1-55451-630-8
88 pp.
Ages 9+
February, 2014


I love a good mystery.  So when multiple mysteries are presented in a single tome, even if it is non-fiction (something I tend to review less), then I'm a happy reader.  Elizabeth MacLeod is an accomplished author of non-fiction for young people but she excels at historical mysteries, as demonstrated by the success of her Royal Murder: The Deadly Intrigue of Ten Sovereigns (Annick, 2008) and Bones Never Lie: How Forensics Help Solve History's Mysteries (Annick, 2013).  Secrets Underground: North America's Buried Past can easily be added to that collection of intriguing historical secrets.

Secrets Underground: North America's Buried Past delves underground (literally) to explore caves, tunnels, accidentally and deliberately buried treasures and terrors, and other spaces that hide a history of who we are as people and what we have done.  The stories take us from Mexico, to California, West Virginia, and New York, to Moose Jaw, Saskatchewan, spanning from the 1500's to the 1900's.  (I suspect a second volume could easily extend both the time period and the locations, perhaps even focusing exclusively on Canada, if so chosen.)

The first section, "Hidden Temples", examines the Aztec city of Tenochtitlán which was established in the 1300's and was led by Moctezuma at the time of Cortés and the Spanish conquistadors arrival in the 1500's.  With the massacres of the Aztecs and the destruction of their temples and other buildings, Cortés proceeded to cover the ruins with the new, Mexico City.  It wasn't until 1978 that an electrical worker revealed an artifact that lead to the unearthing of Tenochtitlán.  "Buried Sailing Ships" reveals the grand sailing ships abandoned and buried beneath landfill in San Francisco, while "The War Beneath" tells of massive power converters and a president's possible train car hidden during WWII.  The two secrets from West Virginia reveal a cave of great value to the Confederate side during the American Civil War (1861-1865) and extensive fall-out shelters ready for any eventuality during the Cold War.  The single Canadian story, "Gangsters Belowground" demonstrates that underground tunnels, initially used for warm travel-ways, found multiple uses as a refuge for Chinese workers and the means to smuggle prohibited alcohol and evade capture by authorities during Prohibition in 1918-1933.

These six exposés are enhanced by further information in the form of a timeline, resources for further reading, and recommendations for visits to relevant sites.  Rounding out this well-organized book of non-fiction are countless well-captioned photographs, intriguing tidbits in sidebars and information boxes, and an inviting and informative graphic design. 

As any book of history, Secret Underground: North American's Buried Past has the compelling nature of secrets uncovered.  But, beyond the curiosity factor, these "secrets" have shaped our present and will perhaps shape our future, especially if we look at these Secrets Underground as potential for learning. It also brings into question the ethical dilemma of choosing between the past and the present: should contemporary structures be dismantled or even destroyed to allow excavation of historical treasures, or should secrets underground remain underground?  Elizabeth MacLeod puts forth these questions, as well as the answers others may have chosen, but she never judges the choices made, just puts them out there for discussion, as a true objective storyteller of non-fiction should.

April 09, 2014

Jamie's Got a Gun: Book Launch (Edmonton)

Join

young adult author 
Gail Sidonie Sobat

and illustrator
Spyder Yardley-Jones

for the launch of their new graphic novel for young adults

Jamie's Got a Gun
Text by Gail Sidonie Sobat
Illustrated by Spyder Yardley-Jones
Great Plains Teen Fiction
978-1-926531-88-5
224 pp.
Ages 12+
May 2014

on 

May 22, 2014

at 7 p.m.

at

the Roxy Theatre
Edmonton, Alberta

# # # # # # # # # # # #

The media release from Great Plains Teen Fiction tells this about Jamie's Got a Gun:

Jamie Kidding finds a semi-automatic handgun in an inner city dumpster. An aspiring artist, Jamie initially resorts to his notebook to record the reality of his complicated life with his mother, his deadbeat stepfather and the bullies he faces daily at his high school. Gradually, the weapon takes over Jamie’s life and his imagination, tantalizing him with deadly solutions to his personal troubles. Seduced by a sense of power, one fateful day he takes the gun to school. 

April 08, 2014

The Tweedles Go Electric

by Monica Kulling
Illustrated by Marie Lafrance
Groundwood Books
978-1-55498-167-0
32 pp.
Ages 5-8
Released March 2014

With Earth Day 2014 soon upon us, and the world seemingly looking towards the future for greener technologies, Monica Kulling shows us that green was in our past and maybe we didn't always recognize it for its worth.  In The Tweedles Go Electric, the reader is taken back to the turn of the century–19th to 20th, that is–when the environment may not have been a focus but some wise people were looking beyond the popular when it came to transportation.

The Tweedles, an endearing family of Papa, Mama, twelve-year-old Franny and eight-year-old Frankie, are considered old-fashioned, even fuddy-duddies, because they still get around by walking or cycling, with an occasional foray into the country by horse and cart.  But everything changes (or does it?) with Papa's announcement that, "We're going modern.  We're buying a car!"

They buy a smart car.  A green car.  An electric car!  The family members' reactions to the new purchase are as varied as could be expected.  Papa is excited, though somewhat intimidated and needs to get used to it.  Mama is thrilled, just like Frankie, always having wanted a car.  Only the cerebral Franny takes it all in stride, less than engaged with their new purchase.  As with anything new and different, there are the critics.  However, when an emergency arises, the smart, green car impresses more than a few as to its indubitable value. 

The versatile Monica Kulling will delight readers with this newest book, just as she has with her illustrated biographies such as In the Bag! and Making Contact!, and her picture books of Mister Dash and Lumpito.  The text is fresh and lively, no matter whether the voice of a Tweedle or a salesperson or neighbour.  I love these Tweedles!  Marie Lafrance embodies her characters with the normalcy of members of a functional family but still with familial foibles and their own personalities. And the setting will easily transport the reader to a different time and capture that atmosphere of invention and growth.  With much kindness and no preaching, the Tweedles take the message of progress and fashion beyond the here and now (or there and then), and into the realm of open possibilities.

There is always a morsel of delightful learning in Monica Kulling's books, as there is in The Tweedles Go Electric. A little research reveals a plethora of electric cars were available in the early 1900's. In fact, in 1900 U.S., an astounding 38% of automobiles were powered by electricity. (1) Even though most of the vehicles were steam- or gasoline-powered at the time, and everyone's love of the automobile seemed to include the noise, consumption and pollution, it's easy to appreciate those who could see outside the box and open themselves to those new, albeit few, options. Definitely how we should always be seeing, wouldn't you say?


(1) Retrieved from http://www.edisontechcenter.org/ElectricCars.html on April 6, 2014.

April 05, 2014

Enigma (Camp X series, Book 6)

by Eric Walters
Puffin Canada
978-0-14-318710-3
256 pp.
Ages 9+
November, 2013

If you haven't shared in the Eric Walters' Camp X experience, then hold onto your fedora, homburg or baker boy's cap.  The series that began with brothers Jack and George discovering  a Canadian spy training camp, Camp X, near their summer residence in 1942 Whitby, Ontario has moved through four additional books and World War II continues to wreak havoc across the world and extend its reach.

George Braun, now 12, and his brother Jack, 15, are accompanying their parents by ship to England as part of a convoy of cargo ships, destroyers, corvettes and such when one of the ships is torpedoed by a U-boat in the Atlantic.  Before the U-boat is sunk, the Marines retrieve a device that has the MPs requesting that the boys' mother, Betty, and the rest of the family transfer to the destroyer Valiant for speedier delivery to England.  The device is an Enigma machine, the encrypting system the Germans were using, and "the key to winning the war" (pg. 55) according to Bill Stephenson, who leads the British security forces.

The family is taken to Bletchley Park, the headquarters of British encryption operations, where Mrs. Braun is asked to work with the genius, Professor Alan, and where Captain Braun is to assess, test and revamp security.  The boys who have already proved themselves in earlier adventures to be keen observers are invited to deliver messages and do odd jobs while helping to determine whether any spies or Nazi sympathizers may have already infiltrated Bletchley.  George and Jack meet up again with Ray, the ex-convict and master of disguise who they met in Trouble in Paradise and who now works for the government out of Bletchley Park.

But, everything seems to go amiss when the boys accompany Ray to London by train.  Jack goes along so that he can meet up and spend some alone time with Louise, the British princess they'd all originally been coming to England to visit.  George is to join Ray on the hunt for potential code-breakers.  When Ray is spotted by some old criminal colleagues, they are all taken at gunpoint and held until Ray gets into Naval Intelligence (where he now has access) and sneaks out the plans for which the Nazis are willing to pay Bruno and his fellow thugs loads of money. 

If this sounds like an edge-of-your-seat adventure, in which secrets must be kept and you don't know whom to trust, then you've got a good idea of how Enigma plays out.  George and Jack are typical brothers, always hassling each other, even more so now that Jack is in the throes of teen love.  Eric Walters does not disappoint in carrying the reader effortlessly through this newest Camp X adventure, making the boys' exploits seem almost realistic and probably the envy of every young reader who believe espionage to be a possible career option. (Is it?) By including the factual details of Enigma and Bletchley Park, as well as real persons like Ian Fleming, Bill Stephenson and Alan Turing, Eric Walters creates such authenticity in Enigma that some readers will wonder if the adventures are "just" stories or historical accounts of little-known events from World War II.  And that is an amazing accomplishment for any author.


If Enigma seems like a great read for a young person in your life, especially a boy who enjoys historical fiction suffused with spies, adventure and war, check out the whole Camp X series which includes six books to date:
  1. Camp X
  2. Camp 30
  3. Fool's Gold
  4. Shell Shocked
  5. Trouble in Paradise
  6. Enigma
With the publication of Enigma, Penguin has redesigned the covers of all books in the series.
Be assured, though, that regardless of the cover, the same great stories and writing will be found within.