Showing posts with label Paula Ikuutaq Rumbolt. Show all posts
Showing posts with label Paula Ikuutaq Rumbolt. Show all posts

November 20, 2018

The Origin of Day and Night

Written by Paula Ikuutaq Rumbolt
Illustrated by Lenny Lishchenko
Inhabit Media
978-1-77227-180-5
36 pp.
Ages 4-8
September 2018

In these days of daylight savings, the story of The Origin of Day and Night feels all the more relevant. For those of us in southern Ontario, complaining about how early it gets dark seems like an annual event–though, of course, this would be accentuated in the north–but what of animals who prefer only daylight or only nighttime for their activities?
At the very beginning of time, there was no light on earth. Darkness surrounded everything. Only nocturnal animals, those who could see in the dark, could easily hunt for food. (pg. 2)
From The Origin of Day and Night by Paula Ikuutaq Rumbolt, illus. by Lenny Lishchenko
Tiri, the Arctic fox, was one of those nocturnal creatures, hunting those and from those that slept. When Tiri celebrated the darkness by calling out, "Taaq, taaq, taaq! Darkness, darkness, darkness!" the darkness remained because things that were spoken aloud could become real.
From The Origin of Day and Night by Paula Ikuutaq Rumbolt, illus. by Lenny Lishchenko
But Ukaliq, the Arctic hare, who could not see in the dark, wondered what would happen if she called out, "Ubluq, ubluq, ubluq! Day, day, day!" And there was light in the world.  Tiri was not pleased. In a dance of light and day, the two animals call forth their preferred illumination so they might hunt or nap, finally agreeing on giving each other sufficient time to find food before the other changed the light in the sky.
And so, Tiri and Ukaliq used the power of their words to bring the sun up into the sky and then to make it set. Taaq brought darkness and ubluq brought day. (pg. 28)
Nunavut author Paula Ikuutaq Rumbolt continues to share her Inuit history and culture through her storytelling just as she did in The Legend of Lightning and Thunder (Inhabit Media, 2013) which was shortlisted for the Canadian Library Association's Book of the Year for Children. Likewise, she wraps the origin story in The Origin of Day and Night in a mesmerizing story of conflict and resolution between Arctic animals.  But, by bringing to light the natural history of the Arctic, specifically the feeding and behaviour of the Arctic fox and Arctic hare, as well as the activities of the humans who hunt and store their meat to keep it safe from those such as the fox, Paula Ikuutaq Rumbolt encourages learning of different cultures and environments, honouring the traditional Inuit belief embedded in The Origin of Day and Night beyond the tale itself.

Because of the nature of the story, Lenny Lishchenko's illustrations are far different from those in Paula Ikuutaq Rumbolt's first picture book. Ukrainian-born Toronto artist Lenny Lishchenko plays up the dark vs. light conflict and balance with powerful images, always focusing on the animals and their need for light or dark. By juxtaposing the two, at play as the animals call forth the sky light they require, her illustrations are playful yet resolute and always revealing of their Arctic home.
From The Origin of Day and Night by Paula Ikuutaq Rumbolt, illus. by Lenny Lishchenko
A simple story told with mighty text and illustrations, The Origin of Day and Night enlightens about beginnings, people and place.

April 15, 2014

The Legend of Lightning and Thunder

by Paula Ikuutaq Rumbolt
Illustrated by Jo Rioux
Inhabit Media
978-1-927095-7
40 pp.
Ages 6-8
2013


Taking a story that is typically told orally and transforming it into a text can be difficult but also disastrous.  The oral storytelling tradition relies heavily on the storyteller's craft: of rhythm, intonation, pacing and dramatic effects, all with the aim of interacting with the audience.  Attempting to harness those key features in text, without making that text cumbersome or awkward, and still retain the essence of the story, is a craft in itself.  Paula Ikuutaq Rumbolt, whose bio indicates she is from Baker Lake, Nunavut, has obviously learned well from her grandmother and other elders in her community, but she has demonstrated a strong skill in putting her traditions to paper, penning a strong and accessible origin story with a twist here in The Legend of Lightning and Thunder.

During a festival when Inuit from far and wide come together to celebrate the beginning of spring, an orphaned brother and sister are turned away.  Secretly the two children steal some caribou meat and hide away to consume it.  When finished and still hungry, the two search through the belongings of visitors, looking for more food.  When they find no food, they try to distract themselves with play.  The sister finds a dry caribou skin which she waves in the air and bangs with her hand, while her younger brother uses a rock and a piece of flint found near a tent to create sparks and hopefully fire.  But when the night begins to fall, the children find a way to hide, convinced that they will be punished for their thefts.

Although the story explains how the two orphans ran away to hide in the sky and thus create thunder and lightning whenever they are bored or lonely and in need of play, the culminating message is far more broad.
"So, you see, because two orphaned children were neglected and ignored, we now have lightning and thunder in the world." (pg. 33)
I could hardly begin to understand the depth of the Inuit mythology which The Legend of Lightning and Thunder reveals but the clarity and richness of Paula Ikuutaq Rumbolt's story easily and eloquently tells the legend.  Jo Rioux's illustrations, in blacks and grays, with the tints and shades of oranges and browns, and few inclusions of blue or red, match the desperation of the children's situation and the actions they choose to take.  Though generally an illustrator of graphic novels, Jo Rioux's drawings capture the spiritual and supernatural elements of the story well, and I look forward to enjoying her artwork in more youngCanLit.  In fact, pairing Paula Ikuutaq Rumbolt and Jo Rioux again to bring more Inuit stories to book form would be a promising endeavour and an enriching one for all young readers.