The Legend of Lightning and Thunder

by Paula Ikuutaq Rumbolt

Illustrated by Jo Rioux

Inhabit Media

978-1-927095-7

40 pp.

Ages 6-8

2013

Taking a story that is typically told orally and transforming it into a text can be difficult but also disastrous.  The oral storytelling tradition relies heavily on the storyteller's craft: of rhythm, intonation, pacing and dramatic effects, all with the aim of interacting with the audience.  Attempting to harness those key features in text, without making that text cumbersome or awkward, and still retain the essence of the story, is a craft in itself.  Paula Ikuutaq Rumbolt, whose bio indicates she is from Baker Lake, Nunavut, has obviously learned well from her grandmother and other elders in her community, but she has demonstrated a strong skill in putting her traditions to paper, penning a strong and accessible origin story with a twist here in The Legend of Lightning and Thunder.

During a festival when Inuit from far and wide come together to celebrate the beginning of spring, an orphaned brother and sister are turned away.  Secretly the two children steal some caribou meat and hide away to consume it.  When finished and still hungry, the two search through the belongings of visitors, looking for more food.  When they find no food, they try to distract themselves with play.  The sister finds a dry caribou skin which she waves in the air and bangs with her hand, while her younger brother uses a rock and a piece of flint found near a tent to create sparks and hopefully fire.  But when the night begins to fall, the children find a way to hide, convinced that they will be punished for their thefts.

Although the story explains how the two orphans ran away to hide in the sky and thus create thunder and lightning whenever they are bored or lonely and in need of play, the culminating message is far more broad.

"So, you see, because two orphaned children were neglected and ignored, we now have lightning and thunder in the world." (pg. 33)

I could hardly begin to understand the depth of the Inuit mythology which The Legend of Lightning and Thunder reveals but the clarity and richness of Paula Ikuutaq Rumbolt's story easily and eloquently tells the legend.  Jo Rioux's illustrations, in blacks and grays, with the tints and shades of oranges and browns, and few inclusions of blue or red, match the desperation of the children's situation and the actions they choose to take.  Though generally an illustrator of graphic novels, Jo Rioux's drawings capture the spiritual and supernatural elements of the story well, and I look forward to enjoying her artwork in more youngCanLit.  In fact, pairing Paula Ikuutaq Rumbolt and Jo Rioux again to bring more Inuit stories to book form would be a promising endeavour and an enriching one for all young readers.

Small Medium at Large

Written by Joanne Levy

Bloomsbury Children's Books

978-1-59990-836-6

193 pp.

Ages 9-13

2012

Lilah is the Small Medium at Large.  She is only 12 (hence, the small) and her newly acquired psychic ability (making her a medium) is released (i.e., at large) after she is struck by lightning while clutching a metal tent pole at her mother's outdoor wedding.  Luckily, as the great cover indicates, Lilah is an endearing child with a colourful supporting cast to help her manage:  her kind but awkward Dad, just getting back into dating; her loving mother and new step-dad Stan, now away on their month long honeymoon; her best friend, Alex, who finds the value in Lilah's new gift; and her dead grandmother, Bubby Dora, who tells it like it is with wisdom and love, advising Lilah she can't "be everything to everybody."

Getting this psychic ability is a shock in itself but having dead people talking to her wherever she goes could become problematic.  Luckily, most of the spirits she "meets" are good-hearted souls who want to help: her Bubby Dora wants to help Lilah's dad find someone nice so he wouldn't be so lonely; Serena, a former bandmate of Lilah's music teacher, wants him to start up their old band; Miss Marion, the lunch lady, who is able to steer Lilah away from lousy meatloaf and such in the school cafeteria; and Mr. Finkel, the father of the boy on whom Lilah is crushing, just wants to connect with his son.

But, sharing her gift with others is especially awkward, even though Alex is sure that Lilah could make loads of money selling her services.  Luckily, Lilah is more apt to use her gift to help others, including those whose nasty behaviour could have earned them her disdain and disregard.

Small Medium at Large has all the hallmarks of a great middle-grade read.  The plot focus is simple i.e., Lilah's new-found psychic ability.  The characters are mostly of the kind variety with only a couple of nasty ones added for flavour and even they can be redeemed.  And the stories resolve themselves amicably when characters connect.  Even the book trailer from Joanne Levy demonstrates the light-heartedness of the book.  Joanne Levy shares, without preaching, that supporting one's family and friends can bring good karma even if you have to live through the awkwardness of puberty and first crushes.