Cat's Cradle: The Mole King's Lair

Written and illustrated by Jo Rioux

First Second

978-1-250-62538-0

256 pp.

Ages 8-12

June 2023

When we met twelve-year-old Suri, the would-be monster tamer, in Jo Rioux's first Cat's Cradle book, The Golden Twine, she had purchased a dragon's tooth that she hung from some golden twine she'd discovered. She believed that tooth gave her incredible powers and would enable her to become the monster tamer she was destined to be. 

From Cat's Cradle: The Mole King's Lair by Jo Rioux

Now Suri is heading to the Monster's Cradle, the land of the giants, to help find a giant for whom her companion Byron, the monster-dog, could be a lap dog. Created by a greedy imp named Caglio, Byron is a lovable but massive dog with few monster tendencies, but he is threatening enough for the prince and his entourage to pursue for monster-hunting sport. But, not only is the trio being followed by the hunters, there are also three caitsiths named Siska, Toska and Mouska who are following them, determined to retrieve the golden twine Mouska had dropped.

From Cat's Cradle: The Mole King's Lair by Jo Rioux

When Suri, Caglio and Byron are confronted with a monster, Byron takes off and Suri and Caglio hide in a mountain cave which Suri believes must belong to the Mole King, according to her monster guidebook. She tries to use the power of her dragon tooth to ward off the Mole King but it's only when Byron reappears, and she feels intensely that it works for her. They soon meet Kolya, a young thief, who had been stealing from the Mole King's treasure room filled with gold coins–this gets Caglio's attention–which explains the Mole King's anger. But when they open Kolya's one bag they realize all he grabbed was a small, three-legged table.

From Cat's Cradle: The Mole King's Lair by Jo Rioux

Suri and her companions now head into the tunnels of the Mole King's lair, but their motives are all a little different. Suri just needs some gold to pay for food as they journey. Caglio just wants money. And Kolya is stealing so that he might redeem himself with the leader of his thieving ring. But Kolya is also drawn to the golden twine he saw in Suri's bag. If he is a caitsith, that golden twine would be handy in disguising his monster-ness. 

 

But going after the treasure is not as simple as finding their way to the treasure room. The prince is still determined to hunt a monster and is now accompanied by Toska, Siska and Mouska as his trackers and by the people of the impoverished town of Tancredi who'd lost many families and friends to the mines of the mountain. It's now a race to the treasure and to capturing a monster while a ball of gold twine draws attention from the caitsiths and Kolya. Who can work together and who cannot will undoubtedly determine the outcome for Suri and others in The Mole King's Lair, and in Book 3, Suri's Dragon.

From Cat's Cradle: The Mole King's Lair by Jo Rioux

Jo Rioux has given us a full range of characters from spunky Suri who wants to be a monster tamer, to the freaky Caglio who is all about himself, the cuddly Byron, the farcical prince and his courtiers, the caitsiths, and new characters like Kolya and his leader Lutrov. There's more coming with hints of a relationship between Lutrov and Toska and someone called Baron Grim. There's a lot of story here and Jo Rioux weaves it together flawlessly, taking us from Suri and her group to the prince and his entourage, from the Mole King's lair to the town and the forests. The story is engaging and will keep middle-grade readers engrossed with who is doing what and why and do they know what the others are up to. Nothing is straightforward except Suri who just wants to be a monster tamer and do the right thing, whatever that might be.

 

Like The Golden Twine, The Mole King's Lair is a delight for graphic-novel fans. It has a little bit of everything, from sweet characters and monsters, and idiots and villains, to dark scenes and humour, and a pursuit or two that keeps the action strong and the adventure compelling. Jo Rioux's artwork gives us all of this with expressive faces that show fear and trepidation, suspicion and affection. Readers will laugh when Byron gobbles up Caglio when he insults the dog, or when Caglio explains his origin–"I congealed in a cauldron of bone soup that spoiled on the fire" (pg. 86)–and cheer when the prince is trampled by Byron. There is so much to engage the young reader and all with a degree of innocence and humanity, even for monsters.

I don't know when Suri's Dragon comes out but, after The Golden Twine and The Mole King's Lair, I know there's lots more story to come and adventures and laughs from Jo Rioux. I'll be cheering for Suri and Byron–not so much Caglio–and hoping that their dreams come true.

 

Cat's Cradle: The Golden Twine (2022)

Cat's Cradle: The Mole King's Lair (2023)

Cat's Cradle: Suri's Dragon (still to come)

Cat's Cradle: The Golden Twine

Written and illustrated by Jo Rioux

First Second

978-1-250-62535-9

128 pp.

Ages 8-12

June 2022

 

Discovered as a foundling by some merchants in a travelling camp, Suri is both sheltered, by most of the merchants, and vilified, by the leader Leon. Like other kids in the camp, she tries to earn her keep, and telling stories is one of her occupations, though her aspiration is to be a monster tamer. In their valley of Galatea, protected by the mountain range called the Giant's Belt through which monsters occasionally enter via a gap named the Monster's Cradle, there are those who capture monsters for bounty. In fact, there is currently a monster being held captive, ready for sale to the Prince, in the wagon of a strange little man who clangs when he walks. (It is said he has a cold, dead heart that clangs in his chest.) But while telling her story to her paying customers, Suri takes them to the wagon to show them she isn't afraid of the monster. She not only approaches the creature who is only visible by its glowing eyes but she communicates with it and learns that, like her, it's lonely. That connection will serve her well.

From Cat's Cradle: The Golden Twine by Jo Rioux

After her encounter with the monster, she purchases a dragon’s tooth which she is assured will awaken great power within her. Still, while evading Leon, she meets a boy with a package of fish doughnuts and a pile of pillows he sells. When she starts telling him that she is a monster tamer and can recognize a caitsith–even when in human form they have a tail–the boy races away from her, leaving behind several items including a ball of golden twine which she uses to secure her dragon’s tooth as a necklace.

From Cat's Cradle: The Golden Twine by Jo Rioux

Later Suri is pursued by the boy and his friends for the return of his property. Convinced they want her dragon’s tooth, she takes shelter in the monster’s wagon before escaping with the creature’s help and beginning a new adventure away from the camp and heading into the land of the monsters to do a good deed and hopefully stay ahead of some nasty beasts, both human and monster, and become the monster tamer she aspires to be. 

 

This is Jo Rioux's first graphic novel as author and illustrator, having previously provided the compelling artwork for picture books like The Legend of Lightning and Thunder and graphic novels like The Daughters of Ys and A Sam and Friends Mystery series. Some may recognize the title, Cat's Cradle: The Golden Twine as a previous publication (Kids Can Press, 2012) but this edition has been reimagined and completely redrawn by Jo Rioux, making it fresh and new and ready to complete Suri's adventures in the remaining books of this trilogy. 

 

Middle-grade graphic novels are always a hit and especially when they include fantasy elements like jackalopes, leshii and basilisks, mythological creatures from across cultures. Then add a young protagonist who must deal with being abandoned and trying to find her place in the world and working towards a goal that others think impossible for a girl, and you've got a full story of empowerment, fantasy, and action. With Book 2, The Mole King's Lair, in the works, young readers should know soon enough how successful Suri is in her quests.

From Cat's Cradle: The Golden Twine by Jo Rioux

The Legend of Lightning and Thunder

by Paula Ikuutaq Rumbolt

Illustrated by Jo Rioux

Inhabit Media

978-1-927095-7

40 pp.

Ages 6-8

2013

Taking a story that is typically told orally and transforming it into a text can be difficult but also disastrous.  The oral storytelling tradition relies heavily on the storyteller's craft: of rhythm, intonation, pacing and dramatic effects, all with the aim of interacting with the audience.  Attempting to harness those key features in text, without making that text cumbersome or awkward, and still retain the essence of the story, is a craft in itself.  Paula Ikuutaq Rumbolt, whose bio indicates she is from Baker Lake, Nunavut, has obviously learned well from her grandmother and other elders in her community, but she has demonstrated a strong skill in putting her traditions to paper, penning a strong and accessible origin story with a twist here in The Legend of Lightning and Thunder.

During a festival when Inuit from far and wide come together to celebrate the beginning of spring, an orphaned brother and sister are turned away.  Secretly the two children steal some caribou meat and hide away to consume it.  When finished and still hungry, the two search through the belongings of visitors, looking for more food.  When they find no food, they try to distract themselves with play.  The sister finds a dry caribou skin which she waves in the air and bangs with her hand, while her younger brother uses a rock and a piece of flint found near a tent to create sparks and hopefully fire.  But when the night begins to fall, the children find a way to hide, convinced that they will be punished for their thefts.

Although the story explains how the two orphans ran away to hide in the sky and thus create thunder and lightning whenever they are bored or lonely and in need of play, the culminating message is far more broad.

"So, you see, because two orphaned children were neglected and ignored, we now have lightning and thunder in the world." (pg. 33)

I could hardly begin to understand the depth of the Inuit mythology which The Legend of Lightning and Thunder reveals but the clarity and richness of Paula Ikuutaq Rumbolt's story easily and eloquently tells the legend.  Jo Rioux's illustrations, in blacks and grays, with the tints and shades of oranges and browns, and few inclusions of blue or red, match the desperation of the children's situation and the actions they choose to take.  Though generally an illustrator of graphic novels, Jo Rioux's drawings capture the spiritual and supernatural elements of the story well, and I look forward to enjoying her artwork in more youngCanLit.  In fact, pairing Paula Ikuutaq Rumbolt and Jo Rioux again to bring more Inuit stories to book form would be a promising endeavour and an enriching one for all young readers.