School Rules!

Written by Robert Munsch

Illustrated by Dave Whamond

Scholastic Canada

978-1-4431-8203-4

32 pp.

Ages 3-8

January 2020

When Friday afternoon at school comes to an end and the kids go home and the teacher rushes out to the bank, Cassandra hides under her desk. You see, Cassandra LOVES school. So even when the tattooed janitor mops the floor and the principal locks up, Cassandra doesn't leave.

From School Rules! by Robert Munsch, illus. by Dave Whamond

With the school finally empty, Cassandra comes out to enjoy the books and toys and puzzles of her classroom, all with the company of the classroom pet.  At home, though, her family are going a little crazy when they realize Cassandra is not around. After calls to the police and fire department, her father finds her at school. When he asks her what she's doing there, she tells him, "I like school." Unfortunately, that's not good enough for him and he carries her home.

From School Rules! by Robert Munsch, illus. by Dave Whamond

Though the next day is Saturday, Cassandra prepares to go to school. But, of course, the school is locked up tight. So what do you do if you want to go to school.  You buy one! At the Everything Store, she requests  "a school with dirty red bricks, a slightly scary principal, a very nice teacher and a janitor with tattoos on his arm." Apparently they can have one sent to her promptly. So when Sunday comes, her parents find "Cassandra's School" in their backyard and a very happy Cassandra enjoying her school, a little different but a whole lot the same.

From School Rules! by Robert Munsch, illus. by Dave Whamond

Of course, it's a silly tale. How many kids love school that much?! But isn't it wonderful to think that there are some kids who find such joy at school that they would want to stay there all the time. Robert Munsch's classic silliness abounds and is matched by Dave Whamond's illustrations. From the guinea pig whose facial expressions reflect Cassandra's while he keeps her company, to a household in chaos–there's a cat in a drawer, a dog under the table waiting with a fork, a baby splattered with food and a young girl pulling cheese out of a casserole–and the pajama-clad family reacting to a school in their backyard, School Rules! is a collaboration of wit and wackiness, with a helping of the wonder that comes from finding something that makes you happy. 

From School Rules! by Robert Munsch, illus. by Dave Whamod

Watch It Grow: Backyard Life Cycles

Written and illustrated by Barbara Reid

North Winds Press (Scholastic Canada)

978-1-4431-7559-3

32 pp.

Ages 4-8

December 2019

This one may have been released just after Christmas but any picture book by Barbara Reid, the grande dame of plasticine art, could not be overlooked, especially one that will be a valuable teaching tool for young biologists.

From Watch It Grow: Backyard Life Cycles by Barbara Reid

For four species, Barbara Reid illustrates their complete life cycles in three double-page spreads each. There is the monarch butterfly which transforms from egg to caterpillar to chrysalis and butterfly. There is the sunflower which grows from the recognizable hard-shelled seed through germination with root and stem and two cotyledons, to leaves and finally flower and seed again.

From Watch It Grow: Backyard Life Cycles by Barbara Reid

The third species is the green frog which lays many eggs from which tadpoles hatch, and then develop into organisms with back legs and then front legs. The final species is the white oak growing from an acorn which will take root, produce a seedling which grows into a sapling and finally a mature tree. To summarize the cycles, Barbara Reid provides a one-page illustration of each at the end of her book.

From Watch It Grow: Backyard Life Cycles by Barbara Reid

This may be the content of Watch It Grow: Backyard Life Cycles and it is important content for teachers who will be helping young children investigate the relationships between different stages of the same organism.  But Watch It Grow is more than a child's picture book as teaching tool, and that's because the art is that of Barbara Reid.  Watch It Grow: Backyard Life Cycles becomes a celebration of life and the seasons, as plant and animals grow and develop through their life stages. Into each life cycle's story, Barbara Reid brings in a landscape of pond or backyard, woods or meadow, all with the textural and accurately-coloured richness of her plasticine art. Young children will be reaching out, as they always do with Barbara Reid's art, to touch the leaves or the caterpillar or a flower, certain that its softness or fuzziness or crispiness will be palpable and maybe even sonorous.

I know teachers and parents will want to have this book in their library for the teaching of life cycles, which Watch It Grow: Backyard Life Cycles will do flawlessly, but don't ignore the artistry of its illustrations. Young readers will certainly be enamoured with Barbara Reid's art and this will only cultivate further learning.

Last Words

Written by Leanne Baugh

Red Deer Press

978-0-88995-576-9

320 pp.

Ages 13+

2019

"I'm sorry" are the last words that Will Szabo speaks to a stranger on the Lion's Gate Bridge before he jumps to his death, but they are the beginning of a new chapter in sixteen-year-old Claire Winters's life as she struggles to understand his suicide.

Just before he jumped, Will hands Claire his cell phone–complete with passcode taped to the back–and this becomes the focus for Claire's probe into his death. She discovers a suicide note, emails, voice mail, text messages and more that help her reconstruct his life. But learning about the young man just leads her to question the way of the world and what hope there is. In fact, Claire's own life begins to unravel as she delves deeper, causing riffs with her boyfriend Ty, friends Izzy and Declan, and straining her relationships with her parents and older sister Belle who is moving to a group home–Belle has Down Syndrome–while also impacting her passion for painting. She speaks to different people, trying to get advice as to how to proceed, including from Paul, the executive director of a hospice, who suggests that

"Sometimes the best way to get to the other side is to go right through the pain, yelling, kicking, and screaming like a crazed fool." (pg. 173)

Then Claire meets Kiki, a teen with cancer, who sees life as a gift and a challenge that she will not deny and Claire begins to wonder who got it right.

It's not unusual for young people to look at the world and see the good and the bad as extremes. Except for a person like Kiki who is on the cusp of losing her life, many become distressed by break-ups and environmental disasters and changes that compel them to take a different perspective from the one with which they've become comfortable. They're not wrong to be distressed but they might not always see the circumstances in the realm of a big picture that might suggest these situations are not worth ending a life.

"...if there's meaning in life, there also has to be meaning in suffering. They go hand in hand." (pg. 241)

Leanne Baugh does not take sides. She doesn't make Claire seem over-the-top in her pursuit of Will's story or a victim of wrong-place-wrong-time circumstances, though it was unfortunate that Claire had to witness something so shocking. Leanne Baugh could have made Kiki into a saint who fights her illness with valour and perseverance but she doesn't. And she certainly doesn't depict Will as a victim or a young man in control of his own life. The paths for these characters, as are our own, are never set in stone and suggesting otherwise would be unfair. Ultimately, Leanne Baugh twists her plot to enable Claire to see her life and those of Will and Kiki from a different perspective, for good or bad, and recognize that, as Emily Dickinson is quoted, "Hope is the thing with feathers."

Nibi's Water Song

Written by Sunshine Tenasco

Illustrated by Chief Lady Bird

North Winds Press (Scholastic Canada)

978-1-4431-0789-1

32 pp.

Ages 4-8

2019

Though I've already started reviewing books being released in 2020, I'm still finding gems from last year that I really, really want to bring to the attention of young readers and the adults in their lives. Nibi's Water Song is one such title. Its premise of an Indigenous young person searching for potable water is both a cautionary tale and one of resilience and hope, and supportive of the need for clean water in all communities.

Nibi means water in Anishinaabemowin. Considering this young person's thirst, it is highly appropriate that it is her name. But when Nibi is desperate for water to quench that thirst, she finds no clean water at her home or that of her neighbour, only brown water.

From Nibi's Water Song by Sunshine Tenasco, illus. by Chief Lady Bird

So begins Nibi's search for clean drinking water. When she finds only dirty water in the river, she skips to the next town of "big, shiny houses." Though a nice lady gives her a teeny-tiny plastic bottle of water, she is given no more, no matter how much knocking she does at the doors of the big, shiny houses. Finally she dances in the street with her sign that "Water is Life."

From Nibi's Water Song by Sunshine Tenasco, illus. by Chief Lady Bird

Desperate for more water, thirst overpowering her, Nibi is joined by her friends, all begging for water. Their signs shout "Clean Water" and "We All Need Water."

From Nibi's Water Song by Sunshine Tenasco, illus. by Chief Lady Bird

It is only when their voices are joined together in volume and purpose that the people in the big, shiny houses fall in to help Nibi get clean water.

With a lot of hard work, digging and singing, everyone worked together. And finally, thirsty, thirsty Nibi got her clean water...and she shared with all of her friends.

From Nibi's Water Song by Sunshine Tenasco, illus. by Chief Lady Bird

Nibi's Water Song reminds us that we are part of a larger community, one whose members may not all have water safe for drinking or washing. The United Nations may have declared it a human right to have safe drinking water and sanitation but there are numerous Indigenous communities who have lived with drinking water advisories as well as compromised water and waste water systems for decades. Author Sunshine Tenasco, Anishinabe from Kitigan Zibi Anishinabeg, Quebec makes it clear that improvements will only be realized when the people in the "big, shiny houses" get involved. It may only take one person, like Nibi, to step forward and start a movement but it will take a concerted group effort from within and outside these unhealthy situations to make them safe. Still Nibi sings and dances to get the attention needed to address the problem.

Nibi's hope is reflected in the bold and bright illustrations of Toronto artist Chief Lady Bird of the Rama First Nation and Moose Deer Point First Nation. Her colours are vivid and lively, from the blue of the clean water to the greens of the grass. Her characters wear red and pink, and blue and orange, and traditional clothing and regalia like moccasins, fringed shawls, and beadwork. Most important are the flowers that surround Nibi, symbolic of the hope for water, the element that grows and sustains life. Chief Lady Bird's highly-stylized plants surround Nibi and reach forward, stretching to advance her quest for clean water.

The message of Nibi's Water Song is a simple one: everyone deserves clean water. I hope that the words and art of Sunshine Tenasco and Chief Lady Bird will reach all communities to spur to action those of us in our big, shiny houses so that we might help everyone quench their thirst and realize that human right to clean water. 

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Nibi's Water Song is also available as a French-language edition, Nibi a Soif, Très Soif.

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n .b. As of May 2025, there is a dual-language edition with text in both English and Anishinabemowin.

 

Nibi nigomon/Nibi's Water Song

Written by Sunshine Quem Tenasco
Illustrated by Chief Lady Bird

Scholastic Canada
978-1-0397-0067-3
32 pp.
Ages 4-8
2025

Bloom

Written by Kenneth Oppel

HarperCollins Canada

978-1-4434-5031-7

312 pp.

Ages 10-14

February 2020

Many Canadians would recognize Salt Spring Island as a popular tourist destination off the coast of British Columbia. But what's happening on this Gulf Island in Kenneth Oppel's latest middle grade novel, Bloom, would have most running away. Unfortunately, there will be nowhere safe to run.

All teens have their angst but Anaya, Petra and Seth have challenges that are unique. Anaya Riggs may have to deal with acne and asthma but she also lives with severe allergies to just about everything: gluten, dairy, eggs, smoke, dust, pollen, etc. Her former friend and all-around popular girl Petra is allergic to water and cannot allow it to contact her skin without developing a burning rash or hives. New kid Seth Robertson, who has been moved from foster home to foster home, is now living with an elderly couple Mr. and Mrs. Antos on their farm and always wears long sleeves to hide the scars that track up and down both arms. 

Then a hard rain comes down for several days and changes everything. Anaya's allergies improve and her acne clears up. Petra can wash with this rainwater–she collects as much as she can–without any reaction. And a strange black grass begins to grow just about everywhere around the world and at an alarming rate.

Pretty much all anyone talked about now was the black grass. How it was crowding out crops, how nothing killed it. You couldn't go on your phone or turn on the TV without people talking about how it was showing up everywhere, and what was this stuff, anyway? (pg. 50)

Attempts to eradicate the grass by mowing or chainsawing it or applying herbicides or fire are futile or dangerous. Anaya's father, a botanist at the Ministry of Agriculture's experimental farm, is working hard to identify the plant, including those germinated in the water Petra has collected, and even Anaya gets involved collecting soil from the school yard, one of the few sites without the black grass. Soon enough, though, the schoolyard becomes a minefield of pit-plants that swallow prey, whether it be a deer or humans. Oddly, Petra, Anaya and Seth are not affected by the pit-plants' acidic walls or tranquilizing gas emissions.

As Mr. Riggs and a research associate head out to the eco-reserve on Cordova Island where the black grass appears to be dying, the three teens are taken by Dr. Stephanie Weber, a scientist with CSIS, to a military base in Vancouver in the hopes of learning what makes them special and possibly developing a vaccine. But what is discovered about the teens is much scarier than anyone ever anticipated.

The word "bloom" suggests something unhurried and beautiful and captivating. The plants in Bloom are nothing like that. They are aggressively growing, violent in their attacks and devastating in their effects. Worse yet, the last line in the book is a harbinger that more, perhaps even worse, is still to come in the next books in The Overthrow series. (Book 2 in the series, Hatch, is set for a fall 2020 release while we'll have to wait until the summer of 2021 for the final book, Thrive.) Bloom is thrilling and scary, a story with all the hallmarks of an edge-of-your-seat cliff-hanger–although you'd more likely be hanging by vines above a lake rife with machine-gun water lilies–blending a survival tale with an action-adventure involving clashes with dangerous life-forms. 

Though Anaya, Petra and Seth, as well as the parents, social workers, and military, carry the story forward, Kenneth Oppel's plot steals the story. It's bizarre, it's compelling and you can't read fast enough to learn what is happening. Kenneth Oppel may resolve Bloom to readers' satisfaction–we do learn what the plants are and how the teens are different–but there's obviously so much more to their story. I'm looking forward to an even more twisted plot when we revisit the kids and the source of Bloom's plants in Hatch and Thrive.

The Imperfect Garden

Written by Melissa Assaly

Illustrated by April dela Noche Milne

Fitzhenry & Whiteside

978-1-55455-408-9

36 pp.

Ages 4-8

2019

I know that it's still winter for many of us. Here in southern Ontario we have snow on the ground and below zero temperatures. But this is the time of year gardeners are perusing gardening catalogues and ordering seeds to germinate indoors or sketching out plans for their outdoor veggie gardens. Let Toronto's Melissa Assaly and Vancouver's April dela Noche Milne motivate you to start planning your own garden with The Imperfect Garden.

From The Imperfect Garden by Melissa Assaly, illus. by April dela Noche Milne

A child and his mother prepare a garden each spring, hopeful of growing their own food. In April they plant, and in June the first cucumbers are ready for picking. But Jay is fascinated by their shapes, so unlike the very straight cucumbers they see in the grocery stores. His mother explains that shoppers seem to prefer the straight ones so the unusually-shaped ones are thrown away.

In July, it's the carrots that are picked and again the child is intrigued by the odd shapes, so unlike those in the store, though they taste "crunchy and delicious." In August, it's apple-picking time and he delights in the assortment of colours and shapes. It doesn't matter what they look like as "Mom says all apples taste delicious in pies" and, by not discarding the less-than-perfect ones, they have sufficient for two pies.

From The Imperfect Garden by Melissa Assaly, illus. by April dela Noche Milne

When the growing season has passed and Jay and his mom go to the grocery store, he misses the variety of shapes they produced in their own garden.

Where are the two-legged carrots, the twirly-whirly cucumbers, and the funny-faced apples? Don't grownups know they all taste the same? Even better, maybe?

Fortunately, the imperfect ones are still available and at a reduced cost.

Melissa Assaly's The Imperfect Garden will raise interesting discussions about gardening with children but also about food wastage. She shares notes about both, providing tips for planting with children but also about how much food is wasted when so many go hungry.  In her inviting story about a mother and child growing their own food and appreciating whatever grows, however it grows, Melissa Assaly will make us all think about why we think some foods are considered "perfect" when they are still very edible and tasty, and how we can change that attitude with our children. Jay's pleasure in finding heart-shaped kiwis and other oddities suggests that we've learned and taught our children poorly when they think that only one kind is the right kind.

I like April dela Noche's earthy illustrations, from her misshapen fruits and vegetables to her characters' clothing to a yard that is less manicured and more wild and real. At this time of year, it's lovely to see what will be and can be and to feel the warmth and green of the natural world growing, producing and feeding. In The Imperfect Garden, everything is perfect.

From The Imperfect Garden by Melissa Assaly, illus. by April dela Noche Milne

Aggie Morton, Mystery Queen: The Body Under the Piano

Written by Marthe Jocelyn

with illustrations by Isabelle Follath

Tundra Books

978-0-73526-546-2

336 pp.

Ages 9-13

February 2020
Reviewed from advance reader's copy

At the time, I did not see that a sequence was unfolding. One never does. Afterward, it was clear how the moments piled up, each leading naturally to the next, quietly altering the course of things. (pg. 4 in arc)

The events to which twelve-year-old Agatha Morton is referring are those that have lead to the death of their neighbour, the cankerous Mrs. Irma Eversham, at the dance studio of her sister-in-law Miss Marianne Eversham.  It's 1903 Torquay, England and the murdered woman has been discovered by Aggie the morning after the "Befriend the Foreigners" recital aimed at collecting clothes for needy refugees and immigrants, many of whom have fled persecution, hunger and political turmoil. Among the recipients will be Agatha's new friend, Hector Perot, a Belgium boy with impeccable manners and a brain blistering with reasoning, who becomes her compatriot in sleuthing.

When it is discovered that Mrs. Eversham has been given rat poison, Agatha and Hector lead their own investigation, sometimes with the assistance of Aggie's Grannie Jane, to ascertain who had the opportunity and the motive to murder the prickly widow who'd tried to control her daughter Rose's social life and disapproved of her sister-in-law's efforts to help newcomers and get the vote for women. But what of Mr. Roddy Fusswell who was interested in Rose and whose hotel had provided food and dishes for the charity drive event? Or the reporter Mr. Augustus Fibbley who keeps popping up and getting Aggie to reveal what she has learned? There are so many potential suspects and players in this middle-grade mystery that it's helpful that Swiss artist Isabelle Follath provides illustrations of 16 characters, including Aggie's dog Tony.

From Aggie Morton, Mystery Queen: The Body Under the Piano by Marthe Jocelyn, illus. by Isabelle Follath

If the reader is a fan of cozy mysteries, they will recognize the names of Agatha and Hector Perot and Grannie Jane as homage to writer Agatha Christie and her sleuths Hercule Poirot and Miss Jane Marple. But for our youngest readers for whom Agatha Christie is an unknown, author Marthe Jocelyn will snag them with an excellent murder puzzle and a host of rich characters in a unique historical context while introducing them to Christie through a detailed author's note and list of information sources. Aggie is a precocious child who is developing her investigative skills while she tries her hand at writing descriptions and scenarios that could become part of future books. She inserts herself into police investigations and processes what she sees and what she knows into a logical interpretation and ultimately a resolution that will amaze the professionals and dumbfound her family and others. As a reader, I am so pleased that Marthe Jocelyn chose to introduce us to her Aggie in the context of a soft whodunit–there is absolutely no violence to distract from the plot–and look forward, as we all should, to the series's second book, Peril at Owl Park, set for a fall 2020 release.