2024 Forest of Reading® Kid and Teen Committees: Applications now being accepted

 

Do you love books?

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Do you know Canadian books and authors?

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Are you in Grade 3-12?

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Would you like to talk about books with your peers?

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Would you like to contribute recommendations to a summer reading list?

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If you answered "Yes" to these questions, 

then have I got an activity for you!

Applications are now being accepted for the Forest of Reading®'s Forest Kid and Teen Committees. These committees bring young readers together for one morning to talk Canadian books and prepare summer reading lists for their peers. 

 

 

Who can apply?

There are three committees, based on grade level, who will meet on Zoom on different days in May. They are:

• Silver Birch Kid Committee (for Grades 3-6)
• Red Maple Kid Committee (for Grades 7-8)
• White Pine Teen Committee (for Grades 9-12)

 

When will they meet?

• Silver Birch Kid Committee: May 7, 2024 (9 AM- 12:30 PM EST)
• Red Maple Kid Committee: May 8, 2024 (9 AM- 12:30 PM EST)
• White Pine Teen Committee: May 4, 2024 (9 AM- 12:30 PM EST)

(n.b. times may be amended if there are members who do not reside in the Eastern Time Zone) 

 

 

What happens during these meetings?

Young readers will meet on Zoom and share their opinions about Canadian books which they have read and enjoyed. 

 

These books must be:

• written by Canadian authors (Canadian by birth or residency)
• published in the last two years
• appropriate for their age groups 
• not already included on Forest of Reading nominated lists of titles
• not already on previously published Forest Kid or Teen Committee Summer Reading Lists

Under the guidance of Meredith Tutching, Director of the Forest of Reading®, and a facilitator, readers will recommend titles, discuss the stories and the writing, and then vote on which titles, usually between 10 and 20 books, to include on the 2024 summer reading list. (Here's a pdf of a sample, the Silver Birch reading list from 2023.)

In addition to talking books, there are always special guests that drop in to speak to the committee and share their own recommendations. Past guests have included Angela Ahn,
S. K. Ali, Kelley Armstrong, Paul Coccia, Zetta Elliott, Melanie Florence, Natasha Deen, Kathy Kacer, Gordon Korman, Colleen Nelson, Kenneth Oppel, David A. Robertson, Kevin Sylvester, Vikki VanSickle and Eric Walters.

How to apply?

Submit your application via Google form here.

Deadline for applying is April 1, 2024.

Readers will be asked to provide contact information, and information about favourite Canadian books and recently read Canadian books. (The key here is that the books must be Canadian, written by Canadian citizens or residents.)

Full details are available at the Forest of Reading® website here.

Everyone Gets a Turn

Written and illustrated by Marianne Dubuc

Princeton Architectural Press

978-1-7972-2729-0

60 pp.

Ages 3-6

March 2024 

Turtle, Hare, Bear and Mouse are spending a beautiful day in the forest, when they discover an egg. They decide they will each take turns caring for it. 

From Everyone Gets a Turn, written and illustrated by Marianne Dubuc

At Mouse's house, a voice from within the egg declares that it is cold so Mouse hurries to remedy that. First, Mouse lays a fire and then he wraps the egg in a scarf and a hat. Mouse is very kind and accommodating,

The next day Mouse takes Little Egg to Bear's house. But Bear's lifestyle is a little more active, and while he exercises Little Egg cracks. Though it's apparently too tight inside the shell for Little Egg now, it needs a little help to get out. When Little Bird finally emerges, exhausted for her efforts, Bear offers comfort.

From Everyone Gets a Turn, written and illustrated by Marianne Dubuc

Then, it's on to Hare's house where the rabbit is surprised to see a bird, not an egg. But now Hare has to meet another need for their new ward: food. And though Hare has a stacked pantry, it's a bit of a mystery what Little Bird will eat.  

 

Finally Little Bird is taken to Turtle's place, a house of wonders. It’s filled with trinkets that have stories and that sparkle and that amaze Little Bird and make her dream.  

From Everyone Gets a Turn, written and illustrated by Marianne Dubuc

But when Turtle wakes up the next day, he is bereft that she is missing. All the friends are in tears, until they realize that Little Bird’s absence is just the next step in the bird’s development. Gone from one place, or four places, does not mean gone forever.

 

Each of the friends gets a turn with Little Egg/Little Bird and each excels at giving their ward exactly what she needs, whether it’s a little warmth, a little assistance in cracking the shell, sustenance, or the inspiration to dream. Like parents who must support and encourage their children until they are ready to become independent, the four friends learn to work together to be everything Little Egg/Little Bird needs until she can do for herself. And just because she has become independent, it doesn’t mean that she longer wants them in her life. Marianne Dubuc gives us a story that all parents will need to learn sometime in their children’s journey to adulthood. Her message is one of love and support but also the courage to let them fly and be their own selves. 

 

Marianne Dubuc has always created soft worlds, just as she did in On Baba's Back, Bear and the Whisper of the Wind, and Little Cheetah's Shadow. Like Beatrix Potter, who could see worlds and relationships within the animals of the natural world, Marianne Dubuc takes us into their homes, the forests, and the meadows with her subtle use of ink, watercolour, and coloured pencil. She shows us ourselves as we are or could be: friends, parents, children, good people. And she teaches sophisticated lessons of sharing and caring delivered by sweet creatures who are uniquely themselves, while being supportive and cooperative. And though a message about sharing and taking turns may seem paramount according to the title, Everyone Gets a Turn also speaks to the steps we all take in our development, going from needing to be nurtured to shifting to self-actualization.

Ary's Trees

Written by Deborah Kerbel

Illustrated by Sophia Choi

Fitzhenry & Whiteside

978-1-55455-509-6

32 pp.

Ages 5-8

October 2023

 

On March 21, the world will recognize the United Nations-designated International Day of Forests. Sadly, no matter how long forests have been around, in their different forms around the world, there are still those who might take a lesson from Ary and her friends about the importance of forests and see beyond what they can do for us and what we should do to ensure their constancy.

 

From Ary's Trees, written by Deborah Kerbel, illustrate by Sophia Choi

When their island home is longer viable, Ary's father goes searching for a new home, and finds it in a flourishing island. As they begin to prepare the island for their new community, Ary, who delights in the trees, begs him, "Please don't cut too many this time."

She closed her eyes and took a deep breath. The air smelled green. Leaves swished overhead as the tree covered her with a blanket of cool shade. How she'd missed that sound!

Not surprising, with every "chop-chop of busy axes," Ary's heart aches. And though she is assured by her father that, "There are lots to spare," she sees that more and more are being cut, for building, and then for crops, and to construct boats, and then because everyone wants more, more, more.

From Ary's Trees, written by Deborah Kerbel, illustrated by Sophia Choi

Ary is bereft for and with the trees. As the palm trees are cut, brown tears rain down. And when the people can't be bothered cutting, they burn down the trees.

Ary is furious, and some of her friends join her in protest. Still, no one listens. They are but children and know not of what they speak, apparently. Ah, but an island without trees suffers. The land crumbles, the structures crack and splinter, and there is no relief from the sun. Ary's father and the other adults choose to find a new island. Ary and a handful of friends find a different solution, one borne of loyalty and regeneration.

Deborah Kerbel's story of environmental responsibility is still one that needs to be heard and empowered in all. Ary's Trees reminds us that it may be the children who will be the ones to change the attitude of their own generation and the subsequent ones, especially when their elders are not getting it. Ary sees the truth, that thinking that "a little bit more (cutting) won't make a difference" is flawed, that "The trees are here for our use" is selfish and short-sighted, and that the trees are their friends and worthy of consideration and charity.

Though I've reviewed many of Deborah Kerbel's books, from picture books like Snow Days and Before You Were Born (still my go-to book for expectant parents) to middle-grade novels like My Deal with the Universe to her YA (e.g., Under the Moon), this is my first opportunity to review a book illustrated by Toronto's Sophia Choi. Also a surface pattern designer, Sophia Choi creates art that speaks of bold colours and shapes, whether it be palm trees or flowers in the understories, or tree stumps and birds. There's a folk-art vibe to her art that speaks of a natural world that will mesmerize and delight, but that also will be missed when gone.

From Ary's Trees, written by Deborah Kerbel, illustrated by Sophia Choi

Whether you read Ary's Trees with your children or students for International Day of Forests, or save it for World Tree Day on June 28th, or for Earth Day on April 22, or to teach a science curriculum, Deborah Kerbel and Sophia Choi's picture book will demonstrate that trees are more than just a producer of materials for human consumption. Trees are living entities that can provide shade and soil stability, habitat, and food, and provide oxygen while absorbing carbon dioxide. As they live, so do we. Fortunately, the youngest inhabitants of the island, Ary and her friends, were able to realize that we humans have an interrelationship with trees, and all living things, and if we sustain them, then they will help sustain us. (Still a lesson too many developers and even politicians haven't learned.)

 

Dropped! (Orca Anchor)

Written by Alice Kuipers

Orca Book Publishers

978-1-4598-3774-4

96 pp.

Ages 12+

RL 1.9

February 2024

 

When Dex is dumped by his girlfriend Lola and then deserted by his friends and his social media after an embarrassingly pathetic display to get her back, he is desperate to regain his popularity. So, he signs up for a reality show called Dropped! on which he and other contestants are dropped on Adventure Island and have five days to attract the greatest number of followers through their feeds if they are to win $250,000 and a trip to Dubai. As he says goodbye to his mother and boards a chopper, he becomes Determined Dex.

 

After being dropped on the island and being told "Don't risk too much," Dex checks the game's feed to meet the other contestants and view photos and live streams of their progress. There's gorgeous Amina whose efforts and story are racking up more followers than anyone else. There's buff identical twins Salvo and Kai, geeky Deepak, and timid Em. Through an app, they are given tasks to complete, like finding a treasure chest of  supplies or sharing their personal stories with their audience. Soon Dex realizes that by associating himself with Amina or engaging in risky or wild activities, he can pull in those much-needed followers. But will he go too far?

Told in chapters according to the date and time, Dex narrates what he does, what he sees, and what he thinks, sometimes in his head and sometimes live in his feed. With each new endeavour or challenge he wonders how he will be seen. Will it be Dangerous Dex or Daring Dex, or will it be Desperate Dex? At one point, he hopes they see him as Decent Dex. But, when he worries that the audience may see him as Deadly Dex, he has a revelation that takes his game from competition to cooperation. Dex may or may not win Dropped! but he still will get more than what he came for.

 

Orca Anchor is just one of the many series from Orca Book Publisher, with this one aimed at young adults reading below Grade 2.0 level. But don't let that detract you from the great story that Alice Kuipers tells. Dropped! may be a fast read but it's a great read for teens and adults, filled with action and social commentary, and embedded in contemporary situations with which many young people will be familiar. Saskatchewan's Alice Kuipers is an accomplished storyteller of YA (e.g., 40 Things I Want to Tell You and The Death of Us), early chapter books (e.g., Polly Diamond and the Magic Book) and even non-fiction (e.g., Always Smile: Carley Allison's Secrets for Laughing, Loving and Living) so it's not surprising that she can write an extraordinary hi-lo story for teens. By merging social media, how many young people derive validation, support, and identity, with reality shows that put teens in unfamiliar circumstances in which their true selves are exposed, Alice Kuipers has let Dex find himself. He struggles with his identity and what he wants to do or who he wants to be, labelling himself constantly and temporarily, as he reflects on his actions and thoughts. But Alice Kuipers has always been very good at seeing teens from their own perspectives, recognizing their challenges and confusion without judging them. Some might see Dex's obsession with his cell phone and with social media as ill-advised, but Alice Kuipers lets us see Dex as flawed by nature of his being human, looking for approval and solidarity as we all do but from virtual communities until he finds it within a real one. He may have been dropped from one community, but he builds a new one or two, both real and virtual, and by recognizing the value of those worlds, and by letting his good sense and self-awareness finally guide him, he'll find himself dropped into much finer ones.

We Need Everyone

Written by Michael Redhead Champagne

Illustrated by Tiff Bartel

HighWater Press

978-1-77492-011-4

40 pp.

Ages 6-8

January 2024

 

Belonging is such an important emotional need for children and for all. But too often we compare ourselves with others and see their gifts and accomplishments as greater than our own, worrying that we don't belong or aren't good enough. Community advocate Michael Redhead Champagne will help children see that they all belong because we need everyone.

From We Need Everyone, written by Michael Redhead Champagne, illustrated by Tiff Bartel

We Need Everyone's book character Michael, easily recognizable by his bouncy asymmetrical hair, speaks to everyone about gifts. 

Gifts are skills and talents we share with others. Every gift is different, and every gift is special.

For many children, recognizing their own gifts may be a challenge, so Michael takes them through a series of steps to finding their gifts. These include making lists of what they like to do as well as what they are good at doing. If they have difficulties identifying those, they can always ask for help. Then it comes down to practising those gifts.

From We Need Everyone, written by Michael Redhead Champagne, illustrated by Tiff Bartel

But there is more to having a gift if we are to share them and build strong communities. Michael Redhead Champagne equates building community with activism and speaks of all those who help make our communities richer: artists, athletes, chefs, gamers, storytellers, and friends.

When you share your gift, you give strength to others. Even if you feel too small, too young, or too quiet, your gift is too special to keep to yourself.

Michael Redhill Champagne speaks from a place of knowing. He is Ininew (Cree), having been raised in Winnipeg's North End with his family from Shamattawa First Nation in northern Manitoba.  He knows what it means to belong to a community and to make a community. He shares his inspiration through public speaking and writing, hosting media events and telling of stories. We Need Everyone, his debut picture book, continues his message of empowerment and influence by helping kids see that they all have superpowers that are their gifts, and that these gifts, though not always easily identifiable, are what will help make our communities stronger. 

From We Need Everyone, written by Michael Redhead Champagne, illustrated by Tiff Bartel

Winnipeg artist Tiff Bartel ensures that the illustrations in We Need Everyone reflect Michael Redhill Champagne's message that everyone is needed. She includes children of all skin colours, sizes, and abilities. She shows a girl in a hijab cooking, children gardening, a child playing sledge hockey, another signing "I love you" and others painting. Some are active, some are quiet, some are sharing their cultures, and many are learning. And they are engaged joyously and vibrantly in ways to enrich their communities and acknowledge their own gifts.

We need everyone, and by sharing their gifts of storytelling and art, Michael Redhead Champagne and Tiff Bartel will give children strength and inspiration to see themselves as needed and belonging too.

 • • • • • • •

A free teacher's guide, titled Teacher Guide for We Need Everyone:
Empowering Students to be Active Community Members Through Indigenous Perspectives in Primary Classrooms and Beyond  is available from HighWater Press (Portage & Main Press) here.

Leon Levels Up (Orca Currents)

Written by Paul Coccia

Orca Book Publishers

978-1-459837355

112 pp.

Ages 9-12

RL 2.3

February 2024

 

Twelve-year-old Leon Garcia considers himself a low-level kid gamer. He's not low-level because of his game playing but because of who he is. All he sees is that he's chubby, his mom cuts his hair, he wears his cousin's hand-me-downs, and he uses outdated tech. So, when his classmate Nico Saito, son of the founder of video-game developer Pix Grid, approaches him and invites him to game together on the weekend, Leon is surprised, pleased, and nervous. Leon figures this could be his chance to level up his life, or at least his coolness.

 

But a day of gaming is not just hanging out at Nico's house. Instead, Nico takes Leon to Pix Grid where they meet up with Gabs Lucas in the lab to play a next-level virtual-reality game which is so immersive the two boys suit up in full-body tracking outfits before being dropped into tanks filled with nanobots. Though Leon's thrilled with how strong and tall and skilled he is as an elf archer, Gabs tells him she's lost the connection with Nico who may have damaged his helmet when he plunged headfirst into the tank. And with the nanobots programmed to fill every available space, there's the danger of hurting Nico.  The only way to get them out safely is for Leon to complete the mission of saving the kidnapped Prince SpearMint from the dragon Lord Tachi. Oh, and before the timer runs out.

Leon Levels Up has all the excitement of a video game adventure in which Leon evades and fights a dragon, an old hag, and some ogres, while figuring out clues and strategy to rescue Prince SpearMint. As with many quests, the learning is in the doing, and Leon is plunged into this VR game with its life-or-death outcome with only his wits and character. He might have hoped that gaming with Nico would level up his game, but his cleverness and perseverance demonstrate he's already top drawer. 

Author Paul Coccia, whose other books include I Got You Babe, The Player, and On the Line with Eric Walters, often gives voice to young people who question who they are and whether they are good enough, and that's many tweens and teens. (It's also most adults.) Except for the narcissistic and the very confident, we compare ourselves to others and whether we pass muster. When faced with the good-looking and rich Nico Saito, Leon turns to look within and take stock. He ruminates about how he will be seen and judged, while judging himself. Only when he's in the "Dragon Hunt" game does he eventually set that aside, first appreciating his new persona and skills but ultimately recognizing that it was him, low-level Leon, who won the game. Paul Coccia takes us for a wild ride in Leon Levels Up, all at a lower reading level than typical for the middle grade reader, but never forgets to remind us that Leon never needed to advance to a higher level of self. For a twelve-year-old, he was already there.

Hair Oil Magic

Written and illustrated by Anu Chouhan

Bloomsbury Children's Books

978-1-5476-1104-1

40 pp.

Ages 3-6

February 2024

 

Most of us love learning about cultural practices and traditions that may be familiar and commonplace to others. The ancient and routine practice of hair oiling, while customary in some places in the world and more popular in some societies, is becoming more of a thing elsewhere. Still, a story like Hair Oil Magic doesn't just educate readers about these traditional rites. It also reminds us of the connections that are the basis for them.

From Hair Oil Magic, written and illustrated by Anu Chouhan

For Meenu, Sunday is "Magic Hair Day." It is the day that her mother, like her grandmother once did, would mix a wonderfully-scented concoction and massage it into Meenu's scalp. Then Meenu would go on with her day, playing and helping her Biji (Punjabi for grandmother), until bath time when Mommy washed her hair with a special shampoo.

From Hair Oil Magic, written and illustrated by Anu Chouhan

She loved the way her hair felt and bounced at the end of the day but most of all she loved how she felt as she sat in Mommy's lap and had her scalp massaged.

It was like little floating stars

twinkling around her heart!

Not surprising that little Meenu wants to recreate that feeling and impress Mommy and Biji by making her own magic oil, recalling what her mother telling her about fenugreek oil and rosemary and castor oil and more. And so, in bathroom, accompanied by her dog, Meenu begins to pour and mix but she can't quite get the formulation right. After a few mishaps, resulting in a broken bottle, tears, and a fresh bath, Meenu learns the true secret ingredient of their Magic Hair Days.

From Hair Oil Magic, written and illustrated by Anu Chouhan

Anu Chouhan has illustrated several picture books, including Bharatanatyam in Ballet Shoes and A Dupatta Is..., and created art for video games, but this is her debut picture book as the author-illustrator. This Punjabi-Canadian creator knows this story from her heart and speaks to the connection in her "Author's Note." (She also includes "Meenu's Magic Hair Day Tips" as she learned as a child.) The physical benefits of hair oiling are tangible but the emotional bonding that happens between family members as the hair is oiled is even deeper. Anu Chouhan expresses the kinship that comes with this tradition as magic, and her digital illustrations certainly give readers that enchanted vibe. With sparkles and smiles, and tender embraces and swirls of charming alchemy, Anu Chouhan lets us see the magic that surrounds the family as they maintain their traditions and connect with each other through sweet-scented oils, touch, and affection.

 

Drawing on her Punjabi ancestry, I suspect Anu Chouhan has more stories to tell. Fortunately, as an accomplished artist, she is perfectly placed to give colour and heart to those stories and enlighten some young readers and connect with others who already have found the magic in hair oiling.