In 2013, 2015 and 2017, I prepared lists of Canadian illustrators whose
artwork featured prominently in books for children. In nine lists over
three years, I covered over 150 artists. But there are more and more
every day. Some I've missed (how did I miss Jan Thornhill?) and some who are new to illustrating books for young people. Here's hoping this makes my ever-growing Who's Who of
Canadian illustrators more complete. I should note that, although there are artists whose work has been used to illustrate one or more picture books, notably William Kurelek, Robert Bateman and Carol Evans, I have not included them here. Instead I've chosen to emphasize those who have been commissioned to create original artwork for picture books.
If you're interested in the illustrators previously recognized, here are their names with the links to the posts:
In this fourth listing, the following illustrators will have their works showcased:
Illustrators A-G
Danielle Arbour
Astrid Arijanto
Roxanna Bikadoroff
Valérie Boivin
David Buist
Tamara Campeau
Janine Carrington
Alice Carter
Aidan Cassie
Mathilde Cinq-Mars
Pierre Collet-Derby
Peggy Collins
Lil Crump
Derek Desierto
Byron Eggenschwiler
Chris Ferrie
Toma Feizo Gas
Thomas Gibault
Stephanie Graegin List here
Illustrators H-Q
Karen Hibbard
Faith Erin Hicks
Scott B. Henderson
Janet Hill
Kelly Hill
Loraine Kemp
Soyeon Kim
Torill Kove
Lenny Lishchenko
John Mantha
José Masse
Nina Matsumoto
Joe Morse
Olivia Chin Mueller
Caitlin Dale Nicholson
Guillaume Perreault
Emma Pedersen
Jennifer Phelan List here
Illustrators R-Z
Kass Reich
Richard Rudnicki
Kari Rust
Drew Shannon
Kim Smith
Lori Joy Smith
Jan Thornhill
Veselina Tomova
Noel Tuazon
Geraldo Valério
Roy Henry Vickers
Joe Weissmann
Britt Wilson List here
These three new lists of the Still More YoungCanLit Illustrators follow over the next three days.
Oh, she is truly royalty! Princess Puffybottom rules over her household, getting her subjects to cater to her needs and whims. In return, she might allow them to pet her and play with her. Then Darryl arrives and everything changes.
From Princess Puffybottom...and Darryl by Susin Nielsen, illus. by Olivia Chin Mueller
When her humans bring home the eager puppy, Princess Puffybottom sees only a horrible, disgusting animal but she is convinced that she just needs to wait for him to be banished. When her subjects leave with Darryl and are gone a long time, she is certain that they have taken him to a faraway kingdom and she is ready to celebrate.
From Princess Puffybottom...and Darryl by Susin Nielsen, illus. by Olivia Chin Mueller
But then the two return with Darryl sporting an Elizabethan collar. Princess Puffybottom has no choice but to work towards getting Darryl ejected. But her efforts are futile and, at a party, Princess Puffybottom realizes that she is no longer adored as she once was. Only Darryl recognizes her sadness and gives her the attention she desires. Finally the cat appreciates his regard and efforts as valuable. It's a good thing because there's a new addition coming and it's sure to be another surprise for Princess Puffybottom.
From Princess Puffybottom...and Darryl by Susin Nielsen, illus. by Olivia Chin Mueller
Most readers will recognize Susin Nielsen's name from her authorship of middle-grade and young adult novels like Word Nerd (Tundra, 2008), We Are All Made of Molecules (Tundra, 2015) and Optimists Die First (Tundra, 2017). She tells important stories about real kids but writes them with humour to lighten the angst. With Princess Puffybottom...and Darryl,Susan Nielsen brings that same humour but in a story with an animal perspective though the circumstances could be human. No one likes to be neglected or usurped by another, whether it be a sibling, a friend, a competitor or another pet. But, for a cat, this is especially heinous since many of them look down on everyone. (Winston Churchill is quoted as saying, in justification for his fondness for pigs, that dogs look up at humans, cats look down on us, and pigs would look you straight in the eye.) Having to share her humans with a lowly canine may not be acceptable to Princess Puffybottom but at least she is able to recognize that she doesn't have to compete with Darryl; instead, she can let him worship her. Darryl gets a friend, Princess Puffybottom gets a devotee, and the household is copacetic once again.
Compliments of Olivia Chin Mueller's digital illustrations, Princess Puffybottom and Darryl are adorable rivals for their peoples' affections. They are soft and cuddly though Princess Puffybottom's air of superiority gives her an aloof appearance whereas frisky Darryl is completely unfettered in his liveliness. Together they become the furry symbol of acceptance and companionship, even if Princess Puffybottom still believes she rules all.
From Princess Puffybottom...and Darryl by Susin Nielsen, illus. by Olivia Chin Mueller
There will be many kids whose summer vacation will include hanging out with relatives, away from home. But if that away-from-home holiday is also based in the wide-openness of unstructured time without benefit of anchors such as immediate family and friends, it may seem insurmountable or boring. Still, sometimes it's necessary to take a chance on beginning something new for growth to happen.
From Me, Toma and the Concrete Garden by Andrew Larsen, illus. by Anne Villeneuve
Vincent has been sent to stay with his Aunt Mimi for the summer while his mother recuperates from an operation. A box of dirt balls from a secret admirer–"Are you sure this secret person even likes you?" I say. "They gave you a box of dirt!"–adds to the grayness of Vincent's new surroundings until he makes the acquaintance of Toma. As an icebreaker, Vincent brings down some of the dirt balls and suggests they throw them over the tall brick wall into the empty lot. An elderly man whom Toma calls Mr. Grumpypants is watchful of their distraction.
From Me, Toma and the Concrete Garden by Andrew Larsen, illus. by Anne Villeneuve
What begins as a tiresome holiday becomes a summer with a new friend, playing ball, reading comics, visiting the ice cream truck and more when Mr. Grumpypants points out to the boys, balcony to balcony, that the empty lot is starting to green. In fact, Mr. Grumpypants whose name is Marco is a kindly gardener who helps the boys water the garden through the fence and teaches them about the flowers that had been sheltered in the dirt balls.
But when Vincent's mother feels well enough to have him home, he's saddened to leave everyone and the garden behind. Thankfully there's much to occupy a child before their next summer holiday and it will be a wonderful surprise when Vincent and Toma are reunited again and extend their gardening into something even more special.
From Me, Toma and the Concrete Garden by Andrew Larsen, illus. by Anne Villeneuve
Like his earlier picture book, See You Next Year (Owlkids, 2015), Andrew Larsen gets into the head of children on summer holidays. In Me, Toma and the Concrete Garden, Andrew Larsen emphasizes the turnaround from the gloomy unknown of new place to a brightness that comes from belonging. That goes for both Vincent and the apparently worthless dirt balls. It is the unknown that makes for the dullness. But, with time and a little nurturing, the new friendship and the piles of dirt blossom into something invaluable.
Though I know that Anne Villeneuve, author-illustrator of Loula is Leaving for Africa (Kids Can Press, 2013) and other books, typically uses ink and watercolour, it seems highly appropriate to use those two media in a picture book in which colourful blooms sprout from soil balls. By emphasizing the black ink in her opening illustrations with only celadon and rose to relieve the gloom, Anne Villeneuve hints at the coming of verdant green and colourful florals. Moreover, with her wonderful assortment of people and animals, from a toddler with his mother to other children, middle-aged persons and the elderly Marco, Anne Villeneuve brings life to a community in which children and flowers can grow.
Many may dismiss unstructured summers in urban settings as flat and uninspired for children but Me, Toma and the Concrete Garden makes it clear that sometimes the incredible can sprout from very little.
Dancing with Daisy is a grandfather's story told to a grandchild intrigued by an album of old photos and memories. It's also a a fisherman's story so you know it might be a bit of a tall tale.
From Dancing with Daisy, text by Jan L. Coates, art by Josée Bisaillon
"Back in '62 it was, a frosty fall day." So begins this fisherman's tale of the onslaught of Hurricane Daisy as she "came roaring up the coast. She whirled and spun and whipped the waves into such a frenzy, they started leaping straight up onto the deck."
From Dancing with Daisy, text by Jan L. Coates, art by Josée Bisaillon
In true tall tale fashion, the grandfather exaggerates Daisy's impact as she throws him onto an island and tugs and grabs at him to draw him into a dance. His wrinkles are the result of Daisy trying to bribe him with dollars that sliced into his skin and created scars. His arthritic hands came from clutching the branches of the tree and his blue veins resulted from her freezing cold breath. His raspy voice came from barking communications with a seal washed up on shore and he lost his hair when Daisy grabbed at his hair, playing "He loves me, he loves me not."
From Dancing with Daisy, text by Jan L. Coates, art by Josée Bisaillon
He returned to shore first on a handcrafted raft and then upon his own home's red roof, walking seven back-breaking miles before losing his teeth that ended up as icebergs. Daisy only abandoned her quest to dance with the man after "Nana went out and gave her a good talking to."
From Dancing with Daisy, text by Jan L. Coates, art by Josée Bisaillon
The grandfather undoubtedly remembers every detail of his harrowing assault on his fishing boat while besieged by Hurricane Daisy which tracked through the Maritimes in early October of 1962. It took six lives in Canada and smashed fishing boats, piers, and buildings with its rainfall and high winds. But the grandfather of Jan L. Coates's story protects his grandchild from the devastating truths of Daisy's impact and instead makes it into a tall tale that explains his aging, its own overwhelming trial, even ending with a good laugh.
Josée Bisaillon's art is a wonderful accompaniment to Jan L. Coates's story, taking readers to the Atlantic coast of colourful buildings, cold grey waters and tumultuous weather through her illustrations of watercolours, pastels, pencil and cut paper. Presenting the wind is a formidable task but Josée Bisaillon conveys movement and power in the water and the sky without restraint. It may be scary and mighty but it's still playful in its dance, and with the affectionate closeness of grandparent and child, Dancing with Daisy becomes more intergenerational tale, even if a little tall, than recall of a disaster.
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Running the Goat Books & Broadsides shares a video of Jan L. Coates discussing her story and background for Dancing with Daisy on YouTube.
Every book can be considered interactive, being an interplay of communication between reader and text and illustrations, but some, like Beastly Puzzles, demand more of the reader. In fact, there's no skimming over words or art in Beastly Puzzles because every little bit of each double-spread with fold-out requires attention to detail and problem-solving skills extraordinaire to answer the question What animal could you make with...?
From Beastly Puzzles: A Brain-Boggling Animal Guessing Game, text by Rachel Poliquin, art by Byron Eggenschwiler
The first animal puzzle provides seven clues in a billiard room of purple shades and tints. The clues are: dinosaur feet, black toenails, three billiard balls, a hose, the speed of a greyhound, several feather dusters and a lion-killing kick. They are a perplexing assortment of clues so Rachel Poliquin provides more details in a "Here's a hint" that is actually more than just one. I won't reveal what feathered animal is showcased beneath the foldout but information about it's morphology, behaviour and more are explained in terms of those seven clues. Thirteen animals which include mammals, birds, crustaceans, fish, amphibians, reptiles and insects are featured throughout the book, extending around the world.
From Beastly Puzzles: A Brain-Boggling Animal Guessing Game, text by Rachel Poliquin, art by Byron Eggenschwiler
The clues are tough and Rachel Poliquin is accurate in calling them "brain-boggling." I could not guess a single animal but, rather than being frustrated, I was fascinated by learning interesting facts about over a dozen animals and seeing the connections between the clues provided and the characteristics depicted. Kids who love learning about animals will appreciate this unique presentation but puzzle-lovers will similarly be entranced by the marvelous riddles embedded in Byron Eggenschwiler's monochromatic illustrations of rooms, inside and out, of a large house. Only the clues and the hidden animals are enriched with colour to highlight their importance so little ones won't have to search for the clues, only interpret them, and that is hard enough.
Whether you're travelling for the summer and want to occupy a little one, or have an animal lover who would revel in the unique learning that Beastly Puzzles presents, this picture book will be a hit of information–there is a lesson in natural history and a glossary–and entertainment.
