The Truth Commission

by Susan Juby

Razorbill Canada

978-067-006759-6

272 pp.

Ages 14+

For release April 2015

The truth really doesn't need any embellishments, does it?  It is as it should be. Nothing more, nothing less.  But sixteen-year-old Normandy Pale, the narrator and writer behind The Truth Commission, a piece of creative non-fiction for her Spring Special Project at Green Pastures Academy of Art and Applied Design in Nanaimo, does recognize that,

"When you tell a story, you shape the truth." (pg. 293)

And she and her best friends, Dusk (actually Dawn) Weintraub-Lee and Neil Sutton attempt to bring some much needed truth into a world overflowing with lies.  From Aimee Danes, whose new nose and chest scream to share her new truths with the world, and the snarly office secretary Mrs. Dekker to fellow students Tyler Jones, Zinnia McFarland, and Brian Forbes, the unofficial Truth Commission trio attempt to learn the truths about everything from motivations, love interests, heritage and substance abuse. But attempts to shed light on the truth are not always easy and rarely straightforward, often with unforeseen consequences.

But Normandy is having her own crisis of truths, dealing with the return home of her astoundingly successful older sister, Keira, from the California Institute of Art and Design. While still at Green Pastures, Keira had created a massively popular graphic novel series called the Diana Chronicles, about a girl who lives with her painfully average family on Earth and travels to an alternate universe, Vermeer, where she is queen.  Except for Diana, the family resembles Normandy's family in the worst possible way, exaggerating their attributes to humiliating proportions. But something is amiss with Keira and Normandy is looking to help by getting at the truth, though the family's head-in-the-sand attitude is problematic.

The truth may be out there but it may not always be ideal to seek it out.  Susan Juby's characters, both main and secondary, demonstrate the precarious nature of the truth, though some recognize that truth sooner than later.  But their interactions with regards to the truth are what makes the story so lively, particularly with Normandy bridging the extreme differences between her friends and family when seeking the truth. What to do?
 
To be honest, Susan Juby's writing is like a Disney bandage on your heart.  It has delightful colour and humour that can hide something as simple as a paper cut (still very painful!) or a deep, festering wound.  It's not until you look under the bandage that the true depth of the story is evident.  The reader is glad for the amusing cover-up because it helps manage the pain beneath.  Even though removing the bandage can be agonizing, it must be done. Not unlike the truth.  And, in my opinion, Susan Juby's truth is the quality she attributes to some authors:

"There are the truths...when some writer puts exactly the right words together and it's like their pen turned sword and pierced you right through the heart." (pg. 10)

Susan Juby's pen is both honest and piercing in The Truth Commission, and I relished it wholeheartedly.

***********************************

Two Truths and a Lie (from yesterday's post)

If you haven't guessed yet, #3 is the lie.  Norm is short for Normandy and is all girl.  Ask Neil.

The Truth Commission: coming!

To celebrate the release this month of  

Susan Juby's newest young adult novel, 

The Truth Commission

Razorbill Canada

978-067-006759-6

272 pp.

Ages 14+

let's play a little game.

Two Truths and a Lie.  Want to play?

This is the story about easy truths, hard truths, and those things best left unsaid. (pg. 11)

I'll make 3 statements, 

two of which are true and one of which is a lie.  

Can you guess which is the lie?

1. The Truth Commission includes a character called Dusk, though her name is actually Dawn.
2. Neil, in The Truth Commission, dresses in the seedy costumes of gritty 1960s and 1970s movies.
3. Norm, the main character in The Truth Commission, is a boy who dresses and acts like a girl.

Which do you think is the lie? 

Check back tomorrow when I post my review of The Truth Commission and reveal which statement is the lie.

A+ for Big Ben

by Sarah Ellis

Illustrated by Kim La Fave

Pajama Press

978-1-927485-76-7

24 pp.

Ages 2-5

April, 2015

It's been a few years since we've shared a story about Sarah Ellis and Kim La Fave's little boy, Ben, the sweet child of two earlier books, Big Ben (Fitzhenry & Whiteside, 2001) and Ben Over Night (Fitzhenry & Whiteside, 2005).  While A+ for Big Ben is a new board book edition of the highly-acclaimed initial offering of Big Ben from author Sarah Ellis and illustrator Kim La Fave, it's lovely to revisit the preschooler and his family.

Ben is the youngest of three siblings, with an older sister, Robin, in Grade 5 and Joe, his brother, in Grade 3. Just as they are learning new things at school for which they are assessed, Ben is learning both at preschool and outside of school, although he recognizes many things that he still cannot do.  He can't use chopsticks and he can't see out the car windows and he can't swim.  And, because he doesn't get a report card to tell him what he is achieving, he is disappointed when Robin and Joe get their reports.  But his siblings recognize his disappointment and find a way to amend this, while recognizing affectionately the extent of his achievements for someone so young.

Sarah Ellis' story is simple and endearing and most parents would delight in the affection the siblings have for each other.  And Kim La Fave's drawings mirror that simplicity and warmth in her colour choices, cow-licked hair, and soft lines in her characters.  Amazing how Sarah Ellis and Kim La Fave's skillful partnership can make report cards seem so delightful in  A+ for Big Ben.

 

n.b. Another Ben book, Ben Says Goodbye by Sarah Ellis and Kim La Fave from Pajama Press, is slated for release in October 2015.

The World Without Us

by Robin Stevenson

Orca Book Publishers

978-1-4598-0680-1

226 pp.

Ages 12-16

February, 2015

If we jump, the world will just go on without us. (pg. 2)

The we are teens Jeremy and Melody, their world is St. Petersburg, Florida, and the where is the Sunshine Skyway Bridge.  But only Jeremy jumps and now Melody is left to tell the story or rather stories, the one she knows and the one everyone else believes.

Jeremy, a junior whose 13-year-old brother died two years earlier, introduces himself to the rather reclusive Melody, who has been given the unkind moniker of Death Wish after an accidental poisoning at a party.  Because of their common appreciation for Albert Camus' writing and family experiences with death–Melody's parents are activists against the death penalty–Melody and Jeremy begin to form a bond, ostensibly one based on the finality of life. As Jeremy suggests,

If things get too bad, we can always check out, right?  Like Camus said, the when and how don't matter. (pg. 59)

Somehow their discussions about last meal choices, living with differences, reincarnation, and lucid dreaming take them to the point of no return, and their lives and relationship are forever altered.

Robin Stevenson has a knack for bringing thought-provoking tales to young readers, as she has with her Record Breaker (Orca, 2013), Hummingbird Heart (Orca, 2012) and Liars and Fools (Orca, 2010).  The World Without Us too delves into issues with which young people might be dealing: grief and guilt, suicidal thoughts, friendship and love.  And all these issues have them teetering on the edge of decisions, some involving life and death.  If The World Without Us doesn't convince you how quickly and tragically these issues can escalate for young people, then you'll only see this book as a story, not the cautionary tale about the repercussions of legitimate turmoil.  Robin Stevenson reminds us in her eloquent text that the fictional can become reality in a split second and with just a slip of time or even a misstep.

Fragile Bones: Harrison & Anna

by Lorna Schultz Nicholson

Clockwise Press

978-0-993935107

217 pp.

Ages 13+

March 15, 2015

When the Best Buddies Program, a world-wide organization that aims to help individuals with intellectual and developmental disabilities integrate successfully into their communities, comes to his high school, fifteen-year-old Harrison Henry is instructed by his mother and encouraged by his older brother Joel to attend.  A high-functioning autistic, Harrison has OCD tendencies and a relentless focus on bones and diseases, making him the target of ignorant classmates.  But his partnering with Anna Leonard, a high-achieving senior who hopes to beef up her resumé for university (and med school) as well as become better acquainted with the Best Buddies chapter president and new student Justin, presents Harrison with a plethora of new opportunities, some welcome.

Fragile Bones is a lot about learning to deal, with others, with one's family, with one's own needs and wants.  Anna is a considerate young woman who is astute about interacting with Harrison, though even she has much to learn.  Harrison, who needs many reminders about appropriate responses and actions, is doing his fair share of learning, though he doesn't always interpret new information correctly, occasionally too literally. (Harrison's thoughts about kissing and a Halloween dance are especially ardent and very funny.) Anna and Harrison may be very different, as are Justin and Alan and other minor characters in Fragile Bones, but Lorna Schultz Nicholson ensures that they are all normal, just unique, and acceptance of these differences is the norm.

Lorna Schultz Nicholson's Fragile Bones: Harrison & Anna is an auspicious premiere for Clockwise Press and its One-2-One series, and I wouldn't expect anything less from Christie Harkin and Solange Messier.  I think they're well on their way to meeting their mandate "to publish high-quality young adult and children’s books featuring themes of diversity and global awareness" (Clockwise Press, March 16, 2015) Congratulations to Clockwise Press and Lorna Schultz Nicholson on Fragile Bones' positive contribution to youngCanLit and its furthering the building of supportive communities. Well done.

The Truth Commission & Republic of Dirt: Book Launches (Nanaimo, BC)

Author Susan Juby

will be launching TWO new books 

on Thursday, April 9, 2015 

3 p.m.

at 

Vancouver Island University

 Cowichan Campus Room 225

I've just finished reading her YA book  

The Truth Commission (loved it!) 

and will review it soon,

and adored the prequel to Republic of Dirt, 

The Woefield Poultry Collective (reviewed here)

Do yourself a favour and, if you're fortunate to be on Vancouver Island on April 9, 2015, take advantage of this book launch to get signed copies of both books by a very funny and talented author

Whisper the Dead: The Lovegrove Legacy, Book #2

by Alyxandra Harvey

Bloomsbury

978-0-802737502 

408 pp.

Ages 12-18

2014

The dead do indeed whisper. And although not all the Lovegrove cousins can hear them, ghosts and spirits and even those in the Underworld seem to have a lot to say. Seems attention must be paid, for everyone's sake.

In A Breath of Frost, Book 1 in the Lovegrove Legacy, the Lovegrove cousins–Emma Day, Gretchen Thorn and Penelope Chadwick–learned of their supernatural powers and heritage and began attending  the Rowanstone Academy, ultimately helping to thwart the evil Greymalkin Sisters.

Now the Keepers of the Order of the Iron Nail (a.k.a. the Greybeards) are diligent about securing the wards around London to keep it safe from open or leaking portals such as the ones that allowed the Greymalkin Sisters to return.  Gretchen's twin brother, Godric, who is overwhelmed by his ability to see spirits, must help the Keepers such as Emma's love interest Cormac and his partner Tobias Lawless in their task, though it is Gretchen, loathe to limit herself to learnings appropriate for young ladies, who truly wants to help in this endeavour.  In this capacity, Godric becomes acquainted with the unschooled witch and Madcap, Moira, whom he begins to court rather discreetly.  However, Gretchen's mother insists that her daughter choose a suitor promptly though Gretchen is too busy developing her gift of hearing whisperings of the dead and curiously examining her feelings for Tobias who has been assigned to watch over her. (Seems the Order is "cautious" about the Lovegrove cousins and their extraordinary magic and is determined to watch their every move.)

While Gretchen is learning to harness the insistent voices buzzing in her head, Emma is trying to open a portal to connect with her father in the underworld and to fix the spell she'd used to harness the Greymalkin sisters.  Fortunately for her, Cormac is by her side all the way.  Penelope, on the other hand, is balancing the attentions of Lord Lucius Beauregard while her childhood friend Cedric, the grandson of the family coachman, remains vigilant about protecting her, though a Keeper has been assigned to her.

While most young women are striving to secure a suitable marriage match, the Lovegrove cousins have greater issues with which to deal and they do it with such style.  And though they are all working to develop their magic and help keep London safe, even if they are ladies, Whisper the Dead is definitely Gretchen's story, just as A Breath of Frost was Emma's.  Gretchen is the gutsy girl who lets nothing stop her from pursuing her interests:  not her clothing, not her mother, not society, not etiquette.  Like her familiar, a wolfhound, Gretchen is fierce, fearless and dangerous, and her dear twin Godric is her champion, albeit a quiet one.  She will fight with daggers, climb houses, break the rules, speak her mind, and listen to her heart.  She is the sister, cousin and friend they all need in their corners.  So, it's especially satisfying for her to find a love in Tobias Lawless, a very proper young man who needs Gretchen to help him release his unreserved self and accept his inner (!) wolf.

Alyxandra Harvey is one of those authors whose stories are so multi-faceted and -layered that it is virtually impossible to provide a succinct yet comprehensive synopsis.  I haven't been able to do so for her Drake Chronicles or these Lovegrove Legacy stories. The weakness is in my retelling.  The stories are so rich and complicated, encompassing different levels of society in Victorian England and in the supernatural world, each with their own characters, protocols and flavours, and their own villains, heroes and common folk.  But Alyxandra Harvey integrates them all superbly in Whisper the Dead into a story abounding with intrigue, secrets, magic and romance, written in a voice uniquely her own.  Readers will find themselves holding their breath throughout the story, anticipating the worst, hoping for the sweetest, and always satisfied that the story has unraveled as it should.  As such, we are drawn further into our own relationships with the cousins as Whisper the Dead reveals more about the legacy that is the Lovegrove family, leaving us again expectant of further angst, conspiracy, and love that is sure to come.