One Giant Leap

Written and illustrated by Thao Lam

Owlkids Books

978-1-77147-599-0

48 pp.

Ages 3-7

March 2024

 

Getting a child dressed, especially in winter, is akin to the prep required to outfit an astronaut. Each step must follow another to ensure coverage, safety, and fit. But when you're venturing out into that wide world of possibilities, it's best to be prepared.

From One Giant Leap, written and illustrated by Thao Lam

Zippers pulled up on a suit, boots tugged onto feet, gloves wrenched on, and a hat stretched down low on a forehead are just the first steps of venturing outside. But as the child is transported in an elevator to the 1st floor, an imaginative transformation occurs. What was a child in a snowsuit is now an astronaut in a spacesuit. So, when they finally venture outside, it isn't into the snow, it's onto the moon.

From One Giant Leap, written and illustrated by Thao Lam

Everything now is an exploration of a new land of shapes and structures. There's climbing and falling, searching and anticipating, and following footsteps. Are those aliens or something else? Is there peril? Can they communicate? Should they? What should they say?

From One Giant Leap, written and illustrated by Thao Lam

Can the astronaut reach their destination and fulfill their mission? Only by following their trek across barren landscapes of inhospitable structures and unusually-garbed creatures can readers even know whether they make it to...the coatroom at school.

As a wordless picture book, One Giant Leap has a story that is driven by the cut-paper collage of Thao Lam's artwork. The story which is immense comes from the reader seeing and interpreting the visuals. Is that a rocket launch pad or an apartment elevator? Are those aliens or children in colourful snowsuits? Are those buildings or mountains, man-made structures or lunar landforms? Vietnamese-Canadian author-illustrator Thao Lam, known for her complex and meaningful books including The Paper Boat: A Refugee Story and The Line in the Sand, still knows how to do playful. Dressing in a snowsuit and venturing out into the greater universe, this child embarks on an other-worldly adventure, fueled only by imagination. What they experience is all up to them, and Thao Lam lets us see what they see. It's a textured landscape of dull grays and blacks, with only a dash of colour from an orange spacesuit or when other bizarre creatures appear. But in that lunar landscape, it is all about starkness, with the energy provided only through the child's imagination.

From One Giant Leap, written and illustrated by Thao Lam

Whether stepping onto an unknown space body or onto a frozen city street, it's a giant leap of daring that must come from within. It's knowing what to expect and never knowing what could be found. For this little one, it's One Giant Leap into inventiveness and creative thought, and it looks like they had a great flight.

Buddy and Earl Go Exploring

by Maureen Fergus

Illustrated by Carey Sookocheff

Groundwood Books

978-1-55498-714-6

32 pp.

Ages 4-7

March, 2016

Buddy the dog and Earl the hedgehog from Buddy and Earl (Groundwood Books, 2015) are back and this time the fast friends are on the move.  Okay, they stay in the house but there’s so much to explore in their home, especially when everyone is asleep. And it all starts with Earl declaring a simple “Bon voyage” when they should be settling down to sleep.

Earl is essentially a Zen-kind of traveller, going “Wherever the road leads me” and “However long it takes” (pg. 8), but he’s surprised when his fast and furious running leads him nowhere, having never left the wheel in his cage.  Everything changes when somehow Earl gets Buddy to go exploring with him.

Everything is new and, in the imaginative mind of the little hedgehog, something to be investigated.  Their first stop is “a silvery lake in the shadow of a great mountain” (pg. 15) a.k.a. Buddy’s water bowl and the garbage pail, where Earl enjoys a lazy soak while Buddy discovers some tasty leftovers in the can he upturned.  But spotting a hairbrush in Mom’s purse, Earl sees a lady hedgehog in the jaws of a monster and enlists Buddy’s largesse to save his sweetie from being devoured. Reciprocating, because that’s what friends do, Earl stands up to a monster of Buddy’s world, the vacuum cleaner.

With declarations of friendship and heroism, the two finally settle down amidst the mayhem of their night’s exploration with a resounding “Bon soir.”

Maureen Fergus again offers up the unlikely friends as a story of contrasts: the little hedgehog with the massive imagination and courage to see outside his box, and the tall dog with the staid attitude of familiarity who understands more about the real world and still goes along with his prickly friend.  Buddy and Earl Go Exploring is  a sweet tale of travels to new worlds without ever leaving home.  The simplicity of their friendship and endeavours are balanced with the unfussy illustrations of Carey Sookocheff who also provided the artwork for Buddy and Earl.  Carey Sookocheff has created the ideal representations of the two animals in their physical appearances and their manners–petite and large, bold and cautious–and completed Maureen Fergus’ textual characters in such a way that the two will always be recognizable.  There’s Stella and Sam, Max and Ruby, and Frog and Toad, and now there’s Buddy and Earl.

From Buddy and Earl Go Exploring

by Maureen Fergus, illus. by Carey Sookocheff (pg. 30)

Nota Bene: More adventures to come, starting with Buddy and Earl and the Great Big Baby in August, 2016.

Graves of Ice: The Lost Franklin Expedition, George Chambers, The Northwest Passage, 1845

by John Wilson
Scholastic Canada
978-1443107945
208 pp.
Ages 9-12
January 2014

The lost Franklin expedition has been in the news again  recently with an armada of Canadian Arctic vessels hunting new locations for the ships and men lost in 1848.  Now, courtesy of the incomparable John Wilson and Scholastic Canada's I Am Canada series, young readers will be able to accompany eighteen-year-old George Chambers on his own journey as a cabin boy on  the HMS Erebus, 1845.

Growing up in Woolwich, England listening to his father's tales of fighting Napoleon under Nelson in the Royal Navy and saving the life of a young John Franklin when sailing under Captain Cooke, George William Chambers is desperate to join Franklin's advertised expedition to complete the Northwest Passage.  Assigned as a cabin boy to Sir John and Commander James Fitzjames, George is essentially a servant and errand boy, but he takes advantage of any opportunities to learn all he can in training for a possible future as a marine.

The arduous journey of the Erebus and Terror ships, with numerous and necessary stops for water and provisions, sees them through the Orkneys, to Greenland, through Baffin Bay and then into the Arctic archipelago in which their truest hardships arise.  Time and time again, ice bars their travels, and the men must endure the cold, darkness, spoiled food and relentless boredom.

"I began to see us as mere toys at the whim of a cruel and uncaring nature." (pg. 88)

Though they wait out their first winter at Beechey Island, there is a second winter trapped in the ice off the north end of King William Island.  The cruelty of nature slams them with further losses of life and the ships' integrity, with conflicts arising more often as the men anxiously consider their few options.  George recounts the events until September, 1849, including the numerous search parties that set out by sled and the deaths of key figures on the expedition, notably Sir John Franklin, explorer Francis Crozier, marine William Braine, and Commander James Fitzjames whose last words to George emphasize the enormous nature of Arctic exploration:

"This land does not forgive.  Either meet it on its own terms, as the natives who live here do, or it will destroy you, as we are destroyed." (pg. 164)

The immensity of this expedition is well conveyed by John Wilson's formal accounts by George and other participants, whether in discussion with others or in their journals and notes.  The gravity of their exploration is easily depicted in the determination of the officers and marines to fulfil their mandate even while starving and confused.

Though John Wilson presents a plausible, albeit fictional, account of the outcome for the Franklin expedition of 1845, he provides the historical background in text and photographs that support his story.  It may only be with the ultimate discovery that completes the evidence picture that we will ever know how much of Graves of Ice is definitive or conjecture.  From John Wilson's pen, I suspect much legitimacy.

Northwest Passage

by Stan Rogers

As seen by Matt James
Groundwood Books

978-1-55498-153-3

56 pp.

All ages

September 2013

Ah, for just one time
I would take the Northwest Passage...
                                                             – Stan Rogers, 1981

And so begins a journey.  A journey of  explorers to find a northern route to Asia.  A journey for singer-songwriter Stan Rogers to discover the multitude of pulse points of our nation. And yet another journey.  That of Matt James, award-winning illustrator of I Know Here (Groundwood, 2010), in his visual interpretation of the Stan Rogers' 1981 song that many believe may be the epitome of a Canadian ballad.

Ballads are perfect for wrapping up history in story-telling, and the selection of Northwest Passage for an illustrated book is inspired.  Matt James' acrylic paintings easily transport the reader from the beautiful but dangerous iridescent turquoise waters of the Arctic through the snow-clad or barren lands of the tundra and our mountainous regions.  There are sightings of narwhal, snowshoe hare, polar bear, bear and buffalo.  There are crisp cold nights, and bright sunny days, overcast skies and impenetrable fogs. There are the travellers on old sailing ships, the coureurs de bois and Aboriginal People in canoes, First Nations on horseback, Canadians in planes and musicians in Rogers' yellow touring van.  And there are those points in history and the characters who gave substance to the ballad: Sir John Franklin, David Thompson, Alexander Mackenzie, and others, all included in the double-spread titled, "A Gallery of Explorers."

Matt James' selection of Northwest Passage is all the more profound for the number of young readers who will never get to experience Stan Rogers' talent first-hand.  But, though thirty years have passed since Rogers' death, Matt James has refreshed his memory with eloquence and colourful passion.  Northwest Passage, the book, will have Canadians such as myself revisiting the song, over and over and over again, while introducing younger readers to Stan Rogers' legacy, hopefully compelling them to search out his music and biographic information at the Stan Rogers and Fogarty's Cove website http://stanrogers.net/ or elsewhere.

While no young reader wants to hear this, I believe that Northwest Passage will be a unique teacher resource for melding language and music with Canadian history, supported by the wealth of additional content about the First Arctic Peoples, the explorers, especially Franklin's expedition, and the European settlement of Canada.