A Cage Without Bars

Written by Anne Dublin

Second Story Press

978-1-77260-069-8

160 pp.

Ages 10-14

September 2018

The Lord is with me. I have no fear of what man can do to me.      (pg. 1)

In 1492, the king and queen of Spain signed the Edict of Expulsion, giving the Jews of Spain the choice of converting to Catholicism or leaving the country. Many fled to Portugal where their refuge was short-lived. A Cage Without Bars is the story of Joseph, a twelve-year-old Jewish boy, who escapes from Spain with his parents and ten-year-old sister Gracia only to be enslaved by the Portuguese and shipped with other children to the island of São Tomé off the coast of West Africa.

They did not need ropes or chains to restrain us. We were bound by our grief and terror. (pg. 23)

Though Captain Caminha had been expecting a hundred African slaves promised by the king, he is surprised to be delivered of a large group of Jewish children, including Joseph and Gracia, as well as the group of convicts (degredados), who are to be put to work on establishing a settlement and farming cane to make sugar. As horrific as the ship's journey is for the children, with seasickness, poor food, minimal drinking water, dirty quarters, lashings, and Friar Escobar's regular lectures about Christianity, new horrors await them upon the island. When the Portuguese settlers who had received land grants choose their child slaves to work their land in exchange for food, clothing and shelter, Joseph is selected with six others by Dom Pereira, the expert on growing sugar cane. The Jewish child slaves live in huts behind their master's house and begin the hard work of clearing plants and trees. Gracia, on the other hand, who had been chosen to work for the captain's wife Dona Maria while still on the ship, remains by her mistress's side, tending to her clothing and hair and begins to adopt the Christian ways.

Many children lose their lives on the ship, mostly from bloody flux (dysentery), but now the remaining children begin to fall victim to tertian fever (malaria) and accidents including attacks by snakes and crocodiles. The slaves' numbers are augmented with a shipload of African slaves who are a tremendous help in clearing the land and preparing the soil, as well as planting and weeding. Because Joseph sees that they are all slaves, he doesn't always recognize the Jewish children and Africans as different. Even after he is enlisted to learn all he can about making sugar from books after Dom Pereira dies, Joseph begins to befriend the Africans, teaching a boy Tomás his letters–a punishable action–and partaking in their food and storytelling.

Most of us decided to do the best we could; to cling to life; to survive. There was no other choice. (pg. 96)

A tale of slavery cannot have a happy ending, though Anne Dublin does give Joseph a settling of the story that is bittersweet. But she makes sure that it is not contrived or impossible to believe. Perhaps that's to give the reader some hope that from such terrible historical circumstances some resolution could still occur. Still A Cage Without Bars is a very different story about slavery by recounting the historical events that resulted from the Spanish Edict of Expulsion in the fifteenth century. It's evident from author Anne Dublin's writing and historical notes, which include extensive footnotes, a glossary and references for further reading, that this was a difficult story to learn about and to tell. Still, she tells it well by embedding Joseph's story in the big picture of history, making it personal and real, not just bleak in tone and facts, and exposing a new story from the past that needs to be acknowledged in order to further our understanding and extend our compassion, all in the effort to replace ignorance and discrimination.

Queenie Quail Can't Keep Up

Written by Jane Whittingham

Illustrated by Emma Pedersen

Pajama Press

978-1-77278-067-3

32 pp.

Ages 3-7

Release March 2019

Queenie Quail may always be the last one to catch up to her parents and nine siblings when the flock goes out but she's the first to see danger when it's lurking in the grass. Seems being a dawdler has its advantages.

From Queenie Quail Can't Keep Up by Jane Whittingham, illus. by Emma Pedersen

Whether quail or human child, the dawdler is not an uncommon concern for parents. And for Mama and Papa Quail, keeping ten little ones together is always necessary when snakes and foxes and raccoons and cats–oh my!–are always searching for prey.
With the rhythmic sounds of heads "bob bob bob"-ing and the "tap tap tap" of little feet, the "ten round bodies went hurry hurry hurry" but Queenie can't keep up, no matter how often they stop to cheep at her.  She's distracted by the pink blossoms and the green grass and the shiny stones and the fuzzy caterpillars and more.

From Queenie Quail Can't Keep Up by Jane Whittingham, illus. by Emma Pedersen

But one morning when she stops to admire a feather, she spots

An unusual flash of orange.
A furry kind of orange.
A moving kind of orange.

Finally given reason to hurry, Queenie alerts her family and her parents squawk into action. Not surprising that Queenie's siblings learn the value in stopping to really see along their daily treks from then on.

Though quails are usually very quiet unless startled, Jane Whittingham gives them voice in Queenie Quail Can't Keep Up and your little ones will enjoy the repetitive chirps of the quails as they move and urge Queenie to hurry. Moreover, by boldly colouring certain phrases or words, including those repeated three times in succession, even non-readers will be able to pick up on key words and read along. Beyond the text, the story content has important embedded messages about sticking together for safety as well as taking the time to really see along the journey.  Queenie Quail may be a challenge for her family because she doesn't march to the same drummer as they do but that same difference also makes her an asset. Her observational skills and appreciation of what she sees around her is a testimonial to the benefit of mindfulness, taking in the moment and all it entails.

Queenie Quail Can't Keep Up is Toronto artist Emma Pedersen's first picture book and she does Queenie and her family, as well as Jane Whittingham, proud. Though Emma Pedersen ensures that the quail are truly quail-like, with their head plumes, known as topknots, of which Queenie's is bi-coloured, and elongated bodies for adults and rounded-bodied young, she has given them her own personal stamp of cuteness. In fact, with the adorable facial expressions on the chicks and parents, Emma Pedersen anthropomorphizes the quails just enough to help children see themselves and their families within. Similarly, the landscapes Emma Pedersen creates of stylized plants are both real and fantastical, enriching each page of the story.

From Queenie Quail Can't Keep Up by Jane Whittingham, illus. by Emma Pedersen

While the basis of Queenie Quail Can't Keep Up may be appear to be a scolding at an errant youngster, it delightfully turns into a lesson about the value in stopping to smell the grass and the blossoms and see the amazing in our surroundings, to the betterment and safety of all.

Juno Valentine and the Magical Shoes

Written by Eva Chen

Illustrated by Derek Desierto

Feiwel and Friends

978-1-250-29726-6

32 pp.

Ages 4-6

November 2018

Marilyn Monroe always said "Give a girl the right shoes and she can conquer the world." In Juno Valentine and the Magical Shoes, Juno is given the opportunity to step into the shoes of those conquering women and experience the worlds of those who achieved much in the arts, sciences and society.

From Juno Valentine and the Magical Shoes by Eva Chen, illus. by Derek Desierto

Preparing for school, Juno cannot find her favourite shoes. Delving into her closet to look for her seemingly boring white sneakers that are "her favorite running-hopping-skipping-muddy-puddly-jumping shoes", Juno and her pup are transported by a milky way into a ginormous closet of hundreds of shoes–"... a cornucopia of shoes! A feast of fashion!"–under glass cloches à la Saks Fifth Avenue.

From Juno Valentine and the Magical Shoes by Eva Chen, illus. by Derek Desierto

She becomes Cleopatra when she tries on the Egyptian sandals; Frida Kahlo in the colourful lace-up boots; Cinderella in the glass slippers; Serena Williams in her tennis sneakers; an astronaut in Sally Ride's boots; a ballerina in Misty Copeland's slippers; and more. There are athletes, scientists, and celebrities of TV, art and music. Juno tries them all, putting herself in their shoes and their lives. When she finally discovers her own shoes, she finds a way to put a little magic in them, courtesy of her experiences with those of some great women.

From Juno Valentine and the Magical Shoes by Eva Chen, illus. by Derek Desierto

American Eva Chen brings her fashionista background to inspire children to take a journey through the footwear worn by famous people, past and present, but for me it's Vancouver illustrator Derek Desierto who brings the sparkle to the story with his artwork. Derek Desierto, who is the designer of Derek Cardigan eyewear, brings a mixture of contemporary with retro design to his illustrations, delivering the fun with the footwear (and the clothing and settings) and colour bold enough to bowl over little Juno. The distinction of the women's shoes, summarized in an appendix titled "Juno's Guide to Groundbreaking Women (and their Shoes)," is like a visit to a shoe museum, introducing young readers to important women in history and inspiring them to be great in their own shoes.

The Unteachables

Written by Gordon Korman

Scholastic Canada

978-1-4431-7016-1

279 pp.

Ages 9-13

January 2019

I can always rely on Gordon Korman's books to make me laugh. But, with The Unteachables, for the first time, Gordon Korman has made me cry too. Maybe it's because I'm a teacher. Maybe it's because an injustice is righted. Maybe it's because a motley group of kids steps up in a big and meaningful way. Whatever the reason, The Unteachables delivers more than expected, just like the students in Mr. Kermit's SCS-8 class.

In a comedy of errors or even negligence, Kiana Roubini who has moved in with her father and stepmom and baby brother while mom is off shooting a movie ends up inappropriately and unregistered in class SCS-8, a self-contained special grade eight class at Greenwich Middle School. The only other students in the class are the angry Aldo Braff; Elaine ("Rhymes with pain") Ostrover; Barnstorm Anderson, an injured jock who had been passed year after year but did no work; quirky comic-movie-TV fan Mateo Hendrickson; Rahim Barclay who sleeps all day; and Parker Elias, farm boy for whom reading is just an endless barrage of confusing anagrams. Their teacher is Mr. Zachary Kermit who, though once a dedicated and inspiring teacher, was ruined by a cheating scandal twenty-two years earlier in which he had no part but for which the superintendent, Dr. Thaddeus, is determined to make the man pay dearly, forever it would seem. Mr. Kermit, or Ribbit as his class calls him, was the teacher of a student, Jake Terranova, who'd stolen and sold copies of the aptitude test, marring the reputation of the school at which Dr. Thaddeus was then principal. Now after years of reassignment after reassignment, Mr. Kermit is coasting until his early retirement at the end of the school year. Unfortunately, Dr. Thaddeus is not going to let that happen.

To the whole school, SCS-8 is the class of Unteachables and Mr. Kermit is happy to accept that. He gives them worksheets that he never grades and works on his crossword puzzle. As long as they don't burn the school down, he's okay with whatever they do or don't. But, enthusiastic young Miss Fountain next door is determined to foist her primary class management ideas on him and his students. Worse yet, she engages car dealership mogul Jake Terranova, the cheating scandal lynchpin, to interact with the kids, hopeful that a reconciliation may return Mr. Kermit to great teaching.

As in life, Gordon Korman's novels are filled with a plethora of characters, all with their own foibles and strengths. By alternating the voice of the chapters between Kiana, Parker and Mr. Kermit, along with Mateo, Aldo, Barnstorm, principal Mrs, Vargas, Dr. Thaddeus and Jake Terranova, Gordon Korman embeds perspective and perception, not always accurate but always telling.

The guidance counsellors say I have anger management problems. They don't know what they're talking about. I manage to get angry better than anybody else in the whole school. No problem. (pg. 39)

Though there is redemption for those who never should have needed to redeem themselves, The Unteachables makes sure to impart positive messages about learning and teaching, and that no one is unteachable.

How can the school know they're unteachable if nobody ever tries to teach them? (pg. 60)

With a dedication "For all teachers who soldier on" Gordon Korman has written a story for the students and their teachers that inspires everyone to do their best because the impact of that choice may never be identified but it will undoubtedly be realized.

Yael and the Party of the Year

Written by Tamsin Lane

Simon & Schuster Canada

978-1-5011-7613-5

160 pp.

Ages 8-12

2018

Yael Lewis is twelve and the party of the year is her upcoming bat mitzvah. That is, if it isn't railroaded by her mother, her anxiety over her Torah reading and public speaking, and a couple of boys that are turning her head. But that seems the norm for an almost-thirteen-year-old girl, right?

As much as I'd like to tell you more about the plot, I really can't. That's because there is no single plot line in Yael and the Party of the Year. Yael and the Party of the Year, and a second title, Tara Takes the Stage, released last year by Tamsin Lane, are part of a new series called Yes No Maybe So. I can tell you that Yael is preparing for her bat mitzvah, that she is expected to read a portion of the Torah and that there will be a party at which she is expected to give a speech. Those elements are cemented in the story as is the venue for her party, the Maize amusement park, and her friends, Tara, Gemma and Paloma, and three boys, Eli, Cam and Gabriel. After that, it's up to the reader to make decisions for Yael. Will she go to Eli's house to rehearse her reading or to the amusement park for a tour with her parents? Does she encourage Cam to attend synagogue with her family or not or does she feign illness not to go at all? Does she focus on her girl friends or give into her crushes? Who will get that special first dance?

I thought it might be impossible to review a book whose plot is determined by the choices of the reader. But a Yes No Maybe So book is less a choose-your-own-story than seeing that sometimes choices lead to only a few outcomes. Tamsin Lane, the pen name of a Canadian writer whose books I've previously reviewed on CanLit for LittleCanadians, recognizes how little things can become very big things for young people, especially when they are convinced that every decision could make or break their futures. Expecting that any decision could mean the difference between a complete and total disaster, as was Eli's bar mitzvah, and the party of the year is a heavy load for a young person upon whom great hopes are placed. Fortunately, young readers who undertake a reading of this interactive book will recognize soon enough that the outcomes may be different but they aren't always better or worse and that there's sure to be a few laughs along the way. From the epic tantrums of Yael's two-year-old sister Rivka to getting lost in a corn maze, Yael and the Party of the Year makes lightness out of seemingly critical choices. Fortunately Tamsin Lane makes sure that Yael gets a great party in the end, whether she gets kissed or not, or wears the T-shirt her mother chose or her own design, or whether her first dance is a slow one with a boy she likes or the chicken dance.

Red River Resistance (A Girl Called Echo Vol. 2)

Written by Katherena Vermette

Illustrated by Scott B. Henderson

Colour by Donovan Yaciuk

HighWater Press

978-1-55379-747-0

49 pp.

Ages 10-14

November 2018

Echo Desjardins's story began in Pemmican Wars (HighWater Press, 2017), the first  volume of Katherena Vermette's A Girl Called Echo graphic novel series. Echo is a thirteen-year-old Métis girl placed in foster care, dealing with her new circumstances when she repeatedly time slips onto the prairies of the early 19th c. Métis as they hunt bison and are thrust into the Pemmican Wars.  Red River Resistance continues Echo's story, this time plunging the teen into the famous altercation of 1869-1870.

From Red River Resistance by Katherena Vermette, illus. by Scott B. Henderson, col. by Donovan Yaciuk

As their teacher, Mx. Francois, begins their lesson on the selling of seven million acres by the Hudson Bay Company to Canada, Echo is transported to the Red River colony in 1869 where she witnesses land surveyors, on behalf of the Crown and Dominion of Canada, confronted by Louis Riel and others for trespassing on Métis land. Though Echo returns to the present day to sign up for the Indigenous Student Leadership group and continue with her daily activities, she is transported multiple times to the Red River settlement where the Métis resistance progresses from the taking of Upper Fort Garry through the organizing of a provisional government and the attacks after the trial and execution of Thomas Scott.

From Red River Resistance by Katherena Vermette, illus. by Scott B. Henderson, col. by Donovan Yaciuk

Though the history of the Red River Resistance of 1869-1870 is well documented in the timeline provided at the conclusion of the book, along with a map and the 1870 Métis Bill of Rights, telling the basics of that conflict in a graphic novel format, emphasizing the illustrations with limited dialogue, is clever as it leaves room for discussion and enquiry.  Moreover, because Katherena Vermette embeds Echo's own life of struggles in the basics of the resistance, Red River Resistance becomes more an echo of fitting in amidst conflict than simply teaching history. With Scott B. Henderson's illustrations, coloured by Donovan Yasiuk, the story is fuller. It is realistic but goes beyond an illustrated encyclopedic entry. It reveals an inclusivity of people and story and takes the perspective away from the history textbooks and into that of the people who endured the injustices and strife thrust upon them.

From Red River Resistance by Katherena Vermette, illus. by Scott B. Henderson, col. by Donovan Yaciuk

••••••••••••••••••••••
Volume 3 in the series, Northwest Resistance, is set for a November 2019 release.

Harriet Tubman: Freedom Fighter Book launch (Toronto, ON)

Author

 of

Malaika’s Costume (Groundwood, 2016) 

and Malaika’s Winter Carnival (Groundwood, 2017)

 Nadia L. Hohn

is set to launch her new title 

just in time for Black History Month

Harriet Tubman

Freedom Fighter

Written by Nadia L. Hohn

Illustrated by Gustavo Mazali

HarperCollins

978-0-06243-284-1

32 pp.

Ages 4-8

Released December 31, 2018

on

Tuesday, January 22, 2019

 7 p.m.

at

A Different Booklist

779 Bathurst St.

Toronto, ON

Here are the details about the book from HarperCollins website:

Harriet Tubman was a brave woman who was born enslaved in Maryland in the 1800s. After risking everything to escape from her slave master and be free, Harriet went on to lead many people to freedom on a journey known today as the Underground Railroad.

This book covers some of the amazing aspects of Tubman's life: She led 13 escapes—all successful and at great personal risk—between 1850 and 1860. This book also covers some of the lesser-known amazing aspects of her life: During the Civil War, Harriet Tubman enlisted African American men to be soldiers. She served as a spy. AND she led a battle under the command of a Union Army colonel!

Beginning readers will learn about the milestones in Harriet Tubman’s life in this Level Two I Can Read biography. This biography includes a timeline and historical illustrations all about the life of this inspiring figure, as well as a rare historical photograph of her. Much mythology and conflicting lore exists about Harriet Tubman. This book was carefully vetted by noted Harriet Tubman expert Dr. Kate Larson.

Harriet Tubman: Freedom Fighter is a Level Two I Can Read, geared for kids who read on their own but still need a little help.