Do Not Turn the Page!

Written by Jane Blondie

Illustrated by Marcus Cutler

North Winds Press (Scholastic Canada)

978-1-0397-0206-6

32 pp.

Ages 3-8

February 2025 

 

Charlie is outside playing in the sand and dirt when he notices the reader has appeared. And so, begins a one-sided conversation as Charlie speaks to the reader about what he's doing, what he doesn't want to do, and what he expects of the reader. Unfortunately, the reader will do exactly what Charlie does not want and that is to turn the page. (After all, it is a book.)

From Do Not Turn the Page!, written by Jane Blondie, illus. by Marcus Cutler

Listen. Turning the page gets me closer to the bathtub and there will be NO bath for me. Not today. Nopey, nope, nope!

Charlie is adamant that he wants to play in his sand fort and so instructs the reader to close the book and never turn a page again. And yet with each progression in reading, Charlie is disappointed because the reader is not listening to his directives. It just gets worse.

Ugh! You turned the page again.

This. Is. Serious. 

From Do Not Turn the Page!, written by Jane Blondie, illus. by Marcus Cutler

 

With each turning of the page, the reader is chastised by Charlie for leading him from his sand box to inside the house, into the mudroom, through the living room, the kitchen and up the stairs. Accompanied by his cat and pig stuffie, the dirty child is forced by the reader turning the pages to hide from his mother who is already running the bath water. And even though Charlie makes many lingering stops along the way, from having a snack, doing art, and hiding in a toy box, ultimately his fate has been sealed by the reader and their need to turn pages. 

There is absolutely NO WAY you are getting me into that tub.

From Do Not Turn the Page!, written by Jane Blondie, illus. by Marcus Cutler

Well, the reader may get Charlie into his bath but a kajillion bubbles and rubber duckies help keep him there before he has one more routine to try to avoid.

 

I'm impressed by Jane Blondie's ability to write a one-sided dialogue that engages and interacts with the young reader so naturally. They will be delighted with the possibility that they control the story and where it leads, even though the adults may know otherwise. To connect so effortlessly with the reader in her debut picture book is an accomplishment but one that undoubtedly stems from Jane Blondie's teaching experiences. Still, it's the humour of Charlie as he pleads with the reader not to turn the page and then his disgust that they have done otherwise. The annoyance is evident but so is his good nature in understanding that this is how it usually goes i.e., he's going to get a bath no matter what. Charlie may be a little cheeky but he's still polite and more than appreciative to have the young readers along for the ride.

From Do Not Turn the Page!, written by Jane Blondie, illus. by Marcus Cutler

Marcus Cutler, who also illustrated The Walrus and the Caribou which I reviewed a few years back, gives a playful nature to his digital artwork. From a messy play area outside, littered with everything from an empty box to a discarded crown and a toy dump truck to a sticky snack of blueberry jam on crackers–and on his hands, on the table, and on Charlie's clothing–this could be any family home with children. Even the end papers are rife with yarn, muddy handprints and paw prints, bubbles, and more. Marcus Cutler gives a vitality to Charlie at play and in his routines and, rather than appearing to be unruly or ornery, Charlie charms, taking direction from the reader who moves him from outdoors to a bath, recognizing the inevitability of his story.

 

If you're an adult reading this book to some young readers, be prepared for the howls of laughter when they realize the character is conversing with them. They may be able to tell where the story will end up, probably having experienced similar events, but they'll be pleased to have been invited to participate. I foresee many, many readings of Do Not Turn the Page! just so the page can be turned, and children can witness the impact of their actions.

2025 Sheree Fitch Prize for Teen Writers: Now open for submissions

Let's support young Canadian writers because they will be the published authors of our future. To that end, the Sheree Fitch Prize, a teen writing contest organized by the Writers' Federation of New Brunswick, encourages young people ages 13 to 18 who live in New Brunswick to submit a short story or poem  for this contest.

 

I may not live in New Brunswick but how did I not know about this writing contest for young people? A competition that encourages teens to write and submit their writing for judging by published authors is definitely a win-win. Here are the details, which are available via the Writers' Federation of New Brunswick website.

 

Who may enter?

• Only teens from 13-18 years of age who are residents of New Brunswick may enter

 

What to submit?

• A short story or poem written by the teen

• A short story may be up to 4000 words

• A poem may be up to 100 lines

• Only two submissions per person 

How to enter?

• Entry is free

• Email entries to info@wfnb.ca with the subject line "Sheree Fitch Prize" 

• The deadline for submission is Monday, March 31, 2025

Who will be the judge this year?

• Writer Jacqueline Halsey, author of Joe and the Wreck of the Tribune, Piper, and Peggy's Letters

 

What are the prizes?
• First Prize is $100

• Second Prize is $50

• Third Prize is a 1-year membership to the Writers' Federation of New Brunswick

Time to get writing! 

 

💻✏💻✏💻✏💻✏💻

 

For those who don't know of the incredible collection of works by writer Sheree Fitch, from picture books to poetry collections and YA novels, check out some of her most notable titles:

 

Toes in My Nose and Other Poems

EveryBody's Different on EveryBody Street 

There's a Mouse in My House

Summer Feet

Sing in the Spring!

If You Could Wear My Sneakers

Polly MacCauley's Finest, Divinest, Woolliest Gift of All

Mabel Murple

There Were Monkey's in My Kitchen

If I Had a Million Onions

The Gravesavers
One More Step

Rock

Written by Laurel Croza

Illustrated by Matt James

Groundwood Books

978-1-77306-948-7

44 pp.

Ages 3-6

March 2025 

 

There is a rock on a beach. Spotting it, a seagull swoops down to claim it, hoping for a morsel of food. The gull is disappointed when he tries to snatch it and so begins a dialogue about the nature of the rock. In stark text with sweeping illustrations, Laurel Croza and Matt James, the collaboration who brought us the award-winning I Know Here and From There to Here, initiate a simple but profound examination of the concept of self.

 

From Rock, written by Laurel Croza, illustrated by Matt James

 

The gull, chagrined that the rock is not what he expected, asks, "What do you think you are?" The only response he receives is, "I am a rock." To every query and claim, suggestion and threat that the gull makes, the rock stays true to itself and repeats, "I am a rock."

From Rock, written by Laurel Croza, illustrated by Matt James

First the gull discounts the rock's claim and suggests it's more like a pebble or a stone. But then the seagull asserts that it really doesn't matter what it calls itself, it is vulnerable and trivial. The rock is threatened with being dropped in the water, and then eroding away to insignificance, or becoming just one of the multitudes of negligible rocks on the beach. 

I am telling you,

you are nothing

special.

Still the rock just says, "I am a rock."

From Rock, written by Laurel Croza, illustrated by Matt James

 

Throughout the exchange, a child has been on the beach playing. A final illustration suggests that the rock is a rock and one that is special in its own way. 

 

Laurel Croza may let the seagull do most of the talking in Rock but it is the rock's few words that are the most impactful. Just as in life, there are those who taunt and threaten, bully and ridicule and do so with bravado and nastiness. The gull thinks it's more powerful and significant, but it has no substance. It's all talk and bluster. Is it threatened by the quiet strength of the rock that will not cower or renounce its identity? Who knows. But what Laurel Croza makes clear is that self-confidence is not the same as exaggerated self-opinion. It can be a quiet acceptance of self and identity, knowing who you are, regardless of what others tell you or suggest to you. The rock has a foundation of strength that comes from the certainty of its identity.

 

While Laurel Croza's words are few–there are whole double-spreads without text–Matt James's artwork speaks volumes. Done in acrylic and ink on acetate, wood, masonite and cardboard, Matt James fills in the story. From the gull eyeing the rock and then the pain when he tries to grab it, to the gull's bravado while surrounded by other gulls, Matt James shows how the loud and obnoxious get all the attention, even when being nasty, while the stoic rock remains cool and resolute. On that expansive beach that stretches along a huge body of water and under an ever-changing sky, it is only the shadow of the rock that changes.

 

Rock is a powerful story of self-awareness and -confidence. It's about staying true to your identity regardless of those who question it or object to it. It's about being a rock when others want you to be wobbly jelly or melting ice cream, both of which I'm sure the gull would've preferred.

 

🪨🪨🪨🪨🪨

 

The official launch of Rock is taking place in Toronto on March 9th. Details are found below. 

Join author and illustrator

 

Laurel Croza and Matt James

 

for the launch of their newest picture book

 

Rock

 

on Sunday, March 9, 2025

 

at

 

1-3 PM

 

at

 

Queen Books

914 Queen St. East

Toronto, ON

416-788-5053

https://shop.queenbooks.ca/events

 

The book launch will include a story time reading and book signing.

 

🪨🪨🪨🪨🪨

Aaron's Hair (rev. ed.)

Written by Robert Munsch

Illustrated by Dave Whamond

Scholastic Canada

978-1-0397-0906-5

32 pp.

Ages 3-8

January 2025 

 

It's been 25 years since Robert Munsch first told the story of Aaron's runaway hair. Originally illustrated by Alan and Lea Daniel, Aaron's Hair is a timeless story of hating your hair–don't we all have bad hair days?–but like classic Munsch, the story takes an unexpected turn when Aaron's hair takes off to find an appreciative host. Now illustrated with the wacky art of Dave Whamond, Aaron's Hair has a new and updated sparkle of absurdity. 

From Aaron's Hair (rev. ed.), written by Robert Munsch, illustrated by Dave Whamond

Aaron is proud to have long hair like his dad but when his hair becomes uncooperative, Aaron shouts out that he hates it. Well, that hurts the hair's feelings, and it runs away, leaving Aaron bald. And so, the chase begins.

 

From Aaron's Hair (rev. ed.), written by Robert Munsch, illustrated by Dave Whamond

As Aaron's hair flits from the baby's head to the street, attaching itself first to a woman's tummy and then to man's behind, Aaron gives chase. The star-shaped hair continues to cause mayhem, especially when it covers a traffic policeman's face, resulting in a traffic jam of epic proportions. There are still a few more stops before both Aaron and his hair find their way back to each other and even find a way forward.

 

The absurdity of Robert Munsch's stories has always been in that germ of reality, here in the conflict between hair and bearer of said hair. It's that struggle to style it, tame it, keep it out of food, and more. But Robert Munsch makes that struggle into a crazy action adventure that will have kids rolling on the floor with laughter. With Dave Whamond's illustrations, the wackiness is heightened, giving more laughs as Aaron's hair misbehaves, as the boy panics at the potential for long-term baldness, and as the community becomes involved in the ensuing chaos. Follow the escape, the pursuit, and the confusion through expressive faces, topsy-turvy scenes, and the unexpected details including Dave Whamond's ubiquitous squirrel, bunny and bird from his popular character in his Reality Check syndicated comic.

From Aaron's Hair (rev. ed.), written by Robert Munsch, illustrated by Dave Whamond

Next time you're having a bad hair day, think about Aaron and his unruly hair, and thank goodness for an occasion split end, frizz or cowlick that reassures that you've still got hair on your head. After all, the alternative can be outrageously chaotic,  even if uproariously funny.

Hot Cross Buns for Everyone!

Written by Yolanda T. Marshall

Illustrated by Daria Lavrova

Chalkboard Publishing

978-1-771055901

32 pp.

Ages

2022

 

With Shrove Tuesday on the horizon–March 4 this year–and Christians anticipating Easter, it wouldn't be amiss to review a book I missed when it came out a few years ago. With its charming text and sweet artwork, Hot Cross Buns for Everyone! seems a timely treat of a read.

 

Jackson, a child who loves a yummy hot cross bun, decides to invite his friends to a party for Easter Sunday. With that invitation, all his friends begin their own hot cross bun prep, with adult supervision, of course.  

From Hot Cross Buns for Everyone!, written by Yolanda T. Marshall, illus. by Daria Lavrova

Jewel gets her mom to make a big one like her Nonna's cake. Liam's foster parents use his Scottish granda's spicy recipe. Dimitri's father adds the traditional Greek spice mahlepi as well as vanilla. Others add raisins, glaze them with sugar, sprinkle with rainbow colours, or make them dairy- and gluten-free. For some, the version looks a little different like the traditional Jamaican bun and cheese–a sweet loaf bracketing special cheese.

From Hot Cross Buns for Everyone!, written by Yolanda T. Marshall, illus. by Daria Lavrova

There are hot cross buns aplenty and more than enough for Jackson's invited guests and all the other school kids and their families. There is so much food to savour that he takes the extras to share with neighbours, a lovely offering for Easter.
 

Easter may not be until April this year but a tasty treat that is shared among friends is never limited to one day a year. And Jackson's love of the bun is a perfect foundation for giving and sharing with community. Yolanda T. Marshall, a well-established Guyanese-born Canadian writer whose books I've only recently discovered, seasons her story of hot cross buns with the flavours of diverse communities and cultures, even sharing a recipe for Spiced Hot Cross Buns–as well as some background information and teaching ideas–at the end of her story. Without overwhelming readers with the varieties of hot cross buns enjoyed across the world, Yolanda T. Marshall lets us see some of the ways they differ, whether through spices and ingredients included or the forms taken. Regardless of their flavours and their presentation, the buns are a source of delight and sweetness, bringing people together to share and appreciate.

From Hot Cross Buns for Everyone!, written by Yolanda T. Marshall, illus. by Daria Lavrova

Russian-born illustrator Daria Lavrova, who currently lives in Amsterdam, makes Jackson's Easter party of hot cross buns a joyous and colourful event. From the exuberance of all who bake and partake to the diversity of people and food, Hot Cross Buns for Everyone! becomes a celebration of colour and texture, with the zest that comes from good food shared with generous neighbours.

Everyone came

To eat, laugh, and play!

That's all they did

On Easter day.

No Purchase Necessary

Written by Maria Marianayagam

HarperCollins

978-1-4434-7261-6

256 pp.

Ages 9-12

January 2025 

 

Ajay Anthonipillai and his parents and sister Aarthi recently moved to Bridge Creek to be closer to some family and save money. It's now a three-hour commute for Appa to the city where he is studying for his master's in civil engineering, but the Tamil Sri Lankan family understands the sacrifices that must be made to succeed. While understanding that money is tight and that his parents have very high expectations for him, Ajay really wants to fit in. And so, when taunted by alpha classmate Jacob Underson to steal a Mercury chocolate bar in Scary Al's convenience store, Ajay does it. This one mistake changes everything for Ajay.

 

Jacob refuses the chocolate bar since Ajay hid it in his pants, so Ajay eats the chocolate himself. "It tasted like bliss and guilt." (pg. 25) But there's more than candy in the package. There's also the message on the wrapper that tells him he's won Mercury's $1 million Grand Prize. He knows all the good that money would do his family, including helping his aunt's family in Sri Lanka but Ajay knows he doesn't deserve it. In fact, if he hadn't taken it, his classmate Mindy Yu would've won it, grabbing the next bar after him. 

What to do? He has learned much from karate about integrity and respect, as he had from attending Catholic Church with Father Freddie, so Ajay is torn about what to do. Return the wrapper to Scary Al? Give it to Mindy? Confess to his parents? Cash in the ticket? Even as Ajay vacillates between all his options–not unlike Robert Frost's poem "The Road Not Taken" for an assignment with which Ajay is struggling–he ends up working for Scary Al at the store, becoming friendly with Mindy who helps him with his English assignment, and fighting and then collaborating with his tormentor Jacob. 

But lies have a life of their own. Some lies beget other lies. Or the lies morph into something completely different. And they can always be exposed. Whether it's because someone lets something slip or the liar is overcome with guilt or because the truth was known all along, lies do unravel, and for Ajay, it's just a question of when and how, not if.

 

Maria Marianayagam, herself a Sri Lankan-Canadian, undoubtedly drew from her own cultural experiences to give life to Ajay and his family. The high regard for education and family and hard work are evident, all solid foundations for Ajay and Aarthi. But these same values are challenged when they intersect with the culture of their new home, in which kids defend themselves when bullied, do extracurricular activities, and try to fit in with their peers. The balancing act of being different people, one at home and both a peer and your parents' child at school is a precarious one and one that challenges Ajay. Maria Marianayagam does not make Ajay a perfect kid who handles it all. She makes him real, struggling with himself and others, trying to do what's right though it might make life harder, and wishing for a break occasionally to just be himself. When Ajay and Aarthi can finally unmask themselves to their parents, it's both refreshing for all and illuminating.

 

Winning a million dollars seems like a dream but for Ajay it becomes a nightmare of conflict between honour and want. Thankfully, the rules of his family and those of the dojo and his faith help guide him to make the best choice and ultimately to enrich his life in unforeseen ways.

2025 First Page Student Writing Challenge is on! (Deadline February 28, 2025)

Where do you think our world will be in 150 years? How will issues like climate action or human rights, sustainability or war and peace play out in the future? Tell us a story that explores one of those many issues by entering CBC Books' annual student writing challenge, The First Page. If you are or know a student enrolled in Grades 7 through 12, it's time to get writing and enter this fabulous writing opportunity.

From the CBC Books post,  here's what you need to know:

 

 

Partipants:

• All Canadian residents who are full-time students enrolled in Grades 7 to 12 are eligible. Entries will be judged in two age categories: Grades 7 to 9 and Grades 10 to 12. 

 

 • • •

Entries:

• Write the first page of a novel set 150 years from now, exploring how a modern day current affairs event or trend has played out. 

• Write between 300 and 400 words.

• Include a title (which is not counted in the word limit).

 

  • • •

 

Submission:

• Complete the online submission form via Submittable through CBC Books at 

https://cbcliteraryprizes.submittable.com/submit/319477/the-2025-first-page-student-writing-challenge

• If having difficulties, contact cbcbooks@cbc.ca for assistance.

 

 • • •

 

Deadline:

• February 28, 2025 at 11:59 PM EST 

 

 • • •

Judging and Prizes:

• A team of Canadian literary experts will first select the shortlist. Then writer S. K. Ali (author of books that include Saints and Misfits, Love from A to Z, and Fledgling) will select the winners of the two categories. 

• Winners will receive a one-year subscription to OwlCrate, which delivers monthly boxes of books and literary-related goodies. 

• The school library of each winner will also receive a donation of 50 books.

 

 

 

Check out previous winners and finalists from across Canada at https://www.cbc.ca/books/the-first-page-student-writing-challenge-past-winners-and-finalists-1.6262657.

  

Good luck to all participants!

 

2025 Forest of Reading® Kid Committee: Applications now being accepted (deadline April 1, 2025)

The Forest of Reading program releases summer reading lists that are put together every spring by young people on the Forest Kid and Teen Committees. If you are an avid reader in Grades 4 to 6 or Grades 7 to 8, there are two separate committees looking for participants in 2025 to share their opinions on Canadian books with their peers.

 

 

How to get on a committee:

• Any Canadian student (from any province or territory) in Grades 4 to 8 (including those homeschooled) can apply 

 

• Application are completed online HERE

        In addition to contact details, you will be asked about your favourite Canadian authors and books.

 

• The deadline for applications is Tuesday, April 1, 2025.

(Note: These committees will only move forward if there are significant applications for each program. )

 

 

What the committee will do:

• Committees will meet virtually in May via ZOOM (9 AM - 12:30 PM EST; times may be subject to change depending on locations of committee members) to discuss books.

Silver Birch Kid Committee (students in Grades 4-6) will meet on Tuesday, May 6, 2025

Red Maple Kid Committee (students in Grades 7 and 8) will meet on Wednesday, May 7, 2025

(Teen Committee is piloting an ambassador program this year. Details will follow.)

• Committee members will be sharing, recommending, and championing books written by Canadian authors from the last 2 years (and not previously included on Forest of Reading lists of nominees or on Forest Kid Committee summer reading lists). If you love books, specifically Canadian books, this is your chance to talk to other readers about what you love and help others find great books to read over the summer. You can include fiction, non-fiction, short story collections, graphic novels, etc. appropriate for the age group of your committee.

 

 

Full details, including past lists, are available at https://forestofreading.com/kid-teen-committees/

You can check out earlier reading lists at the links below:

• 2019
• 2020
• 2021
• 2022
• 2023
• 2024

Apply before April 1^st, 2025

for your chance to be on 

this exciting and worthwhile committee

 

Black Boy, Black Boy

Written by Angela Bowden

Illustrated by Ibe Ananaba

Nimbus Publishing

978-1-77471-401-0

36 pp.

Ages 4-9

January 2025

Black Boy, Black Boy may be presented as a picture book, powerfully illustrated with the art of Ibeabuchi (Ibe) Ananaba, but it reads like spoken-word poem. I could hear the voice of "Aunty Angela"–this is how Angela Bowden signs off her appended note "To the Black Boys reading this"–ringing loud and clear and emphatic as she speaks and urges all black boys to see themselves and to see the legacy from which they came and the one to which they will create for themselves. It's inspiring, encouraging and enlightening.

From Black Boy, Black Boy, written by Angela Bowden, illustrated by Ibe Ananaba

Angela Bowden begins Black Boy, Black Boy with a series of questions. At first the questions are about the boys' heritage and identity.

Do you know where you come from? 

Do you know what you're made of? 

Do you know who your people be?

She provides context for where they came from, whether it be Africans, or Loyalists, Maroons, refugees or others but always speaks to the "pride and wisdom, courage and bravery" embedded in their heritage. She speaks of the past and the now, and what can still be. Angela Bowden conveys messages about spirit and freedom, rhythm and harmony, and purpose. Whether they be men like Frederick Douglass and Robert Shephard, or contemporaries like Barack Obama, Angela Bowden urges the boys to keep reaching because,

Black Boy, you are a gift

Of the past and the present

I wish I could share the power and rhythm of Angela Bowden's words. They jump from the page into the reader's ears and heart reminding us of the potential to elevate and move young people with words. Her poetry, sometimes rhyming and sometimes free verse, will raise spirits to see beyond a moment of self and look back and forward to understand how that moment is but a flash. I can't speak to how a black boy may respond or interpret this poetry but I can share with you how moved I was as Angela Bowden speaks to them and reminds them of who they truly are and will be.

From Black Boy, Black Boy, written by Angela Bowden, illustrated by Ibe Ananaba

Her words are more than sufficient to inspire but with Ibe Ananaba's artwork, Black Boy, Black Boy becomes an anthem to self-realization. With the shapes, the lines, and the colours, Ibe Ananaba thrusts forward the message of legacy and self-fulfillment. Whether they are boys playing or being loved, feeling fear or shining bright, Ibe Ananaba sees these boys and strengthens them with his art.

From Black Boy, Black Boy, written by Angela Bowden, illustrated by Ibe Ananaba

I know a lot of educators will use Black Boy, Black Boy as a teaching tool during Black History Month with its recognition of Canadian and international icons from music to medicine, activism to politics. (The last page recounts the famous individuals depicted in Ibe Ananaba's artwork, including Nelson Mandela, Rev. Dr. Martin Luther King Jr., and Francis Dorrington.) But it behoves all readers, teachers, and parents to see Black Boy, Black Boy as more than this. It is a poem of recognition and resilience, of reassurance and faith, that black boys should stand tall and go forward knowing the past and their futures are secured through their ancestry and the black boys that came before them and those who will follow.

The Girl Who Loved Poutine

Written by Lorna Schultz Nicholson

Illustrated by Rachel Qiuqi

Sleeping Bear Press

978-1-534113169

32 pp.

Ages 5-8

2024

A story about poutine, about regional and cultural differences across Canada, and about a family get-together for a birthday on July 1st? It doesn't get much more Canadian than that.

From The Girl Who Loved Poutine, written by Lorna Schultz Nicholson, illustrated by Rachel Qiupi

Zoey is looking forward to her fifth birthday, a day on which she will enjoy her favourite food: poutine.

Zoey closes her eyes and imagines . . .
french fries and gravy and squeaky cheese curds.
SQUEAK. SQUEAK. SQUEAK.

From The Girl Who Loved Poutine, written by Lorna Schultz Nicholson, illustrated by Rachel Qiupi

Zoey may help her dad make his famous poutine but what she doesn't know is that all the relatives have decided to have a poutine contest to celebrate the special day. And with each entry and tasting by Zoey comes a story and a feeling. There's Aunt Janice's Newfoundland and Labrador poutine with breadcrumbs, onions, and salt meat. For Zoey, it brings back memories of a trip to St. John's and kitchen parties. Aunt Anne and Uncle Liam's PEI poutine has lobster while Aunt Celine's Montreal poutine has smoked bacon, onions and maple syrup.

From The Girl Who Loved Poutine, written by Lorna Schultz Nicholson, illustrated by Rachel Qiupi

With each new dish, Zoey gets a different memory, travelling from Newfoundland to Saskatchewan and Yellowknife and elsewhere in Canada and in time with family. Who wins the poutine contest? It's the girl who loves poutine, of course.

From The Girl Who Loved Poutine, written by Lorna Schultz Nicholson, illustrated by Rachel Qiupi

Poutine is such a quintessential food from Quebec, though adopted and adapted across Canada and the world. But Lorna Schultz Nicholson doesn't just make this a book about the food–a recipe is included, as are facts about the dish–but she makes it a story of family and Canada. Zoey may love poutine, but she certainly has close bonds with all her family, and their poutines are memory cues for times spent together enjoying the cultures and people of different provinces and territories. It's marvelous that the reader can learn about the various poutines, and the story would be a fabulous lesson starter about the attributes of different Canadian provinces and territories. Lorna Schultz Nicholson may not have intended The Girl Who Loved Poutine to be a teaching prompt for social studies, but wouldn't this be a great way to be introduced to the places and people of Canada?

Toronto's Rachel Qiupi, who appears to blend digital with traditional techniques, ensures that Lorna Schultz Nicholson's story is both lighthearted and informative. From the wonderfully colourful scenes and characters to the detailed poutines–for example, Nona's pasta sauce and the bacon on Aunt Celine's are apparent–Rachel Qiupi establishes an authentic and sunny vibe to The Girl Who Loved Poutine.

Whether you're a teacher or parent who wants to use this story as a lesson starter or just a kid who loves poutine, The Girl Who Loved Poutine will tickle your taste buds and have you longing for squeaky cheese curds, or maybe something else atop your fries.

Steve, a Pretty Exceptional Horse

Written and illustrated by Kelly Collier

Kids Can Press

978-1-5253-1299-1

64 pp.

Ages 6-9

September 2024

 

We all want to feel special at some point. For some, having a shining moment is enough. For others, like Steve the Horse, it's all about being the centre of attention and perceived as exceptional. Thing is, what makes him exceptional?

Author-illustrator Kelly Collier first introduced Steve in her picture books A Horse named Steve (2017) and Team Steve (2018) but this time Steve gets to show off his exceptionality in this first of an early graphic novel series. (The next books in the series, Steve, a Rare Egg and Steve, Born to Run, are slated for release in June and September respectively.) With a little more story and a lot more illustrations, Kelly Collier gives Steve the opportunity to shine, sort of.

From Steve, a Pretty Exceptional Horse, written and illustrated by Kelly Collier

While hanging with his bestie Bob, the raccoon, Steve witnesses the grandeur of a peacock when it spreads its feathers. Steve, ever the self-absorbed horse, asks Bob, "I know I'm special, Bob, but am I exceptional?" Unfortunately, Bob's reply, citing Steve's nice coat and ability to run fast, isn't sufficient to allay Steve's concerns. 

From Steve, a Pretty Exceptional Horse, written and illustrated by Kelly Collier

But when Steve discovers a golden horn that he can tie onto his head, he believes it will be just the thing to make him exceptionally beautiful. Still, when he approaches his friends to recognize his exceptionality, they seem unimpressed. (It doesn't help that the horn is starting to creep off his head until it's hanging under his chin.) And then the horn is lost.

How is Steve supposed to feel special without his golden horn? And will he still be special if his friends find their own ways to stand out?

From Steve, a Pretty Exceptional Horse, written and illustrated by Kelly Collier

While Kelly Collier could have made Steve tiresome with his self-centeredness, she actually makes him more lovable than annoying. He just wants to stand out. Problem is that he wants to always be seen as exceptional. It's all about him. Still, there are moments of caring for others, like helping Bob reach the apples high in the trees. Steve might not like it but he's a lot like everyone, showing moments of the extraordinary and a lot of ordinary. So, Kelly Collier's Steve will help young children see the flaws of ego when it gets in the way of supporting others. She also brings attention to Steve's friends who, similarly, choosing to be extraordinary, are willing to copy the horse's head decoration with their own, using everything from an acorn to a branch or a leaf.  

As an early graphic novel, Steve, a Pretty Exceptional Horse, has the right elements for encouraging reading. It's got terrific illustrations that are both simple and detailed enough that everyone and everything is recognizable, thereby allowing kids to focus on meaning and enjoying the humour. While there are subtle messages about being egocentric and being a follower, Kelly Collier will just get kids reading and laughing in a pretty exceptional story.

Snow Day

Words by Lindsay Gloade-Raining Bird

Illustrated by Ashley Thimot

Nimbus Publishing

978-1-77471-311-2

32 pp.

Ages 3-7

November 2024

 

Most of Canada is currently under a blanket of snow and we can anticipate that somewhere sometime within the next several months, children will be enjoying a snow day when schools are closed, vehicles are asked to stay off the roads, and snowplows and shovels are busy at work. 

From Snow Day, written by Lindsay Gloade-Raining Bird, illustrated by Ashley Thimot

For this Indigenous child, the day starts with the quiet that comes from a street laden with snow and bereft of motion except from the softly-falling snow. But then she's outside, bundled up and exuberant with the promise of play and a day without school. In rhyming text, writer Lindsay Gloade-Raining Bird follows the child as she slips and slides, giggles and wiggles, and stomps and plods alongside her pup.

 

As her mom begins the task of digging out her car and shovelling the driveway, the child and her dog imagine tea parties and caterpillars made of snow. (Illustrator Ashley Thimot indicates imagined elements with red inked items as in the illustration below.)

From Snow Day, written by Lindsay Gloade-Raining Bird, illustrated by Ashley Thimot

She rolls through the snow as her mom scoops it up

making snowflake tea with her hands like a cup.

 

She offers some to puppy: "One lump or two?

A little bit for me and a little bit for you."

And after a fun day of play, there's the familiar doffing of the multiple layers of clothing to hang to dry, a warm hot chocolate, and the sharing with her parents and baby brother, before heading to bed to anticipate more fun the next day.

The ground is new,

a fresh page for her pen

 

And if she's lucky

tomorrow

she can do it all again.

From Snow Day, written by Lindsay Gloade-Raining Bird, illustrated by Ashley Thimot

Reminiscent of Ezra Jack Keats's classic The Snowy Day, Lindsay Gloade-Raining Bird depicts the familiar joy of a child experiencing a day of snow and freedom to play. But by making her text rhyming and focusing her story on an Indigenous family, Lindsay Gloade-Raining Bird, a mixed Cree writer from Nova Scotia, gives us a different kind of story. It's still about the wonder of play and snow but there's a rhythm to it that carries it along from early-morning quiet to tucked-into-bed calm and all the boisterous and imaginative play in between.
 

Edmonton artist Ashley Thimot gets that quiet of a snow day right, but also capably depicts the cold the child ultimately feels, from her rosy cheeks and toque pulled down, and the relief of warmth in the house as she reveals her snow-day hair–her mom also has hat head!–and starts laying out wet clothing to dry. The snow is cold and textured and wet–evident in footprints left behind– and the dog is joyous and sodden. It's a true snow day.

 

As lovely as Ezra Jack Keats's story is, let's get excited about another snow day book but this one from Canada to show what we experience as children, and as adults with children, when those few snows days occur, and the world is a little different and open to new possibilities for play.