The One About the Blackbird

Written by Melanie Florence

Illustrated by Matt James

Tundra Books

978-1-774882665

40 pp.

Ages 4–8

October 2025 

 

I don't know which song is the one about the blackbird, but I've been humming Paul McCartney's song from the Beatles' White Album ever since I read this picture book, and I could see why it had such an impact on young Jack. This is the story of Jack and the music that imbued his family life, and the connection he made with it and his grandfather. 

From The One About the Blackbird, written by Melanie Florence, illustrated by Matt James

Jack recalls being a kid with music all around at home, whether his grandfather was playing one of his many instruments—sax, guitar, trumpet, keyboard, drums—or spinning an LP from his extensive collection. The day his grandfather agrees to teach him to play the guitar, especially his favourite song, the one about the blackbird, Jack is thrilled. But, playing the song as well as his grandfather does not come instantly.

He struck the strings wildly, almost dropping the guitar at the loud, tuneless BROOOONG that honked out of the instrument. (pg. 15)

From The One About the Blackbird, written by Melanie Florence, illustrated by Matt James

Though it is hard, Jack perseveres and can finally play the song and others. And when he is older and leaves home, Jack plays for crowds worldwide. 

 

When Jack returns home, his grandfather has forgotten how to play that favourite song and even that he'd given his old guitar to Jack. But, when Jack plays the song for him, reconnecting the two to each other and their past, his grandfather remembers it as "the one about the blackbird."

 

Earlier this week, I reviewed a book about music bridging generations, and now we have another about the power of song to connect across time. But Melanie Florence, whose earlier picture books emphasize connections between young people and their Indigenous family (e.g., Missing Nimâmâ, 2015, Stolen Words, 2017, and Kaiah's Garden, 2024), makes music the bond between a grandfather and their grandchild. First, that bond comes from the grandfather sharing his love of music with a child, and then a grown man reminding his elderly grandfather of that bond. Regardless of who was teaching about the music, the message that, "If it was easy, everyone would do it" is repeated, both encouraging and uniting. Melanie Florence helps us see that change does not mean loss, just a reconfiguration that can be just as rich as the original.

From The One About the Blackbird, written by Melanie Florence, illustrated by Matt James

Matt James, illustrator of award-winning books including I Know Here (Laurel Croza, 2010), The Northwest Passage (Stan Rogers, 2013), and When the Moon Comes (Paul Harbridge, 2017), gets deeper into that relationship with his acrylic artwork that also includes textured elements. Whether the boy is hanging out with his grandfather, struggling to hold a guitar, or showing his grandfather how to move his fingers into position, Matt James makes us feel the effort of their attachment. The emotion in their struggles and their joys jump from the page, reflected in their faces, their body language, and their actions. 

 

Like the blackbird of that song, the boy, and later young man, learned to fly. He learned to take flight in song and in life, gathering knowledge at the feet of one who knew how. And when that knowledge wanes, as happens with time and age, that grandson helps his beloved grandfather hear the song again.

Levi's Gift

Written by Kathy Stinson

Illustrated by Ellie Arscott

Nimbus Publishing

978-1-77471-498-0

32 pp.

Ages 3–7

November 2025 

 

Kathy Stinson's latest picture book, beautifully illustrated by Ellie Arscott, tells the story of Levi, a boy who loved to play his violin while his brother Ezra played the accordion. But that was before the war came, and Levi and his family are forced from their home. The yellow star on Levi's shirt tells us more of his tragedy. By the time he is sixteen, the war is over, and his family is gone, as is his home. But he dreams of getting a violin again and making music.

From Levi's Gift, written by Kathy Stinson, illustrated by Ellie Arscott

Frugality and hard work help him buy a violin again and he "poured his great sadness about all he had seen and all he had lost in the war." (pg.9) With time, he emigrates, marries and has a child for whom he plays the beloved Brahm's "Lullaby" that he'd played with his brother. For many years, Levi plays his violin, but when his hands grow stiff and it becomes difficult to play, he stores his violin away.

 

When a call goes out for donations of used musical instruments for a school, Levi hesitantly decides to take his violin out of storage and give it away. When he receives a letter from a little girl who invites him to visit her at her school, Levi learns that his violin and the music played on it have the capacity to heal in many ways.

From Levi's Gift, written by Kathy Stinson, illustrated by Ellie Arscott

Kathy Stinson, award-winning author of picture books, non-fiction, and middle-grade and YA novels, has a lovely connection with stories of the violin (e.g., The Man with the Violin, 2013; Dance with the Violin, 2017), and Levi's Gift is another wistful story of those touched by music and the playing of the violin. But, with Levi's Gift, Kathy Stinson also reminds us of the many losses that happened during the war. For Levi, that violin was more than just an instrument. It was a connection to his past, to his family, to happy times, and more. It was a joyful connection to a time before. To give up his violin, even to a worthy cause, was a challenge for Levi. Yet, that gift begat a new one, with Levi making a new connection and one that related to his past. I was tearful realizing how Levi's story had come full circle with different characters, with a different violin, and in a different place, but with quiet consequence and subtle benevolence. 

Ellie Arscott, who illustrated Night Walk (Sara O'Leary, 2020), A is for Anne (Mo Duffy Cobb, 2023), and The Warmest Blanket in the World (Tamara Levine, 2025), has a lightness to her artwork that works well with gentle stories such as Levi's Gift. Ellie Arscott uses paint and pencil to give context for Kathy Stinson's words, showing us more than just people and place. She gives the reader history and ancestry as well as story, and there's much tenderness reflected in her illustrations. Levi may be an elderly man but making connections with his past and with others is what elevates him. Ellie Arscott's  use of pastel colours, particularly blues and pinks, keeps that softness of feeling and story.

From Levi's Gift, written by Kathy Stinson, illustrated by Ellie Arscott

Through their words and art, Kathy Stinson and Ellie Arscott remind us that music and generosity contribute and communicate beyond the immediate. You never know when a simple act of giving can touch another and in unexpected ways. For Levi, it is magical, even spiritualistic. (Once you see his reaction to the girl's playing of the violin, you'll understand.) I could see Levi's Gift being based on a true story, but, even if it isn't, this story offers hope that sometimes that which is lost returns in a different way to reconnect us to the past and to complete us in the now.

Star Sailor, the Story of Words

Written by Sara Cassidy

Illustrated by Julie McLaughlin

Orca Book Publishers

978-1-4598-3663-1 

40 pp.

Ages 6–8

August 2025 

 

Where would we be without words? With a few letters, or sometimes a lot of them, words either alone or with others can inspire, inform, entertain, emote, and connect. They help us communicate that which we need to share, and to learn, and so much more. Their story is one of endowment, giving readers and listeners the bounty of their wealth, and empowerment.

From Star Sailor, the Story of Words, written by Sara Cassidy, illustrated by Julie McLaughlin

Sara Cassidy begins with an introduction to what words are and how words arise, including the titular "star sailor" which is an astronaut. She discusses how words can be very old while others can arise daily. (Did you know that every day at least ten English words are spoken for the first time? [p. 4]) Sara Cassidy also talks of words coming from sounds that they imitate (e.g., hum), from the combination of words (e.g., bedroom), including to form portmanteaus like "hangry," and from sharing common characteristics (e.g., the ribs of an umbrella and our body's ribs).  

From Star Sailor, the Story of Words, written by Sara Cassidy, illustrated by Julie McLaughlin

There are multiple pages of the geographical and cultural origin of words, whether it's cheddar named after a village in England, and Dalmatians originating in Dalmatia, Croatia, or those arising from languages of First Peoples, like canoe, skunk and the cayenne pepper, and from foreign languages (e.g., patio, glitch, and sauna). Words can be built from roots, prefixes and suffixes, and they can be modified as needed. With all this information shared in a snappy presentation, Sara Cassidy still acknowledges that sometimes words have arisen by mistake, that they've arisen without our understanding of their origins, and that sometimes words need to be retired when they become inappropriate or obsolete. There's a lot to know about words, but Sara Cassidy breaks it down into manageable chunks, which will help inspire new lexophiles.

From Star Sailor, the Story of Words, written by Sara Cassidy, illustrated by Julie McLaughlin

Sara Cassidy, who has written everything from picture books (e.g., Helen's Birds, 2019) and early readers (e.g., The Great Googlini, 2018) to middle-grade fiction (e.g., A Boy Named Queen, 2016) and hi-lo YA (e.g., Skylark, 2014), gives us an illustrated non-fiction book about lexicology, the study of the form, meaning, and use of words. Just like words, it is informative, creative, inspiring, and definitely entertaining. And with Julie McLaughlin's illustrations, Star Sailor, the Story of Words is also colourful and playful.

 

Julie McLaughlin, who illustrated the award-winning Why We Live Where We Live (Kira Vermond, 2015), complements Sara Cassidy's light-hearted approach to an involved topic with her digital artwork that is vibrant and whimsical, inclusive and detailed. Beyond the text, there are many information elements to parse out of Julie McLaughlin's illustrations. Whether it's her depictions of onomatopoeia or her use of LEGO as building blocks for words, Julie McLaughlin keeps everything informative in a playfully enlightening way. 

I love a book that celebrates words and how they work. Because language is always evolving, Star Sailor, the Story of Words gives readers the basics of how words come to be and come to change, helping young people to understand the role words play in culture and how all of us have and will continue to be a part of that. 

All of Us

Written and illustrated by Manon Gauthier

Translated by Michel Savard

Running the Goat, Books & Broadsides

978-1-98802296

32 pp.

Ages 3–8

October 2025 

  

The message of All of Us is a simple one, but sadly one that we need to reinforce continually. It's one of inclusivity and diversity and it's basic science. We're all the same and yet we're all different. 

From All of Us, written and illustrated by Manon Gauthier

Manon Gauthier, who has wowed this reviewer with the books she's illustrated such as Middle Bear (Susan Isern, 2017), Good Morning, Grumple (Victoria Allenby, 2017), and Elliot (Julie Pearson, 2016), has combined her talents by authoring as well as illustrating All of Us. With simplicity of text and complexity of art, Manon Gauthier develops the idea of how all animals, including humans, are different in their abilities or lack thereof, in their morphologies, in their physiologies, and more. There's "the fish who blows bubbles as it breathes,"(p. 12) and "the quiet and solitary moose," (p. 22) as well as "the tall bharal who has no fear of heights." (p. 7) There's the dancing sifaka, the cold-blooded reptiles and amphibians, and the savannah animals that can tolerate the heat. All differ in what they like, what they look like, what they can do, and more. But, essentially, we all are made up of cells, and Manon Gauthier conveys this in her words and her illustrations, using the same irregularly-shaped oval as the basis for all animals.

From All of Us, written and illustrated by Manon Gauthier

It's not until her last illustration, a double-page spread of a cell, that the reader will recognize Manon Gauthier's cleverness at using the cell's shape as the face or body or abdomen of all the mammals, birds, reptiles, amphibians, invertebrates and fish within All of Us. All of us really do have something in common, even with all the differences. And by using her defining cut-paper collage, in earthy tones of browns, greys, and creams with occasional touches of red, blue, green, and orange, Manon Gauthier gives a textured dimensionality and hearty organic feel to her story.

From All of Us, written and illustrated by Manon Gauthier

Whether you're a teacher who'd love to introduce a lesson on the diversity of living things with a captivating picture book, or open a lesson on animal cells, or even launch discussions about inclusivity and connection, All of Us will work beautifully. (Manon Gauthier even includes an activity in which readers can create their own animal with the same template she used throughout the book.) Whether you read it for the messaging which is presented gracefully or for the intriguing artwork, All of Us is a book for all of us about all of us.

Burst Your Bubble!: Outsmart the Algorithms and See What You're Missing

Written by Joyce Grant

Illustrated by Jan Dolby

Owlkids Books

978-1-77147-712-3

48 pp.

Ages 8–12

November 2025 

 

Many young people today are very tech savvy. They've grown up using computers, googling everything from reviews about restaurants to info for an essay, and getting their news through social media. And while we all need to be more vigilant about what information is presented to us and how we get it, I suspect that those who've grown up with the technology may be more comfortable accepting it at face value. Joyce Grant's latest book will enlighten every one of us to the power and perils of algorithms in framing our interactions online.

From Burst Your Bubble!, written by Joyce Grant, illustrated by Jan Dolby

Burst Your Bubble! begins with an explanation of information bubbles which can also refer to filters, information silos, echo chambers, or personalization that reflects your age, background, hobbies, and more. No matter the term, bubbles cut us off from a richness and diversity of points of view and information that might never enter our bubbles. To understand how these bubbles arise, Joyce Grant discusses how algorithms gather information about us using digital cookies and tracking the sites we visit; why they are used; how they can benefit us and why they are dangerous; and why we need to burst out of our bubbles. 

From Burst Your Bubble!, written by Joyce Grant, illustrated by Jan Dolby

There's a lot of fabulous information about how algorithms work but most importantly Joyce Grant advises readers how to take control back from those algorithms. While it's not unusual to feel vulnerable when using the internet—and there are so many things beyond our control when we use digital media—Burst Your Bubble! informs about so much that which is in our influence, whether it is retraining our brains to think differently, being aware of what reinforces those bubbles, or setting up opportunities to change the algorithms.

While I've reviewed a number of books created from the collaboration of Joyce Grant and Jan Dolby (e.g., Gabby, Wonder Girl, Fitzhenry & Whiteside, 2016), this is my first that is non-fiction, and it doesn't disappoint. In fact, it's an astonishingly fresh look at the power of online algorithms and how to protect ourselves and even manage them. Jan Dolby's illustrations give Joyce Grant's text some of the freshness with lively artwork. Jan Dolby gives both colour and depth to what could have been dry content. She even finds innovative ways to illustrate the power of algorithms to pick up on our interests and grab our attention.

From Burst Your Bubble!, written by Joyce Grant, illustrated by Jan Dolby

Information is a powerful thing, whether it is something used against us or something that we control. With the right information, courtesy of Burst Your Bubble!: Outsmart the Algorithms and See What You're Missing, young readers will be able to get beyond those manipulations and see a broader online world that is diverse, rich, and open.

 

 🫧🫧🫧🫧🫧🫧🫧

 

If you're near Burlington, Ontario today, you might want to check out the book launch for Burst Your Bubble! Author Joyce Grant will be in attendance, and there will be books for purchase as well as signing. Here are the details:

 

Date:          Saturday, November 8, 2025

 

Time:         1 p.m. EST

 

Location:    A Different Drummer Books

                    513 Locust Street

                    Burlington, ON

                    L7S 1V3 

                    (905) 639-0925

N.B. I saw that there will be cupcakes!

2025 Governor General's Literary Awards: Winners announced

Last month, the Canada Council for the Arts announced the finalists for its highly prestigious Governor General's Literary Awards. Of the seven categories of books, which are presented for both French and English titles, two categories are specific for books for young people, one for text and one for illustration. Yesterday, the winners of these awards were announced.

Hearty congratulations to all winners 

of this year's Governor General's Literary Awards.

WINNER
English-language: Young People's Literature (Text)

Tig
Written by Heather Smith
Tundra Books

 

 

 

 WINNER

English-language: Young People's Literature (Illustration) 

This Land is a Lullaby
Written by Tonya Simpson
Illustrated by Delreé Dumont
Orca Book Publishers 

 

 

WINNER

French-language: Young People's Literature (Text)

Coup bas
Écrit par Laurie Léveillé
la courte échelle 

 WINNER

French-language: Young People's Literature (Illustration)

Un cadeau de Noël en novembre
Écrit par Stéphane Laporte
Illustré par Jacques Goldstyn
Les Éditions de la Bagnole  

  

Bark Twice for Murder (Orca Currents)

Written by John Lekich

Orca Book Publishers

978-1-4598-4148-2

120 pp.

Ages 9-12

RL 3.0

August 2025 

 

There may be a murder and some nefarious actions in John Lekich's latest hi-lo novel but, rest assured, regardless of the title, no dogs are injured, abused, or killed in Bark Twice for Murder. And though it may not be important to many readers, for this reader, it's critical. Instead, Bark Twice for Murder has food, humour, a mystery to solve, and a talking dog. See? Lots to love and nothing to fear.

 

Fourteen-year-old Harry lives with his grandmother Elinor since his parents were killed in a plane crash a few years earlier. His dad was a chef with a food truck named "Pasta Express," and his mom loved to bake. No surprise that Harry finds comfort—maybe a bit too much comfort, says his therapist—in cooking for others. Fortunately, he has lots of people to talk to after Elinor, who took over the food truck business and expanded it, has set up one truck outside of Vancouver's New Day Shelter to provide breakfasts and lunches for the unhoused. A lonely Harry likes getting to know the people there and becomes friendly with Stanley and his dog Waffles. The duo are noteworthy in several respects. First, Stanley was once a chef and begins to teach Harry how to cook and improve service. Second, he has conversations with Waffles who is a dog that hates being a dog. And when Rudy "the Worm" Carelli, a regular at their small takeout restaurant, tells Harry that Stanley has stolen a portrait from Rudy's father, and that Stanley is in danger, Harry gets involved.

 

But when Stanley is murdered, and Harry hears a voice in his head saying, "Somebody murdered my best friend" (p. 29), Harry is compelled to partner with Waffles to find Stanley's murderer and solve the mystery of the missing portrait of Rudy's grandmother.

John Lekich who first provided this reader with great laughs and characters in The Prisoner of Snowflake Falls (Orca, 2012) does so again in Bark Twice for Murder. His young protagonists always seem to get mixed up in some criminal activity but it's generally due to circumstances beyond their control and with them really trying to do good. And with some supernatural elements involving Waffles, both in his origin story and his ability to communicate with Stanley and then Harry, John Lekich surprises readers as well as makes them laugh. Add in characters named Jimmy the Fork, Carmine "the Cobra" Carelli, Shaky Sam, Rudy "the Worm" and, of course, Waffles the dog, and you've got a cast of quirky or unnerving personalities that take Harry out of his comfort zone and make him feel like he belongs.  

 

Don't be surprised if you can't figure out the mystery of the missing portrait or who murdered Stanley. John Lekich doesn't make it an easy solve, but he does let Harry solve it. Bark Twice for Murder may be a hi-lo story written at a third grade reading level, but John Lekich ensures that the story is intricate enough for older middle-grade readers to become invested in Harry's story and in solving the mystery. They might even get wrapped up in learning to cook risotto, lasagna, or minestrone. That's because John Lekich has seasoned this book with so much richness of story that they'll be barking—with laughter—for another.