May 08, 2019

Ghosts: Book launch (Winnipeg, MB)

The final book in David A. Robertson's 

The Reckoner Trilogy 

is set to be released!

•••••••••

First came

Strangers
  Written by David A. Robertson
HighWater Press
978-1-55379-676-3
216 pp.
Ages 14+2017

then 

Monsters
 Written by David A. Robertson
HighWater Press
978-1-55379-748-7
246 pp.
Ages 14+
2018 

and now


Ghosts
 The Reckoner Trilogy, Book 3
Written by David A. Robertson
HighWater Press
978-1-55379-762-3
241 pp.
Ages 14+
May 2019 

which launches

Thursday, May 30, 2019

at

7 p.m.

McNally Robinson Booksellers
Grant Park in the Atrium
Winnipeg, MB


Author David A. Robertson 
will be in attendance at this event
hosted by CBC's Shelagh Rogers
with
special guest writer Warren Cariou


May 07, 2019

The Mesdames of Mystery & Mayhem: Book event (Burlington, ON)

Authors

Sylvia McNicoll
children's author of the Great Mistakes Mysteries series

and

Melodie Campbell
author of adult fiction Gina Gallo Mystery series

are launching new books in their mystery series!

❖❖❖❖❖❖❖

Join them for this event to celebrate their newest books

The Diamond Mistake Mystery
(The Great Mistake Mystery, #4)
 
Written by Sylvia McNicoll
Dundurn
224 pp.
Ages 9-12
May 2019


and


The Goddaughter Does Vegas
(A Gina Gallo Mystery, #6)
Written by Melodie Campbell
Orca Book Publishers
144 pp.
Adult
January 2019


on

Sunday, May 19, 2019

2-5 p.m.

at

A Different Drummer Books
Burlington, ON

❖❖❖❖❖❖❖ 

May 06, 2019

We Contain Multitudes

Written by Sarah Henstra
Penguin Teen
978-0-735264212
384 pp.
Ages 14+
May 2019

We might as well take advantage of the fact that we don't owe each other anything, that no one else is ever going to read what we're writing, that it's just me and you and whatever we feel like saying. (pg. 19)

When Adam Kurlansky and Jonathan Hopkirk begin their correspondence, it's as an assignment for Ms. Khang's English classes. Kurl, as he is widely known from excelling at football and basketball, is repeating his senior year while Jo is a Grade 10 Walt Whitman aficionado. Though their first letters follow their teacher's directives to introduce themselves and discuss topics like their heroes, Jonathan really gets into the writing, sharing about his father Lyle and sister Shayna, his passion for poetry and folk and bluegrass music, and what is happening around school, including the bullying he endures at the hands of a group of students he calls the "butcherboys." His narratives are generally observational, always poetic and often psychologically astute, though it takes some time for Kurl to begin to share his secrets including of physical abuse and his take on his own life and the people in it, as well as what he sees happening to "Little Jo."
I mean weird kids do have this aura to them.  It's like a smell almost. They're stuck somewhere in their heads, in some kind of a bubble. People can't really help themselves: They see a bubble, they want to pop it. (pg. 12)
But as they continue to correspond, now beyond the assignment's scope, Jo and Kurl develop a relationship on paper and in person, and one that brings emotional and physical support and finally love.  We Contain Multitudes may be an examination of how we present a multitude of selves to ourselves, our families, our peers and strangers but We Contain Multitudes is a love story. It's about finding love through words and sharing those multitudes of ourselves and developing new selves with others.  Jonathan is a son of a single dad and a dead mother with a fuzzy history, a brother, a poetry lover, a musician, a victim, and an aesthete while Kurl is a brother, a punching bag, an athlete, a thinker, a cook, a hard worker, and a secret-keeper. But with others, they are more because we are all combinations and permutations of our selves, depending on others in or not in our lives and on the events that change us. Our identities are sweeping and dynamic, and we all contain multitudes. And isn't it wonderful when two become even more because of love?
I am completely, one hundred percent of the time filled up with you. (pg. 189)
Sarah Henstra may have won last year's Governor General Literature Award for her adult novel The Red Word (ECW, 2018) but I'm gratified that she has returned to her YA roots. (I reviewed her first book Mad Miss Mimic (Razorbill, 2015) and interviewed Sarah Henstra too.) The writing is exquisite, the voices of Jonathan and Adam deep and sorrowful and passionate, and the convergence of their stories creates something bigger than the parts.

As I finished this novel of letters, a book I didn't want to leave, hopeful of the many multitudes of Jonathan and Kurl still to come, I'm overwhelmed with the infinitude of these young men and of Sarah Henstra's story. They and it know to  "Be real and be true" (pg. 9) and are, and I want more.

May 03, 2019

In the Key of Nira Ghani & Trail of Crumbs: Book launches (Edmonton, AB)

Join authors

Natasha Deen

and 

Lisa J. Lawrence 

for the launch of their new YA novels

In the Key of Nira Ghani
Written by Natasha Deen
Running Press Kids
9780762465477
304 pp.
Ages 12+
April 2019


 and


 Trail of Crumbs
Written by Lisa J. Lawrence
Orca Book Publishers
9781459821217
256 pp.
Ages 12+
March 2019

on 

Saturday, May 11, 2019

 2-4 p.m.

at

Audrey's Books
Edmonton, AB

 •••••••••••••••••••

Here's a little bit about each book from the publisher's or distributor's website:

In the Key of Nira Ghani
Nira Ghani has always dreamed of becoming a musician. Her Guyanese parents, however, have big plans for her to become a scientist or doctor. Nira’s grandmother and her best friend, Emily, are the only people who seem to truly understand her desire to establish an identity outside of the one imposed on Nira by her parents. When auditions for jazz band are announced, Nira realizes it’s now or never to convince her parents that she deserves a chance to pursue her passion.

As if fighting with her parents weren’t bad enough, Nira finds herself navigating a new friendship dynamic when her crush, Noah, and notorious mean-girl, McKenzie “Mac,” take a sudden interest in her and Emily, inserting themselves into the fold. So, too, does Nira’s much cooler (and very competitive) cousin Farah. Is she trying to wiggle her way into the new group to get closer to Noah? Is McKenzie trying to steal Emily’s attention away from her? As Farah and Noah grow closer and Emily begins to pull away, Nira’s trusted trumpet “George” remains her constant, offering her an escape from family and school drama.

But it isn’t until Nira takes a step back that she realizes she’s not the only one struggling to find her place in the world. As painful truths about her family are revealed, Nira learns to accept people for who they are and to open herself in ways she never thought possible.

Trail of Crumbs
After moving into a dank and drafty basement suite in West Edmonton with her truck- driving father, nasty stepmother and taciturn twin brother, Ash, seventeen-year-old Greta doesn't have high expectations for her last year of high school. When she blacks out at a party and is told the next day that she's had sex, she thinks things can't get any worse. She's wrong.

While Greta deals with the confusion and shame of that night, her stepmother and father choose that moment to disappear, abandoning Ash and Greta to the mercy of their peculiar landlord, Elgin, who lives upstairs. Even as Greta struggles to make sense of what happened to her, she finds herself enjoying her new and very eccentric family, who provide the shelter and support that has long been absent from her life. Much to Greta's surprise, she realizes there is still kindness in the world—and hope.  
 

Orca Book Publishers: Multi-author book launches (Victoria BC)


Orca Book Publishers

will be launching their newest spring books

on

Wednesday, May 8, 2019

at

7:00 p.m.
(doors open at 6:30 p.m.)

at

Munro's Books
1108 Government Street
Victoria, BC


Books being launched include:

Pride Colors
Written by Robin Stevenson
Concept board book about LGBTQ+, colors, acceptance



On the Internet
Our First Talk About Online Safety
Written by Dr. Jillian Roberts
Illustrated by Jane Heinrichs
32 pp.
Ages 6-8
Non-fiction



On the Playground
Our First Talk About Prejudice
Written by Dr. Jillian Roberts
Illustrated by Jane Heinrichs
32 pp.
Ages 6-8
Non-fiction



Tick Tock Terror
Written by Melanie Jackson
144 pp.
Ages 9-12
Middle-grade mystery



The Bodyguard
Written by Sean Rodman
128 pp.
Ages 12+ 
Hi-lo YA



Great Bear Rainforest
A Giant-Screen Adventure in the Land of the Spirit Bear 
Written by Ian McAllister and Alex Van Tol
96 pp.
Ages 8-13
Non-fiction picture book



My Body, My Choice
The Fight for Abortion Rights
Written by Robin Stevenson
176 pp.
Ages 12+
Non-fiction YA


May 02, 2019

Peg Bearskin: A traditional Newfoundland folktale

As told by Mrs. Elizabeth Brewer
Adapted by Philip Dinn and Andy Jones
Illustrated by Denise Gallagher
Running the Goat, Books & Broadsides
978-1-927917-19-0
44 pp.
All ages
February 2019

Peg Bearskin may be big and ugly and hairy but she's clever and that gumption and canniness make all the difference to her life and those of others.
From Peg Bearskin, illus. by Denise Gallagher
Peg Bearskin is one of three daughters but, alas, her sisters are "pretty as ever the sun shined on" and Peg Bearskin is not. As they grow older, her sisters, like many people, want nothing to do with Peg but she persists in following them. It's lucky for them that she does as, when they spend the night at the home of an old woman, Peg's instincts and exploration lead her to discover the woman to be a witch who possesses a decanter that never empties, a lantern that shines for half a mile without fuel, and a swift horse with magic bells for wishing. Realizing that the witch intends to kill her sisters, Peg tricks the old woman and the three escape. 

When the three siblings get older, Peg goes to see a king with three marriageable sons. She promises the decanter to him if he'd allow her oldest sister to marry his oldest son. She only asks for a handful of pepper to achieve her task of acquiring the decanter for him. While the witch's old man uses the decanter, Peg throws the pepper at him and grabs the pitcher.  Similarly, she steals the lantern to secure a husband for her other sister. Finally, she does the same for herself, using a knife and saw to steal the horse with its magical bells.
From Peg Bearskin, illus. by Denise Gallagher
But, the third son is distraught to be married to Peg. Recognizing that perhaps making a wish on a bell might give him what he wants, Peg shares with him the secret of the bells, upon which he wishes for Peg to be beautiful. And, though the reader will see that Peg does not appear to be any different, the prince, who has turned big, ugly and hairy himself, sees Peg as "the most beautiful woman that water ever wet or the sun ever shined on."

Peg Bearskin may focus on Peg's appearance as defining how she is seen but it supersedes that characterization by showcasing how clever she is. She doesn't need to be beautiful in the same terms of her sisters, and Peg Bearskin justifies the phrase that beauty is in the eyes of the beholder because Peg is beautiful by her astuteness. Even in the end, when her husband wishes her to be beautiful, it's not her that must change. 
From Peg Bearskin, illus. by Denise Gallagher
This traditional Newfoundland folktale is derived from Mrs. Elizabeth Brewer's story told to a folklore student in 1976 and is part of the Memorial University of Newfoundland Folklore and Language Archive (MUNFLA) and shared in multiple editions of books on the folktales of Newfoundland. Philip Dinn and Andy Jones adapted it for a storytelling play in the late 1990s and several versions have been published over the years. This edition, illustrated by Louisiana artist Denise Gallagher, lends a folk art feel to the story. With its earthy green tones and beet red touches, Peg Bearskin becomes a true reflection of the folklife of Newfoundland while continuing to focus on the message that beauty should be accepted in its different manifestations. It's storytelling that can be heard in the Newfoundland vernacular of "mudder" and "et" and "spose" and in the supernatural elements of wishing for children, an evil witch, and magical phenomena. There is beauty in all of it and most of all in Peg Bearskin herself.

May 01, 2019

Girl of the Southern Sea

Written by Michelle Kadarusman
Pajama Press
978-1-77278-081-9
224 pp.
Ages 8-12
May 2019

This is the story of Nia, a girl who lives with her five-year-old brother Rudi and their father in a tin shack along the train tracks of Jakarta, Indonesia. Though at fourteen she has finished middle school, she craves to continue her education, but there is no extra money for the school fees needed for high school. Instead she works to tend to the family: getting her brother to and from school, making meals, cleaning, and preparing batter for their father's fried banana cart. Sadly, it also means bringing her father home from nights of drinking arak (an alcoholic drink) at Jango's hut and cleaning up after Bapak's poor choices. Still Nia tries to see a future, hopeful of saving money for school and writing stories about Dewi Kadita, the Queen of the Southern Sea, who offers life lessons and the promise of a better life from dire circumstances.

But, with any story, there are plot twists and conflicts that challenge characters and wrench the narrative from a smooth path to a satisfying terminus. For Nia, it's a minibus crash from which she alone survives essentially unscathed. In a culture rife with superstitions and a predilection for supernatural stories, Nia's survival is seen as a miracle and consequently their banana fritters attributed with being infused with good luck. But how fortunate is Nia truly?

This is the basis for Michelle Kadarusman's story of Nia, but I cannot convey the depth of the storytelling within Girl of the Southern Sea and it's message for girls to make their own opportunities. (A portion of the book's proceeds go to Plan International Canada's #BecauseIAmaGirl campaign.) Even dealing with her father's alcoholism and weakness of character, and inherent vulnerabilities because of poverty and alarming cultural and social attitudes, Nia is driven to continue her education and write her stories. She stands up for herself–"I am not your promise to give." (pg. 196)– and makes sure that her life becomes the story she wants told.
I am here to live a different story. I am here to write my own story. (pg. 202)
There are so many tragedies in Nia's story that come when others try to impose their lives on her circumstances. There are the corrupt police who assault her father; her best friend Yuli who may be involved in illicit activities as a way to improve her conditions; vigilantes who turn on Nia violently when the good luck they purported she peddled was proven to be lacking; and her father who is willing to choose his own needs over those of his children. Still Nia takes guidance from her mother, via dreams, and from Dewi Kadita, the princess cursed with disfiguring skin conditions relieved only in the Southern Sea, and begins to make a life for herself. Its origins may be saturated in misfortune and tragedy but it will become the story she wants to write for herself and make her the Girl of the Southern Sea.