The Garden

Written by Meghan Ferrari

Red Deer Press

978-0-88995-568-4

109 pp.

Ages 12+

October 2018

Often, he imagines his heart as a stereo, and his pain a volume knob that his memories control. The volume varies, depending on the day, the time, and the trigger. When the trigger is swift and unexpected, it feels as though the bass has been cranked, and a pain that almost blinds him reverberates throughout his entire body. (pg. 26)

While we might assume, incorrectly, that the path from war-torn Syria through refugee camp and immigration to Canada would be in a positive direction, that journey is rife with trauma, loss and changes that may shadow any positives and create stresses in the new experiences. Such is fifteen-year-old Elias's story, told in alternating chapters of pre- and post-immigration to Canada.

Elias lives with his little brother Moussa and his parents, one a doctor and the other a translator, in Syria. He goes to school, plays football and enjoys spending time with his little brother who loves to draw with his crayons. Then the civil war begins and schools are closed because of missile attacks, food is in short supply and humanitarian donations are being targeted. But Elias is most vigilant about keeping little Moussa and himself safe from rebels seeking to capture children for training and arming for war. In a hole dug in their mother's garden, beneath a piece of plywood, the two boys hide, with Elias making up games, like hide and seek or a role play of a jasmine seed planted in hope of growing, to avoid sharing the circumstances of their situation with his very young brother. The garden becomes a refuge for the boys as it has always been for their mother.

Alternating with Elias's reminiscences of life in Syria are his experiences as a new immigrant, wishful of returning to his homeland to help rebuild it while he is being bullied by boys who know nothing of his struggles. Though he is reluctant to make friends, soon two classmates, Sullivan, a small boy often victimized by bullies, and Liling, a girl whose own family sought asylum in Canada, come to support him without needing to know his back story.

But Elias is struggling with guilt, for choices he made and makes, and for circumstances he deems unfair after he and his family seek shelter in a refugee camp in Lebanon. Coupled with the trauma of things no young person should experience, Elias agonizes over how to look forward when it might mean forgetting those he left behind.

The Garden may be Meghan Ferrari's first book but she draws on her expertise in Social Justice Education to tell a convincing tale about one teen's experiences in the Syrian War, in a Lebanese refugee camp and as a new immigrant to Canada. Elias's disquieting realities, living in fear, with memories of the past and with his prospects for the future, are palpable, drenched in grief and trauma.

The people here might have fled the war, but they weren't free. They were imprisoned in this camp while they anxiously awaited verdicts on asylum claims, news of private sponsorships, or the end of the war. As with most prisons, there was solitary confinement. In this one, it existed in the mind–each inmate trapped in memories of loved ones: either dead, or left behind, or gone ahead on the harrowing journey across the Mediterranean Sea. (pg. 90)

Fortunately for Elias, a garden was and is his salvation, taking his story from one of war and loss, and culture shock and bullying, to the beginnings of healing, and Meghan Ferrari makes sure to let us observe Elias on his odyssey.

Meet the Latkes

Written and illustrated by Alan Silberberg

Viking Books for Young Readers

978-0-451479129

36 pp.

Ages 3-6

October 2018

If it's American Thanksgiving, then you know that the holiday season, creeping upon us ever earlier, is here.  So, just in time for this year's Hanukkah, which starts on December 2, is Alan Silberberg's picture book Meet the Latkes about a family of fried potato pancakes who are ready to celebrate, dreidel and menorah in hand.

There's Mama and Papa, daughter Lucy and her dog, Applesauce, older son Lex, and Grandpa. 

They're just like you and me. Except they're potato pancakes!

As Lucy and Applesauce start to get excited for the first night of Hanukkah, grumpy Grandpa corrects Lucy's pronunciation of the celebration. She says Hanukkah. He says Chanukah. The ever wise Applesauce informs them both that since the holiday's name is Hebrew, it is said and spelled different ways in English. Lesson #1.

As the family, minus the sullen teen Lex, cooks and sings and decorates the house, their celebrations begin and Grandpa takes Lucy, his little latke, onto his lap to tell her about the miracle of Chanukah. His story may be a little different from those typically told. Grandpa's story starts with Mega-Bees "who buzzed and stung and fought to keep our people safe" and the bravest bee was Judah Mega-Bee who helped fight the alien potatoes from Planet Chhhhh. Applesauce, drawing from his font of knowledge, attempts to correct Grandpa Latke with every outlandish detail of his Chanukah story. He tries to set Grandpa, and avid listener Lucy, straight but his endeavours to mention the Maccabees and Judah Maccabee and king Antiochus are totally disregarded.

"Feh!" says Grandpa. "Whose story is this?"

In Grandpa's story, Judah and the Mega-Bees are trapped by "those evil tater tyrants" from Planet Chhhhh with only enough honey for one day. They construct a gigantic wooden dreidel, hiding inside, until they burst forth and "sliced and whipped and mashed those tater tyrants into tatters." And with some egg, onion and flour, Judah creates potato latkes.

From Meet the Latkes by Alan Silberberg

But with Applesauce telling the true story of Hanukkah, which Grandpa eventually acknowledges as a far better miracle, yet another miracle happens. (Parents of teens will understand.)

From Meet the Latkes by Alan Silberberg

Meet the Latkes may be a silly story of a potato latke family sharing the story of Hanukkah but it's actually very informative. By having Grandpa tell his story, as an alternative to Applesauce's correct version, as well as including an appendix with glossary about the true story of Chanukah, Alan Silberberg gives us many a laugh while teaching about this holiday. But forget for a moment the educational value of Meet the Latkes and instead think about the achievement Alan Silberberg has made by writing and illustrating a story in which potato pancakes are the stars. His characters have clear voices of senior drollness, youthful naïveté, canine frustration, teen moodiness and more. And they're potato latkes! It all comes through their words, eyes and smiles (or lack thereof) and Alan Silberberg's cartoons, filled with action and exclamations, bubble comments and commentaries, and colour and wacky shapes.

Take your children or students to Meet the Latkes for a Hanukkah, or Chanukah, like no other.

Team Steve

Written and illustrated by Kelly Collier

Kids Can Press

978-1-77138-932-7

40 pp.

Ages 4-8

September 2018

Let's face it: Steve the Horse, introduced in Kelly Collier's A Horse Named Steve (Kids Can Press, 2017), is a bit of a narcissist. It's all about him. In his first book, he wanted to be seen as exceptional among the animals, oblivious to the strengths of others, seeing them as ordinary. Now, in Team Steve, Steve is looking forward to winning yet another race-a-thon, knowing how extraordinary he is as a runner.

From Team Steve by Kelly Collier

But the rules of the race have changed and Steve is put on a relay team with Duck, Turtle and Snail. Steve is perplexed as to how they are to win when "A duck waddles, a turtle walks and a snail ... is a snail!"  Even as each of his teammates suggests that he could coach them, sharing his expertise, he ignores their suggestions until he comes up with the same idea they've been proposing. Problem is that Steve is all about Steve, so his coaching is not about his teammates but about himself. Among his pearls of coaching wisdom, he advises Turtle to lift his hooves (?), Snail to eat three bowls of oats a day and Duck to stretch its neck.

From Team Steve by Kelly Collier

On the day of the race-a-thon, it's Turtle, Snail and Duck who surpass all expectations and pass their race competitors, while it is Steve who loses the race for them. Too busy congratulating himself on coaching his team to a victory, he delays in running his stretch of the race and the other teams tie to win.  Still it's his teammates that help him overcome his embarrassment before Steve is back applauding himself for helping the other teams win.

From Team Steve by Kelly Collier

Oh, Steve. He is such a self-centred horse, always focusing on his own needs and wants and how he is perceived by others. He is totally unconcerned with others except as they relate to him.  Kids will laugh themselves silly at the foolishness of Steve's need for attention and glory knowing that he is the centre of his own distress.  If Team Steve teaches anything it's that teamwork requires cooperation and listening to others, but it's a lesson Steve still needs to learn. Fortunately, Kelly Collier has created some great characters, including Bob the raccoon who organizes the race and the teams, to help Steve see beyond himself. Her characters, so suggestive in their expressions and body language, demonstrate their own frustration with the equine, as well as their curiosity and pleasure. Moreover, Kelly Collier does this with a very limited palette of beiges with black and white.

Steve may not be the most collaborative but his intent, like his emotional support for his teammates, is honest. Perhaps that's why, even when he messes up, like we all do, they forgive him and help him find acceptance of the situation. And with friends to help, everyone, even Steve, is a winner.

The Origin of Day and Night

Written by Paula Ikuutaq Rumbolt

Illustrated by Lenny Lishchenko

Inhabit Media

978-1-77227-180-5

36 pp.

Ages 4-8

September 2018

In these days of daylight savings, the story of The Origin of Day and Night feels all the more relevant. For those of us in southern Ontario, complaining about how early it gets dark seems like an annual event–though, of course, this would be accentuated in the north–but what of animals who prefer only daylight or only nighttime for their activities?

At the very beginning of time, there was no light on earth. Darkness surrounded everything. Only nocturnal animals, those who could see in the dark, could easily hunt for food. (pg. 2)

From The Origin of Day and Night by Paula Ikuutaq Rumbolt, illus. by Lenny Lishchenko

Tiri, the Arctic fox, was one of those nocturnal creatures, hunting those and from those that slept. When Tiri celebrated the darkness by calling out, "Taaq, taaq, taaq! Darkness, darkness, darkness!" the darkness remained because things that were spoken aloud could become real.

From The Origin of Day and Night by Paula Ikuutaq Rumbolt, illus. by Lenny Lishchenko

But Ukaliq, the Arctic hare, who could not see in the dark, wondered what would happen if she called out, "Ubluq, ubluq, ubluq! Day, day, day!" And there was light in the world.  Tiri was not pleased. In a dance of light and day, the two animals call forth their preferred illumination so they might hunt or nap, finally agreeing on giving each other sufficient time to find food before the other changed the light in the sky.

And so, Tiri and Ukaliq used the power of their words to bring the sun up into the sky and then to make it set. Taaq brought darkness and ubluq brought day. (pg. 28)

Nunavut author Paula Ikuutaq Rumbolt continues to share her Inuit history and culture through her storytelling just as she did in The Legend of Lightning and Thunder (Inhabit Media, 2013) which was shortlisted for the Canadian Library Association's Book of the Year for Children. Likewise, she wraps the origin story in The Origin of Day and Night in a mesmerizing story of conflict and resolution between Arctic animals.  But, by bringing to light the natural history of the Arctic, specifically the feeding and behaviour of the Arctic fox and Arctic hare, as well as the activities of the humans who hunt and store their meat to keep it safe from those such as the fox, Paula Ikuutaq Rumbolt encourages learning of different cultures and environments, honouring the traditional Inuit belief embedded in The Origin of Day and Night beyond the tale itself.

Because of the nature of the story, Lenny Lishchenko's illustrations are far different from those in Paula Ikuutaq Rumbolt's first picture book. Ukrainian-born Toronto artist Lenny Lishchenko plays up the dark vs. light conflict and balance with powerful images, always focusing on the animals and their need for light or dark. By juxtaposing the two, at play as the animals call forth the sky light they require, her illustrations are playful yet resolute and always revealing of their Arctic home.

From The Origin of Day and Night by Paula Ikuutaq Rumbolt, illus. by Lenny Lishchenko

A simple story told with mighty text and illustrations, The Origin of Day and Night enlightens about beginnings, people and place.

The Divided Earth: The Nameless City, Book 3

Written and illustrated by Faith Erin Hicks

Color by Jordie Bellaire

First Second

978-1-62672-161-6

269 pp.

Ages 8-13

September 2018

The Nameless City, Book 1 in Faith Erin Hicks's graphic novel series, introduced young readers to the Nameless City, a metropolis of Ancient China conquered repeatedly and changing names with each new occupation. Currently the Dao people, under the rule of the General of All Blades, are in power. Young Dao Kaidu arrives to take his warrior training at the palace and meets a roof-jumper Rat who lives at the Stone Heart monastery after her parents are killed. Learning of the divided nature of the people of the Nameless City–the conquered and the conquerors–Kai and Rat try to help make things right, especially after the General of All Blades is assassinated by his own son, Erzi, and a struggle begins to possess an ancient text in The Stone Heart, Book 2 of the series. The conclusion of that struggle for the power over the city and of that text is the story of The Divided Earth.

From The Divided Earth by Faith Erin Hicks

The ancient manual which harbours the secret of Napatha, the sacred fire which was used by the Northern People to tunnel through the mountain to create the Nameless City, is now in Erzi's possession. He has had the document translated and has his right-hand person, the formidable Mura, begin preparation of the formula. Meanwhile, outside the city, Kaidu's father, Andren, and monk Joah are attempting to enlist the help of the Yisun people, those who ruled the city before the Dao took it. With their help, Andren and his wife Kata, hope to compel the current General of All Blades to form an alliance amongst all peoples in a council of nations, a premise his father had supported before his murder. Kai and Rat are also at work, but within the city, determined to retrieve the book that Erzi stole from the Stone Heart monastery.

From The Divided Earth by Faith Erin Hicks

The Divided Earth is resolved via a series of altercations, including one in which Erzi surprises the Yisun army with weapons enhanced with Napatha, extraordinary chase scenes and some tricky negotiations, leaving the fates of the city and the ancient text settled fittingly.

From The Divided Earth by Faith Erin Hicks

I know The Divided Earth and all books in The Nameless City series are fiction but the history embedded within make it compelling text for teaching everything from ancient civilizations and the development of gunpowder to the nature of conquest and class structure and struggles. That's very impressive for a graphic novel. But that's me wearing my teacher hat. Young readers won't care about that.  They'll be too enthralled with Faith Erin Hicks's illustrations, coloured by Jordie Bellaire, that take them to an expansive city in a formidable mountain landscape where battles are for survival and land occupation, for power and for control, are the order of the day.

Though Faith Erin Hicks's The Divided Earth is a fast read, even as a graphic novel, its life lessons are long-lasting, impressing children with the need to get along and find room for all. There may be knife fights and arrows flying, all with the intention of subduing the enemy, but the message that we all deserve a place in the world is clear.

Please, stop the cycle of war and invasion. We can all live here side by side. (pg. 228)

No one needs to be nameless. We all belong.

The Almost Epic Squad: Mucus Mayhem

Written by Kevin Sylvester

Illustrated by Britt Wilson

Scholastic Canada

978-1-4431-5779-7

187 pp.

Ages 8-13

September 2018 

In a hospital nursery in Dimly, Manitoba thirteen years earlier, a storm overloads the emergency lighting system and four babies are showered with the glowing dust from the reidium bulbs (the once famous Dimly Bulbs).  Four babies, four characters, four books.  This is Baby Flem's story. 

Baby Flem is actually Jessica Flem, an extraordinary gamer of Gang of Greats who is bizarrely afflicted with allergies. The thirteen-year-old, whose nose had been affected in the accident, must use copious tissues as well as her puffer, to relieve her congestion. Turning 13, Jessica is prepared for her annual checkup and bizarre questioning by Dr. Fassbinder, now of the Insitut de l'ennui, and another superfluous visit from her "babysitter" Garvia Greep who gifts her with a diary in which to chronicle her "changes."

Her voice sounded sickly sweet like a snake trying to do a Taylor Swift imitation. (pg. 25)

Dr. Fassbinder's questions about magic and flying and other weird stuff may seem outrageous but not as crazy as the small green gummy-like man who appears amidst her used tissues to sweep them up. Dr. Fassbinder doesn't seem too flummoxed by the green janitor who grows as Jess uses more tissues but disappears when finished, though her only friend, Cliff Snuffington, is fascinated by her "snot golem." (Of course, he's the guy who collects her used tissues, calling them "ori-gummy creations" and gathers them in plastic sandwich bags for his collection.)

Then the really weird stuff starts happening. You're probably wondering how things could get any weirder.  Well, Jess's notes begin disappearing from her diary; she discovers a dossier about her situation; her parents disappear; an old blimp manned by Garvia Greep starts pursuing them; a talking lab mouse named Algernon comes to their aid; and Jess tries to control her mucus-transforming power. And all the while she is participating in a Game of Greats tournament, aiming to reach Grand Master.

Transforming mucus into creatures to do your bidding, whether cleaning or fighting bad guys, may not exactly be a superpower all would aspire to have but it's completely appropriate for a young teen of the The Almost Epic Squad. (We'll have to wait for Books 2, 3, and 4 by Ted Staunton, Lesley Livingston and Richard Scrimger, to learn about the almost epic superpowers of the remaining thirteen-year-olds. See below for details.) Mucus Mayhem is an elevated Captain Underpants for the middle grade set. The humour is slightly gross but always clever, with a splash of the supernatural and filled with the action of chases, mad science and nefarious plots. The irreverence of Kevin Sylvester's premise will freak out and amuse readers to no end. And his punning and crackerjack writing will have everyone giggling with its tongue-in-cheek sauciness.

My head was swimming. But then my nose completely jammed and I began my tissue tango–nose, tissue, garbage basket. Or, more accurately, floor. Nose. Tissue. Floor. Repeat. Cha-cha-cha. (pg. 25)

Illustrator and cartoonist Britt Wilson's black-and-white cartoons pepper the story and will grab a few more readers who love artwork to help move the story, though Mucus Mayhem is already a zippy read of laughs and ickiness.

From The Almost Epic Squad: Mucus Mayhem by Kevin Sylvester, illus. by Britt Wilson

Fortunately, with additional titles in the series slotted for January (What Blows Up by Ted Staunton), May (Super Sketchy by Lesley Livingston) and September (Irresistible by Richard Scrimger) of 2019, it looks like The Almost Epic Squad will be tickling funny bones for a while.

Covers of The Almost Epic Squad books (covers not finalized for Super Sketchy and Irresistible)

Giraffe and Bird Together Again

Written and illustrated by Rebecca Bender

Pajama Press

978-1-77278-051-2

32 pp.

Ages 4-7

November 2018

Friends don't always see eye to eye, or nose to beak. But, sometimes it's because of these  differences that the friendship is made even more special. Little ones who know Rebecca Bender's other books in this collection, namely Giraffe and Bird (DCB, 2010), Don't Laugh at Giraffe (Pajama Press, 2012) and Giraffe Meets Bird (Pajama Press, 2015), already understand the basis for this extraordinary friendship. And, even with a plot that has Bird missing, you know Rebecca Bender won't disappoint her readers. She helps the two find their way back to each other.

From Giraffe and Bird Together Again by Rebecca Bender

Bird loves adventures, Giraffe does not. But when Bird is absent for awhile, Giraffe begins to worry that something has happened to Bird and decides to follow the feathers. Even when he gets tangled in vines when searching through a dark forest, Giraffe is compelled to go on. Even when Giraffe goes up a craggy mountain upon which he tumbles backwards and needs the help of a couple of mountain goats, he is determined to find his friend. From his high vantage point, Giraffe glimpses a shiny sign and "a small and beaky someone next to it." Finding Bird stunned from a collision with the sign, both are happy to be reunited. Unfortunately, Giraffe fails to notice the quicksand nearby. Now it's Bird turn to help out. By distracting his friend and enlisting the help of others, Giraffe makes it home safely.

Everyone loves Giraffe and Bird. The two animals are so different yet so understanding and accepting of those differences. Giraffe stretches beyond his comfort zone to help his little friend, and Bird recognizes when Giraffe may be in need of help. Even in the end, the two find a compromise to help them continue to be friends and honour those differences. 

Bird will wander a little less...

if Giraffe will explore a little more.

 

From Giraffe and Bird Together Again by Rebecca Bender

One of the best elements of Giraffe and Bird Together Again is the artwork. Rebecca Bender's use of colour to place the reader in the forest, on the mountain and looking out over the plain is extraordinary. It's warm and rich in tone and evocative of a setting many of us in Canada will never experience. But, of course, it's her characters that draw the reader back every time. Generally using only body language and eyes, Rebecca Bender lets the reader see what Giraffe and Bird are thinking and feeling. Frustration, joy, distress and relief are all there in those few elements. It's impossible not to fall in love with Giraffe and Bird. Moreover with details like Bird hiding under a traditional Canadian work sock or Giraffe in knee pads and helmet or the weird assortment of detritus lodged in the quicksand, kids will seek and find and laugh.

From Giraffe and Bird Together Again by Rebecca Bender

Rebecca Bender's Giraffe and Bird was recently honoured as the selection for the 2018 TD Grade 1 Book Giveaway. That means every child in Grade 1 in Canada should have received their own copy of that special first book (unless their school board sadly opted out of the program). The enduring affection between these two unlikely friends continues to endear them to young children, perhaps seeing something of themselves in Giraffe or Bird. Whether sensitive to teasing, or homebody or adventurer, there is something of everyone in these two characters, and we're so glad that Giraffe and Bird are together again.

From Giraffe and Bird Together Again by Rebecca Bender