September 28, 2017

The Disappearance: Book launch (Hamilton, ON)

Join best-selling author

Gillian Chan

author of middle-grade and young adult
historical fiction, short stories and more


for the launch of her newest young adult book

The Disappearance
Written by Gillian Chan
Annick Press
978-1-55451-983-5
208 pp.
Ages 12+
September 2017

on

  Saturday, October 7, 2017

1:30 p.m.

at 

The Reading Room
Bryan Prince Bookseller
1060 King Street West
Hamilton, ON


I hope to review this book before the launch (thanks Annick Press for the review copy!) but, until it is posted, here is the publisher's take on what is sure to be a superbly suspenseful read:


A fast-paced, gritty mystery with a supernatural twist.

Jacob Mueller and Mike McCallum couldn’t be more different. After mystifying doctors, who finally decide that he is an elective mute, Jacob ends up in a juvenile group home, isolated, withdrawn, and bullied. Mike, also in the group home, is scarred physically and emotionally after the murder of his younger brother. He uses his horrific appearance, imposing size, sharp intelligence, and a calculated brutality to keep everyone at bay—until he encounters Jacob. Mike is fascinated by Jacob, particularly the way in which he seems able to shut out the world around him. This fascination becomes tinged with a mixture of awe and horror when Jacob starts to talk, and appears to have knowledge of Mike’s past, particularly of his dead brother. Mike takes it upon himself to solve the puzzle that is Jacob Mueller, and when he comes to the impossible conclusion that Jacob is from another time, he makes it his mission to return him home.
Retrieved from http://www.annickpress.com/Disappearance-The on September 28, 2017.



The lovely Gillian Chan promises
• a reading
• talk of books
• refreshments
• book sales and signing
and
possibly
• learning who disappeared and why.


Will you be there?


September 27, 2017

36 Questions That Changed My Mind About You

Written by Vicki Grant
Running Press Teens
978-0-7624-6318-3
288 pp.
Ages 13+
October 2017

This is a love story.  It's the story of eighteen-year-old Hildy meeting nineteen-year-old Paul–though they're supposed to refer to themselves as generic Betty and Bob–as participants in a university research project to determine whether the asking of 36 questions could facilitate personal closeness that might result in a relationship.  Although the two teens come into the study from different perspectives, where they end up is heart-warming with a final scene right out of a Hollywood romantic comedy. (Yes, the book would make a GREAT film.)

Hildy is a bit of a mess.  She seems to be a little clumsy and does a whole lot of babbling though it's clear she is bright and astute and interesting.  But she describes herself at the onset of the study as someone who has
"...a lot of stuff happening in my life right now.  My own fault, of course.  Big mouth.  Tunnel vision.  Faulty social radar." (pg. 14)
That statement is very telling.  Without revealing all there is about her situation, Hildy suggests a crisis in her family, for which she is willing to take blame, but what is going on with younger brother Gabe, ER doctor mom Amy, and school principal and drama coach dad Greg, is only revealed in dribs and drabs through the context of Hildy's get-togethers with friends as well as in her meetings with Paul a.k.a. Bob Somebody both in person and online. (They have to extend their session beyond the original hour needed after she reacts to some comments he makes and she throws a puffer fish at him.)

Paul/Bob is more of a closed book.  When he's supposed tell the details of his life in four minutes (that's Question 11), Hildy assesses his answer as,
"That was a ten-second cover-up of a thirty-six-part docudrama.  What you didn't say was way more interesting than what you actually said." (pg. 62)
He gives very little away about himself and blankets most of his answers with an attitude Hildy doesn't appreciate. He does reveal his drawing ability in his endless doodling–mostly of a hand, Kong the puffer fish whom he adopts temporarily, and Hildy–and a love of drumming.  But Paul/Bob just wants to get this over with and collect his $40.

As the questions become more intimate and revealing, Hildy and Paul share more about themselves and seesaw between anger, frustration, appreciation and affection.  But when Hildy stands Paul up and can't locate him to try to make things right, it looks like the project and their budding friendship might all be in jeopardy.

Readers are going to fall in love with Hildy and Paul. They are so not perfect, separately and together.   They are masses of weaknesses and missteps especially when dealing with others and it's a wonder they ever got to the place where they'd want to do the psych study.  But, along with their weaknesses, they are strong and courageous and compassionate.  And yet, the two are infinitely different.  Still, Vicki Grant doesn't let that stand in the way of a great love story, one in which the complicated Hildy and the casual Paul can see beyond their frailties and foibles and expose themselves to possible happiness that no questions could have predicted. It is impossible not to laugh with them and laugh at them when you read their dialogue i.e., discussions based on the 36 scripted questions.


Question 10

Paul: If you could change anything about the way you were raised, what would it be?

Hildy: I wish I hadn't been kept in the dark so much.

Paul: Explains why you're so pale.        
(pg. 53)


I know this may be a spoiler but I don't want readers to worry that Hildy and Paul might never get together.  Rest assured that Vicki Grant, with her trademark humour, will bring the two teens to completing their psych study obligation and, better yet, to undertaking a new, more personal, venture on their own, with or without Kong in tow. And it only took 36 questions.
🐟

September 26, 2017

Leap!

Written by JonArno Lawson
Illustrated by Josée Bisaillon
Kids Can Press
978-1-77138-678-4
32 pp.
Ages 3-7
September 2017

In a chain of events that begins with a flea, a series of animals that also includes a grasshopper, a rabbit, a dog, fish, a bullfrog and a horse cause leaping into, onto, and more in response.  But JonArno Lawson, whose stories Sidewalk Flowers (Groundwood, 2015) and Uncle Holland (Groundwood, 2017) have been reviewed here on CanLit for LittleCanadians, goes beyond this faunal domino effect and creates a living organism of movement in sophisticated poetry.
From Leap! 
by JonArno Lawson 
illus. by Josée Bisaillon
With each new LEAP!, JonArno Lawson plunges the young reader into a new environment with active vocabulary and emotional responses. 
LEAP!
Land!
Twist and spin!
The bunny bounds out
as the clouds roll in.
A dog gets a whiff
and barks at the wind –
bouncing, bouncing, springing
  and lunging!
Down the bank that dog goes
  plunging.
Gambol, lurch to 
LEAP!
In her signature collage style of cut-outs, watercolours, pencils and more, Josée Bisaillon produces multiple land and aquatic landscapes for JonArno Lawson's jumping, splashing, bounding creatures.  There are microcosms beneath bright flowers in cheery meadows and lakes filled with dozens of species of plant and fish, and a fenced farmyard with trees. From one to another to the next and back, Josée Bisaillon takes the reader down and over, under and above, seeing this natural world from all perspectives.
From Leap!
by JonArno Lawson 
illus. by Josée Bisaillon
For teachers who love a circular story that ends where it begins, Leap! is a treat, especially for the exquisite language and elaborate illustrations.  But I believe parents will find Leap! to be the perfect bedtime read for young ones who've been doing their own leaping all day.  In true poetic style, JonArno Lawson finds the word that rhymes with "leap" and brings closure to a day of activity.
From Leap! 
by JonArno Lawson 
illus. by Josée Bisaillon

September 25, 2017

Kisimi Taimaippaktut Angirrarijarani / ᑭᓯᒥ ᑕᐃᒪᐃᑉᐸᒃᑐᑦ ᐊᖏᕐᕋᕆᔭᕋᓂ / Only in My Hometown

Written by Angnakuluk Friesen
Illustrated by Ippiksaut Friesen
Translated by Jean Kusugak
Groundwood Books
978-1-55498-883-9
24 pp.
Ages 3-7
September 2017

Just as all families are different and children should see themselves in the families represented in youngCanLit, the communities in which those children are growing up are vastly distinct.  Some are close-knit and small, others heavily populated and expansive, and still others remote with scattered populations.  By bringing their hometown to picture book format, Nunavut sisters Angnakuluk Friesen and Ippiksaut Friesen transport young readers to a community in which elephants are mining artefacts, raw meat is feasted upon and everyone is welcome.

In her text, Angnakuluk Friesen gives us visual snippets of life in her hometown of Rankin Inlet, an Inuit community on Kudlulik Peninsula in Nunavut.  Its history may include the Thule people and mining but Angnakuluk Friesen spotlights the personal life of children in Kisimi Taimaippaktut Angirrarijarani / Only in My Hometown.  It's about play and food, chores and the outdoors.  There's snow-shovelling, story-telling, watching Northern Lights and banding together during hard times and times of joy.  But Angnakuluk Friesen tells it without telling it directly.  It's all in the subtext of her words. 

Stories, images, memories
of spirits,playing happily, fluidly, chanting.
The Northern Lights can be seen in many places,
but they dance for me
only in my hometown.

Where I come from
glimpses of hope are always appreciated.
From Kisimi Taimaippaktut Angirrarijarani / 
ᑭᓯᒥ ᑕᐃᒪᐃᑉᐸᒃᑐᑦ ᐊᖏᕐᕋᕆᔭᕋᓂ / 
Only in My Hometown 
by Argnakuluk Friesen 
illus. by Ippiksaut Friesen
Similarly, her sister Ippiksaut Friesen illustrates each memory and experience with a focus on the personal.  It's the girl atop the abandoned mining equipment, the children amidst the laundry and scattered toys, a pair watching the Northern Lights, the family at their winter camp and a gathering around a newborn.  It's their life as they see it and experience it in all its wonder and hardships and fellowship.  Her illustrations are actually of two different styles.  One, as seen on the cover, is reminiscent of William Kurelek's classic A Prairie Boy's Winter (Tundra, 1973) of a life so vast in time and space that must be filtered down to just a few poignant moments that define it. These are all-embracing images.  But Ippiksaut Friesen also goes up close and personal, getting right into the faces, concentrating on the expressions of life rather than the landscapes of their hometown.  Both blend to illustrate the life that is Kisimi Taimaippaktut Angirrarijarani / ᑭᓯᒥ ᑕᐃᒪᐃᑉᐸᒃᑐᑦ ᐊᖏᕐᕋᕆᔭᕋᓂ / Only in My Hometown. 

From Kisimi Taimaippaktut Angirrarijarani / 
ᑭᓯᒥ ᑕᐃᒪᐃᑉᐸᒃᑐᑦ ᐊᖏᕐᕋᕆᔭᕋᓂ / 
Only in My Hometown 
by Argnakuluk Friesen 
illus. by Ippiksaut Friesen
Translated into Inuktitut by Jean Kusugak and written out both in syllabics and transliterated roman characters,  Kisimi Taimaippaktut Angirrarijarani / ᑭᓯᒥ ᑕᐃᒪᐃᑉᐸᒃᑐᑦ ᐊᖏᕐᕋᕆᔭᕋᓂ / Only in My Hometown tells both all and only some of what life in a small northern town can be for an Inuit child.  It is a book to share with children who need to see themselves in the book or learn about others.  In other words, it's a book for all.
From Kisimi Taimaippaktut Angirrarijarani / 
ᑭᓯᒥ ᑕᐃᒪᐃᑉᐸᒃᑐᑦ ᐊᖏᕐᕋᕆᔭᕋᓂ / 
Only in My Hometown 
by Angnakuluk Friesen 
illus. by Ippiksaut Friesen

September 21, 2017

Le Jardin Invisible

Written by Valérie Picard
Illustrated by Marianne Ferrer
Monsieur Ed
978-2-924663-03-5
64 pp.
Ages 4+
August 2017

When her family travels far from the city to the country to attend her grandmother's birthday celebration, Arianne enters a marvelous world of lush vegetation, magnificent creatures and an adventure of epic proportions, like all in Le Jardin Invisible (translation: The Invisible Garden).

As pleased as she is to see her grand-maman, Arianne is the lone child in a house full of guests.  A parent suggests she go play in the garden.  A city child, unaccustomed to making play in the outdoors, Arianne is bored and lays down in the grass. A small pebble (caillou) brings her to see another world in which the pebble is a mountain, locusts are as big as cars, and plants like trees.  She chases after the locusts but loses them and catches a ride on a dandelion seed to continue her quest.  Skipping her pebble into the water, she drops in too, witnessing the wonders of the sea including the evolution of aquatic creatures to land dinosaurs who assist her in capturing a star that she releases into the cosmos.
From Le Jardin Invisible 
by Valérie Picard 
illus. by Marianne Ferrer
Perhaps Le Jardin Invisible is but the imaginative dream of a child bored with adult activity who takes bits and pieces from her surroundings and builds them into a story.  Ah, but what a story!  She sees mountains, and travels on fluffy seeds, races with creatures small and large and reaches into the heavens for a touch of magic.  No wonder when the family is returning to the city late at night, Arianne declares to the sky of stars and ethereal shapes, "À beintôt, les dinosaures!" (translation: See you soon, dinosaurs).
From Le Jardin Invisible 
by Valérie Picard 
illus. by Marianne Ferrer
Surprisingly, in 64 pages, there are few words.  The text is essentially a series of questions and exclamations.  But Valérie Picard's sparse text blossoms into a full story with Marianne Ferrer's illustrations.  Marianne Ferrer's art, first reviewed here from her picture book Racines (Monsieur Ed, 2016), gives an ethereal context to Arianne's journey from city to country to Le Jardin Invisible.  When the insignificant child is delegated to the garden, she becomes part of something larger, much larger than herself but still part of it.  Marianne Ferrer's locusts are majestic in every facet, her plant life varied and sumptuous in tones of blue, green and rose and her underwater scenes are resplendent in shades and hues of blues.  Like Arianne, these worlds are largely ignored until looked at with a closer lens.
From Le Jardin Invisible 
by Valérie Picard
 illus. by Marianne Ferrer
Whether Arianne visited this lavish garden by way of her dreams or simply her imagination is irrelevant.  Le Jardin Invisible is one to be seen and appreciated from any perspective.


n.b. The interpretation of this French-language book is solely my own.  I take full responsibility for any errors in translation and interpretation of words and art, and apologize for any discrepancies from the author/illustrator’s intent.

September 20, 2017

Stratford Writers' Festival

The 2017 Stratford Writers' Festival
is set to take to the stages

on

October 20-22, 2017

in 

Stratford, ON

There are workshops and panels on songwriting, self-publishing, social media, blogging, memoirs, grief, art and literature, history and healing, satire, food and, of course, writing.

The plethora of authors attending the three-day event include:
• Chantel Acevedo
• Marianne Apostolides
• Jason Barry
• Mark Billingham
• Kerry Clare
• Deborah Cooke
• Glenn Dixon
• Terry Fallis
• Emm Gryner
• Drew Hayden Taylor
• Scaachi Koul
• Dayna Manning
• Marina Mapa
• Lee Maracle
• Mark Medley
• Catherine Mellinger
• Heather O'Neill
• Shane Peacock
• Eden Robinson
• Jennifer Robson
• Rebecca Rosenblum
• Ron Sexsmith
• Richard Scrimger
• Craig Terlson
• Eric Walters
• Alice Zorn

But I wanted to draw your attention to a panel relevant to those who read CanLit for LittleCanadians.

On
  Friday, October 20, 2017, 

 6-7 p.m.

at

Knox Presbyterian Church

a trio of youngCanLit authors will present a panel titled 

A Means to a End: Keeping a Series Alive


In attendance will be three of the authors of Orca Book Publishers' Seven series,  The Seven Sequels and The Seven Prequels:


























To create a story that is riveting and engaging is an accomplishment on its own. To continue a story throughout many novels and hold an audience’s attention takes an extraordinary talent.

These three authors have mastered the art of keeping a story alive through their tales of triumph, discovery, and self-actualization. Join us as award-winning authors Eric Walters, Richard Scrimger, and Shane Peacock discuss the process of series writing and how to keep readers coming back every time.






Full details of this event and all panels and workshops can be found at DigiWriting's website at http://digiwriting.com/stratford-writers-festival/ with tickets available at Ticketscene

September 19, 2017

The Water Walker

Written and illustrated by Joanne Robertson
Second Story Press
978-1-77260-038-4
36 pp.
Ages 6-9
September 2017

At first glance from title and illustration, The Water Walker may look like an Aboriginal myth or a picture book story.  It is neither.  It is an illustrated piece of creative non-fiction that recounts the efforts of Ojibwe Grandmother (Nokomis) Josephine Mandamin originally of Manitoulin Island and her extraordinary efforts to raise awareness about the need to protect our water (Nibi).  Her story is true, as attested by three knee surgeries and countless pairs of sneakers.

As a child, Nokomis loved Nibi in all its attributes: cold, warm, calm, wild.  Every day she would thank Nibi for its gift of life. "Gichi miigwech, Nibi, for the life you give to every living thing on earth.  I love you.  I respect you." (pg. 9)  But after hearing an elder (ogimaa) speak of water's fate and Nokomis realized that water was being disrespected and wasted, she banded with her sister and women friends (kwewok niichiis) to formulate a plan to protect Nibi.  Four days later, a copper pail full of Nibi in one hand and a Migizi (bald eagle) Staff in her other, Nokomis lead the Mother Earth Water Walkers in their walk around the Great Lakes and the St. Lawrence River.  For the next seven springs, they walked, prayed and sang, offering sacred tobacco (seema) at every Nibi encountered.

From The Water Walker by Joanne Robertson
Though the media picked up on their walking for Nibi, Nokomis knew there was more to do.  The Water Walkers went to the waters surrounding Turtle Island (North America) and sang Nibi's praises and demonstrated their respect.  They went to the Pacific Ocean, an oil spill in the Gulf of Mexico, the Atlantic Ocean and the Arctic Ocean.  Still Nokomis prays and sings to Nibi and hopes everyone will help protect Nibi.
From The Water Walker by Joanne Robertson
The Water Walker in the story of a grassroots crusade to demonstrate respect and inform people about the importance and potential destiny for Nibi if we continue as we have.  With water rights being given away for pennies and contamination through industry and pollution, Nibi is at risk.  It is no longer the limitless commodity generations before us believed it to be.  Nokomis Josephine Mandamin did not wait around for disaster to compel her to act.  She let her heart drive her into action.  Now Joanne Robertson, a member of Atikameksheng Anishnawbek and founder of the Empty Glass for Water campaign, is sharing that story through her invigorating illustrations, bold in line and colour.  Though most of her characters are seemingly lacking in detail, with their similarly rounded heads, expressionless faces and stiff walking postures, Joanne Robertson fashions them to be unique and distinct in dress and hair.  The illustration of the parade of Mother Earth Water Walkers with the sun blazing behind them is simple but powerful, as is the collage of memories of places and people visited on their walks.
From The Water Walker by Joanne Robertson
The Water Walker may be an illustrated biography of Nokomis Josephine Mandamin's walking for Nibi but it is also a tale of action, both accomplished and endless, to do for Nibi as it has always done for us.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The book launch for the book will take place on Tuesday, September 26, 2017 at A Different Booklist in Toronto.  Both Grandmother Josephine Mandamin and author/illustrator Joanne Robertson will be in attendance to speak from 12:30 -2:30 p.m. with a book signing and reception fro 5-7 p.m. The events are posted here