April 17, 2017

Forest Kid Committee: Applications due April 30, 2017


Do you 💖 reading?
Are you in Grades 4-8?
Do you live in Ontario?
Do you want to help choose books 
that other kids will want to read?

Then this is the group for you!


 Join the first ever Forest Kid Committee!


Who?:       The Forest of Reading is looking for enthusiastic readers in Grades 4 to 8 
What?:      To help develop a summer recommended reading list for Canadian children 
When?:     Meeting June, 2017
Where?:    Ontario Library Association offices in Toronto


Applications are due April 30, 2017
and can be completed online here


The Forest of Reading Kid Committee is a 2017 pilot project. If successful, more opportunities for readers to get involved will be tested in future years. Stay tuned!

Hannah and the Magic Eye

Written byTyler Enfield
Great Plains Teen Fiction
978-1-927855-68-3
165 pp.
Ages 8-12
April 2017
…taking her on a tour through the last three-thousand years of Israel’s major religions–from Judaism, to Islam, and lastly to Christianity–all of them locked together by a shared history in this solitary, enchanted city and a magical ring once worn by its wisest king.” (pg. 135)
Think The Da Vinci Code for middle-graders and you have Edmonton author Tyler Enfield’s Hannah and the Magic Eye.  Entombed in archaeology, a secret society and secret codes, it's a thriller which takes place in Jerusalem, one of the oldest and historically richest cities of the world.

Twelve-year-old Hannah travels from her home in Brussels, Belgium to visit her famed archaeologist grandfather, Henri Dubuisson, in Jerusalem.  When she arrives and Henri is not there to meet her, she only has a cryptic note he’d sent her to guide her.  She discovers a secret online message from her Grandpa Henri about a treasure beyond her wildest dreams and a secret society called the Cancellarii in search of the same treasure. Convinced Henri has been kidnapped and attempting to avoid several nefarious characters who attempt to follow her and grab her, Hannah, with the help of a Palestinian boy who likens himself to George Clooney, uncovers an ancient journal by ancestor Julien Dubuisson.  Hannah and Clooney must decipher the seven illustrations within, using a camera and a lot of ingenuity about historic sites in Jerusalem and environs, if they are to decipher the mysterious treasure map and discover a treasure that once belonged to King Solomon and save her grandfather.

No stops for deep breaths on this adventure.  Tyler Enfield has plotted a story so intricate and action-packed that young readers won’t have time to take breaks to learn about the historic details woven into the story (though they will surely be googling King Solomon, the different quarters of Jerusalem and the Dome of the Rock after finishing the book).  Clever Hannah is like a young Indiana Jones with her loyal sidekick Clooney who gets her both into and out of trouble.  With Hannah’s code-breaking skills and historic knowledge along with Clooney’s familiarity with their exotic location, Hannah and the Magic Eye is a thrilling course of intrigue that captivates and captures, inviting young readers to travel with Hannah and Clooney on their adventure, even on camel back. And judging by the conclusion of Hannah and the Magic Eye, they have a subsequent treasure hunt in Cambodia with Hannah and Clooney assisting Henri, all courtesy of Tyler Enfield's elaborate plotting and savvy for telling an exciting middle-grade story.

April 13, 2017

The Banana-Leaf Ball

Written by Katie Smith Milway
Illustrated by Shane W. Evans
Kids Can Press
978-1-77138-331-8
32 pp.
Ages 8-12
April 2017

Most picture books are thirty-two pages in length but packing a story that includes escape from war, near starvation, separation from family, life in a refugee camp, and troubles with gangs into those few pages is an accomplishment.  The Banana-Leaf Ball’s story has all of that and even reconciliation and hope for the future.
From The Banana-Leaf Ball 
by Katie Smith Milway 
illus. by Shane W. Evans
When Deo Rukundo and his family are driven from their farm by war in Burundi, the child becomes separated from them.  Rescued by a fisherman, Deo is taken to Lukole, a refugee camp in Tanzania.  The camp which is not dissimilar from a village with a marketplace and school also has limited resources like water and food and the presence of gangs.  Deo tries to avoid Remy, a gang leader, who steals and bullies but especially after Remy  steals some of Deo’s carefully worked banana twine for the banana-leaf ball he makes and hides away.  When a man arrives with a coveted leather soccer ball and puts the teams into Shirts and Skins to encourage a game,  Deo is made a captain and Remy is on his team.  With a little teamwork and a lot of encouragement, all the boys, Deo and Remy included, are able to put away their differences and learn a bit about playing soccer, making banana-leaf balls, and becoming friends.
From The Banana-Leaf Ball 
by Katie Smith Milway 
illus. by Shane W. Evans
The Banana-Leaf Ball is Kid Can Press’ newest addition to its CitizenKid series of books and Katie Smith Milway’s fourth book in the series. Like its predecessors, it’s a story of empowerment that comes from dire circumstances but told in terms of the children who rise above.  Though most young readers will have no first-hand knowledge of being driven out of their homes by war and separated from family, as well as living in a refugee camp, many will understand the conflict with a peer that pervades daily existence.  The message that play and sport can override that conflict and provide the basis for inclusiveness is a positive one that children the world over need to know.  To further that message, The Banana-Leaf Ball includes notes about the real Deo and an amazing section called “How Kids are Learning to Trust and Include Others” which includes links to relevant organizations and descriptions of games to foster working together.
From The Banana-Leaf Ball 
by Katie Smith Milway
 illus. by Shane W. Evans
Award-winning American illustrator Shane W. Evans (Underground: Finding the Light to Freedom, We March, and The Way a Door Closes) who primarily works in pen and ink and oils with computer lends a simple power to the story.  The illustrations are weighty but energetic with the strife of escape and bustle of life in a refugee camp.  Colour and shape and even size help convey Deo’s situation, dark and shadowy when escaping and isolated, while bright and larger, coming to life when playing soccer.

Through words and art, The Banana-Leaf Ball continues to fulfil CitizenKid’s mandate of inspiring global citizenship but, by basing it on a true story, it also demonstrates the potential for good to come from bad and the importance of empathy, teamwork and resilience to further that good.


••••••••••••••••••••••••••••••••

Check out Kids Can Press' book trailer for this new book:

The Banana-Leaf Ball - A New CitizenKid Book
Uploaded to YouTube by KidsCanPressMovies on March 28, 2017.

April 12, 2017

By the Time You Read This

Written by Jennifer Lanthier
Illustrated by Patricia Storms
Clockwise Press
 978-1-988347-05-9
32 pp.
Ages 4-8
April 2017

By the Time You Read This, this book will probably be out and I’ll have missed its launch, but, hey, what can you do? At least it’s not the devastating news like that which the arm cast-addled Oscar pens to his former friend Sam, beginning with “To my mortal enemy, By the time you read this….” He then proceeds to itemize all the play things he is dismantling or putting the kibosh on in light of their conflict: the Scientific Experiment of Glorious Doom; their Indestructible Fortress of Fiendishness; their Epic Battle of Giant Robots versus Alien Insects; the Magical Zoo of Mystical Creatures; the Neverending Novel of Awesome Adventures; the Precarious Portal for Intrepid Explorers; and the Time Travel Tower of Ultimate Power.  It seems Sam laughed when Oscar fell when skateboarding.

But all that anger dissipates when Sam finds Oscar and apologizes for laughing, not realizing he’d hurt himself.  Recalling all the fun things they had done together, Oscar relents, asking Sam if she’d like to sign his cast.  With that, the two surrender to their friendship and get back to the business of serious play.
From By the Time You Read This 
by Jennifer Lanthier 
illus. by Patricia Storms
Though Oscar is initially vehement in his new enemy-ship with Sam, as denoted by his powerful words and the decisiveness of his actions, he is not immune to a little empathy and an apology.  It’s amazing what a small step of humility and voiced regret can do to turn things around, especially in a childhood friendship.  Children are forever making friends and dissolving friendships on a whim, justifiably so or not.  It’s evident that, in By the Time You Read This, even anger and disappointment can be fleeting and resolved amicably with just a few words.  Jennifer Lanthier’s text demonstrates the depths of friendship in Oscar and Sam’s imaginative play, especially in their super-duper partnership in taking on the world.  How could Oscar and Sam not stay friends?
From By the Time You Read This 
by Jennifer Lanthier 
illus. by Patricia Storms
Patricia Storms, who can illustrate both tender books like Never Let You Go and playful picture books like The Ghosts Go Spooking, lends an energetic atmosphere to By the Time You Read This, portraying the spirit of children in her boldly-coloured cartoons and in the little details in signage (e.g., "Oscar + Sam ONLY, No Parents Allowed, No Brothers Either") and toys.   Kids will laugh themselves silly over the creatures in the Magical Zoo of Mystical Creatures, like the Farting Fur-Tail and Lionisaurus Rex, and probably recognize a few of their own toys within the pages of By the Time You Read This. They’ll definitely see themselves in the book.  This is a important as young readers need to know that friendships sometimes fall apart but can be reconstructed, sometimes with just a little bandage of kind words.  And even though By the Time You Read This ends with Oscar and Sam reconciled, back at play in their Planetary Pirate Ship, they might still have another falling out.  Such are the nature of friendships when you’re close to someone and care about what they feel and do. But, with a smile and a little play (perhaps the board game on the inside of By the Time You Read This' s cover), all might be forgiven.

April 11, 2017

Me (and) Me Blog Tour: Guest post by author Alice Kuipers



Today is the official release date for Alice Kuipers'
new young adult novel, Me (and) Me.  
Happy book birthday! 

Me (and) Me
Written by Alice Kuipers
HarperCollins Canada
9781443448826
288 pp.
Ages 14+
April 11, 2017

ORDER NOW:



As part of the blog tour for Me (and) Me, Alice Kuipers is sharing with us a little bit about her experiences with writing YA novels and I am delighted to post that here. 



Why I Write YA Novels? 
By Alice Kuipers


When I was eighteen, I wrote a novel about a girl who split into two people. She didn’t know which life was the best for her to live. Me (and) Me, my fifth YA novel is about the same theme: the main character, Lark, has to make a decision between two lives. And she can’t. The book I wrote when I was eighteen was never published. In fact, it was never read by anyone else. But I loved writing it. I loved the way writing made me feel: calm and focused. So I started work on another book. This book, like the first, was planned for adult readers. Again the character was young and lost—her baby boy had drowned. Again the book didn’t work on the page. But, again, I loved writing it.

When I’d written four books like this, books that I loved but that didn’t seem to work on the page, I had a conversation with someone who’d read one of them. She said, have you ever thought about writing for younger readers. It was as if a light went on in my head (total cliché, but I swear that’s what happened).
I didn’t know much about writing for young readers, but I had read a lot of books for teens and kids. And all my characters were young—they were at that place in their lives where they were becoming adults. They were making decisions that would forever mark them in their future lives. Writing about teenagers made me connect with the confused and frustrated teenager I’d been.

Everything lined up in my head after this reader made her comment. I quickly wrote a book for middle grade readers. It wasn’t good enough to be published, but it was the first book I’d written that I felt fully proud of: something about it worked. The book after that was called Life on the Refrigerator Door. It was about a teenager and her mother going through a terrible situation. This ended up being my first published novel—and weirdly, although I’d written it for teens, in many countries it was published as an adult novel. But I’ve always seen it as my first true YA book.


I’ve discovered that novels for young adult readers can be read by any age. But YA novels need to explore that moment of dramatic choice—when a teen takes the path that makes them the adult they are going to be. It took me many, many years and many books to figure out what sort of writer I was, and it took me four published YA novels to work out how to tell the story I began when I first attempted a novel. It seems to me that Me (and) Me is the original book I started trying to write when I was eighteen. The final version of this novel came alive when seventeen-year old Lark walked into my mind.

Lark, in the novel, eventually has to make a choice in her life. Just as making the choice to write YA led me to tell the stories that swirl around my head all the time.

For those of you who are writers yourselves, you can find the first of my online workshops free here or sign up to my free online writing course on my website. Hopefully these writing ideas help you find the writer you’re meant to be a whole lot more quickly than I did.


Many thanks to Alice Kuipers
for sharing her writing with us,
 in Me (and) Me and in this guest blog post,
 and for allowing us a glimpse into her world.



If you would like to connect with author Alice Kuipers or partake in her worthwhile writing course online, check out her various links here:

April 10, 2017

Me (and) Me

Written by Alice Kuipers
HarperCollins Canada
9781443448826
288 pp.
Ages 14+
April 2017

Lark Hardy’s seventeenth birthday should’ve been a fun day, and it had begun that way, a first date with Alec Sandcross canoeing at Pike Lake.  But one moment changes everything.  As the teens are about to embark on some swimming, a cry from Suzanne Fields, the mother of five-year-old Annabelle whom Lark had babysat, draws their attention to the child face down in the water. Alec dives in but hits his head and starts going down.  And as Suzanne yells at Lark to do something, the teen hesitates, not knowing whom to save.  So begins a novel split in two voices, both Larks and both Lark’s.

The first Lark begins to describe the days after the near drowning in which Alec has been saved and Annabelle lays in a hospital bed in a coma. Alec and Lark’s new relationship is blossoming, and he begins to teach her how to do parkour, climbing, running and jumping across obstacles such as buildings and bridges. Becoming so entwined with the attentive and charismatic Alec, Lark starts blowing off best friend Lucy and bandmates Nifty, Reid and Iona to spend time with Alec.  When she starts getting weird messages on her phone about Alec not being saved, Lark is disconcerted but has no answers. But when she visits Annabelle in the hospital, and hallucinates that she’s drowning in water and then glimpses a girl who is but isn’t her, Lark starts to think she’s going crazy.

In an alternate voice and chapters, a second Lark, one who cuts her hair short and dyes it red, recounts those same days, but ones in which music exec Martin Fields and wife Suzanne are ever grateful to her for saving their young daughter while Alec’s family sits by his hospital bedside, contemplating turning off the machines that are keeping him alive.  Lark still harbours much anger about her mother’s passing and translates that anger into petty shoplifting of items she doesn’t even want.  But though this Lark is starting to connect with bandmate Reid, she too is baffled by freaky messages including those of a not-hospital bound Alec and an intimate relationship with him.

Lark, whether the long- and dark-haired one or she of the red hair, have similar circumstances: a musical mother who has passed; a dad with heart issues; best friend Lucy; a passion for writing songs; and playing with bandmates Reid, Iona and Nifty.  She is also starting to suspect she’s losing it, seeing things like imaginary water near drowning her and disappearing messages.

The linchpin for Lark becomes the lyrics her mother started penning before her death.
Perhaps you see it differently
You and me
It’s just a case of who tells the story
Perhaps you see it differently.
(pg. 86)
Showering her intense text with astounding lyrics, Alice Kuipers  brings both Larks together to juxtapose the parallel lives they lead after the near drowning at the lake.  Confused by grief, fears and even guilt, both girls (or are they really two?) attempt to make sense of a world in which their own choices for actions have consequences that they wish they could undo.  They are two halves of the same whole, different but similar. They are Me (and) Me.  (There’s even a crazy moment when the two face off and shout, “Who even are you?” “Who the hell are you?”; pg. 240) It’s hard to say whether the two will come together equally, though Lark recognizes that,
I have to stitch myself back together.  I have to make myself whole. (pg. 270)
or whether Lark will become more of one than the other.  However, it’s clear that Alice Kuipers in her daring storytelling and almost maternal concern for her characters wants to help keep Lark together. Life is hard enough without questioning your decisions, especially those made under pressure, and when literally being torn apart by them.  I can’t tell you how it ends (you’ll see when you read Me (and) Me) but I can tell you that the story comes full circle, secured in its own way, though not tied up as you might expect.


Check back tomorrow for my Me (and) Me blog tour stop with a guest post by author Alice Kuipers.  Ever enlightening, Alice Kuipers speaks about why she writes YA.

April 09, 2017

Young Adult Stratford Writers Festival: May 6, 2017 (Stratford, ON)


On Saturday, May 6, 2017




presents

the Young Adult Stratford Writers Festival

an amazing gathering of Authors of YA and middle grade books



who will present writing workshops 
and participate in various discussion panels


Schedule
10 -11 a.m.: Young Adult Writing Workshop with author Marthe Jocelyn

11:30 a.m. -12:30 p.m.: Relationship Drama Panel Discussion with Danielle Younge-Ullman, Deb Loughead, Susan Marshall, and Marthe Jocelyn

1- 2 p.m.: Magnificent Middle Grade Panel Discussion with Sylvia McNicoll, R. J. Anderson, and Marthe Jocelyn

2:30 - 3:30 p.m.: Sword, Sorcery, and Star Wars Panel Discussion with Lesley Livingston, E. K. Johnston, and R. J. Anderson

4 - 5 p.m.: Self Publishing Workshop

5:30 - 6:30 p.m.: First Nations Panel with James Bartleman and Rick Revelle

7 - 9 p.m.: Canadian Change Conversation Showcase


Locations
Events are held at the Stratford Public Library, Knox Presbyterian Church and the Stratford Perth Museum.  



Tickets
While some events are free, others require tickets.
Full day passes (adult and students rates) are definitely the better deal but tickets can be purchased for single events as well.
Details and ticket information are available at DigiWriting at http://digiwriting.com/stratford-writers-festival-young-adult-2017/