September 14, 2016

The Pact

by Amanda West Lewis
Red Deer Press
978-0-88995-544-8
352 pp.
Ages 10-15
September 2016

Remember there are always two sides to the same coin. (pg. 15)

The two-sides-to-the-same coin is a game ten-year-old Peter Gruber plays with his mother in order to see any set of circumstances from different perspectives but the reader would be well advised to heed this advice as well.  It’s very easy to sit back in the comfort of our lives today, wherever they may be, in the hindsight of World War II as a global entity.  It’s even easier to judge those involved in the war when we have countless sources of information about how it played out.  But we shouldn’t do so when reading The Pact by Amanda West Lewis because Peter Gruber’s story offers an opportunity to witness the then and there, starting in Hamburg Germany in 1939, when information was filtered and limited and reality was what you faced daily.

Although Peter is without a father and adept at black market trading of goods he scavenges at the port of Hamburg, he is probably a typical ten-year-old.  He goes to school (or he did until an accident that has him falling in the water leads to a case of diptheria and an extended hospital stay); he has his friends, Gunter and Eugene, who attend Hort, the youth organization, together; he has some family, notably his Tante Elsa and cousin Gerta who live in the country at Eutin; and he has hobbies like black-market trading and reading–his favourite is the western The Treasure of Nugget Mountain, though he gets into the Russian classics of Tolstoy, Chekhov and others after his hospital stay.  But Germany’s economy is in ruins after World War I and most Germans are happy to follow Chancellor Hitler’s directives to be dutiful and responsible to make Germany strong again.

In the fall of 1939, Peter begins Gymnasium, the elite school for privileged boys such as Hermann Weber, Peter’s trading nemesis and a bully, with friends Gunter Schmidt and Otto  Brandt, and participating in Jungvolk, the youth organization for boys of ages 10-14 that is all about training to fight.  But conflict with Poland and Great Britain’s declaration of war on Germany ramps up fears and patriotism, affecting work, food, education, and spirit.  Amidst lessons of ethnology of the German people and daily reminders that the boys are the future of Germany as well as celebrating the surrender of countries such as Denmark, Norway and Belgium, Peter is sometimes perplexed by what he previously thought or read in light of new and propagandist information (though he does not know it to be so).

With frequent air raids and bombings through 1940, Peter and his Gymnasium cohorts are evacuated as part of the Kinderlandverschickung south to Neumarkt where they are schooled and trained in all things Nazi, made to feel pride for the Party’s accomplishments, and reassured that the war would soon be over.

But the war is not soon over and Peter and his friends hear little news except that Britain is close to surrendering and on the brink of defeat. After returning to Hamburg in 1941, Peter is whisked away to his aunt’s for the summer.  Troops marching by share news of work camps where prisoners ("He wasn't sure where all of the prisoner were coming from, though."; pg. 136-7) work to support Germany’s economy and hears news of the conflict with the Soviet Union. Upon his return to Hamburg, though, pamphlets encouraging Germans to overthrow Hitler begin to surface and the BBC radio broadcasts his mother enjoys, illegally, have Peter revisiting what he hears and knows and fears.
Peter knew the British were lying.  But the broadcasts gave him this odd sense of huge events taking place somewhere else, things he wasn’t supposed to know about.  He tried not to think about it. (pg. 138)
The Pact is an involved and complex story, not unlike the war itself, and Peter’s experiences from 1939 through 1945 are no less so.  As a student of Gymnasium and a part of Jungvolk and then Hitlerjugend when he turns 14, Peter is shunted between home to safer evacuation locations in Neumarkt, Germany and Bistriz, Hungary and back to a demolished Hamburg, with forays to his aunt’s country home.  He begins to see that all he has lived through and experienced is “a life he now knew he didn’t want any part of.” (pg. 210)
“…we’re going to lose this damn war, and then it will be just like the last time, only worse.  They’ll take away our land; they’ll take away our food.  And this time, we’ll deserve it.  We’ll deserve to be punished.”  (pg. 218)
And even though he knows this, Peter is compelled to report to the Hitlerjugend office to avoid being deemed a deserter and begins apprenticing at an airplane engine factory in Klockner.  Still he is not free, ultimately commanded to attend a training camp in Denmark in November of 1944, a camp where the hundreds of young men are guarded by armed soldiers with dogs and forced to pledge allegiance to the Führer.  There is so much story to tell–hence my lengthy review–and yet Amanda West Lewis grips the reader with each scene, discussion, piece of propaganda, excursion, lesson, danger and thought that Peter faces and endures.  The Pact, which is based on a true story (the author's note and interview at the conclusion of the book reveal everything), will transfix readers with the story of war from a rare perspective, that of a child growing up in Germany, for whom home is everything, even if not everything is as it seems or should be.

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Take advantage of upcoming book launches for The Pact in Toronto, Kingston and Ottawa and Amanda West Lewis' reading at this weekend's Eden Mills Writers' Festival to hear from the author herself about this extraordinary, extraordinary story of historical fiction that will both enlighten and engross.

September 13, 2016

Hat On, Hat Off

by Theo Heras
Illustrated by Renné Benoit
Pajama Press
978-1-927485-34-7
24 pp.
Ages 1-3
September 2016

If you're Canadian with young children, you know about that compulsory basket of hats (and mittens and scarves) by the front door from which appropriate outdoor apparel can be plucked before heading out. As this little boy is getting ready and gotten ready to go with a help of a older but still young sister, a menagerie of hats go on and off with every step of the process. Thankfully, judging by the illustrations by Renné Benoit, it's not even the depths of winter so hats are the only on-off selection for this child!
From Hat On, Hat Off 
by Theo Heras, illus. by Renné Benoit
A red bear hat goes on, a sweater gets hidden.  The red bear hat goes off as sister does up his sneakers.  Jacket goes on with a new fleece blue-striped hat with frilly red pom pom which gets traded for a penguin hat after a detour for a sippy cap and pail and shovel. But wait! Time for a potty break (and, of course, you must remove your hat when you go to the toilet, right?) and a new green hat with eyes.  Then the absentee Bunny, with his own hat, must be located, and our little one is back in his red bear hat.  That is, until he isn't.

An autumn day with colourful leaves dotting the ground and ripe for picking is a perfect day for sporting a great hat, even one that is probably mandated by a mum or dad. Theo Heras’ text is not complex but that makes it easy to follow for those for whom Hat On, Hat Off is written, and the book is appropriately packaged for them: small size with padded hardcover, thick paper and rounded corners.  Young children will enjoy anticipating the next hat on and off and spot the common tactics toddlers use to prolong that getting-ready-to-go-outside activity.  But I know they’ll especially be hooked by Renné Benoit’s endearing illustrations of the children and their accounterments, particularly the assortment of head gear.  With knitted caps of varying colours and textures (very important in a hat) and design elements, Hat On, Hat Off a joyful experience of style and taste and childish amusement.
From Hat On, Hat Off
by Theo Heras, illus. by Renné Benoit 

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If you're in the Toronto area this Sunday, get a signed copy of Hat On, Hat Off at the book launch with author Theo Heras and illustrator Renné Benoit at Another Story Bookshop on Roncesvalles Avenue at Grenadier.  Details are here.

September 12, 2016

A Family is a Family is a Family

Written by Sara O'Leary
Illustrated by Qin Leng
Groundwood Books
978-1-55498-794-8
32 pp.
Ages 4-7
September 2016

Following prescribed curricula from across the country, teachers will be encouraging their students to share details about their families and what makes them special, just like the students in Sara O'Leary's book in which a teacher asks her young charges what makes their families unique.  And though I suspect most children will see a version of their family somewhere in the multitude of families in A Family is a Family is a Family, it's Sara O'Leary's poetic inclusivity that takes the concept of family from an insular group to a worldwide love-in.

When the teacher first asks her students about their families, it is evident that one little child, who drops his eraser so that he can go last, is reluctant, knowing that "My family is not like everyone else's." (pg. 3) He's right, of course, because all families are unique.  From the little girl whose parents are heavily into PDAs, "It's kind of gross" (pg. 4) to the one whose parents "just keep coming home with more" (pg. 6) –I counted fifteen children!–

From A Family is a Family is a Family 
by Sara O'Leary, illus. by Qin Leng
to the children who are part of blended families, or have same-sex or divorced parents. But it's the last little child who finally recognizes that their foster family is still a family after recalling Foster Mom's affectionate answer to a rude query about which of the children were "her real children."
"Oh, I don't have any imaginary children," Mom said.  "All my children are real." (pg. 28)
Though I know, and children do too, that not all families are perfect or happy or supportive, Sara O'Leary's book celebrates families in all their forms–big, small, alike, different, blended, separated, adopting, fostering–as worthy of note, eclectic as they may be.  Her narration is a universal one of acceptance and appreciation for families of all kinds.  The sweetness of her message is matched page by page with Qin Leng's illustrations of children and parents of assorted colours and shapes, economic backgrounds and interests. The lightness of Qin Leng's lines and the whimsy of her colour and shape help portray a diversity of families that are as fluid as they are depicted.  After all, families can and do change over time, even if a new baby isn't the result of mom ordering him online, as one little girl suspects.  A Family is a Family is a Family is a book in which every child will find themselves, I hope, as Sara O'Leary and Qin Leng have diligently tried to include everyone in an assortment of situations that honour families at their best.
From A Family is a Family is a Family
by Sara O'Leary, illus. by Qin Leng

September 09, 2016

The Pact: Book launches (Perth, Toronto, Kingston, Ottawa)

It's going to be a whirlwind of book launches 

for

Red Deer Press 

and

the author of

September 17
by Amanda West Lewis
Red Deer Press
978-0-88995-507-3
313 pp.
Ages 12+
2013


Amanda West Lewis


for the launch of her newest book of historical fiction

The Pact
by Amanda West Lewis
Red Deer Press
978-0-88995-544-8
352 pp.
Ages 10-15
September 2016


Saturday, September 10, 2016
1-3 p.m.

The Book Nook 
80 Gore Street East
Perth, ON
A book signing with refreshments and conversation


Friday, September 16, 2016
7:30 p.m.

Mabel's Fables
662 Mt Pleasant Road
Toronto, ON 
A reading and discussion with refreshments


Wednesday, September 21, 2016
 7 p.m.

Novel Idea Bookstore
156 Princess Street
Kingston, ON
A reading and discussion with refreshments


Saturday, October 1, 2016
7 p.m.

The Avalon Studio
738A Bank Street
Ottawa, ON 
A reading and discussion with refreshments


From the publisher's website, the book is described as follows:

This vivid historical novel follows the life of young Peter Gruber — ten years old at the outbreak of World War Two in 1939 — and explores how an intelligent, sensitive youth responds to the propaganda and posturing of the Nazis. It also provides insights into the realities of living in a country at war, a country that suffers increasing waves of devastation, as the tide turns against the Nazis.

The story is told through the eyes of Peter as he is drawn into the Hitler Youth and at the same time comes to doubt what he is being told about his country and its destiny.

(Retrieved from http://www.reddeerpress.com/Detail/0889955441 on September 9, 2016.)


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Look for my review of this middle grade historical fiction novel soon. I just wanted to get this post out before Amanda West Lewis' first event tomorrow. 

September 08, 2016

A Little Taste of Poison

Written by R. J. Anderson
Atheneum Books for Young Readers, an imprint of Simon & Schuster
978-1-481437714
352 pp.
Ages 10+
September 2016

Move over Harry Potter (well, J. K. Rowling has sort of taken care of that now) because there's a new magic in town and Isaveth Breck, a Moshite girl from a commoner's family, is its champion.  If you've read Book 1 in this new middle-grade series by R. J. Anderson (and you should have!), A Pocket Full of Murder (Atheneum, 2015), you already know about this young girl whose father, a stonemason, was arrested for the murder by Common Magic, not by Sagery the magic of the nobles, of the head of Tarreton College, Governor Orien.  Only with the help of a street-boy named Quiz, who turns out to be the ruling Sagelord's youngest son, Esmond Lilord, and her own proficiency in Common Magic, does Isaveth discover the true culprits and gets her father freed.  Ah, it should be the end of the story, but it's only the beginning of a twisted conspiracy with Esmond's older brother, Eryx Lording, at its center.

Though her family continues to face the challenges of being practising Moshites, considered lawless and radical by much of society, and of Papa finding limited work and of the family struggling with finances, Isaveth has benefitted from her friendship with Esmond.  He introduced her to the charming president of Glow-Mor Light and Fire Company, J. J. Wregget, who purchased her magic-resistant paper and has offered her a scholarship to attend the excusive Tarreton College for nobility and the wealthy, which offers general and magical (i.e., Sagery) education.

It would appear that things are on the upswing for Isaveth and her family, but her attendance at Tarreton brings new incidents of discrimination and bullying against the thirteen-year-old girl.  Though Esmond, who is a year ahead of her, continues to communicate secretly with Isaveth in the hopes of a kiss (!) and of exposing the evil deeds of his cunning brother, the two try to keep their relationship a secret.  But Isaveth does make the acquaintance of the friendly and supportive, though still secretive, Eulalie Fairpont, daughter of the new Deputy Justice.

While Esmond searches for evidence of Eryx’s guilt, amidst party planning for his sister Civilla’s coming-of-age ball (depicted on the cover of A Little Taste of Poison), concern grows for the health of his bombastic father, Lord Arvis, the Sagelord.  But, the masked ball, to which Esmond arranges for Isaveth to attend, brings more mysterious circumstances, including a murder worthy of an Agatha Christie story.

A Little Taste of Poison, and its predecessor A Pocket Full of Murder, are no ordinary mysteries however.  R. J. Anderson creates a time and place of magic like no other.  The worlds in which these mysteries take place are complex and otherworldly, filled with spell-tablets and magic cookery, political and educational institutions ruled by sagelords, masters and mistresses, imperials for money, contraptions like crystal-sets, and a society of Arcans, Uniting folk and Moshites.   And all of it adds to the richness of the story, the characters and the messages against discrimination and greed and for equality, determination, and courage.  That’s an astounding accomplishment for a fantasy novel for middle-grade readers.  But, just as Dr. Seuss penned cheerful rhyming children’s books disguised as parables, R. J. Anderson writes extraordinary fantasies steeped in magic that have much to teach us about society.
“…just because you don’t have money doesn’t mean you’ve got no worth” (pg. 153)
By inviting us into Tarreton and environs, and a time of both a familiar past and unfamiliar age,  R. J. Anderson easily entertains, teaches and pleases the reader with her words and story.


Come and hear R. J. Anderson read, and perhaps get a book or two signed, at the Eden Mills Writers' Festival this September 18, 2016. Details here at CanLit for LittleCanadians.

September 07, 2016

Hat On, Hat Off: Book launch (Toronto)

Grab your hat 
and 
head on down to the book launch of

Hat On, Hat Off
by Theo Heras
Illustrated by Renné Benoit
Pajama Press
978-1-927485-34-7
24 pp.
Ages 1-3
September 2016

on

Sunday, September 18, 2016

4 - 6 p.m.

at

Another Story Bookshop
315 Roncesvalles Ave. (at Grenadier)
Toronto, ON


What a great chance to share 
this fun rhyming book 

with
author Theo Heras 

and

illustrator Renné Benoit


About the book:
It’s time for this little one to go out. But which hat will he choose? Red hat, blue hat, striped hat, penguin hat, teddy bear hat? Once that decision is made, that hat just doesn’t stay on, while shoes are tied and jacket is buttoned. One more visit to the potty. And once this child is in the stroller at last, will that hat be on his head?

Toddlers will delight in choosing their own hats after they see this charming story. A simple, rhythmic text that reflects the everyday challenge of getting a toddler ready to go out. 
(Retrieved from http://pajamapress.ca/book/hat_on_hat_off/ on September 4, 2016.)



Look for my review of this baby-toddler gem within the week here on CanLit for LittleCanadians!

September 06, 2016

Freedom's Just Another Word

by Caroline Stellings
Second Story Press
978-1-77260-011-7
232 pp.
Ages 12+
September 2016

From the title (taken from the song “Me and Bobby McGee”) to her unexpected stop in Saskatoon in 1970 and the journey Easy Merritt takes to meet up with her idol, Janis Joplin is the soundtrack for Caroline Stellings’ latest young adult novel, Freedom’s Just Another Word.  And what a soundtrack it is: earthy, guttural, soulful and rich with the blues.
But when she sang–oh, when she sang–that tempered-in-a-forge voice of hers was like a flame in this burned-out world.  You ’d have to be stone deaf or a cadaver not to be electrified by her; she could sound as smooth as the Southern Comfort that dribbled from the corners of her mouth, or as gritty as sandpaper.  And the way she clutched every stanza like it was her last made me shake with anticipation. (pg. 1)
Though her name might suggest otherwise, growing up half-black–the product of her black father’s affair with a white prostitute named Wendy Wood–in Saskatoon has not been comfortable for Easy (Louisiana) Merritt.   She may be good at car mechanics like her father but she wants to sing the blues, and the two venues in town, Saskatoon Blues and The Beehive are not willing to give her a chance.  So Easy saves her money from working at the garage and singing in front of the liquor store, playing her accordion and frottoir, for the chance to get out.  Her break comes after a fortuitous meeting with the great Janis Joplin when the Festival Express train stops for a booze run in Saskatoon and Easy helps the singer get a bottle of her much-loved Southern Comfort liqueur and earns an invitation to meet up with her in Austin, Texas the following week.  So, Easy begins her pilgrimage, accompanying two nuns, the upbeat Sister Beatrice and the sour postulant Marsha, whom she’d assisted in purchasing a used car, on their journey to a mission in Albuquerque from which Easy could head to Texas.

Like any road trip, Easy’s is a mixture of highs and lows, and more so in 1970 when the civil rights movement is struggling to get a foothold in both Canada and the US, and an eighteen-year-old girl of black and white parentage isn’t always tolerated, much less accepted.  And travelling the famous Route 66, a.k.a. The Mother Road, a road in the process of being retired for the faster, more direct I-40, foreshadows some mother issues with which Easy must grapple to understand herself and others better, if she is to make a success of herself.

Like her Geoffrey Bilson Award-nominated book The Manager (Cape Breton University Press, 2013), Freedom’s Just Another Word is a story based in the 1970s, a time often disregarded in much historical fiction.  But it’s an important time of change, with respect to civil rights and opportunities for women, and Caroline Stellings composes a story that is both embedded in the time yet universal in its themes of acceptance, tolerance, and family.  By taking Easy on a journey both spatially from Saskatoon to Albuquerque and Texas and back, and emotionally as she struggles with acknowledgement of her own family’s secrets and story, Caroline Stellings creates an alluring, cross-country excursion of the soul and heart which ends with finding enlightenment, sometimes closer to home than you might expect.