A Boy Asked the Wind

by Barbara Nickel

Illustrated by Gillian Newland

Red Deer Press

978-0-889-95480-9

40 pp.

Ages 5-10

November, 2015

It's hard to believe that A Boy Asked the Wind is Barbara Nickel’s first children’s story book, especially as I'd enjoyed her YA book Hannah Waters and the Daughter of Johann Sebastian Bach (Penguin Canada, 2005) and had no idea she is the poet she is. Fortunately Barbara Nickel has applied her skills in verse-writing  and created a story based lovingly on an innocent query asked by her son about where the wind lives.  Thus, A Boy Asked the Wind was born.

The boy may ask his question from the familiar front yard of his house, but the wind cannot answer him without taking him around the world.  A visit to the plains and prairies of the bison and the Blackfoot introduces the boy to the overwhelming Chinook.  But just as the boy is convinced that he now knows where the wind lives, he is taken to the Pacific Ocean and witnesses the Papagayo winds as they increase upwelling and impact marine life. Still the boy does not have the complete answer, though he naively believes he has. Next a visit to South Africa exposes the boy to the Cape Doctor, the strong southeasterly winds that shape the cape and clear town life of its atmospheric debris. And then the Shamal winds toss and storm the sands of Iraq and the Persian Gulf countries, as violent as the soldiers and the violence therein. Finally, as the Shamal dies down for the night, the wind returns the boy to his house and becomes the gentle west wind of his home.

As powerful and as immeasurable as the wind depicted within, A Boy Asked the Wind will take readers on a global journey while overwhelming them with its lyricism and grace.  Barbara Nickel's verse reaches beyond its basic words and traverses the world and careens through its landscapes and people to become unstoppable.

plunging with a mighty whoosh,
horns and hooves, a mighty swish
through dry grass and coulees, rushing
everywhere until the winter vanished. 

Then he and Chinook lingered to whistle
spring into the land, tussled
through shoots of silverweed, flew faster
than homecoming geese, ran past 

a herd of bison pounding, leaping
over the cliff. (pg. 9)

A Boy Asked the Wind, pg. 8, illustration by Gillian Newland

Imagine the complexity of illustrating a book about the wind.  Ask yourself, “What colours and textures, shape and line would best depict an entity so omnipotent?”  Using watercolour, ink and pencil, Gillian Newland easily makes the readers feel that entity, a character that is only line, by focusing on that which the wind touches: plains, bison, ocean, cliffs, deserts, plants and animals, communities.  What she is able to accomplish is both alluring and admirable, not unlike the wind itself.

A Boy Asked the Wind should be on every school and child’s bookshelf as a powerful read about nature’s airstreams but more as the supremacy of wind to shape our worlds and those of others.

Clean Sweep! Frank Zamboni’s Ice Machine (Great Ideas Series)

Written by Monica Kulling

Illustrated by Renné Benoit

Tundra Books

978-1-77049-795-5

32 pp.

Ages 5-8

January 2016

It’s always a great day when another of Monica Kulling’s Great Ideas Series books comes out.  These illustrated biographies, enhanced with artwork by an assortment of talented Canadian illustrators, highlight key individuals whose innovations we have come to rely upon but about whose stories we often know so little.  There’s been George Eastman’s photography, Elijah McCoy’s invention for oiling train engines, Elisha Otis’ elevator, Margaret Knight’s paper bags, Lillian Gilbreth’s efficient kitchen, Marconi’s wireless and now an invention dearly loved by hockey fans the world over, the Zamboni invented by Frank Zamboni.

Opening with a poem called Bone Blades that emphasizes “a way to fly around, when ice is on the ground”, Monica Kulling takes young readers to the early 1940s when Frank Zamboni and his brother and cousin opened their Iceland Skating Rink.  Resurfacing the ice, while skaters waited, was a time-consuming endeavour of a tractor levelling out the pits and grooves, a crew shovelling away the shavings, washing the surface and then spraying with fresh water, and all before a gleaming finish was added by hot water.

Having learned to tinker with trucks and tractors on their Idaho farm and working at his brother’s auto repair shop in California, as well as studying at an electrical school in Chicago, Frank was a busy man, working with his brother Lawrence doing electrical work, drilling wells, installing pumps and then making ice for home ice-boxes.  It wasn’t a big jump to making ice rinks with the smoothest surfaces ever.

But it wasn’t until after the war that Frank was able to buy military parts that became the foundation for his ice-resurfacing machine and a version of his famous Zamboni machine was created.

Oh, how I wish that the Zamboni had been a Canadian invention.  It seems so quintessentially Canadian.  But Monica Kulling still makes the reader applaud for the innovation and brilliance of Frank Zamboni to find a ground-breaking solution to a common problem.  By sweeping in details about his early years and training, as well as family and engineering development, in addition to some Zippity Zamboni! fun facts appended to the story, Monica Kulling again demonstrates how extraordinary developments can arise from very ordinary circumstances.

Having Renné Benoit, whose artwork has graced award-winning picture books such as Lily and the Paper Man (2007), Proud as a Peacock, Brave as a Lion (2009), and The Secret of the Village Fool (2012) as well as the recent A Year of Borrowed Men (2015), do the illustrations for Clean Sweep! seems intuitive, as she creates memorable work that feels like old photographs from a bygone era.  Her colours and lines are soft and sepia-like, both light and substantial, depicting people and places of a different time so naturally.

Clean Sweep! Frank Zamboni’s Ice Machine is a fresh take on a historic innovation told simply but with sparkle by Monica Kulling and perfected by Renné Benoit’s art.

********************************************
I encourage teachers to consider using this wonderful series for teaching biographies to young children.  Clean Sweep! and others in the series demonstrate an innovative way to share someone’s life story without the boring parts that are so often embedded in the teaching of biographical literature.

Here is a complete list of Great Ideas Series books, including upcoming releases:

1. It’s a Snap! George Eastman’s First Photograph (Tundra, 2009)
2. All Aboard! Elijah McCoy’s Steam Engine (Tundra, 2010)
3. In the Bag! Margaret Knight Wraps It Up (Tundra, 2011)
4. Going Up! Elisha Otis’s Trip to the Top (Tundra, 2012)
5. Making Contact! Marconi Goes Wireless (Tundra, 2013)
6. Spic-and-Span! Lillian Gilbreth’s Wonder Kitchen (Tundra, 2014)
7. Clean Sweep! Frank Zamboni’s Ice Machine (Tundra, Jan/2016)
8. To the Rescue! Garrett Morgan’s Underground (Tundra, Jan/2016)
9. Zap! Nikola Tesla Takes Charge (Tundra, Aug/2016)

Jockey Girl: Book launch (Toronto)

Join 

Shelley Peterson

youngCanLit author of 

Dancer (Porcupine's Quill, 1996)

Abby Malone (Porcupine's Quill, 1999)

Stagestruck (Dancing Cat Books, 2010)

Mystery at Saddle Creek (Dancing Cat Books, 2010)

Sundancer  (Dancing Cat Books, 2011)

and

Dark Days at Saddle Creek (Dancing Cat Books, 2012)

in conjunction with

St. Michael's Foundation

and

publisher Dundurn Press

for the launch of her newest book

Jockey Girl

Dundurn Press

978-1459734340

320 pp.

Ages 10-16

Febryary 2016

on Tuesday, February 9, 2016

5:30-7:30 p.m.

Remarks at 6 p.m.

at

St. Michael's Hospital

Li Ka Shing Knowledge Institute

209 Victoria St.

(NE corner of Victoria and Shuter)

Toronto, ON

RSVP by February 1st to rsvp@dundurn.com

The book blurb from Dundurn Press describes Jockey Girl as follows:

A teen girl’s quest to find her mother leads her to the big city, and gives her the courage to fulfill her dream of becoming a jockey. 

Evangeline “Evie” Gibb lives a seemingly charmed life on a thoroughbred racehorse farm. But in reality, Evie feels alone in the world, cheered only by the affection of a racehorse named No Justice. 

She’s always been told that her mother, Angela Parson, is dead. Then, on her sixteenth birthday, a card arrives from her great aunt Mary with the suggestion that Angela might still be alive — and Evie’s life is turned upside down. In hopes of winning enough money to leave her hateful father and find her mother, Evie enters the Caledon Horse Race. But something she overhears her father say changes everything, and Evie steals the racehorse in the night and runs away. With a stray dog named Magpie at her side and help from Aunt Mary, Evie unearths long-hidden family secrets, finds unexpected love, and takes the racing world by storm.

(Retrieved from https://www.dundurn.com/books/Jockey-Girl on January 26, 2016.) 

Proceeds from book sales will benefit 

St. Michael's Inner City Health Program

Go out and support new youngCanLit and a great cause too!

Calvin

by Martine Leavitt

Groundwood Books

978-1-55498-720-7

180 pp.

Ages 12+
November 2015

Just because Calvin, the book, is being touted as YA doesn’t mean it shouldn’t be read by everyone and anyone who needs to have an understanding of mental health issues. Calvin, the main character, and his friend Susie both may be seventeen years of age and dealing with boy-girl relationship issues, but the book is far more than just realistic fiction for teens.  It’s akin to a Canadian YA version of Antoine de Saint-Exupéry’s The Little Prince, about a young man who goes on a pilgrimage to find meaning and meets an assortment of individuals and learns new truths that help him interpret his life.  This is a book for anyone mature enough to handle the truths within.

Calvin, the book, is a letter to Bill Watterson, the creator of the hugely popular comic Calvin and Hobbes.  Convinced he is connected to Bill Watterson because of his name, being born on the very day the last comic was published, and having a stuffed tiger named Hobbes and a friend named Susie, Calvin, the book’s protagonist, is sure that Bill Watterson is the man to help him out when he is diagnosed with schizophrenia.  Escaping with Susie’s help from the hospital, Calvin embarks on a treacherous winter pilgrimage across Lake Erie to Cleveland where he is somehow assured that Bill Watterson will provide him with a new and final comic that will display Calvin as a well-adjusted teen without an imaginary Hobbes.

Written both as dialogue between Calvin, Susie, Hobbes and an odd assortment of bit players and as text of Calvin’s thinking, Calvin takes the reader into the mind and experiences of a boy newly-diagnosed with schizophrenia who cannot deal with that reality.  Though she has not associated with him for the past year, Susie, a childhood friend, insists on accompanying Calvin.  So, after carefully outfitting themselves for an 87 km winter walk across a barren lake, Calvin and Susie set out from Point Pelee National Park.  Only Bill Watterson knows, apparently, because Calvin had written to the cartoonist, requesting he meet them on the other side of the lake.

The wind only whines and whistles and wails when it’s trying to get into the cracks of windows and doors.  It only thumps and bellows when it bumps up against trees and houses and cars.  But on a big flat empty lake, it’s just a force.  It’s a big soft hand that pushes and presses at you, silent, steady.  Soon you realize the wind isn’t flowing around you, over you, it’s flowing through you, penetrating the electromagnetic field that gives you the illusion of being a solid entity, whipping straight through you, spinning your atoms like tops and leaving them dizzy and frosty and deeply impressed. (pg. 65)

What seems to begin as a lark becomes a dark and dangerous survival test, with Calvin grappling with the imaginary Hobbes for possession of his mind and Susie revealing hidden truths to Calvin.  Just as Calvin has difficulty determining what is real–even Susie could be a figment of his imagination–so does the reader as the duo with Hobbes in tow encounter an ice fisherman, a poet, a parking lot, snow goons, and a monster, discussing brain activity, God, war and peace, school, and Bill Watterson’s motivations.  It all comes down to Susie helping  Calvin see that “I know about you but you don’t know about you” (pg. 132) and Calvin helping to keep Susie safe.

Reading about someone dealing with a mental illness is a very different beast than being inside them as they wrestle with their mental health issue.  And beast seems an appropriate term because Martine Leavitt takes the reader into the beast that is Calvin’s schizophrenia, as creative and quirky and potentially ferocious as Hobbes, Bill Watterson’s comic tiger.  With an issue as colossal as that immense Lake Erie, Martine Leavitt is able to take us into that part of Calvin that is both confused and distinct and searching for identity.  Scared of the monster he perceives himself to be and anticipating the judgements that will be aimed at him,

Hobbes: Since when did we care what people think?
Me: There’s more of them. The definition of sanity is a democratic thing.  They get to decide. (pg. 21)

Calvin is running from his fears and towards his perceived salvation.  Salvation may or may not be waiting at the end of Calvin and Susie’s crossing but Martine Leavitt ensures a resolution.  It’s not all nice and neat but it is what it is: an ending and an beginning.

Frozen Tides: Falling Kingdoms, Book 4

Written by Morgan Rhodes

Razorbill

978-1-59514-707-3

413 pp.

Ages 12+

December 2015

Forget everything you’ve read in Books 1 through 3 of Morgan Rhodes’ Falling Kingdoms series (Falling Kingdoms, 2012; Rebel Spring, 2013; Gathering Darkness, 2014) because Frozen Tides demonstrates that not everything is as it appears.  From the frozen, seemingly desolate landscape of Limeros to the projected demure contenances of Lucia and Amara (hah!), Morgan Rhodes takes the reader into worlds that seem ever-changing in spirit, motive and magic.  (And if you haven’t been fortunate enough to read the first three books, stop reading this review posthaste, and read Books 1-3 promptly.  This is one series that demands to be read from the beginning and in order.  You have been advised.)

When last we visited the land of Mytica, Princess Cleo–and just about everyone else too–was attempting to locate and reawaken the four crystals of the Kindred: amber for fire magic; moonstone for air; aquamarine for water; and obsidian for earth.  But the four Kindred have been found and ended up in different hands: Amara, daughter of Emperor Cortas of the Kraeshian Empire, has the aquamarine; Jonas, Paelsian rebel, has the obsidian; Felix, former ally of Jonas but assassin for King Gaius, has the moonstone; and Lucia, the budding sorceress who was brought up as King Gaius’ daughter and Magnus’ sister, has the amber.  But the possession of the Kindred is as fluid as the plot of Frozen Tides.

Lucia, betrayed by Alexis who was manipulated by Watcher Melenia, has released the fire god, Kyan, from his prison in the amber, and the two are on a pilgrimage to learn more about Lucia’s true family and to find a portal into the Sanctuary so that Kyan might assassinate Timotheus, the remaining Watcher, for imprisoning him.

Magnus, having disobeyed his father and saved Cleo from death, demands she and her friend Nic go into exile while he returns to his birthplace of Limeros and attempts to find Lucia and ultimately to claim the throne for himself. Cleo, with whom Magnus had shown uncharacteristic intimacy in words and actions, refuses, accompanying him to Limeros with Nic in tow.  Nic, still reeling from the murder of Prince Ashur, takes every opportunity to badmouth Magnus to Cleo who continues to need to remind herself how much she should hate Magnus and consider him her enemy.

Meanwhile, Felix has convinced himself he is a reprehensible young man and returns to the employ of King Gaius, giving up the moonstone and accompanying the King to Kraeshia to stem the occupation of Mytica by the Emperor and instead enter into a partnership. There Felix becomes involved with Amara who has her own agenda.

And, if that isn’t plot enough for you, Jonas who almost died while retrieving a Kindred is now focused on assassinating King Gaius, with fellow rebel Lysandra, his secret love-interest, and witch Olivia accompanying him.

There is so much pain and calamity overriding a frisson of romance, as character after character strives to possess the Kindred and the magic within while attempting to stem the tide of emotions that struggle to engulf them.  Felix sees himself as a lost cause yet will take the trouble to save a kitten.  Cleo keeps reminding herself that Magnus is her enemy and has destroyed her family and Auranian life, but continues to be drawn to him and what he truly is, not as he believes he is i.e., the evil son of the King of Blood.  And Lucia, wielding so much pain and power, seems willing to take down everyone and everything in her wake, but is appalled by Kyan’s ravages of land and people.  The tides of emotions and actions swell and recede in all of Morgan Rhodes’ characters and their inability to see these changes make them all the more poignant.

"You are in so deep you don’t even know you’re drowning," (pg. 189) Lucia is told by Timotheus who recognizes the extent of her pain better than she does.

You are filled with so much anger and pain and grief.  Yet instead of letting those emotions run through you and make you stronger, you choose to unleash them on the rest of the world so that others might feel your pain as well. (pg. 187)

As paradoxical as frozen tides, as a phenomenon, may be, so too are Morgan Rhodes’ characters who are both fragile and powerful.  But it is this irreconciliability that propels the plot of Frozen Tides.  And though I may be able to share the details of the plot of Frozen Tides with you, I can't come close to sharing the depth of Morgan Rhodes' writing.  Morgan Rhodes doesn't just tell a story.  She immerses the reader in worlds so rich in passions–good and ugly–that you begin to wonder how valid your own emotions and allegiances can be.  How can you hope for happiness for Cleo and Magnus when Magnus is the son of the King of Blood and seems to be following in his father's evil tread? What of Jonas and Cleo?  Should I wish for that sweetness again? And is there more to Lysandra and Lucia than previously revealed?  I don’t doubt that Morgan Rhodes knows exactly where she is taking readers as she plans to unleash those frozen tides of emotions and conflicts and take us to new worlds in Book 5 of her Falling Kingdoms series, set for a 2016 release date. In the mean while, read Frozen Tides very slowly, relishing every detail and nuance of plot, setting and character that make Morgan Rhodes' writing so prodigious.

Write for a Better World: 2016 Writing Contest for Canadian students in Gr. 5-8

World Literacy Canada

presents its annual

WRITE FOR A BETTER WORLD  

contest

for Canadian students in Grades 5-8

This year, the writing theme was created by  

Jonathan Auxier

(who will also be the final judge)

 author of the award-winning 
The Night Gardener

Puffin

978-0-670-06772-5

384 pp.

Ages 10+

2014
Reviewed here

What to do:
• Using this story starter, tell what happens next in 400 words or less:

People often say that "every person is the hero of their own story." What they don't tell you is that sometimes you are the villain in someone else's story. This is the story of the day I learned that lesson the hard way.

Deadline:
• April 15, 2016


Full Details:
• Details of prizes and the entry form can be found at worldlit.ca/write2016

• World Literacy Canada has a teacher resource for the contest here

The White Cat and the Monk: A Retelling of the Poem “Pangur Bán”

by JoEllen Bogart

Illustrated by Sydney Smith

Groundwood Books

978-1-55498-780-1

32 pp.

Ages 4-8

March, 2016

At its foundation, The White Cat and the Monk has all the elements of a contemplative read: quiet, books, companionship, and a cat.  But, bigger picture, The White Cat and the Monk is an essay in study and reflection in one’s work and the importance of mindfulness.  JoEllen Bogart has taken the essence of Pangur Bán, a ninth century Old Irish poem, to its humble message and, with Sydney Smith’s austere but inspired illustrations, produced a masterpiece.

The story of Pangur Bán is a simple one.  A white cat treds a familiar path at night to the room of a monk who studies his manuscript, replendent in colour, while Pangur, the cat, waits and watches for a mouse.  Their tasks are intense and focused yet strangely companionably intimate and respectful.  Each appreciates the other’s need for quiet and concentration while providing an anchor for that isolation.

JoEllen Bogart has provided a lovely interpretation of the importance of work and the efficacy of mindfulness, and Sydney Smith has demonstrated again why he has won mutiple awards for his illustrations in Sidewalk Flowers.  In The White Cat and the Monk, Sydney Smith has emphasized the simplicity in the lives of the cat and the monk with the coarse lines and neutral palette of greys, taupes, beiges, golds and blacks, with colour only appearing in the nose of Pangur, the cheeks of the monk, the pages of the manuscript he reads and the few plants and flowers.  Yet the tones of the illustrations, like the text, are not sombre, just modest, as are the tasks upon which the two characters are concentrating.  The White Cat and the Monk is a brilliant reinforcement in words and art of the magnitude of focusing on just that moment and just that one task for life to be complete.  

From The White Cat and the Monk
 by JoEllen Bogart and Sydney Smith