CBC Books shares 100 Young Adult books that make Canadians proud!

To help celebrate Canada Day, CBC Books has annually compiled lists of books that make us proud to be Canadian.  This year, that list honours young adult books.  It's an astounding list of classics and contemporary gems that brings attention to phenomenal youngCanLit.  There are award winners of the Canadian Library Association's Book of the Year for Children and the Young Adult Book of the Year; from the Ontario Library Association's Forest of Reading; and from the Canadian Children's Book Centre and TD Literature Awards.  And there are those which were published before any children's book awards were even established but would have won hands down, having wormed their way into our Canadian lit hearts.

I'm pleased to share their list, with cover art, here and have included links to reviews for those few I've shared with you here on CanLit for LittleCanadians.  So here is CBC Books list of. . .

100 Young Adult Books 

That Make You Proud to be Canadian

40 Things I Want to Tell You 
by Alice Kuipers
Review

A Spy in the House 

by Y.S. Lee 

A Thousand Shades of Blue 
by Robin Stevenson

Adam and Eve and Pinch-Me

by Julie Johnston 

Airborn 
by Kenneth Oppel

Alice, I Think 

by Susan Juby 

Anne of Green Gables 
by L M. Montgomery

Arctic Thunder 

by Robert Feagan

Ashes, Ashes 
by Jo Treggiari
Review 

At Risk 

by Jacqueline Guest 

Audacious 
by Gabrielle Prendergrast

Awake and Dreaming 

by Kit Pearson 

Bad Boy 
by Diana Wieler

Baygirl 

by Heather T. Smith

Between Sisters 
by Adwoa Badoe

Chanda's Secrets 

by Allan Stratton

Chasing Freedom 
by Gloria Ann Wesley

Child of Dandelions 

by Shenaaz Nanji 

Darkest Light 
by Hiromi Goto
Review

Demon Gate 

by Marty Chan 

Dust 
by Arthur Slade

Elijah of Buxton 

by Christopher Paul Curtis 

Escape to Gold Mountain 
by David H.T. Wong

Eye of the Crow 

by Shane Peacock

Fishtailing 
by Wendy Phillips

From Anna 

by Jean Little

Gemini Summer 
by Iain Lawrence

God Loves Hair 

by Vivek Shraya 

Good for Nothing 
by Michel Noel

Graffiti Knight 

by Karen Bass 

Review

Greener Grass 
by Caroline Pignat

Hana's Suitcase 

by Karen Levine
10th anniversary post

Hangman in the Mirror 
by Kate Cayley

Harriet's Daughter 

by Marlene NourbeSe Philip

Held 
by Edeet Ravel

Him Standing 

by Richard Wagamese

Hold Fast 
by Kevin Major

Hunger Journeys 

by Maggie DeVries 

I Am Algonquin 
by Rick Revell

In Search of April Raintree 

by Beatrice Culleton Mosionier

Innercity Girl Like Me
by Sabrina Bernardo

Little Brother 

by Cory Doctorow 

Lost in the Barrens 
by Farley Mowat

Money Boy 

by Paul Yee 

Murder on the Canadian
by Eric Wilson

My Book of Life by Angel 

by Martine Leavitt 

Review

Night Runner 
by Max Turner

Nix Minus One 

by Jill MacLean 

Review

Nobody Cries at Bingo 
by Dawn Dumont

Not Suitable for Family Viewing 

by Vicki Grant 

Obasan 
by Joy Kogawa

Odd Man Out 

by Sarah Ellis 

One in Every Crowd 
by Ivan E. Coyote

Pirate's Passage 

by William Gilkerson

Plain Kate 
by Erin Bow

Prairie Ostrich 

by Tamai Kobayashi

Run 
by Eric Walters

Shadow in Hawthorn Bay 

by Janet Lunn 

Shadows Cast by Stars 
by Catherine Knutsson

Shine, Coconut Moon 

by Neesha Meminger 

Skim 
by Mariko & Jillian Tamaki

Skraelings 

by Rachel and Sean Qitsualik-Tinsley

Slash 
by Jeannette Armstrong

Stitches 

by Glen Huser

Stones for My Father 
by Trilby Kent

Sugar Falls 

by David Alexander Robertson

Susceptible 
by Geneviève Castrée

Swimming in the Monsoon Sea 

by Shyam Selvadurai 

The Breadwinner 
by Deborah Ellis

The Crazy Man 

by Pamela Porter 

The Dream Carvers 
by Joan Clark

The Girls They Left Behind 

by Bernice Thurman Hunter

The Gravesavers 
by Sheree Fitch

The Keeper of the Isis Light

by Monica Hughes

The Landing
by John Ibbitson

The Lynching of Louie Sam

by Elizabeth Stewart

The Maestro
by Tim Wynne-Jones

The Night Wanderer

by Drew Hayden Taylor

The Painted Boy
by Charles de Lint

The Prince of Neither Here Nor There

by Seán Cullen

The Reluctant Journal of Henry K. Larsen
by Susin Nielsen
Review

The Silent Summer of Kyle McGinley

by Jan Andrews

Review

The Summoning
by Kelley Armstrong

The Tiffin

by Mahtab Narsimhan

Review

The Unlikely Hero of Room 13B
by Teresa Toten
Review

The Wondrous Woo

by Carrianne K.Y. Leung

This Can't be Happening at Macdonald Hall
by Gordon Korman

Throwaway Daughter

by Ting-Xing Te with William Bell

Thunder Over Kandahar
by Sharon C. McKay

Tilt

by Alan Cumyn

To Dance at the Palais Royale
by Janet McNaughton

True Confessions of a Heartless Girl

by Martha Brooks

Underground to Canada
by Barbara Smucker

Wanting Mor

by Rukhsana Khan

What World Is Left
by Monique Polak

When Everything Feels like the Movies

by Raziel Reid

Who Has Seen the Wind
by W. O. Mitchell

Wild Orchid

by Beverley Brenna

Will's Garden
by Lee Maracle

Wondrous Strange

by Lesley Livingston

Review of series

n.b. I have to admit that I have only read 47 of the 100 listed here.  I've still got lots of good reading ahead.  

Happy Canada Day!

The End of the Line

by Sharon E. McKay

Annick Press

978-1-55451-658-2

128 pp.

Ages 8-11

August, 2014

When the Germans occupied Amsterdam in May 1940, not everyone, and certainly not elderly brothers, Hans and Lars Gorter, were adversely affected immediately.  The two Dutch bachelors, both in their 60’s, continued to live in the home they had once shared with their mother in a quiet cul-de-sac across the road from her friend, Mrs. Vos, now 80.  They continued to work on a city tram, Hans driving it and Lars collecting tickets.  And they continued to keep to themselves and their routines, though they were becoming perplexed by the hatred being directed at the Jewish people and the Nazis insistence that suspicious behaviour of any sort be reported.

But in 1942 when a woman on the tram separates herself from the little girl accompanying her and is taken away by the Nazis, Lars claims the young girl as his niece and, with a quick release of the hand brake, Hans distracts the Nazi who leaves without the girl.  Hours later, the two men, befuddled as to what to do with the child, take her home.  That simple act, including taking her hands to walk her across the street, has Lars and Hans becoming unofficial uncles to little Beatrix.

To Lars it was as if the curl of a wave had come to rest in his palm To Hans it felt as if the gentlest creature on earth–a baby bird, perhaps–had nestled in his hand.  In that moment both felt the intense pride that comes with great responsibility as they guided the child safely across the street. (pg. 22-3) 

The brothers and Mrs. Vos raise her as Beatrix Gorter and have her schooled in Catholicism. Neighbours are encouraged into silence with polite threats of secrets to be revealed, and a new neighbour, the young Mrs. Lieve van der Meer, taking a special role in Beatrix’s education and upbringing.  And as Beatrix grows, and the persecution of the Jews escalates, and food shortages and strikes make life virtually impossible, the years pass, Beatrix ever hopeful that her mother will return.

This could have been another story of surviving the Holocaust but Sharon E. McKay doesn’t do the same as everyone.  It’s not about escaping or surviving.  It’s the story about naively opening one’s home and one’s heart to a stranger and finding both enriched in unexpected ways. The End of the Line is such a simple story about two unlikely and even reluctant heroes who jump in to help a little girl and find their lives changed forever.  What makes the story all the more poignant is the way in which Beatrix’s unofficial adoption creates a lovely new family of anomalous individuals.  And even with the horrors of Nazism and the persecution of the Jewish people and the Dutch under occupation, Sharon E. McKay is able still to provide moments of sweet tenderness and a reassuring ending that will fill one’s heart with gladness and one’s eyes with tears.  

Random Acts

Written by Valerie Sherrard

Puffin/Penguin Canada

978-0-14-319104-9

264 pp.

Ages 8-12

March, 2015

Doing random acts of kindness sounds like a noble endeavour, doesn't it? But, as we know, the best of intentions can often lead us astray, and for  Zoey, Jenna and Bean in Random Acts that’s just what happens, to hilarious results.

Of course, the reason things start to go awry is because popular Destiny Desotto decides to start a club called "Lend a Hand" but doesn’t invite Zoey and Jenna’s friend Bean because he “isn’t someone wh\e’d want in the group even if he did want in” (pg. 11) So they choose to start their own secret group called "The Random Acts".  But then hottie Dennis Fuller invites Zoey to join "Lend a Hand" and she’s convinced she can do it without the two clubs knowing about her involvement with the other.  Ultimately it’s all in aid of doing good deeds, so that’s OK, right? Not for Zoey, though.

She can’t help out her neighbours, the Kimuras, with their newspaper or their leaves without it escalating to a threat of charges being laid against her!  And Jenna’s good deed of donating old magazines to the student lounge has Zoey scrambling when a quiz she did as Destiny puts Destiny on the war path.  Even Jenna's cookies-for-the-teachers'-lounge good deed goes amok, resulting in detentions and the hospitalization of a teacher! And don’t even get me started on all the lying Zoey feels she has to do to cover her mistakes and to dampen the amorous intentions of Glenda, a client, to Zoey's dad, a psychologist.

In her efforts to contrive random acts of kindness—yes, that is an oxymoron—Zoey ends up being a liar, a stalker, a vandal, an eavesdropper, a gossip and a thief!  Some people just don’t know when you’re being kind. By making the kids’ random acts of kindness random, i.e., twisted, in both the funny sense and in the completely unpredictable way, Valerie Sherrard ensures hilarity without the malevolence that can come with manipulation.  Well played.  I always knew keeping secrets and misusing power—even if purportedly for good—were never good ideas. But they are funny ones, at least they are in Random Acts. 

Tuniit: Mysterious Folk of the Arctic

by Rachel and Sean Qitsualik-Tinsley

Illustrated by Sean Bigham

Inhabit Media

978-1-927095-76-8

32 pp.

Ages 9-12

February 2015

Forget about references to the Dorset and Thule cultures that I once taught as part of the Grade 6 Heritage and  Citizenship curriculum.  (Of course, since then, that curriculum has changed from Aboriginal Peoples and European Explorers to First Nation Peoples and European Explorers and now Communities in Canada Past and Present.)  While I thought I was so enlightened ensuring that my students were made aware of pre-colonial Arctic cultures, my understanding was flawed.  Happily, this tome corrects any misconceptions I had and expands on the limitations in my knowledge by clarifying the veritable history of the people whom the Inuit encountered when they first arrived to the North American Arctic.

According to the stories passed by oral tradition and by archaeological evidence, Rachel and Sean Qitsualik-Tinsley share the history of the Tuniit, a people who had been part of a migration coming out of Alaska and the people that the Inuit encountered upon their own migration into Canada’s Arctic.  Though the authors make it clear that what is told about the Tuniit is a blend of Inuit myth and fact, three attributes upon which all agree are that the Tuniit were short, strong, and shy.  They were not a nomadic people, like the Inuit,  instead establishing stone longhouses.  Their hunting, less reliant upon their flint-based tools, was based on their strength and speed, as well as use of inuksuit.  And, amidst the stories of their eccentricities and the Inuit predilection for kidnapping the beautiful Tuniit women, it was believed that the Tuniit were powerful shamans who could access the power trapped in the land.  But, as Rachel and Sean Qitsualik-Tinsley offer,

We must remember the Tuniit as those who inspired myths, but who were real humans. (pg. 28)

Tuniit: Mysterious Folk of the Arctic is a reader-friendly and accessible history organized into 3 main discussions:  1) the differences between the Tuniit and the Inuit; 2) the unique features of the Tuniit; and 3) the science behind our understanding of the Tuniit.  But, beyond the information, told objectively but with the sensitivity needed when approaching discussions of a little understand peoples, the artwork of Sean Bigham provides visual interpretation of the Tuniit story and how they lived.  What a superb choice, using a concept artist such as Sean Bigham, who works in the video game industry, to generate illustrations of a people without visual representation.  In a neat package, Tuniit: Mysterious Folk of the Arctic presents readers, who should include all Canadian students, with a story that can and should be read, for history's sake.