Lili Macaroni

Written by Nicole Testa

Illustrated by Annie Boulanger

Pajama Press

978-1-77278-093-2

32 pp.

Ages 4-7

August 2019

It's too bad that school, a place of opportunity and learning, can be such a stressful experience for some young children. In fact, it can cause so much anxiety that they need to develop coping strategies to get through. That's a problem with the system, not the child, though it is difficult to see the troubles as anything but internal and very personal. Fortunately for Lili, she learns something about making things tolerable for herself and helps out others in the process.

From Lili Macaroni by Nicole Testa, illus. by Annie Boulanger

Lili can see her family in her hair, in her freckles, her eyes and her laughter. Her joie de vivre fills her days with love and imaginative play. When Lili is old enough to go to school, she looks forward to learning and meeting new friends. She does learn much, including about butterflies and moths. But when her new friends make fun of her last name, calling her Lili Macaroni-and-cheese, and her hair, eyes, freckles and laugh, Lili's joy begins to leak from her.

Why didn't Mom, Dad, Grandma, or Grandpa tell me that it wasn't good to be Lili Macaroni?

From Lili Macaroni by Nicole Testa, illus. by Annie Boulanger

Though she'd always said "I am the way I am," Lili is now envisioning herself as a dark-haired girl with no freckles. But Sophia is not her.

From Lili Macaroni by Nicole Testa, illus. by Annie Boulanger

Her dad suggests she draw one of her lovely polka-dotted butterflies to "help fly the heartache away." Clipping it to her shoulder, Lili feels the weight of the teasing leave her. It's a strategy she shares with her teacher who in turn shares Lili's butterfly solution with all her students.

From Lili Macaroni by Nicole Testa, illus. by Annie Boulanger

Teasing can be playful but it can also be bullying and very young children don't always know when one has become the other. In the mean while, there are little ones like Lili who must endure humiliating comments about their physical appearance and then wish they were anyone other than themselves. Fortunately, author Nicole Testa surrounds Lili with some very astute adults who recognize the little girl's need to feel good about being herself. Without hoovering up her bad feelings or demanding the school take action, they allow Lili to make her coping strategy work for her.  It's positive and it's empowering.

Quebec illustrator Annie Boulanger, who illustrated Nicole Testa's French-language Lili Macaroni: Je suis comme je suis! (Dominique et compagnie, 2017), gives Lili all the attributes the text imbues her with. She's a little wild, a lot of fun, and a whole lot of smart. She's colourful and inquisitive and enthusiastic. But when she' sad, the light is gone from her eyes and her clothing and the page.

From Lili Macaroni by Nicole Testa, illus. by Annie Boulanger

For young children going off to school for the first time, Lili Macaroni will help prepare them to recognize teasing that is insensitive and harmful and help them handle it for themselves as well as for others.

Siuluk: The Last Tuniq

Written by Nadia Sammurtok

Illustrated by Rob Nix

Inhabit Media

978-1-77227-178-2

28 pp.

Ages 5-8

April 2018

The Inuit stories about the Tuniit are of a legendary people akin to friendly giants.  They were considered to be immensely strong, massive in size and gentle in demeanour. It was not surprising then that Siuluk, a very large man of considerable strength who lived quietly by himself, should be considered the last Tuniq by his Inuit neighbours. 

From Siuluk: The Last Tuniq by Nadia Sammurtok, illus. by Rob Nix

When several of the Inuit men taunt Siuluk about his size and strength, he knows they are being mean but he responds with a challenge for them to lift a sheet of rock.  Of course, none can lift the massive rock except Siuluk who lifts it with ease and leaves his legacy in a message he carves into the stone.

From Siuluk: The Last Tuniq by Nadia Sammurtok, illus. by Rob Nix

Though you can read about the Tuniit in Rachel and Sean Qitsualik-Tinsley’s Tuniit: Mysterious Folk of the Arctic (Inhabit Media, 2015) and in How Things Came To Be: Inuit Stories of Creation (Inhabit Media, 2015),  Siuluk: The Last Tuniq takes a different perspective on the Tuniit.  Nadia Sammurtok tells a very simple story about teasing and differences in which a man finds a straightforward but elegant response to dismiss his intimidators.  So while children will learn about Siuluk and his status as the last Tuniq, they will also learn that anyone can be ill-treated by others and still  handle that treatment with self-possession and poise.  Siuluk, who is given graphic life by American illustrator Rob Nix, could have hurt the men who teased him about his size and strength but instead he demonstrated his brawn in a quiet but impactful manner, and even left a message for generations to come.

From Siuluk: The Last Tuniq by Nadia Sammurtok, illus. by Rob Nix

The best part of this story is revealed in Nadia Sammurtok’s afterword in which she reveals that her father had been told as a child a story about a man purported to be the last of the Tuniit who'd allegedly lived close to Chesterfield Inlet in Nunavut.  In fact, there’s a photo of her father, Tom Sammurtok, with Siuluk’s rock.  So it seems that Siuluk: The Last Tuniq, which is also available in Inuktitut, may be a traditional story about the last remaining Tuniq from the oldest community in Nunavut but it’s all the more special for the evidence of its veracity and the life lessons it encompasses.

Timo Goes Camping

Written by Victoria Allenby

Illustrated by Dean Griffiths

Pajama Press

978-1-77278-040-6

48 pp.

Ages 5-8

March 2018

It's wonderful to see a new Timo story from Victoria Allenby and illustrated by Dean Griffiths.  This early reader series tugs at my heart with each new story as the rabbit Timo learns new life lessons alongside his friends Bogs, Hedgewick, Rae and Suki.

Suki, the squirrel with the ideas, decides the group of friends should go camping.  Though Timo feels that adventures are "messy and unsafe and not at all sensible," he goes along with the plan.  However, he looks for advice at the Toadstool Corners Library, where it "smelled like paper and ink and comfort," finding good advice in a book called Camping is Fun.

From Timo Goes Camping by Victoria Allenby, illus. by Dean Griffiths

Setting out on their adventure, Timo puts his new skills to use in knotting rope, making a fire, and recalling all the lessons about canoeing and orienteering and more.  But, when little things go wrong, like a tent that won't go up or a dunking in the lake, most of the group enjoys a chuckle, though Suki's teasing and name-calling becomes tiresome to Timo who finally has to call her out on it.

From Timo Goes Camping by Victoria Allenby, illus. by Dean Griffiths

This lovely series of early readers returns an innocence and humility to children's early readers that we haven't seen since Peter Rabbit and Frog and Toad.  There are valuable lessons about friendship and self-acceptance and learning.  But, even more, Timo allows children to share in his learning about friendship and interacting with others, as well as the importance of reading.  From his first book, Timo's Garden (2015), and his second, Timo's Party (2016), the rabbit is learning how to deal with friends and his own insecurities which he is always able to put aside when he takes the opportunities to learn and gain insight from his experiences.

From Timo Goes Camping by Victoria Allenby, illus. by Dean Griffiths

As in all three of the Timo books, Victoria Allenby has made her characters so distinct that their roles in this camping adventure make perfect sense.  Hedgewick is named Chief Chef, Rae is Head Engineer, Bogs is the Toad of Tunes, Suki is the navigator (though more like the one who tells everyone where to go and what to do), and Timo is labelled the camp librarian.  Each has assets that makes the group work effectively, though I'm partial to Timo who wisely finds answers in books.  For an author to create a story rich in characters, atmosphere, plot and positive messages is an astounding achievement for any book but extraordinary for an early reader.  

The story is brought to visual life by Dean Griffiths' artwork, with its textural richness of setting and scene.  Dean Griffiths, whose art illustrates among others Bad Pirate (by Kari-Lynn Winters, Pajama Press, 2016) and Tweezle into Everything (by Stephanie McLellan, Pajama Press, 2013), knows how to adapt his style for an early reader, balancing the story, not becoming the story as it may, and rightly so, in picture books.  

Together Victoria Allenby and Dean Griffiths have made Timo Goes Camping a book that any child would love to take on their own camping adventure, as guide (see the illustration below about using a compass), insurance or pleasant diversion.

From Timo Goes Camping by Victoria Allenby, illus. by Dean Griffiths

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Pajama Press has published a delightful readers' guide for Timo Goes Camping which is available for free download at http://pajamapress.ca/wp-content/uploads/2017/11/Timo-Goes-Camping_ReadingGuide1.pdf

Don't Laugh at Giraffe

by Rebecca Bender

Pajama Press

978-0-9869495-6-2

32 pp.

Ages 4-7

2012

Rebecca Bender's first book with Giraffe and Bird (Dancing Cat Books, 2010) just won the Ontario Library Association's Blue Spruce Award and it's easy to see why it was the choice of young readers between ages 4 and 7.  It's a story of the ups and downs of friendship which young readers experience on a daily basis.  If schoolyards had walls (as some undoubtedly and sadly do) and the walls had ears, they would hear the refrains of, "He doesn't want to be my friend anymore", "Want to be my friend?", "You're not my friend" and "Are we still friends?" Friendships are often dynamic, sometimes ephemeral and may be inclusive or exclusive.  But Giraffe and Bird's friendship, while occasionally acrimonious (see Giraffe and Bird, 2010 for details), is founded on loyalty and support.

In Don't Laugh at Giraffe, a visit to the watering hole on a hot day has Bird and eventually all the animals heeyawing, guffawing, howling and cackling as Giraffe attempts to drink from the shallow pond water.  Nervous and knees a-trembling, Giraffe ungracefully falls into the water.  Only Bird notices when an embarrassed Giraffe slinks away.  Luckily, the ally in Bird finds the means to help Giraffe return and to have some fun.

Rebecca Bender's experiences in design and publishing (now as art director/designer at Pajama Press) have served her well, helping her create the touchable, plush animals that are Bird and Giraffe.  Bold acrylics fill the pages (try and find large sections of white anywhere) bringing the richness of the settings to act as companions for the distinct characters on which she focuses.  But Rebecca Bender goes beyond just drawing animals in bold colours:  she creates personalities with expressive visages (hard to do on a small bird) and morphologies, with lessons to teach and learn.  Recognizing that we're all a little bit Giraffe and a little Bird makes them even more endearing.