The Groundwood Newsletters: New book resource

Any resource that encourages 

the use of Canadian children's books 

by educators and librarians is good. 

Most publishers provide teaching resources based on their books 

(do check out their websites) 

but Groundwood Books is setting up something a little different 

and I wanted to share that here.

 

Groundwood Books

has teamed up with 

educator, author and children's book advocate

Larry Swartz

for a series of newsletters for teachers and librarians

The Groundwood Newsletters are designed to provide educators, librarians and parents with strategies, tips and information about their fiction and non-fiction books. Each newsletter centres on a single topic, theme or genre with a list of recommended titles to encourage young readers to explore. The series will include lots of great resources such as reading, writing, arts and media responses; a spotlight feature on a Groundwood author/illustrator; a curated book list with annotations; and additional links to the website for more book information and/or teacher guides.

Newsletter #1:

 (set for release Monday)

Finding Friendships, Building Belonging 

and Creating Community Through Picture Books

 

Sign up here 

for the Groundwood Newsletters

 

Eight Days

Written by Teresa Toten

Scholastic Canada

978-1-4431-9002-2

312 pp.

Ages 10-14

January 2022

A lot can happen in eight days. Death, love, journeys and change. And, like it or not, it is what it is.

At almost 14, Sami Stanic has lived through a lot. Since she was three, she has lived with her grandfather Carl in the White Towers apartment building at Thorncliffe Park in Toronto. Carl is a recovering alcoholic, having stopped drinking when he brought Sami to live with him, and Sami is determined to keep it that way. She works at ensuring he stays sober by attending AA meetings with him and by keeping herself apprised of all the programs and readings, and she is determined to prove herself useful. In her own way, she does not want to be abandoned again. But, without knowing it, Sami has become part of the community, regardless of Carl's intolerance to the diverse community that is the Towers now. Her best friends are Nilofer and Tarek (also her crush) and there are lots of people watching out for her, though she doesn't realize it. So when she learns that her mother has died, a woman she'd always thought of as gone already, Sami is both perplexed and ashamed.

 

Within days, Sami, Carl and their neighbour Aggie are heading to Chicago in Carl's '77 Olds, affectionately known as Sophie, to deal with Shannon's funeral arrangements. But the journey becomes an opportunity for truths to finally emerge about all their stories: Sami's first few years, Shannon's issues, and Carl's despair. And their return to Canada may just be a new pilgrimage for all.

Teresa Toten may be better known for her extraordinary young adult novels (e.g., Beware That Girl, Shattered Glass, and The Unlikely Hero of Room 13B) but her voice shines just as brightly in this middle-grade novel. Perhaps it's because Teresa Toten has still focused her story on the foundation of most children's lives: their relationships. For Sami, it's her many relationships that drive her. Her relationships with Carl, with Nilofer, with Tarek, with Aggie, with her mother, and with so many in her community offer some security and comfort, but also some worry and angst, while often leaving her questioning her memories and her feelings.

I'd been whiplashed by every possible human emotion in the past few hours. I liked me better before. Clamped down, in charge. (pg. 253)

Teresa Toten makes sure that Sami's journey does not start and stop with a road trip. It becomes one of self-discovery and tenacity in which Sami sees and hears more from those around her and allows herself to be more. As alone as she may feel, living with a dry alcoholic who could relapse at any time, Sami learns she's part of a big community and one so diverse in its cultures that there is more than enough offering to be the family she needs.

Eight Days may have a road trip story line at its core but the journey is more one of life. But, as with any journey, where you come from is just one part. Where you're heading and where you end up are just as meaningful.

On Baba's Back

Written and illustrated by Marianne Dubuc

Princeton Architectural Press

978-1-61689-912-7

24 pp.

Ages 1-4

January 2022

In a sweet board book perfect for the very young and their caregivers, Marianne Dubuc charms with a story of family, protection, patience, risk-taking and letting go. And it's all with koalas!

From On Baba's Back by Marianne Dubuc

A young Koko enjoys being carried on Baba's back. But Koko does everything a little koala would do while on Baba's back: eat, play, pee, bathe, and go for walks.

From On Baba's Back by Marianne Dubuc

But sometimes the young want to do something different than what their elders have chosen for them to do. When Koko sees a blue butterfly, a "There!" signals to Baba what Koko wants.

From On Baba's Back by Marianne Dubuc

Still, Baba keeps walking so Koko climbs down to follow the pretty insect. And though taking a risk and leaving the protection of Baba's back might not necessarily be the safest decision, what Koko finds brings joy to both Koko and Baba.

From On Baba's Back by Marianne Dubuc

There will always be a time when a child will take their first steps to independence. It may come with first steps literally or by making choices different than their elders or by leaving the intimate protection of family. For Koko, it is all of these. And though Koko's self-assertion could've been a little scary for both Koko and Baba, there's a satisfaction that comes from taking those independent steps, especially knowing that the safety of family is still there at the end of the day. Though these steps can be milestones, Marianne Dubuc keeps the story very simple, with the text perfect for an early reader or for reading to a baby or toddler who will soon learn the limited phrases. Likewise, Marianne Dubuc doesn't overwhelm her artwork with too much of anything. The stars are Koko and Baba, clearly identifiable as koalas by their ears, with an emphasis on only a few other details like an ice-cream cone, a pee puddle, a ball or a butterfly.

While Baba is a term for father in a number of Asian cultures, it also can refer to a grandmother in eastern Europe. Either way, it is a loving elder who can provide protection for the youngest family members and that's what Koko finds on Baba's back: the security and freedom to learn to become independent.

Aggie and Mudgy: The Journey of Two Kaska Dena Childen

 

Written by Wendy Proverbs

Wandering Fox (Heritage House)

978-1-77203-375-5

144 pp.

Ages 8-12

November 2021

They were lost in a void, 

not understanding where they would end up. (pg. 99)

While there are an increasing number of middle-grade books about residential schools, few discuss the journeys that Indigenous children were forced to take from their home to get to those residential schools. Aggie and Mudgy is one such story. But it's also a tale of loss: of family, of names, of culture. And it is as painful as their journey.

 

In contemporary Vancouver, eight-year-old Maddy has found an old photo in her Nan's desk and begs her grandmother to tell her the story of the two little girls. And so Nan does, recounting the story of two young sisters from Daylu, a Kasha Dena community on the BC-Yukon border. As history has shown us, the arrival of those of the Catholic church brought much change, as it did in Daylu, where the First Nations people were first forcibly assimilated by being renamed. 

When we name something, it gives us a kind of ownership, doesn't it? (pg. 96)

Sisters Mac-kinnay and Beep were renamed Agnes and Martha but they called themselves Aggie and Mudgy. Then two years later, the young sisters, only 6 and 8, were taken away by Father Allard to go to school far away. How far away they could not have known.

Though leaving their home would have been frightening, the beginning of their journey starts with some comfort and familiarity as the priest employs two Indigenous brothers to transport them down the Liard River. The landscape, the food and the language are still their own. But after 300 km, their journey after Dease Lake becomes one of newness. As the priest and the girls travel six weeks by mail truck, paddle wheeler boat, steamship and train to the Lejac Residential School at Fraser Lake in central BC, the girls soon realized that their old ways would not be tolerated. Not the language they spoke, not the way they looked, nor the joys they savoured in the outdoors. And if Priest Allard and the nuns who aided them in their journey were not pleased, the children were shamed and beaten.

They couldn't respect different people and cultures, and if the children didn't obey, some priests and nuns could be very cruel. (pg. 47)

The girls' journey with Father Allard was just over 1600 km but it was just the beginning of the inevitable trauma that would be their residency at the Lejac school. Wendy Proverbs could have walked us into that school with Aggie and Mudgy but she knew that the journey of these two Kaska Dena children was important enough to be highlighted. Still, the story is told to enlighten and to acknowledge, not traumatize-it doesn't, though it could have– and by revealing her own personal connection (see "Author's Note" and "Acknowledgements" in Aggie and Mudgy), and giving Nan one as well, Wendy Proverbs has made the sisters' story both restrained and profound. Don't be surprised if a tear is shed.

Because Aggie and Mudgy tells a story within a story, with fiction embracing history, Wendy Proverbs, herself of Kaska Dena descent, has honoured her heritage and her ancestors. In fact, a nod of appreciation should be given to her as she does to others in her acknowledgements for sharing Aggie and Mudgy and purposefully shaking up the universe with truth.

Final appreciation to all of our ancestors who led the way for future generations to speak, dance, create, and indeed disturb the universe. (pg. 130)

CanLit for LittleCanadians celebrates 1M views Contest: Winner announced

On Tuesday, January 11, 2021, 

I launched the 

READY TO CELEBRATE 1M VIEWS CONTEST.

And, though we were thousands off, we reached one million views within about 5 hours.

(I had to change the format as it didn't fit in the sidebar. 😧)

As the rules stated the contest would close at 11:59 PM EST the night that the counter turned over one million views (about 3:08 PM EST), the contest closed that night. Thanks to all who submitted comments on the blog and on Twitter about reviews readers had enjoyed on CanLit for LittleCanadians.

Using a random number generator, a winner was selected and it is.....Elizabeth A. who enjoyed the review of Cherie Dimaline's "The Marrow Thieves." 

CONGRATULATIONS!

👏👏👏

Though I can tell you're in a high school library, I have no other information about you, Elizabeth A. So, if you could submit a comment with your details (email, address), I won't post the comment, just grab the information and delete your comment. And anyone who might know a Canadian high school librarian whose first name is Elizabeth and last name starts with an "A," please leave me a comment below with any info (name, email, school) you can provide. (I won't post the comment but I will get the relevant information from it.)

Thank you again to everyone who participated and helped 

get the blog over that milestone of ONE MILLION VIEWS.

 

 

(And 🤞 that we hear from Elizabeth A. within the week. 

Otherwise, I may have to select another winner. 

Thankfully I still have all the participants' names logged for just that possibility. 😥)

Ready to celebrate 1M views!: Contest

 

After just over ten years, CanLit for LittleCanadians is ready to celebrate one million views of posts about books for young people by Canadian authors and illustrators. Want to help me celebrate? Then have I got a contest for you!

 

 

What do you have to do?

Leave a comment below (with an identifier so I can contact you somehow) and/or Tweet (tag @HelenKubiw and #1Mviews) about a book that you decided to purchase or read (I'm thrilled to support libraries) after checking out a review here. You've got ten years of reviews from which to choose. Tell me the title of the book and author/illustrator and what grabbed your attention. 

 

Participants will be time-logged in order of submission and a random number generator will select one from all submissions. I will announce the winner here and on Twitter. 

If you submit more than once, only your earliest submission will be logged.

Who can participate?

You must be a resident of Canada in order to participate. (Sorry expats who live outside our country.) Authors and illustrators are welcome to participate.

When?

You have from now until the end of the day (11:59 PM EST) when the blog's view counter hits one million views. (Hint: it will be happening within the next few days.) So if it hits 1,000,000 at lunch on Friday, January 14, you have until almost midnight that night to leave a comment. (I think it will happen sooner.)

Prize?

A box of Canadian books for young people. I will pick the books but it will be a mixed box of at least 10 books.

 

 

I have been privileged to promote so many wonderful books by so many fabulous authors and illustrators. I've covered picture books, early readers, middle grade novels, graphic novels, non-fiction, young adult books and more. My readers are young people, parents, grandparents, great-grandparents, teachers, school librarians, public librarians, school boards, university faculties of education, organizations like the Ontario Library Association and the Canadian Children's Book Centre, publishers, and more. Thank you to all who have linked to my blog and helped promote it as I promote our Canadian creators.

Though I have wondered whether the 10-year mark (October 2021) or the 1 million view mark would be a milestone for me to reconsider the blog, I don't think I'm quite ready to give it up yet. This is especially true as I think CanLit for LittleCanadians offers an opportunity to celebrate books from everyone from debut authors and small publishers to world-renowned writers and large publishing houses. As long as these creators are Canadian, born or residing, I will champion them, if I like the books. (You might notice that I don't review anything I don't like.)

So here's to CanLit for LittleCanadians 

and it's upcoming ONE MILLION VIEWS. 

 

Thanks you for celebrating with me.

Arnold the Super-ish Hero

Written by Heather Tekavec

Illustrated by Guillaume Perreault

Kids Can Press

978-1-5253-0309-8

32 pp.

Ages 4-7

2021

Arnold works in the family business, and that business is one of superheroes. They are superheroes like his super strong cousin and his super fast brother and his super bouncy uncle. But Arnold doesn't have a super power, yet, so, as they all wait for it to show up, Arnold is their phone guy.

From Arnold the Super-ish Hero by Heather Tekavec, illus. by Guillaume Perreault

Then a call comes in for a superhero and no one responds when Arnold sounds the alarm. So, determined to follow the family motto of "Stop the bad guy from being a bad guy," Arnold dusts off his great-grandmother's mask and cape to find the crime. But just getting to the crime scene becomes problematic. As he speeds to the scene, as best he can after taking the bus, he comes across situations he misinterprets. A young man yelling at a woman in a wheelchair is actually a grandson trying to tell his grandmother who has lost her hearing aid to keep her hands off the tires so he can push her safely. Arnold's solution of giving the woman a stray kitten to hold works miracles for the grandson, grandmother and even the kitten. He sees a little girl throwing things in the water until she reveals she's trying to feed a baby duck before the more aggressive adults get the food. Arnold comes to the rescue again. 

From Arnold the Super-ish Hero by Heather Tekavec, illus. by Guillaume Perreault

When Arnold finally gets to the called-in crime scene, he realizes that he can use his phone message-taking skills to good use to solve the problem and make two little girls very happy, with one declaring him a super-ish hero. After a few more good deeds, Arnold returns home to witness his efforts lauded on TV, with his family unaware that the Super Nice Guy superhero was their own family member. And that's a secret he's happy to keep to himself. (Oh, look, another superpower: keeping secrets!)

Kids love the idea of superheroes who can do beyond the norm, usually to fight crime and evil. But, if the past two years have shown us anything, it's that heroes come with all kinds of abilities, and goodness and kindness may be the greatest of all of these. As such, BC's Heather Tekavec has given us a humble character in Arnold, one who just wants to emulate his superhero family, but learns unintentionally that kindness is his strength. Even without trying for the spotlight, just stopping to offer assistance wherever help is needed, Arnold has become a hero. He's every guy and, with him, Heather Tekavec has shown us that anyone can be a hero.

From Arnold the Super-ish Hero by Heather Tekavec, illus. by Guillaume Perreault

Quebec illustrator Guillaume Perreault gives Arnold a banal look that works with the common person image. Except for a top-knot, there's not much to distinguish Arnold from anyone, including the reader. He doesn't stand out except when he does something kind. Guillaume Perreault may make Arnold's family members unique in their dress and skills but he makes Arnold stand out for his originality. In fact, Guillaume Perreault gives the whole book an understated feel with his choice of colours-no emphasis on bold primary colours–and blend of picture book illustrations with graphic novel boxes. Unlike most comic books about superheroes that bombard you with flash and action, Arnold the Super-ish Hero has the same restrained and easygoing appearance as does Arnold himself.

With a message that kindness is a superhero talent available to anyone, even Arnold, young readers will cheer for him and anyone who does good, knowing that the goodness comes in the doing, not from the recognition or the celebrity.