The Promise

Written by Pnina Bat Zvi and Margie Wolfe

Illustrated by Isabelle Cardinal

Second Story Press

978-1-77260-058-2

32 pp.

Ages 7-10

April 2018

The cover of The Promise is all encompassing. Within that single graphic, the reader knows the darkness and sobriety of a story told in a concentration camp during World War II, an impenetrable bond, and a smidgen of hopeful blue sky. This is The Promise.

When Rachel and Toby's parents are taken away by the Nazis, the two sisters are given three gold coins, hidden in a shoe paste tin, to help save their lives and asked to promise to always stay together. 

"...above all, stay together.  This is how you will both survive." (pg. 5)

From The Promise by Pnina Bat Zvi and Margie Wolfe, illus. by Isabelle Cardinal

When the two girls are taken to Auschwitz, slaving away at mindless work and starved with meagre food rations, they show courage in small acts of heroism and defiance.  But when Rachel falls ill, all is put at risk. Though Toby begs to work double for her sister, she returns to find Rachel gone from their barrack.  Knowing this could mean the worst, Toby uses the gold coins to bribe an inmate acting as guard at the barrack of the sick to allow her access and an opportunity to sneak Rachel out.  However, the next day Rachel's unauthorized return is noted by their Nazi guard who punishes Toby for her actions though, in a miraculous turn, allows Rachel to remain with her sister.

From The Promise by Pnina Bat Zvi and Margie Wolfe, illus. by Isabelle Cardinal

Against all odds, Rachel and Toby, the mothers of authors Pnina Bat Zvi and Margie Wolfe respectively, honoured their parents by staying together.  Though it was Toby who held onto those coins for years until the time came to use them, both young women showed extraordinary fortitude in everyday acts of courage and endurance such that they were able to survive a camp from which over a million never returned.  Likewise, Pnina Bat Zvi and Margie Wolfe honour their parents with the retelling of this story, told with admiration and candour. 

From The Promise by Pnina Bat Zvi and Margie Wolfe, illus. by Isabelle Cardinal

To add to the story's power, artist Isabelle Cardinal uses digital collage to blend reality with illustrations.  The horrors she needed to convey–hunger, illness, fear, cold and more–are evoked in the photos of faces but tempered with the sombre drawings of stark colours and textures. The art, like the story, is commanding and yet subtle. 

Based on a true story, The Promise reveals just one significant but uncelebrated act of heroism during a time and place of brutality. It's a story that needs to be recognized and its characters acclaimed for their survival.

Books without Boundaries: YA fantasy authors talk crossover appeal

On  

Saturday, June 16, 2018

2:00 p.m. - 4:30 p.m.

at

Bakka Phoenix Books
84 Harbord Street
Toronto, ON

outstanding authors of young adult fantasy

Erin Bow

James Bow

Lena Coakley

V. S. McGrath 

L. E. Sterling 

will participate in a panel discussion about the crossover appeal of young adult novels

 In addition to meeting a quintet of authors of YA speculative fiction
and hearing them discuss their books,
there will be an opportunity to purchase books
and get them signed!

Caroline Pignat speaks at Ottawa Children's Literature Roundtable (Ottawa)

Caroline Pignat

author of

multiple award-winning books

 Egghead (Red Deer Press, 2007)

Greener Grass (Red Deer Press, 2008)

Wild Geese (Red Deer Press, 2010)

Timber Wolf (Red Deer Press, 2011)

Unspeakable (Razorbill, 2014)

The Gospel Truth (Red Deer Press, 2014)

Shooter (Razorbill, 2016)

including two Governor General's Literature Awards 

for Children's Text

will speak 

at

The Ottawa Children's Literature Roundtable

 on

The Power of Story

on

Wednesday, June 6, 2018

7 p.m.

Ottawa Public Library- Sunnyside Branch

1049 Bank Street

Ottawa, ON

Missing Mike

Written by Shari Green

Pajama Press

978-1-77278-045-1

248 pp.

Ages 8-12

May 2018

With high summer temperatures and low precipitation predicted for the western provinces this year, there could be record wildfires again like the ones that imposed extensive evacuations on Fort McMurray in 2016. The circumstances of those forced evacuations and the tragedies and stories embedded within cannot be easily told or read but Shari Green has the voice, the words, and the heart to tell it in her newest middle grade novel Missing Mike.

It's summer in Pine Grove and, because of the weather, lightning strikes and human carelessness, the community is on alert to evacuate. Like everyone, ten-year-old Cara has been instructed to pack up a change of clothes "and a few treasures" (pg. 12), though what she treasures most is Mike, her one-eyed, rust-coloured dog whom they'd adopted two years earlier. But when the orders come out to evacuate, Mike is gone from the yard. Cara tries to go in search of him, sure he's headed to the nearby creek, but her father prevents her, telling Cara there is no time and they must leave.  

After a harrowing highway drive to shelter at a community centre in a neighbouring community, Cara, her older sister Sloane and their parents are billeted with Jasmeet and Bill Bains and their thirteen-year-old foster daughter, Jewel. But it's not home.

A truth zooms through me
squeezes my insides
settles
heavy as a brick:
this place
these strangers
this makeshift home that is anything
but home...
we're meant to stay here. (pg. 50)

Everything seems to be changing and that just adds to Cara's persistent worry about Mike.  She learns her best friend Heather and her family may not return to Pine Grove, as her dad might not have a job to which he should return. Sloane, who used to be Cara's protector, is spending lots of time with a young man evacuated with his baby daughter. Worse, the news coming out of Pine Grove is not good and worries about their home being destroyed are very real. It's all too much for Cara and, reassured by Jewel, she is determined to do all she can to find Mike.

"He got lost," she says again,
"which means he can get
found." (pg. 65)

I'm not going to tell you how Missing Mike ends but (spoiler alert!) I can reassure you that Mike does not die. That may have been my biggest concern but Missing Mike was still a heartbreaking story to read. Cara's love for Mike is so deep that her anguish at being separated from him is palpable. She envisions a multitude of scenarios that Mike might be enduring or anticipates where he might be, alternating that distress with reflections on the things she and he did together. But more than the story about a missing dog, Missing Mike is about home and the different configurations it might take. Cara who spends some time working on crosswords, realizes that the synonyms for home are not always structures. They can be feelings and people and more.

Shari Green, who has impressed all readers with her exceptional novels in verse (Root Beer Candy and Other Miracles, Pajama Press, 2016; Macy McMillan and the Rainbow Goddess, Pajama Press,  2017) does not disappoint with this latest middle grade novel in free verse. The genre is a tough one to write but Shari Green has perfected it. She gets the voices dead on with a limited vocabulary and still tells an honest story about a family's response to disaster and specifically a young girl's determination to be reunited with the dog she loves and finding home whatever and wherever it may be.

I bet if you asked one hundred people
you'd probably find
there are one hundred words for home.
Turns out 
home isn't always with family
but often it is.
It isn't always a place
but sometimes it is.
It isn't always within your grasp
but when you find it
you know to
hold on. (pg. 230)

Pulse Point: Q & A with author Colleen Nelson

Written by Colleen Nelson with Nancy Chappell-Pollack

Yellow Dog (Great Plains Publications)
978-1-927855-97-3
192 pp.
Ages 12-15
May 2018

Yesterday I reviewed Colleen Nelson's newest YA novel, Pulse Point, which she wrote with Nancy Chappell-Pollack.  Today Colleen Nelson with input from Nancy Chappell-Pollack answers a few of my questions about the book, their writing process and the future for Pulse Point.

HK:  Pulse Point is totally unlike any YA novel you have written to date both in genre and in its collaborative authorship, and I’d really love to delve into this.  First, how did you come to write the novel with your sister and what did you find most challenging as well as most advantageous about writing Pulse Point as part of a team?

CN:  Pulse Point began as an idea that Nancy had for a screenplay. Her background is in screenwriting and theatre, so we pitched it to a screen writing contest. I wrote the ‘treatment’ which is a type of synopsis used in the television/movie industry. We didn’t win, but the idea was too good to let go. Nancy and I were both invested in the idea, so we decided to work on it together.

One of the challenges writers face is the isolation factor. For hours every day, I sit in a room by myself and tap away on my laptop. Sometimes writing feels like a very slow, uphill slog and what’s worse, I have no idea if what I’m writing is any good! It was motivating to send Nancy a chapter and get her feedback on it. She knew the characters as well as I did and knew the direction of the story. We collaborated on every aspect of the book, even though I did the bulk of the writing.

As for the genre, writing dystopian wasn’t as different from realistic YA as you’d expect. Pulse Point might have a different setting and the characters face unusual challenges, but they still have to be relatable. Just like in realistic fiction, Kaia had to deal with conflicts with friends, family and figuring out who she is. We tried to remember it is the characters, not their dystopian world, driving the story.


HK:  Second, have you always wanted to write speculative fiction or did the idea for Pulse Point originate with your sister Nancy Chappell-Pollack?

CN:  The idea was Nancy’s. It started with a ‘what if’. What if a pulse point, implanted in a finger and meant to control a person’s life, suddenly malfunctions? How would they react to this sudden freedom? Other than continuing on with Kaia’s story, I don’t have any plans to write other speculative fiction.


HK:  Speaking of speculative fiction, do you consider Pulse Point more science fiction or dystopian, and why?

CN:  Nancy and I talked about this and decided that it’s more dystopian than sci-fi. We wanted to create an alternate version of our world where climate change has made it impossible to live outside, or so Kaia thinks. I think in dystopian, a writer can play with politics and economics and world building in a different way than in science fiction. 


HK:  The scientists who created the City under a dome seemed to have good intentions after global warming brought disaster after disaster to their world.  But, like the saying goes about good intentions, their decisions about the nature of the City including who should be allowed in and how relationships are structured, seem to be discriminatory and harmful.  What message did you want readers to get about this new world?

CN:  The scientific minds that created the City were concerned with saving a species. They were intervening with natural selection, or maybe speeding it along, by only selecting people with disease- and ‘defect’-free genetics. We were thinking of a couple of things when we wrote Pulse Point. The first is the Spartan society where weak newborns were left to die because the city-state wanted to raise only the strongest soldiers (and have mothers who would breed the strongest soldiers). The second was the lack of humanity that a purely scientific-based community would develop. In the same way that AI (read Erin Bow’s excellent Scorpion Rules for more on this topic!) uses reason, not empathy, to make decisions, the City relies on efficiency.

While the City’s decisions make sense at a practical level, they are harsh and inhumane. There is so much to discuss about the morality attached to embryonic testing and selection. You might have also noticed that there is no dance, art, religion or literature in the City. All of those things are considered unnecessary and a waste of resources. I’m really glad I don’t live there!


HK:  Because Kaia’s world within the City is very much dictated by genetic rankings in which features like blue eyes and birthmarks are considered defects, there is much discrimination.  Even Kaia expresses this disdain for her newly-discovered brother who is blind.  How difficult was it to have your characters express such negative thoughts and for you to write those ideas?

CN:  Kaia is a product of her environment, so her prejudices are a result of what she has been taught. The flipside is that the people she meets outside of the City do not have those same discriminatory ideas. The conflict that results lets Kaia grow to accept differences and see the value that everyone brings to a community.


HK:  Many young adults will be delighted to know that there is frisson of romance brewing under Pulse Point’s main plot.  But with Lev and Gideon both in the picture, Kaia may have some choices to make. Did you always intend to have a romance as a subplot in Pulse Point or did it develop as your story took shape?

CN:  The truth is, I hate writing romantic scenes. There’s nothing more cringey than a cheesy kissing scene with awkward dialogue. It can kill a story and put a damper on good writing. Nancy was the one who pushed for more romantic tension and the creation of a love triangle between Kaia, Lev and Gideon. Like with most things, Nancy’s instincts were correct and I agreed to write it.

This book went through so many drafts, characters and plots changed drastically with each one. The one thing that never changed was Kaia’s strength and determination as a female lead. We did not want her to be focused on her hunt for a mate, or a potential romance. We wanted this book to be accessible to male and female readers and to make sure the romance furthers the tension, but doesn’t make it seem that all female characters need a male-focused romance.


HK:  Readers will recognize that Kaia’s story is not over at the conclusion of Pulse Point. When you started writing Pulse Point, was it always your intention to have a sequel? What plans are there for publication of a sequel or sequels?

CN:  At first, we envisioned Pulse Point as a trilogy, but our editor suggested we make some significant changes to the ending. Those changes altered our original plan from three books to two. I’d love to write a second book and find out what happens to Kaia and Lev and the Prims. I think there’s more going on in the City than we know about and I hope it doesn’t take us another seven years to find out what it is! 

Thanks to Colleen Nelson and Nancy Chappell-Pollack

for talking about Pulse Point with CanLit for LittleCanadians.  

It's always a pleasure to talk books with writers of wonderful stories 

and to learn about the creative process.

•••••••••••••••••••••••

Check out other blog tour stops for more about Pulse Point

Pulse Point

Written by Colleen Nelson with Nancy Chappell-Pollack

Yellow Dog (Great Plains Publications)
978-1-927855-97-3
192 pp.
Ages 12-15
May 2018

With global warming, many of us acknowledge that things in our world are going awry.  Scientists have been warning about its consequences that include increased flooding, droughts, fires, mudslides and more, though it seems too few are listening now and in the world from the time Kaia's elder Mae (whom we would call grandmother) was much younger. But, in their world, when those impacts escalated and became dire, the scientists had prepared and created self-sufficient Cities run on the energy of its Citizens.

Though the Citizens may not consider it to be a problem, happy to be safe under the dome of the City, the social constructs of their new home have been exclusionary and are discriminatory. Only people with the right skills and genetics are allowed to live in the City.  Those excluded, called Prims (for Primitives), retreated to the Mountain outside, and the City is constantly on guard and setting Prim Threat Levels. Within the City, each Citizen is connected via a pulse point or microchip implanted in a forefinger to allow for monitoring of energy generation to ensure balance with energy usage. Kaia, who lives with her birth elder Sy, a gardener, and Mae, works as a fetal assessment technician (where defectives are identified for termination) and endeavours to generate extra energy at the gymnasium to share with the elderly Mae.  Anyone who cannot produce sufficient energy must undergo balancing, the process by which the Council ensures the City stays in equilibrium.

But Lev, the progeny of an Overseer, Kellan, a fallen hero, and Tar, a Councillor, is smitten with Kaia, though her genetic ranking is far beneath him. With Tar manipulating people and circumstances to ease Lev's path to becoming a leader, and Kaia's pulse point no longer working, essentially taking her off the grid, Kaia makes a decision that will take her from the only life and people she has known into a wilderness and on the run.

Colleen Nelson is well known for her dramatic YA fiction (The Fall, 250 Hours, Finding Hope, Blood Brothers) and Pulse Point is no less suspenseful in its story nor less powerful in its delivery.  However, because it is her first speculative fiction and collaborative work with her sister Nancy Chappell-Pollack, Pulse Point reveals layers in characterization and world-building that are new.  It's a tense read with all the attributes of great YA: relationship drama, interfering progenitors (i.e., parents), burgeoning romance, secrets, confusion, and conflict. But, all that takes place in a world in which stasis is achieved through the generation of energy and elimination of the unproductive, in which blue eyes are considered a defect, romantic matches are based on genetics, and everyone is monitored (a.k.a. linked) through their fingertips, making Pulse Point a bigger story. Look carefully and you'll see how Pulse Point's worlds could be our own. The two communities, one outside the City and the other under its dome, are a sharp contrast of old ways and new ways and the distrust and clash between the two is inevitable. While Colleen Nelson and Nancy Chappell-Pollack resolve the story, revealing Kaia's origin story and secrets long kept hidden, they also leave a door open for a sequel. It's a good thing because there's still a whole new world that needs to evolve to make things right for Kaia and Lev, and Citizens and Prims alike.

••••••••••••••••

Check back tomorrow for my Q & A with authors Colleen Nelson and Nancy Chappell-Pollack in which they reveal much about their writing process and story lines from Pulse Point.  Always an insightful discussion when speaking with Colleen Nelson, we learn more than any blurb on a cover could reveal!

Here are all the stops on this blog tour:

• May 28: Stuck in YA Books
• May 29: CanLit for LittleCanadians
• May 30: Reading Maria
• May 31: Chapter by Chapter
• June 1: Biblio Virgo

Be sure to check them all out!

Ruthless Magic: Online book launch

Megan Crewe

author of multiple books of speculative fiction including her trilogies
Fallen World 
and
Earth and Sky

 

launches her new series

Conspiracy of Magic

with its first book

Ruthless Magic

Written by Megan Crewe

Another World Press

978-1-989114001

352 pp.

Ages 13+

May 30, 2018

on

Wednesday, May 30, 2018

8 a.m.- 11:30 p.m. (EST)

at

https://www.facebook.com/events/230095127572989/

The online launch which will take place throughout the day will include:
• games
• giveaways
• a virtual book signing (you can request a signed bookplate)
• live chat from 9:30-10:30 p.m. EST, and
• guest authors visits (30 minutes each):

Kristin D. Van Risseghem - 9 a.m.
Olivia Wildenstein - 10 a.m.
Nina Walker - 11 a.m.
Alison Ingleby - 12 p.m.
Tessonja Odette - 1 p.m.
Tiki Kos - 2 p.m.
Merrie Destefano - 3 p.m.
Cordelia Castel - 3:30 p.m.
Jesikah Sundin - 4 p.m.
Kristine Schwartz - 6 p.m.
K.M. Robinson - 7 p.m.
C.L. Cannon - 8:30 p.m.
Julie Hall - 11 p.m.

Get more details about the book at http://www.megancrewe.com/ConspiracyofMagic/ or read Megan Crewe's synopsis on her blog at http://www.megancrewe.com/blog/:

In the contest to keep their magic, the only options may be die… or kill.
 

Each year, the North American Confederation of Mages assesses every sixteen-year-old novice. Some will be chosen. The rest must undergo a procedure to destroy their magical ability unless they prove themselves in the mysterious and brutal Mages’ Exam.
 

Disadvantaged by her parents’ low standing, Rocío Lopez has dedicated herself to expanding her considerable talent to earn a place in the Confederation. Their rejection leaves her reeling—and determined to fight to keep her magic.
 

Long ashamed of his mediocre abilities, Finn Lockwood knows the Confederation accepted him only because of his prominent family. Declaring for the Exam instead means a chance to confirm his true worth.
 

Thrown into the testing with little preparation, Rocío and Finn find themselves becoming unlikely allies—and possibly more. But the Exam holds secrets more horrifying than either could have imagined. What are the examiners really testing them for? And as the trials become increasingly vicious, how much are they willing to sacrifice to win?