2025 Forest of Reading® winners announced

Over the past week, the Ontario Library Association's Forest of Reading®, a readers' choice book award program, announced the winners at its annual Festival of Trees at Harbourfront in Toronto and virtually.

Here are this year's winners and honour books for each reading program, as voted by young readers from JK to Grade 12.

 

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Winner

The Lost Stick
Written and illustrated by Anoosha Syed
PRHC Viking Books

Honour Books:

Harold the Iceberg Melts Down
Written by Lisa Wyzlic
Illustrated by Rebecca Syracuse
RAI Feiwel and Friends

 

Mandeep's Cloudy Days
Written by Kuljinder Kaur Brar
Illustrated by Samrath Kaur
Annick Press

 

Winner

Lost and Found: Based on a True Story
Written and illustrated by Mei Yu

Union Square Kids

Honour Books:

Ghost Girl

Written by Brooke Carter
Illustrated by Alyssa Waterbury
Orca Book Publishers

Dragon on the Loose
Written by Marty Chan
Illustrated by Grace Chen
Orca Book Publishers

Winner

 

The Legendary Mo Seto
Written by A.Y. Chan
Aladdin

 

Honour Books:

Eerie Tales from the School of Screams
Written and illustrated by Graham Annable
First Second

Iggy Included
Written by Deborah Kerbel
Scholastic Canada

Winner 

Four Terrifying Tales 

 (Haunted Canada: The Graphic Novel, Volume 1)
Written by Joel A. Sutherland
Illustrated by Hannah Barrett, David Bishop, Matt Salisbury, and Jenn Woodall
Scholastic Canada

Honour Books:

The Longest Shot: How Larry Kwong Changed the Face of Hockey
Written by George Chiang and Chad Soon
Illustrated by Amy Qi
Orca Book Publishers

The Halifax Explosion: 6 December 1917, at 9:05 in the Morning
Written and illustrated by Afua Cooper
Plumleaf Press

 

Winner

40 Days in Hicksville
Written by Christina Kilbourne
DCB

Honour Books:

The Cricket War
Written by Tho Pham and Sandra McTavish
Kids Can Press

Tig
Written by Heather Smith
Tundra Books

Winner

The Space Between Here and Now
Written by Sarah Suk
Quill Tree Books (HarperCollins)

Honour Books:

Where the Dark Stands Still
Written by A. B. Poranek
Margaret K. McElderry Books

 

Sweetness in the Skin
Written by Ishi Robinson
HarperCollins

Winner/Lauréat

Hugo
Écrit et illustré par Catherine Braun-Grenier
Fonfon

 

 

 

Honour Books/Livres distingués:

Si j’avais su
Écrit et illustré par Geneviève Després
Les 400 coups

Dernière heure: La déconfiture du lièvre
Écrit par Robert Soulières
Illustré par Sans Cravate
Fonfon

Winner/Lauréat

Le cumulus machinus
Écrit par Ugo Monticone
Ilustré par Orbie
La courte echelle 

 

Honour Books/Livres distingués: 

Ntangu
Écrit par Malika Tirolien
Illustré par Kiara Thompson
Fonfon

Blanche comme un drap
Écrit par Chloé Varin
Illustré par Rémi Allen
Fonfon

 

 

 

 

 

 

 

 

 

 

 

Winner/Lauréat

L’homme aux araignées
Écrit par Jocelyn Boisvert
La courte échelle

Honour Books/Livres distingués:

Le manoir Hillcrest
Écrit par Sandra Dussault
Illustré par Martin Côté
La courte echelle

Lili Jade 01: Pro des animaux
Écrit par Audrée Archambault
Illustré par Simone Duchesne
Éditions de la Bagnole
 

 

Congratulations to everyone!

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Our Ancestors' Kitchen

Written by Willie Poll

Illustrated by Shaikara David 

Annick Press

978-1-77321-962-2

36 pp.

Ages 4-7

April 2025 

 

Our ancestors teach us that there are memories in our meals.

There is magic in our cooking.

There is culture in our food.

 

So begins Willie Poll's story of a child learning at the stove of her grandma. With each dish comes a story and an invitation to witness how their ancestors lived and her own memories of her Grandpa and her community.

From Our Ancestors' Kitchen, written by Willie Poll, illustrated by Shaikara David

First they cook the minoomin (wild rice) and the girl begins to see a different scene within the kitchen. She can smell the water in which the wild rice grows, and she can hear the frogs, and see her ancestors on the water harvesting the rice. 

From Our Ancestors' Kitchen, written by Willie Poll, illustrated by Shaikara David

Next, Grandma is cooking meat, and the child sees the kitchen transformed with the colours of fall and animals stocking food for winter, and she remembers hunting with her Grandpa. That meat brings memories of finding mooz (moose) with their moose calls, and the tradition of giving thanks with prayer and asemaa (tobacco) after the mooz's "spirit danced into the sky." As important is the sharing of the meat with their Elders so that they might also care for their community. Their cooking together continues with maple syrup (zhiiwaagamizigan) and sunchokes (ashkibwaa) and blueberries, each bringing memories of time with her Grandpa and with the lives of their ancestors. And when the family and friends gather to eat, their ancestors join them.

From Our Ancestors' Kitchen, written by Willie Poll, illustrated by Shaikara David

Willie Poll, a Métis writer from Sault Ste. Marie and now of Prince Edward Island, reminds us of the importance of food to culture and to connecting us with those who came before us. Whether we learned to cook the foods from their hands or how to harvest the ingredients from age-old practices, those culinary experiences are almost bred in the bone. And when connected to our ancestors, the experiences are almost spiritual, as this child recognizes in the richness of the memories and the awareness of her heritage. With each ingredient and dish, she is transported to places she has been and to people she may have never met. But still the sensory experiences of those foods have become a part of her, to share with others now and forever.

 

Shaikara David, an Indigenous Mohawk from Akwesáhsne, uses her double-spread illustrations to bridge the contemporary with the past seamlessly. On a single spread, the child and her grandmother cook in a modern kitchen which transitions to an outdoor setting of trees and water and include Woodland-style artwork on blue backgrounds for animals and more. (See the rabbit, fox, squirrel and birds in the illustration below.) Shaikara David creates an organic connection between the present and the past almost effortlessly but still with some whimsy like the presence of the water rising beneath the kitchen table upon which a frog sits.

From Our Ancestors' Kitchen, written by Willie Poll, illustrated by Shaikara David

Many of us know that connection with our heritage and our ancestors through food but Willie Poll and Shaikara David help us to see the one that comes through an intergenerational relationship and into a culture with which most of us are unfamiliar. Moreover, in her author's note, Willie Poll wants readers to think about Indigenous Peoples and their connection with the land, as well as other cultures and their connection to food and the land. It's a relationship that is borne from acknowledgement and appreciation, enduring generations even as things change around us.

Just a Minute!

Written by Josée Bournival

Illustrated by Luke Ives

CrackBoom! Books (Chouette Publishing)

978-2-89802-605-8

32 pp.

Ages 4-7

May 2025 

 

How long is a minute? If you ask an adult, they will say 60 seconds or 1/60th of an hour. But for children, it can be measured by what can happen in that time, good or bad. So, a minute can seem like an eternity or a flash, depending on how they are feeling.

From Just a Minute!, written by Josée Bournival, illustrated by Luke Ives

Josée Bournival, well-known Quebec radio and TV host as well as author of adult and children's books, examines the concept of a minute from the perspective of different children. As diverse as the children and the families is the variety of ways to see a minute. First she looks at times when a minute seems like a long time, from waiting in line for a washroom or being told to wait when wanting something from an adult or when you can't fall asleep.

From Just a Minute!, written by Josée Bournival, illustrated by Luke Ives

But then there are those times when a minute just isn't long enough, like when playing with friends or getting a cuddle from your mother or watching a sunset. In those cases, time just flies by.

From Just a Minute!, written by Josée Bournival, illustrated by Luke Ives

Finally, a minute can be long enough to do things like brush your teeth or walk across the road and even change your whole life, like the moment you meet a new baby in the family. Sometimes we lose minutes through anger and arguing, but also through daydreaming. Ultimately, though, "when we line them up, one after the next, minutes make up our lives."

Whatever you way you look at a minute, good, bad, or neutral, it's time that comes and goes and brings with it something from which we learn, gain comfort, emote, interact, and so much more, all of which go into making our lives fuller. Josée Bournival covers the concept of a minute not as a unit of time but as a dimension of living, never judging or grumbling about time spent in any activity and always recognizing the fullness of a life that is both brimming with moments of different qualities.

From Just a Minute!, written by Josée Bournival, illustrated by Luke Ives

Montreal's Luke Ives ensures that all those moments of minutes of play and affection, learning and stressing are included but always with gentleness and good nature. Even standing in a line for a portable toilet does more than draw attention to the uncomfortable child, showing us people living their lives in moments of biding their time, either patiently or impatiently. His cartoon images keep the message light and amusing, always familiar in their circumstances and recognizable in the children's sentiments.

 

It may take you more than a minute to read Just a Minute! but whether a young child reading for themselves or an adult reading aloud to a child, the minutes spent reading this picture book will be worthwhile and completely satisfying.

 🕐🕑🕒🕓🕔🕕🕖🕗🕘🕙🕚🕛

 

A French-language version, Une (petite) minute!, is also available.

Une (petite) minute!

Written by Josée Bournival

Illustrated by Luke Ives

CrackBoom! Books

978-2-89802-572-3

32 pp.

Ages 4-7

May 2025

 

The Most Magnificent Team

Written and illustrated by Ashley Spires

Kids Can Press

978-1-5253-1295-3

40 pp.

Ages 4-8

May 2025 

 

The most magnificent little girl and her dog from The Most Magnificent Thing, The Most Magnificent Idea, and The Most Magnificent Maker's A to Z return and they're still making and building but with colleagues now.

From The Most Magnificent Team, written and illustrated by Ashley Spires

It's another day of doing for our young maker. She and her pug may do lots of things from helping others, snacking and dreaming but coming up with ideas for new builds is at which the child excels. Gathering her materials for her latest idea she heads down to her working space on the street and encounters another child already there. There's another little girl, this one with fabulous hair buns, a green headband, glasses and a grey cat out on the sidewalk with a collection of materials and the start of a house. Impressed with what she sees, our first little girl invites her neighbour to work with her on her new idea.

From The Most Magnificent Team, written and illustrated by Ashley Spires

Although our little girl starts off wanting to take the neighbour's ideas into consideration, the two have very different styles of working. While the girl gets right to work, the neighbour child is all about measuring and calculating and considering and making suggestions for making the idea better but never starting to build her part of the project.

 

Even when the girl just does it all her way, the neighbour girl has criticisms.

 

The neighbor insists her idea will be better.

But that's impossible since the girl's idea is already the BEST.

And you can't make the best BETTER – it's already

THE BEST!

 

From The Most Magnificent Team, written and illustrated by Ashley Spires

Not only does the neighbour criticize, but she also undoes the work of the girl. At this point, they huff off and decide to work on their own projects. But they both feel their projects to be mediocre, more "HMMM" than "WOW" so decide to amalgamate. They combine their efforts and help the other and while they still run into disagreements, they find that taking a breath, consulting their canine and feline assistants and rejigging their concept can lead to something even more magnificent than they imagined.

 

They might do things differently, and

they'll probably disagree sometimes, but they

know that whatever they make together is

sure to be MAGNIFICENT.

 

Working with someone can be challenging the first time. You have to take into consideration their ideas and their way of doing things and it might require some compromise and even relinquishing some control. But what happens when your styles of making are drastically different? The little girl in Ashley Spires's The Most Magnificent Team finds out soon enough that it's not just a question of adding a person to the mix. It doesn't mean your workload will be lessened immediately or that it'll be more fun. It sometimes means more work upfront to get to know them, how they work, how they can contribute and how to deal together when the partnership is challenged. Fortunately, Ashley Spires shows how a partnership or team can develop from individuals through disagreement and into compromise and finally lead to success and achievement. While young children will certainly benefit from reading a story about how a team comes together, whether they are working in a makerspace, on a sports team or in a group on a class project, I believe their teachers and parents would also be helped to understand that kids don't always hit it off immediately and that with time they can find solutions for themselves that work. It might not always be the solution we would have chosen, but if it's a solution that works for all, we have to let them try.

From The Most Magnificent Team, written and illustrated by Ashley Spires

I love Ashley Spires's stories whether it be her Binky the Space Cat or Burt the Beetle series or her standalone books like Larf and Small Saul. Though her approach is playful, and her illustrations whimsical and bright, she handles tough issues of fitting in and trying your best. In The Most Magnificent Team, Ashley Spires gives us two very different children and helps them find a way to work together, a big goal for everyone. Still, Ashley Spires always keeps it good-natured and lighthearted rather than confrontational or competitive. The kids want to work together; they just haven't figured out how to do it yet. But they do and their collaboration becomes a masterpiece for all, assistants included.

 

Being a magnificent creator can be a solitary activity, whether it be building or writing or something else altogether. But it can be the work of a team and, when a team works together, it can be truly magnificent.

Dad, Is It Time to Gather Mint?: Celebrating the Seasons

Written by Tyna Legault Taylor

Illustrated by Michelle Dao 

HighWater Press

978-1-774921227

36 pp.

Ages 5-8

May 2025 

 

A boy and his father walk the land through the seasons. With each season, there are new things to forage or fish or gather but always the child asks his Notawe/Baabaa, "Dad, is it time to gather mint?" That mint, a key component in his mother's teas, both cold and hot, drives this child to ask each time they head out to walk the land.

From Dad, Is It Time to Gather Mint?, written by Tyna Legault Taylor, illustrated by Michelle Dao

The text of Joshua's story is told in English but it is peppered with translations into Omushkegomowin, Swampy Cree, as well as Anishinaabemowin which is Ojibwe. As Joshua learns about the land and its plants and animals, so too do the readers in multiple languages.

 

Although Joshua would love for it to be summer (nipin in Swampy Cree, niibin in Ojibwe) when he can gather mint (katakipanik, gaaminomaagobagak in Swampy Cree and Ojibwe respectively), it is still fall when this story begins. His father (Notawe, Baabaa) reminds him that now it is a time of hunting, gathering Labrador tea (the plant), and fishing for whitefish.

From Dad, Is It Time to Gather Mint?, written by Tyna Legault Taylor, illustrated by Michelle Dao

As he and his father venture out into the season of winter, Joshua asks again and is reminded of those winter activities like snowshoeing, fishing for lake trout and herring, and gathering cedar branches for tea and for cleansing the indoor air. 

From Dad, Is It Time to Gather Mint?, written by Tyna Legault Taylor, illustrated by Michelle Dao

When winter turns to spring and the animals and the plants respond to the warming temperatures, Joshua is reminded that it is a time for hunting geese and gathering spruce buds and fishing for lake trout. Alas, it is still not time to gather the mint.

 

But when it finally is summer, Joshua rejoices, not just for the pickerel they'll fish and the sweetgrass, blueberries and cranberries they pick but for that much-anticipated walk with his father and the inevitable mint iced tea–recipe included–that his mother will share with the family.

From Dad, Is It Time to Gather Mint?, written by Tyna Legault Taylor, illustrated by Michelle Dao

There are many picture books about the seasons, but Tyna Legault Taylor's story has a richness of Indigenous heritage that makes it unique. Tyna Legault Taylor, a member of Attawapiskat First Nation, ensures a completeness of the year of seasons with the abundance of activities that Joshua and his dad enjoy together with the changing weather and circumstances. She brings us to Joshua's traditional lands in northeastern Ontario and to the culture of his Omushkego Cree and Anishinaabe family.

 

Michelle Dao, a Vietnamese Canadian illustrator, gives both a storytelling flavour and a non-fiction character to Dad, Is It Time to Gather Mint? Her digital artwork conveys the deep relationship between Joshua and his father, as well as the rest of the family, but also details the important elements that are hunted, fished, or gathered through the seasons.

 

Dad, Is It Time to Gather Mint? is but the first book in the Joshua Learns from the Land series, with the second book set to be released this October. For teachers of young students who are just learning the way seasons work, Dad, Is It Time to Gather Mint? would be a fabulous and sensitive introduction, with an Indigenous emphasis on language–two languages in fact–and traditional practices of hunting, fishing, gathering and more.

 

• • • • • • •

 

Joshua Learns from the Land

 

Dad, Is It Time to Gather Mint?: Celebrating the Seasons (May 2025)

Kokum, Are These Moose Tracks?: Celebrating Fall (October 2025)

Mom, Is It Time for the Spring Niska Feast?: Celebrating Spring (forthcoming)

The Crayon Stub

Written and illustrated by Marcus Cutler

G. P. Putnam's Sons (An imprint of Penguin Random House)

979-8-217-00333-4

40 pp.

Ages 3-7

May 2025 

 

Judging by the plethora of artwork on the refrigerator and adoring the walls, Big Cat loves to draw. He draws dinosaurs and robots and unicorns and pizzas and more. But when he's ready to attempt his next masterpiece, he is dismayed to find only a small nub of red crayon left in his box.

From The Crayon Stub, written and illustrated by Marcus Cutler

As he comes unglued, Big Cat looks at his previous works and deliberates about what he'll use his limited resource on. Little Cat, who may or may not be responsible for the lack of crayons, accompanies Big Cat as he ponders and worries and stresses.

From The Crayon Stub, written and illustrated by Marcus Cutler

But then Big Cat tosses his red crayon stub and drawing paper away in frustration and Little Cat grabs them. After a chase ensues, a masterpiece may be created but through extraordinary means.

From The Crayon Stub, written and illustrated by Marcus Cutler

While I have reviewed a number of books which Marcus Cutler has illustrated (e.g., Do Not Turn the Page!, and The Walrus and the Caribou), this is the first picture book of his that I've reviewed that he has both written and illustrated. (Note: he does have an earlier story, I Do Not Eat Children, that I have not read.) And, what I've realized is that there's a difference when he is the author-illustrator. Marcus Cutler's digital artwork has always had a degree of silliness that brings a playful mood to the stories but, when he also writes the text, the funniness is enhanced. Most young readers would recognize the distress of missing all their crayons, but Marcus Cutler gives us an over-the-top reaction in Big Cat's response. And then we've got a younger sibling who gets into an older sibling's things and uses them indiscriminately–wait until readers see what Little Cat does with the crayon stub–and the laughs continue. The art is both straightforward and clever in its simplicity but also filled with little details that captivate. Together Marcus Cutler gives us the funny in the story and the art.

From The Crayon Stub, written and illustrated by Marcus Cutler

There may only be a stub of a red crayon left in Big Cat's box but it's enough to create a tale rich in humour, colour, and character, courtesy of Marcus Cutler.

I Am Not a Sloth

Written by Marie-Pier Meunier

Illustrated by Valérie Desrochers

CrackBoom! Books

978-2-898026041

32 pp.

Ages 6-9

May 2025 

Harry may be a sloth i.e., the mammal but he is not lazy or complacent. He is more than just sloth, and he wants everyone to see all the things that he is because he has a big personality and he's proud of it. In fact, he introduces the reader to all the Harrys he is.

From I Am Not a Sloth, written by Marie-Pier Meunier, illustrated by Valérie Desrochers

He is joyful and generous, but he can also be furious and cranky. He can be studious and adventurous but also proud and anxious. He is typical in that he is a blend of positives and less positives, lovely traits and others when challenged with life. He may be a sloth–which he finally accepts–but he's so much more.

I am HARRY

and that suits me just fine.

I like myself as I am, one of a kind. 

From I Am Not a Sloth, written by Marie-Pier Meunier, illustrated by Valérie Desrochers

Quebec's Marie-Pier Meunier's message is that all of us are not just one thing. We are a blend of so many traits, both good and less desirable, that make us who we are. We might not always like being envious or stubborn and we certainly don't want to be labelled based on a single trait or a single bad act because we are more than our worst moments. Too often children are told by their peers or a parent or a teacher than they are one thing, whether precocious or difficult, lazy or entitled, and that's all they will remember or fear that's how everyone will see them. Harry is more than a sloth in his behaviours but then aren't we all? We all have days of inefficiency or fatigue or even unkindness, but we should not let those moments define us. It's unfortunate that we often see ourselves and others in terms of our worst not who we truly are. It's hard for Harry to accept that he is a sloth because of the connotations associated with that label but Marie-Pier Meunier lets him see how much more he is–just as young readers might do so–and how full his personality is. (Her author's note speaks about how personalities are formed, that we are not defined by our emotions, and that labels are hurtful.)

From I Am Not a Sloth, written by Marie-Pier Meunier, illustrated by Valérie Desrochers

Valérie Desrochers, an illustrator also from Quebec, makes I Am Not a Sloth a joyful acceptance of self beyond the obvious. She makes Harry both shy and brave in acknowledging his true self. He has twinkling eyes, a smile that is both affectionate and self-deprecating, and a face that expresses all the good and the not-so-good traits that are Harry. And in a landscape of lush fronds and leaves, as well as in a playful house setting, readers get to see the big picture that is Harry.

 

I Am Not a Sloth would a fabulous starter for so many lessons, from writing characters that are full-developed to self-image and acceptance. Most of all, it is a sweet story about acknowledging everything about ourselves, good and bad, and not dwelling on the worst, and that includes avoiding labelling, a harmful practice that overlooks the individual as a whole.

From I Am Not a Sloth, written by Marie-Pier Meunier, illustrated by Valérie Desrochers