June 01, 2014

Aboriginal Perspectives in youngCanLit Picture Books



With June designated in Canada as National Aboriginal History Month, I thought it incumbent upon me to create a list of picture books, both fiction and non-fiction, that honour the heritage, achievements and cultures of the Aboriginal Peoples of Canada.  Although I know that I have not included all that I could, please accept this list of 65 titles as my small contribution to promoting this rich history.

Aboriginal Alphabet for Children 
Written by Evelyn Ballantyne
Illustrated by J. Marilyn Ross and  Noah Head
Pemmican  
32 pp.  
Ages 3-6 
2002  
Each letter reflects cultural artifacts from First Nations, Metis, and Inuit.

An Aboriginal Carol
Written by David Bouchard
Illustrated by Moses Beaver
Performed by Susan Aglukark  
Red Deer Press 
32 pp.  
Ages 4 +  
2008 
The Huron Carol reworked with an Aboriginal world . Written in English and Inuktituk.  Also available in French.

Ancient Thunder  
Written by Leo Yerxa  
Groundwood Books 
32 pp.  
Ages 7-10 
2006 
Lyrical story of horses and native dress.

At the Heart of It (The Land is Our Storybook series)
Written by Mindy Willet and Raymond Taniton
Photographs by Tessa MacIntosh
Fifth House Publishers
32 pp.
Ages 7-11 
2011 
Ramond Taniton is Sahtugot'ine of Deline, NWT and he shares their rich history.

Beyond the Northern Lights 
Written by Lynn Blaikie 
Fitzhenry & Whiteside  
24 pp.  
Ages 4-8 
2006  
Folkloric tale of Raven in a First Nations community.

The Caribou Feed Our Soul (The Land is Our Storybook series)
Written by Pete Enzoe and Mindy Willet
Photographs by Tessa MacIntosh
Fifth House Publishers
32 pp.
Ages 7-11
2010

Pete Enzoe is Chipewyan Dene from Lutsel K’e, Northwest Territories who shares stories and the history of his people and their relationship with the caribou, including going on a respectful caribou hunt.

Caribou Song
Written by Thomson Highway
Illustrated by John Rombough  
Fifth House Publishers  
32 pp.  
Ages 4+ 
2013 
Two boys are traveling across the tundra by dogsled with their parents when they find themselves in the midst of  running caribou herds.

Come and Learn With Me (The Land is Our Storybook series)
Written by Sheyenne Jumbo and Mindy Willet
Photographs by Tessa MacIntosh
Fifth House Publishers
32 pp.
Ages 7-11
2009

Nine-year-old Sheyenne shares the daily life of the Dene Yatie on Trout Lake in NWT during the fall moose season.

The Coyote Columbus Story
Written by Thomas King
Illustrated by Kent Monkman
Groundwood Books
32 pp.
Ages 7-11
2007

Humourous tale based on the arrival of Europeans and their interactions with a female Coyote and the Aboriginal Peoples.

A Coyote Solstice Tale
Written by Thomas King
Illustrated by Gary Clement
Groundwood Books
64 pp.
Ages 7-11
2009

Coyote's plans for a festive solstice with his friends go awry when they meet a girl who introduces the mayhem of Christmas shopping to them.


The Delta Is My Home: Ehdutat shanankat t'agoonch'uu 
Written by Tom McLeod and Mindy Willet
Photographs by Tessa McIntosh
Fitzhenry & Whiteside
26 pp.
Ages 7-11
2008

Eleven-year-old Tom McLeod, of Gwich'in and Inuvialuit heritage, shares his life at the Mackenzie Delta.

The Diamond Willow Walking Stick
Written by Leah Marie Dorion
Michif translation by Norman Fleury 
Gabriel Dumont Institute  
48 pp.   
Ages 8-12 
2012 
Subtitled: A Traditional Métis Story about Generosity.  Michif translation included.

The Drum Calls Softly
Written by David Bouchard and Shelley Willier
Illustrated by Jim Poitras 
Red Deer Press  
32 pp.  
Ages 8-12 
2008  
(with CD of singing and drumming by Northern Cree Singers) Spiritual journey of character as part of a traditional Cree drum dance.

Eneèko Nàmbe Ik’oò K’eèzho = The Old Man with the Otter Medicine  
Told by John Blondin as told by George Blondin
Illustrated by Archie Beaverho
Translated by Mary Rose Sundberg  
Theytus Books  
40 pp.  
Ages 5-10 
2007 
(Includes CD) Story about the medicine power of an elder who helps a small group of people to overcome the threat of starvation during a hard winter.  In Dogrib and English.

The Gathering Tree
Written by Larry Loyie with Constance Brissenden
Illustrated by Heather D. Holmlund  
Theytus Books  
48 pp.  
Ages 9-13 
2005  
Set in a Pacific Northwest coast First Nations community, a young man returns home dealing with HIV.

The Ghost and the Lone Warrior
Written by C. J. Taylor
Tundra
24 pp.
Ages 8-13
1991

Lone Warrior is tested for his courage and determination by the ghost of his ancestor.
The Gift of the Inuksuk
Written by Mike Ulmer
Illustrated by Melanie Rose  
Sleeping Bear Press 
32 pp.  
Ages 5-12 
2004  
Though not a true Inuit story, it tells how the Inuksuit (plural) came to be.
Written by Qaunaq Mikkigak and Joanne Schwartz
Illustrated by Qin Leng  
Inhabit Media  
24 pp.   
Ages 0-4 
2013  
Inuit origin story of why ptarmigans cry, "Nauk, Nauk" and why baby ptarmigans fly so young.

Gray Wolf's Search
Written by Bruce Swanson
Illustrated by Gary Peterson
Second Story Press
24 pp.
Ages 6-8
2007

Young Gray Wolf must find an important person in order for his future to be successful.

Hidden Buffalo (Northern Lights Books for Children)
Written by Rudy Wiebe
Illustrated by Michael Lonechild  
Red Deer Press  
32 pp.  
Ages 7-10 
2003
Retelling of an ancient Cree legend of a vision where the buffalo are.

Kamik an Inuit Puppy Story  
Written by Donald Uluadluak
Illustrated by Qin Leng
Inhabit Media  
32 pp.  
Ages 4-9  
2012  
Story of an Inuit boy and his expectations for his new pup and the wisdom his grandfather shares with him.  

The Legend of Lightning and Thunder
Written by Paula Ikuutaq Rumbolt
Illustrated by Jo Rioux 
Inhabit Media  
40 pp.  
Ages 5-8 
2013  
Retelling of the Inuit myth of the creation of lightning and thunder, and the importance of caring for everyone.
The Legend of the Caribou Boy
Told by John Blondin as told by George Blondin
Illustrated by Ray McSwain
Translated by Mary Rose Sundberg  
Theytus Books  
40 pp.  
Ages 5-10 
2007  
Retelling of a traditional First Nation Dogrib tale about a young boy who leaves his family to follow a herd of Caribou. In Dogrib and English. (CD included)

The Legend of the Fog 
Written by Qaunaq Mikkigak & Joanne Schwartz
Illustrated by Danny Christopher 
Inhabit Media  
40 pp.  
Ages 7-10 
2010
From the Kiviuq legends of a man named Quannguaviniq who sees an evil spirit called tuurngaq while out on the tundra and how he attempts to escape it.

Living Stories: Godi Weghaa Ets'eeda
Written by Therese Zoe, Philip Zoe and Mindy Willet
Photographs by Tess MacIntosh
Fitzhenry & Whiteside
32 pp.
Ages 7-11
2009

Therese Zoe, a Tlicho woman from NWT, shares the sacred stories and traditional wisdom of the community's elders.

Long Powwow Nights
Written by David Bouchard, Pam Aleekuk and Patsy Paul-Martin
Illustrated by Leonard Paul 
Red Deer Press  
32 pp.  
Ages 8-14 
2009  
(Includes CD) Written in English and Mi’kmaq, the story tells of powwows and their traditions.

A Man Called Raven
Written by Richard Van Camp
Illustrated by George Littlechild
Children’s Book Press  
32 pp. 
Ages 7+ 
1997  
Set in the NWT, two boys who have been tormenting a raven are taught to respect nature by a mysterious raven man.

The Métis Alphabet Book
Written by Joseph Jean Fauchon
Illustrated by Sheldon Mauvieux 
The Gabriel Dumont Institute  
55 pp.  
Ages 4-8 
2005  
Picture history of the Métis people.

Missuk’s Snow Geese   
Written by Anne Renaud
Illustrated by Geneviève Côté  
Simply Read Books  
36 pp.  
Ages 4-8  
2008  
Missuk, a little girl in the north, dreams of carving snow geese out of soapstone.

The Moccasins
Written by Earl Einarson
Illustrated by Julie Flett 
Theytus Books  
16 pp.  
Ages 3-8 
2004 
The story of a young Aboriginal foster child who is given a special gift.

Nanabosho and the Butterflies 
Written by Joe McLellan and Matrine McLellan
Illustrated by Jackie Traverse 
Pemmican   
43 pp.  
Ages 6-11 
2010 
Ojibway tale of how butterflies came to make children laugh.

The Night Walker
Written by Richard Thompson
Illustrated by Martin Springett  
Fitzhenry & Whiteside 
32 pp.  
Ages 5-8  
2002  
Story of a young boy who goes out to walk in the forest, streams, etc. and loses track of time until he starts to hear things.  First Nations folklore.

Niwechihaw = I Help
Written by Caitlin Dale Nicholson with Leona Morin-Neilson
Illustrated by Caitlin Dale Nicholson 
Groundwood Books 
24 pp.  
Ages 4-6
2008  
Recounts the activities of a young Cree boy with his grandmother.  Written in both Cree and English.

No Borders: Kigliqangittuq (The Land is Our Storybook series)
Written by Darla Evyagotailak and Mindy Willet
Photographs by Tessa MacIntosh
Fifth House Publishers
40 pp.
Ages 7-12
2013

Teen Darla Evyagotailak, an Inuk girl, shows how communities across the border between Nunavut and the Northwest Territories are still connected, sharing a common ancestry and language. 

Nokum is My Teacher   
Written by David Bouchard
Illustrated by Allen Sapp
Red Deer Press  
32 pp.  
Ages 8-11 
2007 
(Includes CD with singing and drumming by Northern Cree.) With the help of his grandmother, Nokum, a young Cree boy learns that his schooling does not have to conflict with his Cree heritage.

Northern Lights: The Soccer Trails
Written by Michael Arvaarluk Kusugak
Illustrated by Vladyana Krykorka
Annick Press
24 pp.
Ages 4-7
1993

The mysteries of the northern lights are explained in terms of the Inuit culture.

Not My Girl
Written by Christy Jordan-Fenton and Margaret Pokiak-Fenton
Illustrated by Gabrielle Grimard
Annick Press
36 pp.
Ages 6-9
2014
Story of Margaret Pokiak's return to Banks Island and her family after living in a residential school.

Orphans in the Sky (Northern Lights Book for Children)
Written by Jeanne Bushey
Illustrated by Vladyana Krykorka  
Red Deer Press  
32 pp.  
Ages 4-8 
2004  
The origin of thunder and lightning are explained in this Inuit origin tale.

Owls See Clearly at Night: A Michif Alphabet 
Written and illustrated by Julie Flett 
Simply Read Books  
56 pp.  
Ages 3-6 
2010  
Picture book celebrates the Métis people and their heritage.

Peace Walker: The Legend of Hiawatha and Tekanawita  
Written by C. J. Taylor
Tundra Books  
48 pp.  
Ages 10+ 
2004  
An Iroquois legend of how Hiawatha and Tekanawita helped the Five Nations of the Iroquois Confederacy come together to fight evil.

Proud to be Inuvialuit: Quviahuktunga Inuvialuugama
Written by James Pokiak and Mindy Willet
Photographs by Tessa MacIntosh
Fitzhenry & Whiteside
32 pp.
Ages
2010
This easy-read non-fiction book tells of the traditional Beluga whale hunting of the Inuvialuit in Tuktoyaktuk, Northwest Territories.

The Qalupalik (The Unikkaakuluit Series)
Written by Elisha Kilabuk
Illustrated by Joy Ang  
Inhabit Media 
32 pp.  
Ages 6-8 
2011 
How a little orphan boy is nearly captured by a qalupalik, a monster of Inuit mythology.

Qu'Appelle
Written by David Bouchard
Illustrated by  Michael Lonechild
Raincoast Books
32 pp.
Ages 6-10
2002

Love story legend in which a Cree warrior leaves his betrothed who is devastated by his absence, and falls ill and dies, calling out his name over and over again.

Rainbow Crow
Written by David Bouchard
Illustrated by David Jean
Translated by David Hones
Red Deer Press
32 pp.
Ages 7-9
2012

(Includes audio CD in English, French and Ojibwe.) Retelling of the legend of Crow bringing fire to earth.

The Raven and the Loon
Written by Rachel and Sean Qitsualik-Tinsley
Illustrated by Kim Smith
Inhabit Media
32 pp.
Ages 3-6
2013

An Inuit tale of how the raven and the loon came to look the way they do.

The Red Sash
Written by Jean E. Pendziwol
Illustrated by Nicolas Debon 
Groundwood Books  
32 pp.  
Ages 7-12 
2005  
A young Métis boy wants to follow in his father's footsteps and become a voyageur. Set on the western shore of Lake Superior in the early 1800s. 

A Salmon for Simon
Written by Betty Waterton
Illustrated by Ann Blades
Groundwood
32 pp.
Ages  3-7
1978/2013

Story of a Pacific Northwest boy who wants to catch a salmon but when an eagle drops one in a tidal pool, Simon must decide what he will do.

Scared Sarah (New Beginnings)   
Written by Mary Alice Downie
Illustrated by Muriel Wood 
Fitzhenry & Whiteside  
57 pp. 
Ages 9-11  
2002   
Sarah and her family live in Upper Canada in 1836 where their isolation leaves most of their interactions with the Ojibway. 

Secret of the Dance 
Written by Andrea Spalding and Alfred Scow
Illustrated by Darlene Gait  
Orca Book Publishers
32 pp.  
Ages 9-12 
2006  
A young boy, Watl’kitna, remembers how the elders of his First Nations community defied the government’s rule and secretly conducted a potlach.

The Secret of Your Name: Proud to be Métis (Kiimooch ka shinikashooyen: aen kishchitaymook aen li michif iwik)
Written by David Bouchard
Illustrated by Dennis Weber 
Red Deer Press  
32 pp.  
Ages 10-13 
2009  
While sharing his pride in his Métis heritage, the author also apologizes to his ancestor for not embracing that heritage sooner.

The Shaman’s Nephew: A Life in the Far North
Written by Simon Tookoome with Sheldon Oberman
Stoddart Publishing  
55 pp.  
Ages 9+ 
2000  
Tells of the nomadic lifestyle of the Inuit in the Far North, as lived by Simon Tookoome, including traditional stories translated from Inuktitut. 

Shi-shi-etko
Written by Nicola I. Campbell
Illustrated by Kim LaFave 
Groundwood Books
32 pp.  
Ages 5+ 
2005  
Shi-shi-etko’s family is forced to send the young girl to residential school and she does all she can to remember the wonders of her home. 

Shin-chi’s Canoe
Written by Nicola I. Campbell
Illustrated by Kim LaFave
Groundwood Books  
40 pp.  
Ages 5+ 
2008 
Shin-chi is sent off to residential school, with a canoe carved by his father. 

Skysisters   
Written by Jan Bourdeau Waboose
Illustrated by Brian Deines  
Kids Can Press 
32 pp. 
Ages 6-9 
2000  
Two Ojibway sisters go out into the cold Northern Ontario night to catch sight of the Skysisters.

A Sled Dog for Moshi
Written by Jeanne Bushey
Illustrated by Germaine Arnatauyok
Hyperion
40 pp.
Ages 4-7
1994
Moshi, an Inuk girl on Baffin Island, wishes for a pup of her own.

The Song Within My Heart
Written by David Bouchard
Illustrated by Allen Sapp 
Raincoast Books  
32 pp.  
Ages 6-10 
2002 
Based on Cree painter Allen Sapp’s childhood memories of life on a reserve in Saskatchewan and getting ready to go to a powwow. 

Tiktala
Written by Margaret Shaw-MacKinnon
Illustrated by László Gal  
Fitzhenry & Whiteside  
32 pp.  
Ages 5-10 
2005  
An Inuit girl wants to be a soapstone carver and is temporarily transformed into a harp seal to gain the right perspective for the art and nature. 

A Walk in the Tundra
Written by Anna Ziegler & Rebecca Hainnu
Illustrated by Qin Leng 
Inhabit Media 
40 pp. 
Ages 5-8 
2011 
An Inuit girl bored with waiting for her friends goes on a walk with her grandmother to pick plants for medicine and tea.

We Feel Good Out Here = Zhik Gwaa'an, Nakhwatthaiitat Gwiinzii (The Land is Our Storybook series)
Written by Julie-Ann Andre and Mindy Willet
Photographs by Tessa MacIntosh
Fifth House
26 pp.
Ages 7-11
2008

Julie-Ann Andre is Gwichya Gwich'in from Tsiigehtchic, NWT, and she shares the story of her family and her land.

Written by Christy Jordan-Fenton and Margaret Pokiak-Fenton
Illustrated by Gabrielle Grimard 
Annick Press
32 pp.   
Ages 6-9 
2013 
True story of author’s experience in residential school.

Which Way Should I Go?
Written by Sylvia Olsen with Ron Martin
Illustrated by Kasia Charko 
Sono Nis Press  
40 pp.  
Ages 6-8 
2007  
When Joey’s Nootka grandmother, the most important person in his life, dies, he must find a way to deal with his grief. 

Wild Berries/Pakwa Che Menistru
Written and illustrated by Julie Flett
Translated by Earl N. Cook
Simply Read Books
32 pp.
Ages 3-6
2013

Told in English and Swampy Cree, this is the story of a boy picking blueberries with his grandmother.


Yamoòzha Eyits’o Wets’èkeè Tsà = Yamozha and His Beaver Wife
As told by Vital Thomas
Illustrated by Archie Beaulieu
Translated by Mary Siemens
Theytus Books  
48 pp.  
Ages 5-10 
2007  
(Includes CD) A tale used to help explain the naming of the landscape of the land of the Dene. In Dogrib and English. 

Yetsa’s Sweater
Written by Sylvia Olsen
Illustrated by Joan Larson 
Sono Nis Press
40 pp.  
Ages 8-10 
2006  
Yetsa helps her grandmother with all the tasks needed to knit a Cowichan sweater of the Coast Salish people of BC.

Zoe and the Fawn  
Written by Catherine Jameson
Illustrated by Julie Flett
Theytus Books  
32 pp.  
Ages 5-8 
2006 
Zoe and her father follow a fawn to learn more about it as she learns to respect nature.  Includes the Okanagan (Syilx) language terms for the animals encountered.

May 28, 2014

Assured Destruction with Zombies

by Michael F. Stewart
978-0-981269993
225 pp.
Ages 13+
2014


If you haven't read Michael F. Stewart's Assured Destruction (2013), reviewed here, and Script Kiddie (2013), its sequel (reviewed here), then don't read this review.  Get Books 1 and 2 in the Assured Destruction series first.  You won't be disappointed and you'll enjoy Book 3 all the more.


When Script Kiddie ended, tech savvy Janus had saved her classmate and friend Hannah from attempting to kill an online predator, and sustained enough injuries–including a broken ankle and bruised ribs–to slow her down a bit. But only a bit because she's still got a lot to do.  If she doesn't want to lose her semester, she must attend school every day and on time.  With mom hospitalized and undergoing electric shock therapy, Janus feels like she must take on more of the business responsibilities.  The mortgage on the business, Assured Destruction, is still in jeopardy and Janus is working on ways to make more money, including billeting ten international students (though she's got nothing ready for them, only space in their industrial park business/home).  She also has a plan to make the company more profitable by seeking out some of the clients that had worked with her dad before he disappeared several years earlier, although her mom's boyfriend, Peter, thinks she shouldn't be doing this.  

Her visits to these clients, including AAA Ltd. and A ZaZa Pizza, leave her more confused.  They don't have the number of computers that would make them customers of Assured Destruction; in fact, she's even warned away by a pony-tailed man she sees at several locations.  Janus is quick to recognize that these clients may not provide the business they need but she's sure they may be helpful in finding her father. But her investigations hit too close to home, and her determination to learn the truth ends up putting her life and the business in jeopardy.

While pursuing the mystery of her father's disappearance and his dealings with these special "customers", Janus again gets involved with the hackers online at Darkslinger to find a solution to something the media is calling the Zombie Worm, a malware program that is affecting the school server, her home computers, and businesses, traffic lights, etc.  But Janus doesn't realize that, as they say, when you play with fire, sometimes you get burned. And when she's trying to do everything-school, business, heal, friends, boyfriend, community service, investigate her father, liaise with the police-she gets burned really badly, metaphorically, though almost physically too.  

Michael F. Stewart has developed Janus into a character who can see beyond the moment and beyond the computer, although this is something that is difficult for her.  She is used to taking care of everything, not relying on anyone or anything. Her physical injuries at the end of Script Kiddie have required her to get help, whether she wants it or not. (Driving the van with hand controls is an especially funny scene.)  Too soon her mental health is in jeopardy as well. Janus needed to know, really know, that she didn't have to take on the world by herself.  Many of us don't like asking for help, assuming that it shows weakness.  Wrong.  The weakness is in not asking, especially when we know many hands make light work.  Between her friends and others watching out for her, Janus has a lot of support.  By continually going after things herself, she negates what they mean to her.  Not deliberately, but she still does. Not until she is able to accept help do things start to turn around for her and Assured Destruction. 

Assured Destruction with Zombies may have an edge-of-your-seat adventure with several mysteries to solve and a whodunit that will surprise you but it's Janus' character that took centre stage for me, finally becoming a person with whom I could empathize.  Her computer smarts are far beyond any that I will ever know, though I'm sure a few young readers will know exactly what she's doing always, but those are her skills and strengths.  Showing her weaknesses and working with them, rather than through them, has made Janus stronger and a more likeable character. And I'm reassured, after reading Assured Destruction with Zombies, that nothing can destroy her. Janus may become damaged but she's an invincible protagonist who could take on the world, cyberspace and all.

May 26, 2014

Jamie's Got a Gun

Text by Gail Sidonie Sobat
Illustrated by Spyder Yardley-Jones
Great Plains Teen Fiction
978-1-926531-88-5
224 pp.
Ages 12+
May 2014

Jamie's Got a Gun which he found during a dumpster dive and he's in a dangerous state of mind.  Jamie's got an abundance of anger and it's growing.  Dangerous combination.

His sources of rage? There's Hugh the Pugh (for pugilist i.e., boxer, former), stepdad and abusive drunk who regularly beats up seventeen-year-old Jamie and his hard-working mom, Molly, and never stops demanding that Jamie get a job, any job, though Mom is determined to keep Jamie in school and pursuing his drawing. There's Blade Attaman and his school thugs who torment Jamie physically and verbally, humiliating him on a regular basis.  There's his father who left when Jamie was 4 and now lives in Chicago with his new family and provides essentially no support so Mom has to work two jobs and settle for Hugh the Pugh who doesn't work because he's collecting a pittance for a WCB claim.  Even Molly's brother, their Uncle Mac, doesn't help her out much, though he spoils his sons rotten.  And, in their rough neighbourhood, Jamie watches as Tina, a classmate from elementary school, now works the street as a hooker, supporting a drug habit that her pimp Tony probably got her into. These injustices are overwhelming to Jamie.

Personally, Jamie's got his own issues, from his dyslexia to his lack of friends and no girlfriend (though he is crushing on Tatiana Oleshenko).
"Sometimes I wish the rain could come and wash away my pathetic life." (pg. 24)
Jamie's one bright light is Candy, his thirteen-year-old sister and his hero.  He'll do anything to protect her, and that gun might be just the thing he needs to accomplish that.
"But a gun has a loud voice. I'd finally be seen and heard with a gun.  People would take Jamie Kidding seriously.  At last." (pg. 63)
The coarse starkness of Jamie's world is reflected in his artwork, courtesy of Spyder Yardley-Jones, of jagged edges and bold angles. There is no softness in his world.  Yet, when he draws Candy as a Sailor Moon-like superhero, Candy Moon, his playful side can be seen.  And when he shares his drawings of Tatiana's shoes, eyes or lips, he's seeing more than what's on the surface.

Gail Sidonie Sobat's young adult books suggest that she's got the pulse of young people and knows how they think and feel.  Gravity Journal (Great Plains, 2008), Chance to Dance for You (Great Plains, 2011) and Not With a Bang (Magpie Books, 2012) are perfect examples of how she can get into their heads and voices.  By collaborating with Spyder Yardley-Jones, Gail Sidonie Sobat has added that graphic element that adds a thousand words but moderates the text length while enriching the story.  Words on a page are only powerful when read; words with accompanying black-and-white graphics are understood and endure.  In Jamie's Got a Gun, it couldn't have been anything but a graphic novel, with illustrations documenting his experiences and feelings, as Jamie decides what he's going to do with that gun.  But, as you'll understand when you read Jamie's Got a Gun, it's not all black and white.

May 25, 2014

This One Summer

by Mariko Tamaki
Illustrated by Jillian Tamaki
Groundwood Books
978-1-55498-152-6
320 pp.
Ages 14+
May 2014

The anticipation of summer holidays can be overwhelming, especially if you're looking forward to another great summer at a Muskoka cottage where your family has gone for years.  Beaches, water, sunshine, friends, freedom, videos, board games, and no school.  Another wonderful summer at the cottage.  Except that things never stay the same: not people, not places, not experiences.

Superficially everything seems to be the same. The Wallace family is heading to the cottage at Awago Beach where everything seems familiar.  Young teen Rose meets up with her younger friend, Windy, and her mother Evelyn there. They ride their bikes.  They go to the beach and swim. They visit Brewster's, the only convenience store at Awago, for candy, videos and junk food.  They watch videos at night, and play board games.  It's a time for sleeping in and no worries.  Even Rose's parent have their routines: Dad enjoying a beer, making jokes and doing the BBQ thing, while Mom organizes, visits with Evelyn and reads and writes. But there's an undercurrent of unease.

Though only a year and a half different in their ages, best friends Rose and Windy are no longer always in sync in their thinking.  Rose seems to have gone through puberty and is seeing beyond the silliness of their summer antics.  She's crushing on Duncan, the teen working at Brewster's, and eavesdropping on the local teens and her own parents, trying to understand all she hears and sees.  Windy, on the other hand, is always joking around (she calls Duncan "the Dud"), being loud and hyper and trying out new words that seem to get a reaction (like slut and sexy ta-tas).  She notices Rose's distraction and tries to go along with her, realizing Rose knows a lot more that her and can share about things Windy knows nothing.

Two particular dramas seem to be affecting Rose: the friction between her parents, and the relationship between Duncan and his girlfriend Jenny.  Surprisingly, they both involve babies.  Although Rose doesn't really share what she's thinking about either situation, Windy seems to interpret her reactions, often infuriating Rose.  Puberty can be a confusing time, with a perceived loss of youthful innocence and unrestraint and being expected to deal with more mature issues.  And Rose has a foot in both worlds: the one of her fun, curious younger self and the one of conflict, relationships and judgment.

Everyone must remember a summer of awkwardness, in the pre- or early- teen years.  Most of us would choose not to relive it.  But Mariko Tamaki's text suggests that it's a rite of passage for many young people, whether it be a cottage experience–something more common in parts of Canada than others–or a summer in the city.  Friendships are reconfigured to accommodate new feelings and thinking, and with new knowledge, even incomplete, come more questions and insecurities about that knowledge.  The voices that Mariko Tamaki gives Rose and Windy reflect their balancing between childhood and adolescences, just as the language of the Awago teens, heavily peppered with profanity, reflect their perceived invincibility and rebelliousness.  Enhancing Mariko Tamaki's text is the artwork of her cousin, Jillian Tamaki, whose first work together was their highly-acclaimed graphic novel, Skim (Groundwood, 2008).  Her characters reflect their natures so well. Windy is the dark-haired, freckled girl with an extra pound or two of baby fat, though thankfully not affecting her exuberance for life (yet).  On the other hand, Rose is the light-haired, slender girl who doesn't smile as easily and carries her body more stiffly, as if still getting used to it. Moreover, choosing to use the dark blue-purple of indigo for the cover of This One Summer and midnight blue for the illustrations within is an ingenious selection by Jillian Tamaki, reflecting the appearance of brightness on the surface but a darkness within. 

This One Summer is the summer coming-of-age story with which many teens will be familiar and with which many parents would hope their pre-teen girls won't have to experience, at least for a while. 

May 23, 2014

Spring: A season of book award announcements

Spring may have sprung (finally!) but I feel like I've been digging myself in deep under the mountain of book award announcements.  It seems that every regional, national and international book award is announcing winners or shortlists or upcoming announcements of winners or nominee shortlists (yes, there are announcements about announcements).  In case you've missed some of the announcements, here's a list of some which I have posted on CanLit for LittleCanadians: Awards blog just since the beginning of spring (the calendar spring, not the weather spring):

Regional
National
International
    Hard to keep up with the reviewing when I want to broadcast the awards' shortlists and winners, all with the goal of promoting youngCanLit.  The more that bloggers and readers and organizations champion extraordinary children's books by Canadian authors and illustrators, the more likely that a Canadian publisher won't go under, a writer will continue to write or more great books will be created.

    Check out these lists of nominees and winners and see how many titles reappear on multiple lists or which ones are unique to one list.  Read the comments made by the juries or readers who make selections.  And enjoy the wealth of outstanding literature, as always!

    Please help promote 
    our award-winning youngCanLit!

    May 22, 2014

    What We Hide

    by Marthe Jocelyn
    Tundra Books
    978-1-77049-642-2
    275 pp.
    Ages 14+
    May, 2014

    I can't imagine a freer time than the 1960's and early 1970's when there were calls for "Love, Not War", when peace symbols and drugs were everywhere, and when contraception helped support the idea of free love.  Strangely, the young people in What We Hide should be immersed in all that liberating freedom, standing up for their views, and not taking any directions from the establishment.  Yet these teens have their heads and hearts in two worlds: the traditional, even old-fashioned world more typical of  their parents and school administrators, and the experimenting, liberal explorations of their peers.  What they choose to hide is all rooted in their conflicting ideas of right and wrong, wants and needs, smart and ignorant, and childish and mature.

    To help her older brother evade the draft for the Vietnam War (sadly something his best friend Matt chose not to do), Jenn accompanies Tom to England where he will attend Sheffield University and she Illington Hall, a boarding school, nearby.  The new milieu allows Jenn to become the American Jenny with the (imaginary) boyfriend Matt who is fighting in Vietnam.  Except for occasionally hearing from Tom who is heavily into smoking weed and avoiding contacting Matt, Jenny's world is Illington Hall, her new friends and misdirecting them to maintain her story.  But Jenny is just one of the narrators in What We Hide who reveal in the text that which they won't share elsewhere.

    There's Robbie a local boy who knows he's gay but keeps it from everyone, especially his 18-year-old brother Simon, whose sexual exploits have already made him a father and has him engaged to marry another pregnant girl.  Robbie meets a boy from the boarding school, Luke, who never knew he was gay and, although smitten with Robbie, is still trying to discover whether he might like girls if he just found the right one. Luke and sister Kirsten come from a seemingly perfect family, or so classmate Penelope believes, until she finagles an invitation from them for the weekend.  And Penelope, whose aggressive attitude suggests that she'd have sex with anyone and it wouldn't be a big deal, has a big secret about her mother that she won't share.  Another classmate, Percy, too has a secret about his parent but one that could bring him popularity or shame.

    I haven't even mentioned Nico, who is the school's heart throb and whose intimacy with his girlfriend Sarah is well known. But now that Sarah has returned home to Toronto, who is in Nico's line of sight? Jenny? Oona, Sarah's best friend?  What about Brenda, the sister of the mother of Simon's son?  She's a local but she attends Illington Hall as a day student, always straddling the line between the unrefined life of a local and the ambitious scholarship of her boarding school.

    How Marthe Jocelyn, who could not have been old enough to have experienced this era, could accurately portray the thoughts and actions of Jenny, Robbie, Luke, Penelope and all their peers is astounding to me.  She has covered the full gamut from naive to promiscuous (though it is the time of free love, right?) and brash to reserved, but the confusion that seems to predominate the teen years is always there, regardless of background, wealth, family, friends, or intelligence.  These young people are all trying to find out who they are, wanting to be someone: a cherished son, a first love, a supportive sister, a sympathetic friend.  But wanting to be someone is not enough  to make it happen.
    "Maybe I'd been hoping for a miracle, but I thought I'd be someone else by now.  I thought at least that I'd be . . . someone." (pg. 258)
    But like all stories based on secrets or lies (misdirections, as Percy calls them), the truth will eventually be uncovered, for good or bad. Marthe Jocelyn makes it clear that the drama swirling around all these hidden truths in What We Hide is what takes the energies of these young people.  Sadly they don't know that the issues which are consuming them are real and significant as they are but creating dramas enfold these concerns just compounds them.  Some come to that realization more swiftly than others but still with heartache (Penelope recognizes that, "There is only me to blame for where I am.  There is only me." [pg. 197])

    While I feel for these young people, wishing that they could trip through their teen years with more spirit and less angst, Marthe Jocelyn makes it clear that they will deal as they can, and things will work out or not, but they have the capacity to learn more about themselves through these hardships, regardless what they hide.

    May 21, 2014

    Live to Tell

    by Lisa Harrington
    Dancing Cat Books
    978-1-77086-217-3
    170 pp.
    Ages 13+
    2012

    Just having been awarded the White Pine Fiction Award in the Ontario Library Association's Forest of Reading program last week, I willed myself to go back to 2012 to review Live to Tell.  I suspect that many readers, including author Lisa Harrington, were surprised by the book's selection by high school students as their favourite book but, as I always say, if a book wins an award, it deserves to win it.

    Teen Libby Thorne wakes up after twelves days of unconsciousness in a hospital, trying to piece together how she got there from the bits and pieces her parents, nurses and friends are able to share.  They can't tell her much because the police are involved now and she needs to provide her account, not one pieced together from others' information.  Two visitors are especially critical in helping bring back Libby's memories.  First, her best friend Kasey, whom Libby's mom has always thought of as a bad influence on Libby, sneaks in to visit and update her on what happened and how the outside world is reacting to the car accident and Libby's role in it.  Second is Cal McInnis whose good looks and devotion to Libby while at the hospital has everyone cooing about him being her boyfriend.  Thing is, the boyfriend she remembers is Nate, though slivers of memory do start to poke into her consciousness and she recalls a rather crude break-up and subsequent drinking.

    I know that my students dislike the use of a character's amnesia to develop a plot, but in Live to Tell Lisa Harrington does not use it as a device to keep the whole truth hidden.  The loss of memory is used to reveal Libby's thinking as she tries to make sense of what she is told, what she feels, and what is the truth.  Because her future depends on her remembering–she has been arrested for manslaughter–Libby wants to learn the truth quickly but she isn't always making sure how reliable the information is.  Fortunately, with some friendly direction and because human nature eventually leads us to show our true selves, the twisted plot and surprise revelations bring a swift resolution to Live to Tell.  

    Lisa Harrington has penned a young adult mystery with hints of romance and teen angst that obviously reached many teen readers, garnishing a major Canadian book award for young people.  Though Libby's story does jump back and forth between her memories and her present, the plot is essentially a linear one: girl awakens with amnesia and tries to fill those gaps in her memory.  I think Live to Tell could have benefited from some additional subplots to enrich the story but I tend to enjoy more complicated story-telling and those that provide me with the context for considering larger social issues than, say, drinking.  But the readers clearly appreciated the tight storyline and its convolutions, and that's good enough for me.

    Congratulations on your White Pine Fiction award,  
    Lisa Harrington,
    for Live to Tell!