The Stone Rainbow

Written by Liane Shaw

Second Story Press

978-1-77260-108-4

272 pp.

Ages 13-18

September 2019

Liane Shaw introduced her characters Ryan and Jack to YA audiences in her novel Caterpillars Can't Swim (Second Story Press, 2017), telling the origin story of their accidental friendship and Jack's acceptance of his sexuality. Though only a handful of others in his life, including his mom, Ryan's mom. Ryan's friend Cody and Jack's counselor Matthew, know that Jack is gay, he has capitulated that expressing that sexuality in the small town of Thompson Mills is unlikely.

This town is so small that being different usually means you're flying solo. (pg. 61)

In The Stone Rainbow, Jack meets the new guy at school, Benjamin Lee, and Jack is smitten. The new vice-principal's son is beautiful and kind and Jack doesn't know what to do. He's used to hiding in his "caterpillar camouflage" (pg. 8) and now the idea of putting himself out there, expressing his interest in anyone, especially a young man who may or may not reciprocate that interest, is terrifying.  Staying a caterpillar, on the other hand, is familiar, even if stifling.

Benjamin, on the other hand, is not willing to stay in the closet. When they are assigned an art project that reflects something of social and personal significance, he creates a massive rainbow of coloured stones on plywood. He honours and celebrates the LGBTQ+ community with the myriad of messages on the stones that reflect the rainbow's symbolism. Though Benjamin is pretty much out, his art project rouses all the nastiness that Jack had already witnessed in his town. But when Benjamin is attacked, Jack decides to focus on something positive that might help Benjamin as well: a Pride parade. Fortunately, Jack discovers that there's a whole lot more support for him and Benjamin and a Pride event than he could ever have imagined.

Though The Stone Rainbow is a story of acceptance of self and others, it is also a tragic story that depicts the reality for those who may be perceived as different. There is violence and hate and masks. Jack knows what it is to come out–as he did to his mother in Caterpillars Can't Swim–so he still feels compelled to hide his sexuality from his peers and others, fearing their reactions, and shielding his true self and expression of that self. Even with supports from Ryan and others, it's not until Jack meets Benjamin that he is able to shed that chrysalis to reveal the butterfly he was meant to be. It is both "terrifying and wonderful" (pg. 239) and Jack recognizes he "could be as beautiful as I want to be because no one cares if a butterfly is a boy or a girl. It's just a pretty part of nature that everyone accepts." (pg. 242)

With her diverse cast of characters, Liane Shaw demonstrates that differences make a community richer, though there are the unenlightened who still need to learn this lesson in compassion and tolerance. If The Stone Rainbow teaches us anything it's that it's the blending of all into a spectacular prism of life that makes our world complete and beautiful.

If everyone just decides to treat everyone else with kindness, it all goes away. Intolerance, disrespect, racism, homophobia, misogyny, bullying, and all the other horrible words we've had to invent to find a way to label the endless crap people seem to feel the need to throw at each other...all wiped out by one simple command. Be kind. (pg. 214)

Caterpillars Can't Swim

Written by Liane Shaw
Second Story Press
978-1-77260-053-7
256 pp.
Ages 13-18
September 2017

Though sixteen-year-old Ryan Malloy is often treated differently in his small town due to his use of a wheelchair, everything is right with the world when he is swimming.  Because he’s up early even on days when he hasn’t got swim team practice, Ryan witnesses someone disappearing beneath the surface of their local river.  Throwing himself off the bridge, ultimately injuring his shoulder, Ryan saves a school mate, Jack Pedersen, from drowning.  But did Ryan really help Jack out?  When small-town gossip and rumours about Jack’s sexuality and the bullying he endures because of it brings Ryan to Jack’s defense and side repeatedly, the two develop a tenuous friendship.

Not that I'm saying everyone here is like that.  They aren't.  It's just that it seems like this town is frozen in time and a lot of attitudes around here are stuck in the ice.  My mother says she spends a lot of her time at school working on thawing out the attitudes of the kids so that someday things will be different.
   I don't think it's working yet. (pg. 10)

Although Ryan’s best friend Cody is somewhat awkward about Jack and about Ryan’s new relationship with him, the three boys’ embark on a summer trip to a local ComicCon.  During those two days, much is revealed about the teens’ fears, attitudes and confusion about each other but also exposed are the hurts, judgments and burdens they all carry, regardless of the limitations or strengths others perceive them to have.  Whether their relationships, new and old, are enough to make a positive difference in their lives is only evident after a stunning climax of rejection, desperation, and intervention.

Liane Shaw, a former educator including special education resource teacher, has never shied away from tough topics like foster care (Fostergirls, Second Story, 2011), physical or emotional limitations (The Color of Silence, Second Story, 2013) and ASD (Don’t Tell, Don’t Tell, Don’t Tell, Second Story, 2016). As in her earlier young adult books, she tackles the prejudices people assert on those who are different, whether perceived or real, and turns them into understanding and acceptance for those differences.  Whether caterpillars can or can’t swim is irrelevant.  What’s important is knowing that metamorphosis is foreseeable and all butterflies and moths are to be appreciated.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

(A version of this review was originally written for and published in Quill & Quire, as noted in the citation below.)

Kubiw, H. (2017, September). [Review of the book Caterpillars Can't Swim, by Liane Shaw]. Quill & Quire, 83 (7): 39.

LGBTQ in youngCanLit

I honestly believe that every young person should see themselves somewhere in literature.  Sure, no one will see themselves in every piece of youngCanLit but, in this age and with the wide variety of writing out there, there is a plethora of picture books, fiction and non-fiction that includes members of the LGBTQ communities, as there should be.

And in the month of June, when Toronto will be celebrating gay pride from June 19-27 (Vancouver will be celebrating from July 25-August 2, Montreal from August 10-16 and Calgary from August 28-September 7), I can't think of a better time to prepare a booklist that includes titles with LGBTQ characters or deal with related issues.

So, if you'd like to enlighten, to share, to appreciate and to understand LGBTQ issues, check out these youngCanLit books.

Picture Books

Asha's Mums

by Rosamund Elwin and Michelle Paulse
Illustrated by Dawn Lee
Women's Literary Press
24 pp.
Ages 5-9
1990

Fiction

Big Guy
by Robin Stevenson
Orca Book Publishers
128 pp.
Ages 12+
2008

Chance to Dance for You
by Gail Sidonie Sobat
Great Plains Teen Fiction
172 pp.
Ages 14+
2011

Reviewed here

Crush
by Carrie Mac
Orca Book Publishers
136 pp.
Ages 14-17
2006

Drummer Girl
by Karen Bass
Coteau
192 pp.
Ages 14+
2011

Forward Pass

by Lorna Schultz Nicholson

Lorimer

144 pp.

Ages 13+

2013

Girl from Mars
by Tamara Bach
Translated by Shelley Tanaka
Groundwood Books
176 pp.
Ages 14+
2008

Hello, Groin
by Beth Goobie
Orca
292 pp.
Ages 14-17
2006

Homo

by Michael Harris
Lorimer
144 pp.
Ages 14-17
2012

In the Garage
by Alma Fullerton
Red Deer Press
181 pp.
Ages 13+
2006

Money Boy
by Paul Yee
Groundwood Books
184 pp.
Ages 12+
2011

Moon at Nine
by Deborah Ellis
Pajama Press
224 pp.
Ages 14+
2014

Reviewed here

Not With a Bang
by Gail Sidonie Sobat
Magpie Books
118 pp.
Ages 14+
2012

Reviewed here

One in Every Crowd
by Ivan E. Coyote
Arsenal Pulp Press
238 pp.
Ages 12-17
2012

Parallel Visions
by Cheryl Rainfield
Rain and Sun Press
146 pp.
Ages 13+
2012

Reviewed here

Scars
by Cheryl Rainfield
Westside Books
248 pp.
Ages 14+
2010

Skim
by Mariko Tamaki
Illustrated by Jillian Tamaki
Groundwood Books
141 pp.
Ages 14 +
2008

Stained
by Cheryl Rainfield
HMH Books for Young Readers
304 pp.
Ages 14+
2013

Reviewed here

Straight Punch

by Monique Polak
Orca Book Publishers
256 pp.
Ages 13-16
2014

Swimming in the Monsoon Sea
by Shyam Selvadurai
Tundra
280 pp.
Ages 16+
2007

Switch
by Douglas Davey
Red Deer Press
252 pp.
Ages 15+
2014

Reviewed here

This High School has Closets
by Robert Joseph Greene
Icon Empire Press
96 pp.
Ages 14+
2011

This One Summer
by Mariko Tamaki
Illustrated by Jillian Tamaki
Groundwood Books
320 pp.
Ages 14+
2014

Reviewed here

Way to Go
by Tom Ryan
Orca Book Publishers
224 pp.
Ages 12+
2012

Reviewed here

What We Hide
by Marthe Jocelyn
Tundra Books
275 pp.
Ages 14+
2014

Reviewed here

When Everything Feels Like the Movies
by Raziel Reid
Arsenal Pulp Press
176 pp.
Ages 15+
2014

Would You Mind?

by Robert Joseph Greene
Icon Empire Press
121 pp.
Ages 14+
2013

(You) Set Me on Fire
by Mariko Tamiki
Razorbill
304 pp.
Ages 14+
2012

Non-fiction

Branded by the Pink Triangle

by Ken Setterington
Second Story Press
196 pp.
Ages 13-18
2013

Homophobia: Deal with It and Turn Prejudice into Pride

by Steven Solomon
Illustrated by Nick Johnson
Lorimer
32 pp.
Ages 12-14

2013

n.b. Please let me know about any titles I may have missed that belong here.  I would love to make this a more complete booklist, and not limit it to only those books with which I'm familiar.

We are All Made of Molecules

by Susin Nielsen

Tundra Books

978-1-77049-781-8

246 pp.

Ages 12+

For release May, 2015

Blending families can be difficult but even more so when each family has a young teen burdened by the issues related to why their original family no longer exists.  We Are All Made of Molecules is told in the alternate voices of two young teens, Ashley and Stewart, whose families are joined together when Stewart’s dad, Leonard Inkster, and Ashley’s mom, Caroline Anderson, decide to move in together.  Stewart’s wonderful mother, Janice, has died of ovarian cancer, and Ashley’s father, Phil, has realized that he is gay and now lives in the laneway house behind the very house Stewart’s dad, Ashley’s mom, and Ashley and Stewart, and Stewart’s cat Schrödinger, will now cohabit.  Yep. Awkward.

Even though Stewart could continue at Little Genius Academy, he chooses to attend Ashley’s high school, claiming “It’s time for me to work on my ungifted parts.” (pg. 31) In fact, he makes a list of things he will do at his new school like getting more involved, smiling more, making jokes, and not getting discouraged.   And with a new “sister” like Ashley who melds her drama queen with mean girl to perfection, Stewart has to work pretty hard.  But the serendipitous attraction between Ashley and a jock hottie and bully named Jared puts Stewart in the awkward position of liaison, one that gives him some respite from attacks on two fronts but also breeds some doubts.

Ashley’s emphasis on the Social Ladder and everyone’s placement on it,

People like Stewart don’t even count. They don’t even have a foot on the ladder. They can’t even touch the ladder.  They are forbidden from going anywhere near the ladder. (pg. 74)

is re-assessed courtesy of Stewart and his quality self.  Susin Nielsen dedicates her book “To Oskar–Boy, did Dad and I hit the Jackpot” and I think Stewart’s family did the same.  He’s a quality human being: incredibly gifted, kind-hearted, compassionate and loyal.  He could rip into Ashley any number of times for her selfishness and cruelty–and her misuse of common phrases are to dye for! (my deliberate faux pas)–but holds back, though he still thinks,

She doesn’t have to changes houses, and bedrooms, and neighbourhoods! And sure, her parents are divorced, but at least they are still ALIVE! (pg. 24)  

Still Stewart shares with Ashley the knowledge that they are all made of molecules, explaining his quirky but tear-jerking way of harnessing any remaining molecules of his mother’s soul. By contrasting these two teens, one with quirky wisdom ringed with love and the other who sees differences as hierarchy and can’t see the difference between “joie de beaver” (pg. 122) and joie de vivre, Susin Nielsen has once again created a story that slices into your heart with tenderness and splinters your side with humour.

Look for We Are All Made of Molecules on award lists everywhere soon. 

What We Hide

by Marthe Jocelyn
Tundra Books
978-1-77049-642-2
275 pp.
Ages 14+
May, 2014

I can't imagine a freer time than the 1960's and early 1970's when there were calls for "Love, Not War", when peace symbols and drugs were everywhere, and when contraception helped support the idea of free love.  Strangely, the young people in What We Hide should be immersed in all that liberating freedom, standing up for their views, and not taking any directions from the establishment.  Yet these teens have their heads and hearts in two worlds: the traditional, even old-fashioned world more typical of  their parents and school administrators, and the experimenting, liberal explorations of their peers.  What they choose to hide is all rooted in their conflicting ideas of right and wrong, wants and needs, smart and ignorant, and childish and mature.

To help her older brother evade the draft for the Vietnam War (sadly something his best friend Matt chose not to do), Jenn accompanies Tom to England where he will attend Sheffield University and she Illington Hall, a boarding school, nearby.  The new milieu allows Jenn to become the American Jenny with the (imaginary) boyfriend Matt who is fighting in Vietnam.  Except for occasionally hearing from Tom who is heavily into smoking weed and avoiding contacting Matt, Jenny's world is Illington Hall, her new friends and misdirecting them to maintain her story.  But Jenny is just one of the narrators in What We Hide who reveal in the text that which they won't share elsewhere.

There's Robbie a local boy who knows he's gay but keeps it from everyone, especially his 18-year-old brother Simon, whose sexual exploits have already made him a father and has him engaged to marry another pregnant girl.  Robbie meets a boy from the boarding school, Luke, who never knew he was gay and, although smitten with Robbie, is still trying to discover whether he might like girls if he just found the right one. Luke and sister Kirsten come from a seemingly perfect family, or so classmate Penelope believes, until she finagles an invitation from them for the weekend.  And Penelope, whose aggressive attitude suggests that she'd have sex with anyone and it wouldn't be a big deal, has a big secret about her mother that she won't share.  Another classmate, Percy, too has a secret about his parent but one that could bring him popularity or shame.

I haven't even mentioned Nico, who is the school's heart throb and whose intimacy with his girlfriend Sarah is well known. But now that Sarah has returned home to Toronto, who is in Nico's line of sight? Jenny? Oona, Sarah's best friend?  What about Brenda, the sister of the mother of Simon's son?  She's a local but she attends Illington Hall as a day student, always straddling the line between the unrefined life of a local and the ambitious scholarship of her boarding school.

How Marthe Jocelyn, who could not have been old enough to have experienced this era, could accurately portray the thoughts and actions of Jenny, Robbie, Luke, Penelope and all their peers is astounding to me.  She has covered the full gamut from naive to promiscuous (though it is the time of free love, right?) and brash to reserved, but the confusion that seems to predominate the teen years is always there, regardless of background, wealth, family, friends, or intelligence.  These young people are all trying to find out who they are, wanting to be someone: a cherished son, a first love, a supportive sister, a sympathetic friend.  But wanting to be someone is not enough  to make it happen.

"Maybe I'd been hoping for a miracle, but I thought I'd be someone else by now.  I thought at least that I'd be . . . someone." (pg. 258)

But like all stories based on secrets or lies (misdirections, as Percy calls them), the truth will eventually be uncovered, for good or bad. Marthe Jocelyn makes it clear that the drama swirling around all these hidden truths in What We Hide is what takes the energies of these young people.  Sadly they don't know that the issues which are consuming them are real and significant as they are but creating dramas enfold these concerns just compounds them.  Some come to that realization more swiftly than others but still with heartache (Penelope recognizes that, "There is only me to blame for where I am.  There is only me." [pg. 197])

While I feel for these young people, wishing that they could trip through their teen years with more spirit and less angst, Marthe Jocelyn makes it clear that they will deal as they can, and things will work out or not, but they have the capacity to learn more about themselves through these hardships, regardless what they hide.