I'm Busy

Written by Michael Ian Black

Illustrated by Debbie Ridpath Ohi

Simon & Schuster Books for Young Readers

978-1-6659-1524-3

40 pp.

Ages 4–8

Releases February 24 2026 

 

Michael Black and Debbie Ridpath Ohi's remarkable trio—a little girl, a pink flamingo, and a potato—from I'm Bored (2012), I'm Sad (2018), I'm Worried (2019), and I'm Sorry (2021) have returned, and now one of them is struggling with overcommitment and a lack of life balance. Together they've always helped each other through their issues. Can they help this time? And will there be a time when they can fit it in?

From I'm Busy, written by Michael Ian Black, illustrated by Debbie Ridpath Ohi

Flamingo wants to play, but every time he asks his friend, the little girl with the darling yellow barrettes, if she wants to play superheroes or Hula-Hoop, she tells him that she's busy. She may be painting or coding or experimenting or practising her trumpet, but it's always something. And her reasoning? "I can't! School starts in two weeks and then I've only got twelve years before college applications are due!" (pg. 7) Yikes. This child has a lot on her mind and her calendar.

From I'm Busy, written by Michael Ian Black, illustrated by Debbie Ridpath Ohi

Flamingo is very understanding, as is the droll Potato ("I can't read," he says when she shows them her calendar. [pg. 9]), but their questions about when she'll have time disquiet her. They try to help her slow down by watching the clouds, and that finally makes her realize that she needs to find balance to her dilemma. (FYI, a dilemma is not like a soufflé as Potato suggests.)

From I'm Busy, written by Michael Ian Black, illustrated by Debbie Ridpath Ohi

This little girl isn't just busy. She's also stressing because of that busyness. But with the help of her friends, making time for herself, and maybe some playing in the mud, she finds some balance in her life. And she finds it with humour, companionship, and uncommon wisdom. 

 

The humour is courtesy of American comedian (and actor and writer) Michael Ian Black who manages to make readers laugh while guiding them through common childhood dilemmas. Here, taking on more than she can handle is the result of uncertainty about her future and whether she can accomplish all that she feels she must. Though there are no adults in Michael Ian Black and Debbie Ridpath Ohi's I'm books, I can't help but think that there are some adults in the little girl's life compounding her worries. (Mind you, she's already coding so all this could be a result of her own awareness of what she needs to do to be successful.) Her friends may be unusual, but with Flamingo's eagerness for play, and Potato's apparent inertia, Michael Ian Black has created a perfect trio of characters that children will appreciate, maybe even know, and from whom they can learn while laughing, right down to the last line.

 

But I'm Busy needs Debbie Ridpath Ohi's illustrations to bring the story to life. We know the book's characters through her art, as well as Michael Ian Black's voice, but she gives them the colour and shape and expression that makes them easily identifiable and wholly adored. There is never any question that this little girl is accomplished but frantic with busyness. Her eyes are focused, she has a strained or absent smile, and, when she's really anxious, there are despair lines around her eyes. Debbie Ridpath Ohi's artwork is so evocative that she can create deep emotions with just a few lines. (Look at Potato in the illustration below. With just two eyes and a mouth, it is evident that he is cringing at her trumpet playing.) Thanks to Debbie Ridpath Ohi's art, reading I'm Busy is a treat for the eyes as well as the spirit.

From I'm Busy, written by Michael Ian Black, illustrated by Debbie Ridpath Ohi

Help young children find balance in their lives with some humour, extraordinary friends, and an abundance of colour and joy with a reading of I'm Busy. Then read the other I'm books in the series to help them understand their feelings and handle them with self-assurance, with or without a flamingo or a potato by their side.

 

• • • • • • • • • • • 

 

Read all five of the I'm books by Michael Ian Black and Debbie Ridpath Ohi. After all, it's important to make time for the good things in life. 

 

I'm Bored (2012)

I'm Sad (2018)

I'm Worried (2019)

I'm Sorry (2021)

I'm Busy (2026)

 

Also, there are some fun resources 

at Debbie Ridpath Ohi's page for I'm Busy here

• • • • • • • • • • • 

Josie's Busy Calendar

Written by Jenn Wint

Illustrated by Allison Arndt

East 26th Publishing

978-1-955077323

42 pp.

Ages 3-7

October 2021

 

Like many children in Canada, Josie has had to endure the challenge of staying at home and away from school and friends and activities that have always added to her life. She has found many things to do, from creating art to running laps, watching TV to baking, but she misses her old life.

But, after weeks of playing on her own, Josie was officially lonely.

From Josie's Busy Calendar by Jenn Wint, illus. by Allison Arndt

But, then things open up again and Josie is able to return to school. The little girl is thrilled. Once she reconnects with her friends, she is filling her calendar with play dates for soccer and baking, riding bikes and swimming. But, like anything, too much of a good thing can be just as onerous, and Josie finds that "her tummy was in knots" though she doesn't understand why.

From Josie's Busy Calendar by Jenn Wint, illus. by Allison Arndt

Realizing that she misses her alone time, Josie schedules herself into that calendar and finds that a balance of commitments to others and herself is what makes her feel calm enough to do it all.

From Josie's Busy Calendar by Jenn Wint, illus. by Allison Arndt

Vancouver's Jenn Wint knows that, like adults such as herself, children experience anxiety but probably don't understand it, and coming out of this pandemic–fingers crossed–there will be many children who have and will experience anxiety to some degree. After years of restricted social activities–a source of anxiety for some–many children will go overboard and want to do everything: sports, music, play, etc. But, if Josie’s Busy Calendar teaches us anything it’s that there is always a limit. Too little opportunity for interaction and activity is just as bad as too much. Down time is also important. In fact, for many, it’s the only means by which they can recharge to do those activities in the first place. 

From Josie's Busy Calendar by Jenn Wint, illus. by Allison Arndt

With Allison Arndt's whimsical illustrations, Josie comes across as a typical child whose life is filled with people and activities but who has learned to appreciate quiet time, whether it's for reflection, for the clean fun of bubble baths or creating art. So, for your children and your students, consider that busy calendar as a potential source of both fatigue and fun and schedule in some time for quiet, whether to look inward with self-reflection or to daydream about what could be.

Mel and Mo's Marvelous Balancing Act

Written by Nicola Winstanley

Illustrated by Marianne Ferrer

Annick Press

978-1-77321-324-8

32 pp.

Ages 4-7

October 2019 

Mel and Mo are twins and, as much as they love each other, they like different things. One likes the rain, the other sun. One likes getting up early, the other late. And as they grow older, their differences increase until all they do is disagree. When they choose careers, Mel takes over the family umbrella business and Mo performs on a high-wire with multiple poodles as part of the Sunny Sea-Side Circus.

From Mel and Mo's Marvelous Balancing Act by Nicola Winstanley, illus. by Marianne Ferrer

But, with time, things change. They always do. Mel's umbrellas and Mo's act both fall out of fashion, regardless of their efforts to adapt. It isn't until the twins come together to reinvent themselves and their product or act that they find a way to be successful, still different but now in balance.

From Mel and Mo's Marvelous Balancing Act by Nicola Winstanley, illus. by Marianne Ferrer

Nicola Winstanley, whose picture book How to Give Your Cat a Bath (Tundra, 2018) is currently nominated for a Governor General's Literary Award, always takes a light touch to important stories. Here we have non-binary twins who are the same but very different. Their differences define them. But when their choices become limiting, it is only by finding common ground that the two can continue to let their differences shine. Neither Mel nor Mo is expected to give up on themselves to "fit" into what their sibling or society deems appropriate for twins. Nicola Winstanley gives them the space to grow their creativity for creating a product or an entertainment but also the wisdom to recognize when collaboration would be beneficial.

From Mel and Mo's Marvelous Balancing Act by Nicola Winstanley, illus. by Marianne Ferrer

Similarly Marianne Ferrer balances the similarities between the two siblings with their differences. With one creating colourful umbrellas of wild shapes and the other astounding with high-wire acrobatics, Marianne Ferrer places the emphasis on the twins' differences, though still recognizing their similarities in hair styles and by dressing them similarly when young. I have been a big fan of artist Marianne Ferrer since reviewing Racines (Monsieur Ed, 2016). From that, my first French-language book review, I've been enthralled by her pencil and watercolour illustrations that employ a subtlety of colour and balance the whimsy with the sensible.

Mel and Mo's Marvelous Balancing Act may be about twins who want to be individuals whose differences are accepted as relevant, but it's also about knowing when to bring those differences into proximity for collaborative creativity. It's a fine balance that Mel and Mo are able to find and celebrate, as we all should.

Weave a Circle Round

Written by Kari Maaren

Tor Books

978-0-7653-8628-1

367 pp.

Ages 12+

2017

After fourteen-year-old Josiah and adult (but not mother) Cuerva Lachance move in to the house on Grosvenor Street, everything in Freddy Duchamp's life goes topsy-turvy. That's saying a lot since life hasn't been that stable to begin with. Maybe Freddy has always been too sensitive–something she doesn't appreciate, knowing that "Sensitive people got stomped on by life" (pg. 12)–but with her parents' hostile relationship transitioning into divorce and her mother marrying Jordan Fukiyama whose irascible son Roland, also 14, seems to hate Freddy, the teen finds little solace anywhere or with anyone. She feels ignored at home (Mom and Jordan are essentially absentee parents) and at school (maturing friends Rochelle and Cathy have left Freddy behind). She's angry at Roland who's a jerk and gets special attention because of his hearing impairment and treats her like she doesn't belong in her own home. And she's frustrated with her brilliant younger sister Mel who gets along with Roland and is often involved in his role-playing games (RPGs).

Though Freddy clashes with the disagreeable Josiah, he seems to be the only one around actually being friendly to her. But Roland has a real problem with Josiah and Cuerva Lachance and warns Freddy and Mel to stay away from them, without any explanation. There are hints of chaos on the horizon: Cuerva Lachance aggravating all with her bizarre behaviour; Mel's surveillance of their neighbours revealing Josiah in two places at the same time; and Freddy and Roland's conflict escalating into verbal assaults and threats.

And then, without warning, Freddy is in 9th c. Sweden in the midst of a battle between feuding Viking families. Josiah is there, explaining that they have time-travelled and that no matter where or when they reappear in the past, Josiah will be there as himself, with Cuerva Lachance as a new character and a third person whom they call Three. Jumping from times that include ancient China, the Upper Palaeolithic, 18th c. England (where they meet Sam Coleridge whose poem Kubla Khan gives the line "Weave a circle round him thrice") and the future of the 32nd century, Freddy attempts to make sense of the dynamics between the three characters and her role while surviving abductions, battles, and Josiah's perplexing attitude.

Weave a Circle Round is all about the struggle between balance and chaos, with a choice that needs to be made as to which will override the other.  In the case of Josiah and Cuerva, the balance of power shifts regularly and Freddy is forced to look within and around her to make sense of the world, both in her personal timeline and in those of Josiah, Cuerva Lachance and Three. How it is resolved is all on Kari Maaren.

Short-listed for the 2018 Sunburst Award for excellence in Canadian literature of the fantastic in the YA category as well as the Andre Norton Award for Young Adult Science Fiction and Fantasy, Weave a Circle Round has already made its mark for Kari Maaren who has blended a story that balances its own chaos with harmony and produced a tale of fantasy with complex characters seeking to fit in. They evolve, they mature, and they learn. From her protagonists Freddy, Roland, Josiah, Cuerva Lachance, and Mel, to her secondary characters like Freddy's mom and friends Rochelle and Cathy, all the characters in Weave a Circle Round are complex beings who are motivated by fear and uncertainty and follow their instincts, good or bad, to pursue becoming the characters they choose to be.

The writing is brilliant, both intricate and honest, giving voice to those who seek understanding of self and others.

As far as I can tell, crying about something you can't change is a slightly more sophisticated version of throwing a tantrum because the sun has melted your ice cream. (pg. 17)

And even through the complexities of time travel and the characters' personal development, there is humour.

"...and it doesn't really matter for me. I eat paradox for breakfast. I'm also fond of waffles." (pg. 131)

Weave a Circle Round is A Wrinkle in Time meets Dr. Who. It's a wonderful fabric woven of a fantastic plot and rich characters on a backing of science and history. The message is clear that all lives fluctuate between stable and chaotic, sometimes one more than the other, but the need for balance is irrefutable. And, with the introspection and problem-solving Freddy achieves via her time-travels and interactions with all, Weave a Circle Round becomes her coming of age story. She learns, a little later than sooner, that it's all about writing your own narrative and choosing the roles you'll play and that, if you want to see how things are going to work out, it's best to look where everything begins.

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I'm pleased to announce that writer Kari Maaren will be joining YA authors Lesley Livingston and Natasha Deen on a speculative fiction panel at the Eden Mills Writers' Festival on Sunday, September 9, 2018.  Do come out to hear these authors speak, to ask a few questions, and to get a book or two autographed.  It's a wonderful outdoor event to celebrate words.

Timo's Garden

by Victoria Allenby

Illustrated by Dean Griffiths

Pajama Press

978-1-927485-84-2

48 pp.

Ages 5-8

September 2015

Encouraged to sign up for Toadstool Corners’ Great, Green Garden Tour, bunny rabbit Timo begins tirelessly planning and garden-tending to make his flower garden great.  With rhythmic pairings of activity (e.g., “He trimmed and he tidied. He hurried and he scurried.  He raked and he staked. He worked and he worried.”; pg. 19) Timo works with boundless determination and relentless perfectionsim, leaving him with little time for his friends.  Even though tempted by Hedgewick’s spinach cakes, a visit to the lake, and tennis with Suki, it is only when the rains come that Timo realizes he should have been tending to his friends instead of his garden.

With deft pen and colour, author Victoria Allenby and illustrator Dean Griffiths pay homage to the characters–rabbit, hedgehog, mouse, frog, and badger–and gardens and stories of Beatrix Potter while providing a light, cautionary tale of finding the balance in life.  Unlike Victoria Allenby’s fun picture book, Nat the Cat Can Sleep Like That (Pajama Press, 2013), that focused on true cat behaviour, Timo’s Garden will speak to any reader who gets too wrapped up in seemingly-important attentions.  Moreover, Dean Griffiths’ artwork which has graced over 25 children’s books, providing the realism in Lumpito and the Painter from Spain by Monica Kulling and the colourful monsters in Tweezle into Everything by Stephanie McLellan, both from Pajama Press, complements the message of taking the time to smell the roses.  His endearing creatures, vibrant flowers and brilliant garden designs in Timo’s Garden will transport all to an era when time was sweet and friends were riches not to be overlooked.

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(A version of this review was originally written for and published in Quill & Quire, as noted in the citation below.)

Kubiw, H. (2015, October). [Review of the book Timo's Garden, by Victoria Allenby, Dean Griffiths, illus.]. Quill & Quire, 81 (8): 24.