December 20, 2018

Novels in verse: Updating a great booklist

Recently I've had multiple requests from readers asking about novels in verse, a genre which is becoming more plentiful but which still isn't recognized as it should be. I had put together a post over six and a half years ago about youngCanLit written in free verse (see that original post here) and listed 12 titles. In a few short years, that list has more than doubled. I'm pleased to share with you this updated book list of one of my favourite genres, the novel written in free verse style.  Enjoy!

Ann and Seamus
Written by Kevin Major
Groundwood Books
108 pp.
Ages 13+
2003

The Apprentice's Masterpiece: A Story of Medieval Spain
Written by Melanie Little
Annick Press
310 pp.
Ages 12+
2009

Audacious
Written by Gabrielle Prendergast
Orca Book Publishers
336 pp.
Ages 14+
2013

Burn
Written by Alma Fullerton
Dancing Cat Books
255 pp.
Ages 10-14
2010

Capricious
Written by Gabrielle Prendergast
Orca Book Publishers
352 pp.
Ages 14+
2014

Closing Down Heaven
Written by Lesley Choyce
Red Deer Press
176 pp.
Ages 12-17
2016
Reviewed here

Counting Back from Nine
Written by Valerie Sherrard
Fitzhenry & Whiteside
198 pp.
Ages 14+
2013
Reviewed here


The Crazy Man
Written by Pamela Porter
Groundwood Books
214 pp.
Ages 8-12
2005

Ebb and Flow
Written by Heather Smith
Kids Can Press
232 pp.
Ages 9-12
2018
Reviewed here

The Gospel Truth
Written by Caroline Pignat
Red Deer Press
328 pp.
Ages 12+
2014
Reviewed here

I’ll be Watching
Written by Pamela Porter
Groundwood Books
280 pp.
Ages 12+
2011
Reviewed here

In The Garage
Written by Alma Fullerton
Red Deer Press
112 pp.
Ages 12+
2006

Jeremy Stone
Written by Lesley Choyce
Red Deer Press
184 pp.
Ages 14-18
2013
Reviewed here

Karma                                  
Written by Cathy Ostlere
Razorbill
544 pp.
Ages 12+
2011

Libertad                               
Written by Alma Fullerton
Fitzhenry & Whiteside
211 pp.
Ages 9-14
2008

Macy McMillan and the Rainbow Goddess
Written by Shari Green
Pajama Press
240 pp.
Ages 8-12
2017
Reviewed here

Missing Mike
Written by Shari Green
Pajama Press
248 pp.
Ages 8-12
2018
Reviewed here

My Book of Life by Angel
Written by Martine Leavitt
Groundwood Books
246 pp.
Ages 14+
2012
Reviewed here

Nix Minus One
Written by Jill MacLean
Pajama Press
296 pp.
Ages 12+
2013
Reviewed here

Prince Puggly of Spud and the Kingdom of Spiff
Written by Robert Paul Weston
Illustrated by Victor Rivas Villa
Puffin
207 pp.
Ages 8-12
2013
Reviewed here

Root Beer Candy and Other Miracles
Written by Shari Green
Pajama Press
240 pp.
Ages 8-12
2016
Reviewed here

Stay
Written by Katherine Lawrence
Coteau Books
128 pp.
Ages 9+
2017
Reviewed here

Walking on Glass
Written by Alma Fullerton
HarperCollins Canada
144 pp.
Ages 14+
2006

Wolf Pack of the Winisk River                                        
Written by Paul Brown
Lobster Press
192 pp.
Ages 12+
2009 

Yellow Mini
Written by Lori Weber
Fitzhenry & Whiteside
234 pp.
Ages 13+
2011

Zorgamazoo
Written by Robert Paul Weston
Razorbill
169 pp.
Ages 9-13
2008

December 18, 2018

I Am Small

Written and illustrated by Qin Leng
Kids Can Press
978-1-5253-0115-5
40 pp.
Ages 3-7
October 2018 

Her name is Mimi but "I might as well be called Mini" because she is small. Of course it's all relative, as Mimi soon discovers, but still she knows that she is smaller than the rest of her family, even the dog, and her classmates and knows what a disadvantage she is at in the classroom and at the bakery, the butcher shop, the fish market and on the street.
When will I grow big enough to take up as much space in the world as everyone else?
From I Am Small by Qin Leng
But, it's all about perspective. Her friends and family recognize the advantages of being small: getting to sit in the front row of the class photo; staying well hidden during a game of hide-and-seek; and preferential placement when queuing up in the cafeteria.
From I Am Small by Qin Leng
But little Mimi only feels the frustration. That is, until she starts to see from a different point of view: snuggling inside her parents' bed, pretending the bathtub is her pool, and riding the dog as a knight's steed.  Then, when Mimi is introduced to her new baby brother, she realizes that he is "super small" now that she's a big sister.
From I Am Small by Qin Leng
Though most families wouldn't trade those moments when children are very small for anything, it is the way of the world for children and young people to want to be bigger and more grown up.  It's the grass-is-always-greener syndrome, which sadly even adults tend to adopt. Whether author/illustrator Qin Leng was, as a child, smaller than her peers or now that she's a mother she is anticipating the lament of most children who always feel small and insignificant, I don't know. But I do know that Qin Leng can portray that angst sweetly in words and illustration. With the airiness typical of her artwork, Qin Leng brings the reader down to Mimi's perspective, even when we're seeing it from above.

Maybe everyone around her thinks her smallness is not a big deal but, to Mimi, it definitely is. Minimizing her feelings would not be appropriate so Qin Leng finds the only way to show Mimi that she is more than just small of stature. She is big in heart and importance, especially to a new baby brother who will need to rely on his big sister to help him find his own place in the world.
•••••••••••••••••••••••••
 
A French-language edition Je suis petite (Comme des Géants, 2018) is also available.

December 17, 2018

Awâsis and the World-Famous Bannock

Written by Dallas Hunt
Illustrated by Amanda Strong
HighWater Press
978-1-55379-779-1
28 pp.
Ages 4-8
October 2018

There may be a grandmother, a basket of good food, and a walk through the woods, but this is no Little Red Riding Hood. It's Awâsis and the World-Famous Bannock and this little girl is delivering the bannock from her Kôhkum when the animals of the forest come to her rescue.
From Awâsis and the World-Famous Bannock by Dallas Hunt, illus. by Amanda Strong
On her way to deliver her Kôhkum's world-famous bannock, Awâsis's walk takes a turn when the playful girl drops the bannock. It falls into the water to be picked up by a bear. In tears, Awâsis is approached by Sîsîp (duck) who reassures the crying girl by offering tohtosapopimehkan (margarine) which is needed to make bannock. Similar encounters with Wâpos (rabbit), Ayîkis (frog) and Ônô (owl) yield her gifts of askipahkwesikan (flour), sîwinikan (sugar) and sîwihtâkan (salt), as the bear watches covertly.
From Awâsis and the World-Famous Bannock by Dallas Hunt, illus. by Amanda Strong
When Ônô suggests that she might have all the ingredients for the bannock, she runs home and explains to her Kôhkum what has happened. All that is missing is the tohtôsâpoy (milk) which is then hand-delivered by Maskwa (bear).
From Awâsis and the World-Famous Bannock by Dallas Hunt, illus. by Amanda Strong
Complete with an easy-to-follow recipe for "Kôhkum's World-Famous Bannock" and a glossary of Cree words with a pronunciation guide, Awâsis and the World-Famous Bannock becomes less story book and more revitalization of language and fairy tale. Although it may caution children to be a little less exuberant in their play when undertaking a task–though exuberant play for play's sake is always recommended!– it also shows that there are solutions for anxiety-causing dilemmas and sometimes they come from unlikely sources. Winnipegger Dallas Hunt, member of Wapisewsipi (Swan River First Nation), keeps the tone light, perfect for a joyful child who chats with talking animals on her outing.  Still, though Awâsis's anxiety for her plight is apparent, through both her actions and her words, the reassurances of the animals are filled with compassion and encouragement.

Artist Amanda Strong, probably better known for her Indigenous filmography, brings an organic feel to Dallas Hunt's story. Outlining many of her illustrations' components in white borders, which I had never seen before in a children's book, gives Awâsis and the World-Famous Bannock the innocence of a colouring book while overriding that simplicity with textures similar to cut paper collages. As such, the depth of the story is augmented by Amanda Strong's intriguing illustrations.

Take a walk with Awâsis as she plays and chats with her animal friends, learning their names and greetings in Cree, knowing that Dallas Hunt and Amanda Strong will tell a clear story with ease while ensuring depth and naturalness of message in their words and art.

••••••••••••••••••••••••••

A video uploaded by publisher Portage & Main provides a useful pronunciation guide to the Cree words highlighted in Awâsis and the World-Famous Bannock.

Awâsis and the World-Famous Bannock Pronunciation Guide
Uploaded to YouTube by Portage & Main Press
on November 20, 2018.

December 14, 2018

The Birdman

Written by Troon Harrison
Illustrated by François Thisdale
Red Deer Press
978-0-88995-506-6
48 pp.
Ages 8+
October 2018

While The Birdman is an illustrated biography, more picture book than non-fiction text, similar to several I've reviewed in the last few weeks, the illustrations of François Thisdale, an artist of inimitable skill, blends the realistic with the ethereal and elevates Troon Harrison's story of abolitionist and birder Alexander Milton Ross (1832-1897) from storybook to art book.

From his birth in the town of Belleville, Upper Canada and through his childhood, Alexander Milton Ross was brought up to appreciate and love the outdoors. He probably would have been a naturalist if not for an incident in which his parents gave food and shelter to a group of escaping slaves and the young boy was shocked to learn of the tragedies of their lives while admiring their courage and determination to seek freedom.
Alexander never forgot the suffering he saw in the eyes of those former slaves. He though about how a bird could fly free but a person could be bought and sold, beaten and whipped.
From The Birdman by Troon Harrison, illus. by François Thisdale
Following his mother's belief that "The most worthy ambition is to alleviate people's suffering", Alexander studied to become a doctor, while meeting abolitionists and reading Uncle Tom's Cabin which turned him onto helping slaves reach freedom.  When he finished his medical studies, he travelled to Virginia and Tennessee where he met with slaves secretly to help them on their journeys, including providing them with items needed and teaching them a bird call as a signal to find help. When he became a wanted man for his work, he escaped to Canada, still helping a woman whose slave owner intended to marry her off, and learning firsthand the true terror of escape.
From The Birdman by Troon Harrison, illus. by François Thisdale
But Alexander Milton Ross would not diverted from his mission to help slaves escape to Canada. Now undercover as an ornithologist interested in the collection and classification of birds, Alexander got permission from wealthy plantation owners in states like Alabama, Mississippi and Kentucky to roam their lands, giving him the opportunity to secretly talk to the field slaves about the Underground Railroad and provide them with the information needed to flee to safety. He soon became known to all as the Birdman.

Troon Harrison tells multiple anecdotes of Alexander's helping slaves escape as well as the tale of his own imprisonment–he was released when an escaping slave returned claiming that he hadn't escaped but was only late in returning because of a sprained ankle–all supporting Alexander Milton Ross's mother belief that it was important "to leave the world some better than you found it."

Alexander Milton Ross's story is a tense read because of the circumstances of those he intended to help and the danger in which he placed himself. I suspect there are more and more stories from which Troon Harrison could have drawn but, by focusing on the man's beginnings and his love of the natural world to help him achieve much in aid of escaping slaves, his story is well told. And for those who want to learn more about the man, Troon Harrison provides an extensive historical note, timeline and bibliography to help. (I also recommend Caroline Pignat's Governor General award-winning novel in verse The Gospel Truth (Red Deer Press, 2015) in which Alexander Milton Ross plays an integral role.)

Troon Harrison weaves these events about Alexander Milton Ross's life into a compelling narrative of a compassionate man of action while François Thisdale's artwork gives the story depth. Look for the birds on almost every double-spread illustration of an outdoor scene. There's the oriole and the brown thrasher, the bluebird and the killdeer, and many more. They are all flying free or untethered, offering hope of a heaven in a new land where freedom might be found. In a fusion of drawing and painting and digital imagery, François Thisdale melds the natural world with historical realism and enhances the text of Troon Harrison by acknowledging the efforts of abolitionist Alexander Milton Ross while reminding young readers that sometimes courage is needed for worthwhile change to happen.
From The Birdman by Troon Harrison, illus. by François Thisdale

December 12, 2018

The True Tale of a Giantess: The Story of Anna Swan

Written by Anne Renaud
Illustrated by Marie Lafrance
Kids Can Press
978-1-77138-376-9
32 pp.
Ages 4-8
September 2018 

Stories about extraordinary people will always grab young readers' attention. They want to know how they lived, mundane and otherwise, with this need, subconscious or otherwise, to compare to their own lives. What would it have been like? How would they have managed the celebrity or the attention or the tragedies? Biographies give us a glimpse into the lives of others while providing us with opportunities for introspection. And for children, seeing into these lives can spark empathy and compassion and greater understanding about the world at large.  Though Anna Swan's story is undoubtedly greater than can be revealed in a picture book–Anne Renaud does append the story with more details about Anna Swan, including photos and references–The True Tale of a Giantess allows children the opportunity to learn and grow.
From The True Tale of a Giantess by Anne Renaud, illus. by Marie Lafrance
Anna Swan, born in 1846 near present-day Tatamagouche, Nova Scotia, was a large baby at birth (13 lbs.) and, continuing to grow, drew the attention of the local communities, shown off by her parents at country fairs as the Infant Giantess. As a teen, she was invited by P. T. Barnum to participate at his Barnum's American Museum in New York City and also travel. While her childhood may have been filled with Anna trying to fit into clothes, shoes, beds, desks and through doorways, her new life gave her a chance to "dream of a life as big as me." She met Queen Victoria and fell in love and married Martin Van Buren Bates, the Kentucky Mountain Giant, with whom she toured as the Tallest Married Couple on Earth. (Anna was 7'11.5" and Martin was 7'8".)

The couple eventually settled in Ohio where they built a house with furnishings to accommodate them as well as their guests, adopted a monkey named Buttons and farmed. "At last, we had a life where everyone fit."
From The True Tale of a Giantess by Anne Renaud, illus. by Marie Lafrance
Though Anna Swan is seen as a curiosity, Anne Renaud speaks little of her height and more about her experiences growing up and seeing the world before finding a way to make the world fit for her and those she loved. Thus, The True Tale of a Giantess is more about the positive messages of the wonder than the difficulties of the weird. Anna Swan is portrayed as a child of grace who appreciated her home and became a woman of dignity who showed compassion and acceptance.  That gentleness of story is embodied in Marie Lafrance's drawings. From her soft lines of dress and nature to the greens and greys so prevalent in her colours, Marie Lafrance takes the reader to another time when girls wore long dresses and a little girl from Nova Scotia could become a celebrity as the Tallest Girl in the World.
From The True Tale of a Giantess by Anne Renaud, illus. by Marie Lafrance

December 11, 2018

Helping Me Helping You with promoting youngCanLit (Revised post)


No, this is not a parody of an ABBA song. This is actually a revised post of one originally published on June 30, 2016 called "May I suggest . . . ? Five ways to help me help you promote your youngCanLit." My intent was, and still is, to help promote Canadian authors' and illustrators' work. But I am painfully aware that I can always use a little help from writers, artists, publishers and readers to achieve this mandate. Because I can tell, through analytics on Blogger, Twitter and Facebook and more, when a review is getting support from the youngCanLit community, I know when an effort is being made to help me help you. There are so, so many who work to support my work and I wish I could acknowledge every one of you. But for those who don't realize that you can help yourselves and me, here are a few handy suggestions to help.

First let me thank those generous authors, illustrators, publicists and publishers who are so kind to provide me with copies of their books for review, as well as include me in blog tours and allow me to interview our contemporary youngCanLit A-listers.  Without these submissions, I could not afford to review as many books as I do on CanLit for LittleCanadians.

By the way, thank you to all those publishers who make an effort to send me hard copies of your books. I appreciate having a book that, after reading it, I can share with others, including schools, if I don't squirrel it away on my own shelves. I know that it's less expensive to send me a pdf or an unbound copy but, when I'm not receiving any remuneration for my reviews, having a final copy feels like a nice trade. 

That said, please limit the books you send for review to those written for young people by Canadian authors or illustrated by Canadians, born or residing here.  Just because there is a young person in the book does not mean that it is a book appropriate for or of interest to younger readers.  Imagine expecting Timothy Findley’s The Piano Man’s Daughter (HarperCollins, 1995) or Heather O’Neill’s Lullaby for Little Criminals (HarperCollins, 2006) to be reviewed as youngCanLit. Not going to happen.  And just because a younger reader is able to read the book doesn’t mean it’s youngCanLit.   If your catalogue is promoting a book as adult fiction, it’s not a juvenile or teen read, regardless of the age of the protagonist.  Save yourself the review copy and the disappointment, and save me my reading time and the communication explaining why I’m not reviewing the book.

If I do review your book, there are several ways to ensure that review gets read by more and more people.  While I may not get the million hits of a kitten playing with a bird on YouTube, CanLit for LittleCanadians does very well as a book blog.  It is linked through multiple schools and school boards and universities with teacher education programs, English and creative writing programs and library studies, as well as the Canadian Children’s Book Centre and other blogs.  But it could always do better. Add a link to www.canlitforlittlecanadians.blogspot.ca on your website with a quote from the review or add me to your blog roll or become a subscriber.  Doesn’t hurt, always helps. Publishers, this is especially important for you to do.

Post a comment on the review.  Thank you to so many of you who leave comments on reviews of your own books and those of others, who share with me what they are reading, and correct my mistakes (of which there are many). Judging by the numbers on Google Analytics, comments always brings in more readers. It suggests that readers of the reviews are engaged with the text and that helps get others interested too. And don’t be dissuaded by my need to moderate the comments.  I do this to avoid horrific amounts of spam, both commercial and irrelevant.


Support CanLit for LittleCanadians on social media.  Each time I post on my blog, I will tweet several times about the book or the review or the event, ensuring the relevant parties (author, illustrator, publisher) know.  Your retweets and likes bring in more and more followers and links and you know that in the end that means sales, the all-important bottom line for YOU.  Whether I’m using the hashtags for youngCanLit or for teachers or teacher-librarians, those tweets are getting read. And don’t be shy about retweeting multiple times or with multiple tweets about the same book. What catches one reader on Twitter may not be the same as for another. They all count. Toot your own horn or at least join the band as I’m tooting away. I have worked with amazing publicists over the years who retweet religiously and ♡ my tweets and do so on the day the review hits the blogsphere but also weeks later. And all those publishers who bring attention to my reviews through your Facebook pages and book pages, thank you.

Please don’t take it personally if I don’t review your book or don’t do it in a timely fashion. (BTW, sending a book months after it has been published and expecting me to review it immediately assumes that I don't have hundreds of books already waiting in my TBR pile. And you know what they say about assuming.) Sometimes life takes precedence over blog and I get backlogged in reviews and can’t catch up. And sometimes the book just doesn’t grab me and I’d rather not review it than write a rant of an opinion piece. I firmly agree with Paulo Coelho who said, "The world is changed by your example, not by your opinion." I alone write posts for CanLit for LittleCanadians, except for rare student reviewers, and I do what I can under constraints of time, health and motivation. With the plethora of outstanding Canadian authors and illustrators out there ready to have their works promoted and applauded, it’s a daunting task. (Also, I do have a difficult time reading stories, whether fiction or non-fiction, in which animals are key characters. I'm not talking cartoon characters. I'm talking stories in which animals are integral to a dramatic story. I have to find a compelling reason to read these books and I rarely do. I almost missed Shari Green's Missing Mike from Pajama Press for this reason.)

I know from the comments I receive regularly that many of you get it. You understand what I will and won't read and that I can't do it all. And you respect what I do get done. Thank you to author-illustrator Debbie Ridpath Ohi who recently honoured me with a badge (to the right of this post) for championing kidlit. Though I don't always feel deserving, it is wonderful to have my efforts encouraged. For those who never knew how to help me help you, I hope this blog post will be a first step in doing so.

Let's continue to get everyone reading youngCanLit!

December 10, 2018

Meet Chris Hadfield (Scholastic Canada Biography)

Written by Elizabeth MacLeod
Illustrated by Mike Deas
Scholastic Canada
978-1-4431-6389-7
32 pp.
Ages 6-10
August 2018

Just last night, CBC televised the 2018 Canada Walk of Fame gala at which Chris Hadfield was among the guests of honour being celebrated. Though most Canadians, young and old alike, will know Chris Hadfield as the first Canadian astronaut to walk in space, Meet Chris Hadfield will enlighten young readers about how he was able to fulfil his childhood dream of becoming an astronaut.
From Meet Chris Hadfield by Elizabeth MacLeod, illus. by Mike Deas
From his television viewing of the first moon walk in July 1969, Chris wondered about the possibilities of going into space. His hard work on the family farm and in school, as well as joining the Air Cadets, helped steer a young Chris to a life in the Canadian Armed Forces, having earned a degree in mechanical engineering before training as a fighter pilot. In 1992, he was chosen as one of Canada's newest astronauts, extensively training for three years, including learning Russian, before travelling to space in 1995 as a mission specialist whose work included operating the Canadarm. 

For his second mission in 2001, Chris was tasked with helping to add new sections to the International Space Station (ISS) which would require him to leave the ISS and walk in space. Even through a terrifying mishap which temporarily blinded him, Chris and his fellow astronauts successfully completed their missions. 
From Meet Chris Hadfield by Elizabeth MacLeod, illus. by Mike Deas
Back on Earth, Chris worked at the National Aeronautics and Space Administration (NASA) space centre in Houston, training other astronauts and working as the voice of Mission Control, and then as NASA's Director of Operations in Russia. It wasn't until 2012 that he returned to space, this time as the commander of the ISS for 146 days. Readers will learn details about the ISS as well as how the astronauts ate and stayed clean and in shape. But Elizabeth MacLeod makes sure to discuss Chris Hadfield's efforts to get people excited about space. His social media postings, engaging with schools, singing, and helping to create a music video with David Bowie are all mentioned.
From Meet Chris Hadfield by Elizabeth MacLeod, illus. by Mike Deas
Upon his return to earth, Chris Hadfield has continued his mission to get everyone excited about space.  Through his speaking engagements, publication of his children's book (The Darkest Dark, 2016), or promotion of space education (check out his website), Chris Hadfield pursues objectives of education and appreciation of our world and those beyond.

Elizabeth MacLeod and Mike Deas could have just told the dry facts of Chris Hadfield's background but, by making it  an illustrated story, Meet Chris Hadfield delves a little deeper and gives children the anecdotes that will be most relevant to them. It's about dreaming and working hard and having fun while engaging with others about your passion. Timeline details of his life are appended, alongside a few photos, but it's with Elizabeth MacLeod's text and Mike Deas's revealing but lively artwork that Meet Chris Hadfield will continue to stimulate interest in space as well as in being good citizens on Earth in ways that Chris Hadfield might never have dreamed.
 A French-language edition, Voici Chris Hadfield (978-1-4431-6390-3), is also available.