Showing posts with label Troon Harrison. Show all posts
Showing posts with label Troon Harrison. Show all posts

December 14, 2018

The Birdman

Written by Troon Harrison
Illustrated by François Thisdale
Red Deer Press
978-0-88995-506-6
48 pp.
Ages 8+
October 2018

While The Birdman is an illustrated biography, more picture book than non-fiction text, similar to several I've reviewed in the last few weeks, the illustrations of François Thisdale, an artist of inimitable skill, blends the realistic with the ethereal and elevates Troon Harrison's story of abolitionist and birder Alexander Milton Ross (1832-1897) from storybook to art book.

From his birth in the town of Belleville, Upper Canada and through his childhood, Alexander Milton Ross was brought up to appreciate and love the outdoors. He probably would have been a naturalist if not for an incident in which his parents gave food and shelter to a group of escaping slaves and the young boy was shocked to learn of the tragedies of their lives while admiring their courage and determination to seek freedom.
Alexander never forgot the suffering he saw in the eyes of those former slaves. He though about how a bird could fly free but a person could be bought and sold, beaten and whipped.
From The Birdman by Troon Harrison, illus. by François Thisdale
Following his mother's belief that "The most worthy ambition is to alleviate people's suffering", Alexander studied to become a doctor, while meeting abolitionists and reading Uncle Tom's Cabin which turned him onto helping slaves reach freedom.  When he finished his medical studies, he travelled to Virginia and Tennessee where he met with slaves secretly to help them on their journeys, including providing them with items needed and teaching them a bird call as a signal to find help. When he became a wanted man for his work, he escaped to Canada, still helping a woman whose slave owner intended to marry her off, and learning firsthand the true terror of escape.
From The Birdman by Troon Harrison, illus. by François Thisdale
But Alexander Milton Ross would not diverted from his mission to help slaves escape to Canada. Now undercover as an ornithologist interested in the collection and classification of birds, Alexander got permission from wealthy plantation owners in states like Alabama, Mississippi and Kentucky to roam their lands, giving him the opportunity to secretly talk to the field slaves about the Underground Railroad and provide them with the information needed to flee to safety. He soon became known to all as the Birdman.

Troon Harrison tells multiple anecdotes of Alexander's helping slaves escape as well as the tale of his own imprisonment–he was released when an escaping slave returned claiming that he hadn't escaped but was only late in returning because of a sprained ankle–all supporting Alexander Milton Ross's mother belief that it was important "to leave the world some better than you found it."

Alexander Milton Ross's story is a tense read because of the circumstances of those he intended to help and the danger in which he placed himself. I suspect there are more and more stories from which Troon Harrison could have drawn but, by focusing on the man's beginnings and his love of the natural world to help him achieve much in aid of escaping slaves, his story is well told. And for those who want to learn more about the man, Troon Harrison provides an extensive historical note, timeline and bibliography to help. (I also recommend Caroline Pignat's Governor General award-winning novel in verse The Gospel Truth (Red Deer Press, 2015) in which Alexander Milton Ross plays an integral role.)

Troon Harrison weaves these events about Alexander Milton Ross's life into a compelling narrative of a compassionate man of action while François Thisdale's artwork gives the story depth. Look for the birds on almost every double-spread illustration of an outdoor scene. There's the oriole and the brown thrasher, the bluebird and the killdeer, and many more. They are all flying free or untethered, offering hope of a heaven in a new land where freedom might be found. In a fusion of drawing and painting and digital imagery, François Thisdale melds the natural world with historical realism and enhances the text of Troon Harrison by acknowledging the efforts of abolitionist Alexander Milton Ross while reminding young readers that sometimes courage is needed for worthwhile change to happen.
From The Birdman by Troon Harrison, illus. by François Thisdale

August 05, 2014

Red River Stallion: Guest Review 2

by Troon Harrison
Bloomsbury
978-1599908458
304 pp.
Ages 10-14
2013

Dear Troon Harrison,

    First of all, I just wanted to say that your book was awesome! I really enjoyed it and couldn’t put it down. It held my attention throughout the whole book, and that’s saying something, because I like novels that are exciting, and your’s fit the bill! I am an extremely soft-hearted person, and I felt so bad for Amelia and her beloved family, especially when the letter from Amelia’s father was hidden, and the family had thought that he had abandoned them.
    Throughout the book, I was able to connect to many of Amelia and Charlotte’s experiences. I can remember as a younger girl being so captivated of a gorgeous horse, and not being able to look away, just like Amelia when she saw Foxfire. I also can remember being so desperate to have a guide that I would look in the rarest spots, just as Amelia looked for her pawaken. By the end of the book, I can infer that Amelia realized that she didn’t need a pawaken, and that she was strong enough to face her own problems.
    Out of ten, I would rate your book a 9 because it was very exciting and I wanted the book to go on and on forever. One slight area that was not as enjoyable for me was how I had to reread some sections over and over before they made sense. Overall though, I loved your book and I beg you to write another one about Amelia and Charlotte’s adventures by the Red River with their beloved father and Foxfire.

Sincerely,

Grace D
Age 12

Red River Stallion: Guest Review 1

by Troon Harrison
Bloomsbury
978-1599908458
304 pp.
Ages 10-14
2013

Red River Stallion is a moving, deep story that perfectly portrays the struggle to find one's identity and destiny.  The author was able to capture how difficult it is to find one's purpose and future in the world, using the life of Amelia Otterchild, and kept me engaged throughout the entire read.

Red River Stallion is centered around a young Cree girl named Amelia, who is alone to look after her younger sister since the death of her mother and the disappearance of her father.  She is able to get a glimpse of happiness when she befriends a beautiful stallion the she presumes to be her soul guardian, but the only way for Amelia to remain with him is to travel with her sister to the Red River Valley, the last known location of her father.  As she journeys, frightened and hopeful, Amelia is faced with challenges of all kinds, from raging storms to sickening grief.  But by making new friends and accepting truths of the past, Amelia perseveres to continue her search for her father, comforted by the love of her family and close companions.

What was most enjoyable about Red River Stallion was the character depth.  Amelia's outside appearance showed courage, curiosity and a deep passion for horses.  But the inner conflict she felt was also very powerful, a battle between grief from the past and hope for the future.  I thoroughly enjoyed reading about all of these feelings inside of her, and seeing the way she changed as the good began to overpower the bad.

I also enjoyed the culture that was woven into the Red River Stallion story.  Through reading about Amelia and her adventures, I discovered many interesting truths of First Nations history that I had not been aware of before reading.  Their beliefs, their habits, and their very lives were expertly scattered throughout the story, and kept me fascinated cover to cover.

All in all, Red River Stallion was an expertly written, wonderfully detailed story that kept my interest through every chapter.  It was bursting with culture, inner conflict and themes of hope, renewal and friendship.  I can confidently rate it with nine stars out of ten, and would certainly recommend it to any reader.

Niki, Age 12