The Story of Owen: Dragon Slayer of Trondheim

by E. K. Johnston
CarolrhodaLab
978-1-4677-105504
306 pp.
Ages 12+
2014

Once upon a time there was a sixteen-year-old boy named Owen Thorskard, who was the son of two dragon slayers and nephew of one of the most famous dragon slayers of the late 1980s, Lottie Thorskard.  Though this is Owen's story, it could not have happened if: 1) his parents, who had experienced horrific experiences fighting dragons in the oil-rich Middle East, had not separated, his mom returning to Venezuela; 2) his aunt Lottie and her wife Hannah, a smith who forges all their swords and weaponry, hadn't offered to help raise Owen; and 3) Lottie hadn't been badly injured fighting a dragon off the Burlington Skyway, cutting short her urban career and compelling her to choose to live in the rural community of Trondheim, bringing Owen's dad Aodhan, Hannah and Owen with her.  Oh, of course, also if Owen hadn't met Siobhan McQuaid, musician and composer extraordinaire and his math tutor, and asked her to become his bard.  Without teen Siobhan to tell his story, there would never be The Story of Owen: Dragon Slayer of Trondheim.

Pg. 303 The Story of Owen Dragon Slayer of Trondheim

While Siobhan becomes acquainted with Owen and his family and is introduced to the mechanics of dragon fighting, she tells of her experiences, both honestly to the reader and in true story-teller fashion to the media, elevating the cause for the need for dragon slayers in less urban communities. (Most dragon slayers, after they complete their mandatory service for the Oil Watch, end up getting lucrative contracts with large corporations or join the Royal Canadian Mounted Dragon Slayers rather than serving small centres without big budgets.)  When Siobhan and Owen are approached by a conspiracy theorist named Archie Carmichael in adjacent Saltrock, the two start to look into the possibility of a dragon hatching ground on Manitoulin Island which would explain the increase of attacks. With the help of Archie's daughter, Emily, and Owen's family, they establish a Guard at school to train teens in dragon fighting/slaying (though dragon slayers are typically legacy positions) to assist the few dragon slayers around and to devise a plan to locate and destroy this potential source of dragons.

The Story of Owen: Dragon Slayer of Trondheim is a history of dragons and dragon slayers wrapped up in the story of a boy who would follow in his father's, mother's and aunt's footsteps and become a dragon slayer extraordinaire.  But it’s also the story of Siobhan finding her musical voice to compose a symphonic story for Owen’s actions.

This was it, I realized.  This was what I had to make other people feel, even if they didn’t get to see it like I had.  I could already hear the first whispers, the line of brass and the faltering drums of the dragon’s dying hearts. This was something I could do. (pg. 144)

Through Siobhan’s eyes and ultimately through her music–I wonder if E. K. Johnston has any plans for sharing the music composed to accompany Owen’s story–readers will be taken into an alternate history and a world in which dragons must be slain and carbon, fire and smoke draw the creatures to attack.   There is so much in The Story of Owen: Dragon Slayer of Trondheim that it defies my inclusion of all in this simple review.  But all readers, particularly those participating in the Ontario Library Association’s White Pine reading program in which The Story of Owen is a nominee, will be grabbed by the completely unique premise for the book, E. K. Johnston’s exceptional characters, and an ending that is hardly formulaic and definitely startling.  And I’m sure that they will be as primed to read E. K. Johnston’s follow-up book, Prairie Fire, released earlier this year, as I am.

Groundwood Books' Book Party: November 21, 2015 (Toronto)

Groundwood Books 

is having a party!

Join authors and illustrators

Maureen Fergus and Carey Sookocheff

Reviewed here

Monica Kulling and Sydney Smith

Reviewed here

Deborah Hodge

and

Danielle Daniel

Reviewed here

for an afternoon of activities and presentations for children ages 4-9

on Saturday, November 21, 2015

from 1 to 4 p.m.

at

the Koffler Center of the Arts

180 Shaw Street

Toronto, ON

In addition to the fun activities, 

Another Story Bookshop will have the books available for purchase.

Eric Walters and Special Guests: November 21, 2015 (Guelph, ON)

Extraordinary author event

coming to Guelph, Ontario!

Join youngCanLit authors 

Eric Walters

Janet Wilson

Vicki Grant

Lisa Dalrymple

and

Jo Ellen Bogart

on Saturday, November 21, 2015

11 a.m.

at

Chapters Guelph

Stone Road Mall


It's a perfect chance to get some early Christmas gifts
and
get them autographed by award-winning authors!

Kyle Goes Alone

by Jan Thornhill

Illustrated by Ashley Barron

Owlkids

978-1-77147-075-9

32 pp.

Ages 3-7

August, 2015

Kyle is a three-toed sloth and he’s used to his mother taking him down from the top of the rainforest canopy all the way down to the ground for his once a week toileting.  But his mom decides that he’s old enough to go alone.

“You can do it, “ said his mom.
“I’ll be right here if you need me.”

And slowly, the way sloths always move, Kyle makes his way down , always wondering if he should turn back.  Except he really has to go.  And, even though he can’t always see her, she’s watching him from between the leaves, reassuring him that he’s doing well.

But, Kyle looks around and feels alone in that ominous way that only a child who has always clung to his mother can feel.  “But I’m all alone!” cried Kyle, repeatedly, and surprisingly he is always answered with, “No, you’re not.”  First, it’s a beautiful red-speckled parrot.  Then, further down, it’s a green and yellow whipsnake, and then a tiger-legged monkey tree frog and a leaf-cutting ant.  By the time he reaches the bottom and “goes”, Kyle is smiling, proud of himself for what he has accomplished.  And finds out his mother is still there for him when he needs her, regardless of the fact that Kyle Goes Alone now.

If this was a YA book, it would be considered a coming-of-age story because that’s what it is for Kyle: he’s coming of an age when he needs to become independent of his mother.  It just happens that this independence is related to toileting!  And there’s lots to learn about it from Jan Thornhill, whose wealth of non-fiction attests to her scientific knowledge.  So in addition to this charming story that parents will want to share with their children, especially those who are being toilet-trained, Jan Thornhill provides “The Poop about Three-toed Sloths” as well as about “Camouflage: Hiding in Plain Sight.”  Read, learn, enjoy.

But wait until you take in Ashely Barron’s breath-taking paper-collage illustrations that pop from the page.  I am red-faced that I’d missed including this talented artist in my posts about youngCanLit illustrators. Her ability to create textured rainforests and colourful creatures from cut-paper is astounding.  If you check out Ashley Barron's blog at https://ashleybarron.wordpress.com, you can watch her create Kyle.  While her workmanship is astonishing, her choice and creation of colourful papers is just as dazzling.  You'll see Kyle’s expresssion change from fearful grimaces to proud grins as he travels down the tree, but so too do the colours of the landscape change from the cool colours of fear to the sun-dappled greens and turquoises of hope and success.

Kyle Goes Alone is an triumph of storytelling, blending scientific non-fiction, collage artistry and sloth-pooping, thanks to Jan Thornhill, Ashley Barron and, of course, Kyle.

Burned, Exposed, Unleashed: Retribution series

But each of us had taken on the responsibility of protecting or avenging those few who had become dear to us.  Willing to risk our lives to see justice done.  We were all so different and yet so much the same. (Exposed, pg. 86)

Three teens: Josie, Raven and Jace.  Three injustices needing to be righted.  One series.  Retribution.

Exposed
by Judith Graves
Orca Book Publishers
978-1-4598-0726-6
137 pp.
Ages 12+
October 2015

Although the three books in the series can be read in any order–I read Unleashed first, then Burned and Exposed–and my image shows the books in alphabetical order,  I’d like to start with Judith Graves’ contribution to the series, Exposed.  Exposed is Raven’s story.  Raven, who has left the home of her meth-addicted parents, has found a new family working with other young people as an urban climber getting into high-end, secure car parkades to steal cars for Diesel.  And climbing is a release for her.

From here all my worries seemed smaller, so small they could be tucked away in my pocket and forgotten, like empty candy wrappers that would someday just slip away unnoticed.  (pg. 32)

Raven anticipates leaving this life when she turns 16 in a few weeks, diligently going to school and secretly saving her money and purchasing a houseboat for herself, and, to that end, Diesel has her training a younger climber Supersize.  But when Diesel sets up Supersize before he’s ready to lead a team and tragedy ensues, Raven is determined to get even with Diesel.

Burned
by Natasha Deen
Orca Book Publishers
978-1-4598-0726-6
161 pp.
Ages 12+
October 2015

While scouting out cars to steal, she meets Josie, the main character in Natasha Deen’s Burned. Jo has been on the streets for two years and has learned the way to survive is to trust no one, show no fear and that “hope is just another way to spell dead” (pg. 26).  But, though Josie has found a way to make herself useful,  scouting security leaks for a family grocer, helping stock shelves at a community kitchen, and painting art forgeries, she’s still looking for retribution against the woman responsible for the deaths of her mother and younger siblings.  Josie is out to

Burn her with the same heat she used to set my life on fire, and the orange red flames that scorched the breath from my family will cauterize her soul. (pg. 3)

Josie is out to prove this woman cop shot her family and another young woman, but she needs the help of  ATM Guy whom she spots using his tech skills to steal money at the family grocer.  When she approaches him to try to get evidence from the cop’s laptop, she learns that his name is Bentley and his brother is Jace, whom she refers to as Boxer Boy because of his physique, and so the third protagonist is introduced.

Unleashed
by Sigmund Brouwer
Orca Book Publishers
978-1-4598-0726-6
160 pp.
Ages 12+
October 2015

Jace, Sigmund Brouwer’s protagonist in Unleashed, leads a double life: one as a boxer slumming it at Billy’s gym, and one as the preppie, chess-playing son of disgustingly wealthy and emotionally-abusive Dr. Winchester Wyatt.

Life, to me, was a combination of chess and boxing.  You had to think everything through a couple of moves ahead and also be prepared to pound hard and often. (pg. 107)

Jace  is determined to get something on his father, especially because of the  horrific way he treats Jace’s tech-brilliant younger brother, Bentley, who was born with Laron syndrome which manifests as dwarfism.  Though he enlists a private detective and then Raven and Josie’s help to learn of some scandal in Winchester’s medical background, Jace has major trust issues and has to find a way to determine whom he can expect to be forthcoming and cooperative without taking advantage of his wealth.

The stories in Retribution are complex and intricate and the plot and characters interlaced in sophisticated weaves.  Writing the books must have been a complicated process for Judith Graves, Natasha Deen and Sigmund Brouwer.  But, the three authors stepped up, pen or laptops in hand, and were able to create a coordinated story with multiple plotlines while keeping their own writing voices unique and distinct.  That’s quite an accomplishment, especially for high-interest YA told in about 150 pages each. And, in the end, I believe that, though Raven, Jo and Jace are involved in less-than-legal schemes to get retribution, readers will admire their determination to seek justice.

I stopped thinking about my sorrows and focused on something else. Infinite possibilities. (Unleashed, pg. 160)

I’m hopeful that Jo, Raven, Jace and Bentley will continue to be that irrepressible team that is “living in the shadows, dispensing their own kind of justice” (Unleashed, pg. 156) and I look forward to their next quests for retribution.

†  †  †  †  †  †  †  †  

Remember: Orca Book Publishers has a contest on until November 30, 2015 (see my post about it here).  It's all about those infinite possibilities.

Today is the Day: Fundraising Book Launch (Cambridge, ON)

Join 

author Eric Walters and illustrator Eugenie Fernandes 

at their fundraising launch

 for 

Today is the Day

Written by Eric Walters

Illustrated by Eugenie Fernandes

Tundra Books

978-1-77049-648-4

32 pp.

Ages 6-9

October 2015

Here is the blurb about the book from the publisher's website:

Mutanu is excited. As she goes about her chores, she thinks about the day to come and what surprises it might bring. For today is no ordinary day at the orphanage she lives in. Every year, the orphanage honors its newest arrivals by creating a birthday day especially for them. From that moment forward, the orphans have a day that they know is theirs--a day to celebrate, a day to enjoy, a day to remember. And today is the day!  

Based on real children in an orphanage in Kenya, this lovely story shows how something as simple as a birthday, something most of us take for granted, can mean so much in another part of the world.

(Retrieved from http://www.tundrabooks.com/catalog/display.pperl?isbn=9781770496484 on November 4, 2015.)

The book launch and fundraiser will take place at

the Idea Exchange (Library)

Queen’s Square, Cambridge, ON

 on Friday, November 20, 2015

 from 7:00 – 10:00 pm

But this is more than your ordinary book launch.  It is also a fundraiser in support of Creation of Hope, a project currently supporting over 400 orphans and impoverished children throughout the area of Kikima, Kenya.

In addition to the book being available for purchase (and autographed by author and illustrator), there will be other related items for sale, including illustrations from the book! 

Eugenie Fernandes has donated all of her amazing illustrations from Today is the Day and their earlier book, Hope Springs (Tundra, 2014).

All proceeds will be going to the orphans.

Refreshments will be served 

and 

Juno award winning artist Donné Roberts will perform.

Ticket information
There is a modest admission fee of $11.59 for tickets (limited availability) which can be purchased and reserved at http://www.eventbrite.ca/e/today-is-the-day-a-book-launch-celebration-tickets-18520895497 or you can call 1-866-839-5437

I'll be there supporting this wonderful book and cause.  Will you?

Missing Nimâmâ

Written by Melanie Florence

Illustrated by François Thisdale

Clockwise Press

978-0-9939351-0-7

32 pp.

Ages 8+

October, 2015

Missing Nimâmâ is a stunning accomplishment in story telling, though a story that shouldn’t have to be told because no mother should go missing and be lost to a little girl who would grow up without her.  Reading Missing Nimâmâ (nimâmâ is Cree for my mother) is like exposing an wound and it hurts.

Missing Nimâmâ is told in two voices,  distinguished both on the page and with the font.  The first voice is that of Kateri, a young girl, who lives with her nôhkum (grandmother) and dreams and longs for nimâmâ who is one of the lost Indigenous women whose disappearances have been shamefully ignored.  The second voice, in italicized text, is an ethereal one, that of Kateri’s mother, who calls her daughter kamâmakos, her beautiful little butterfly, and who watches over her as she goes to school, is loved by her nôhkum, grows into a young woman, marries and becomes a mother herself.  With every milestone, Kateri wishes for her mother to be with her, occasionally sensing her spiritual presence, while her mother appreciates all that her daughter has become, reassurring her that,

“I’m here, kâmamakos.

I’ve never left you. 

When you feel me with you, I’m there. 

You’re never alone.

Your mother is still watching over you.”

(pg. 17)

But like far too many of the Missing and Murdered Aboriginal Women, Kateri’s nimâmâ is only a spiritual presence in her daughter’s life and it will be years before Kateri will get the phone call telling her of her mother’s fate.  It is not a happy ending, and there are no happy endings for these women or their families.  But Melanie Florence still allows for Kateri and vicariously for her mother to find some happiness.

Missing Nimâmâ is heartbreaking.  It’s soulful and breathtakingly painful, and all the more so because of Melanie Florence’s free verse text. Never have I read free verse so aptly applied in a picture book.  Melanie Florence, an Indigenous writer, has demonstrated a powerful skill at creating rhythmic emotions with words.  The tugs at the heart are aching for the story they tell and the artistry with which François Thisdale tells it.

The matching of François Thisdale’s art with Melanie Florence’s text is wondrous.  As poignantly as he used mixed media (digital and drawn images) in earlier texts (The Stamp Collector by Jennifer Lanthier, Fitzhenry & Whiteside, 2012; That Squeak by Carolyn Beck, Fitzhenry & Whiteside, 2015), François Thisdale fluidly bridges the concrete world of a little girl and her nôhkum with the ethereal one of her mother.  His choice of colours and the ability to enrich stark outdoor scenes of yards and forests and simply furnished indoor rooms create ghostly landscapes that epitomize the shadows of a girl's longing for her mother, a mother lost but never, never forgotten.

Missing Nimâmâ is a haunting story of lives lost and lived and shared, beautifully rendered in words and art.  Expect to see this one on award lists in the near future.