September 30, 2013

10 Ways to Improve Your Body Image from Cheryl Rainfield, author of "Stained"

Stained
by Cheryl Rainfield
Harcourt Children's Books/Houghton Mifflin Harcourt
978-0-547-94208-7
304 pp.
Ages 14+
Release date October 1, 2013

Tomorrow is the release date for Cheryl Rainfield's Stained, reviewed by CanLit for LittleCanadians hereBody image is a key factor in plot development in Stained, with multiple characters focusing on their perceived imperfections or those of others to an unhealthy degree.  Knowing the damage that a poor body image can have, Cheryl Rainfield has shared her thoughts, as well as links to relevant resources, in this downloadable article:   

This is an important read for all of us, even younger than the mature readership needed for Stained, as teachers of media literacy will recognize. Help your students and your children understand the issues of body image to ensure good health, mental and physical.

September 29, 2013

Stained: Book Launch (Toronto)

Cheryl Rainfield 

author of
Scars
 Westside Books
248 pp.
Ages 14+
2010 
Hunted
Fitzhenry & Whiteside
316 pp.
Ages 13+
2012 
 
Parallel Visions: A Teen Psychic Novel Book 1
Rain and Sun Press
146 pp.
Ages 13+
2012
  

will launch her newest book 


Stained
HMH Books for Young Readers
978-0-547942087
304 pp.
Ages 14+

This is the story of Sarah Meadows who is abducted on the very day she had hoped to start treatment to remove the port-wine stain on her face, and who is kept in captivity and abused by her captor for months. Fortunately, Sarah recognizes that,
"Sometimes you have to be your own hero."

on

 Sunday, October 27, 2013

12 noon

at

Indigo Books
Yorkdale Mall
Toronto


There will be:
  • a live self-defense demonstration
  • an author reading
  • cake
  • a contest to win coffee with the author
  • a 4-class self-defense prize pack for one teen who attends the book launch
  • book signings by Cheryl Rainfield, and
  •  fun!

September 28, 2013

Stained


by Cheryl Rainfield
Harcourt Children's Books/Houghton Mifflin Harcourt
978-0-547-94208-7
304 pp.
Ages 14+
Release date October 1, 2013
Reviewed from advance reading copy


Sixteen-year-old Sarah Meadows has always focused on the port-wine stain that covers the right-side of her face, determined to get the surgical treatments so that she might become "normal".  The debilitating impact she has experienced because of it has compelled her to live vicariously through her comic character, Diamond, to hide behind a curtain of hair, and to only hang out with other social outcasts. But the very day she is to start treatment, her father learns that someone has embezzled so much money from his graphic design company that there isn't enough to pay a bank loan and her surgery.

At school, Sarah has to share this unexpected news with her group of friends: Charlene who is overweight and the brunt of her father's verbal abuse; Gemma, a lesbian; and Nick, who is considered a geeky "doughboy" by others, though Sarah considers that,
"They don't care that he's kind, smart, and good natured, and sort of cute in a soft, chubby way, with messy, sandy hair that's always falling into his eyes and a quick smile. All they see is his weight and his social awkwardness." (pg. 15)
When Nick narrates a chapter, he emulates the same sentiments about Sarah, calling her beautiful and wishing she could see how amazing she is.

On the way home, a bullying incident has Brian Gormley, her dad's cute assistant, coming to her rescue, offering to help and drive her home.  Though she declines, feeling that "Something isn't right" (pg. 35), Brian grabs her, drugs her and locks her away, with a padlocked leather blindfold on.  He claims that he will help her and her parents by giving them "freedom from the pain in their lives" (pg. 84) as he has done for others.  Thus begins a tortuous imprisonment of months in which Sarah endures physical, sexual and psychological abuse at Brian's hands.  Worse is Sarah's ignorance of the efforts being made to find her, especially by Nick and her parents, with the duplicitous Brian even offering assistance.  Nick becomes relentless in pursuing every lead possible, outdoing the seemingly ineffective efforts of the police.

Throughout Sarah's imprisonment, she attempts to understand Brian's motivations, determined that she would not "let Brian's lies become my reality." (pg. 154) As she attempts to appease him, Sarah is actually becoming emotionally stronger, learning how to handle him and manipulate situations as she can. It's ironic that the very manipulation Brian accuses Sarah of instigating to derive guilt from her parents is a skill she develops courtesy of his abuse. Though he may see her as becoming weaker and submissive, Sarah continues to look for any means to save herself, recognizing that she "has to get herself out, not wait for someone to save her." (pg. 179)

Cheryl Rainfield has courageously admitted that she has drawn on her personal experiences to write Stained (see original Stained release announcement ), emphasizing the positive attributes of courage, perseverance, and self-reliance rather than on the trauma.  This becomes self-evident from the tag line for the book,
Sometimes YOU have to be your own hero.
But just as important is self-acceptance, as Sarah, Nick and her friends learn.  They might all see the "better side" of life for those who are beautiful or slender or popular, but a crash course in introspection makes them realize the superficiality of those attributes and the absence of any relationship with goodness.  The beautiful Brian Gormley is a prime example of a revolting inside to an oft admired exterior.  Sadly for Sarah, this lesson must come at the cost of her freedom.

Not an easy read, Stained will have young adult readers both cringing for the physical, sexual and emotional abuse Sarah must endure and cheering for her efforts and determination to survive, recognizing that her Stained face has only been masking, temporarily, the hero within.

___________________________________________

Look for posts shortly regarding Cheryl Rainfield's book launch for Stained and her take on improving body image.  In the meanwhile, check out Cheryl Rainfield's video explaining why she wrote Stained  here on YouTube.

September 26, 2013

How to Curse in Hieroglyphics: Book Launch (Toronto)


How to Curse in Hieroglyphics

is coming!

Authors 
Lesley Livingston & Jonathan Llyr
and
illustrator
Steven Burley

will be launching

 How to Curse in Hieroglyphics

Puffin Canada
978-0143184249
248 pp.
Ages 8-12


Book 1 in a new middle-grade series
The Wiggins Weird

on 

Saturday, October 19, 2013

3 p.m.

at

 The Dominion Pub
The Dominion on Queen
500 Queen St. East
Toronto, ON


There will be:
  •  readings
  • signings
  • popcorn
  • a special Drive-In themed menu
  •  music from John Stuart Campbell 
  •  fun for the whole family (kids are encouraged to come!)

Sounds like lots of fun!
See you there

September 25, 2013

Do You Know Chameleons?

by Alain M. Bergeron, Michel Quintin and Sampar
Illustrated by Sampar
Fitzhenry & Whiteside
978-1-55455-299-3
64 pp.
Ages 7+
August, 2013

Do You Know Chameleons?  If not, you soon will and that learning will be accompanied surprisingly by uproarious laughter that is rarely heard when young readers check out non-fiction.  Why does non-fiction have to be so dry?  Of course, there are many topics which cannot be lightened with humour because the tragedy and horror embedded therein.  But, what about when learning of chameleons (and toads, spiders, crocodiles, and then rats, leeches, crows and porcupines)?  Let's face it: chameleons are odd little organisms with their quirky nature of camouflage. (See why youngCanLit Camilla Chameleon by Colleen Sydor from Kids Can Press, 2005 was such a hit with kids.  But I digress.) So by taking advantage of the weird and wonderful and then developing a graphic Do You Know? series, Alain M. Bergeron, Michael Quintin and Sampar, courtesy of Fitzhenry & Whiteside, have just given young readers another reason to enjoy non-fiction.

From a graphic of a mother telling her chameleon son to look both ways before crossing the street to demonstrate the organism's independent eye movements (noted in captions) to the boxing match between two chameleons in which the victor becomes more colourful and the loser discolours, Do You Know Chameleons? is filled with bright cartoons depicting key attributes of these animals.  The readers may not always get the puns but they are sure to enjoy the chameleons and other animals as they shop, go to school, eat, fight, surprise and even get traffic tickets! A succinct but useful glossary and index complete the book's well organized format.

Other books in the series include the following:
Do You Know Crocodiles?
by Alain M. Bergeron, Michel Quintin and Sampar
Illustrated by Sampar
Fitzhenry & Whiteside
978-1-55455-304-4
64 pp.
Ages 7+
August, 2013
Do You Know Spiders?
by Alain M. Bergeron, Michel Quintin and Sampar
Illustrated by Sampar
Fitzhenry & Whiteside
978-1-55455-302-0
64 pp.
Ages 7+
August, 2013
Do You Know Toads?
by Alain M. Bergeron, Michel Quintin and Sampar
Illustrated by Sampar
Fitzhenry & Whiteside
978-1-55455-303-7
64 pp.
Ages 7+
August, 2013


... and they are all equally engaging and informative.  I love this series!

September 24, 2013

Whimsy's Heavy Things: Book Launch (Toronto)

Join

debut author and illustrator 
Julie Kraulis

website: http://www.juliekraulis.com/


for the launch of her first picture book


Whimsy's Heavy Things
Tundra Books
978-1-77049-403-9
32 pp.
Ages 4-7

on

Wednesday, October 2, 2013
at
6-8 p.m.

at

Modern Baby
208 Christie Street
Toronto, ON 
416-536-9977


RSVP to 
RSVPCanada@randomhouse.com

September 23, 2013

The Camel in the Sun

by Griffin Ondaatje
Illustrated by Linda Wolfsgruber
Groundwood Books
978-1-55498-381-0
40 pp.
Ages 4-7
October 2013

Imagine the oppressive, unrelenting heat of the desert east of the Red Sea, and the heavy, cumbersome weights of spices, silk, silver, wool and such that a camel has been forced to carry year after year for a merchant who disregards his beast of burden, only focusing on reaching his destinations so that he may rest in the shade and become more prosperous. 

Not surprising that, after many, many years of such toil and hardship, a camel would become overwhelmed by the sadness of his situation, shedding tears for the futility of his life and his suffering, both past and yet to endure. The merchant witnesses the tears but chastizes the camel for wasting time and keeping himself away from the water the camel requires.

A chance encounter with the Prophet gives the camel the emotional and physical support to release his sadness, trembling in heaving waves of unhappiness against the Prophet's shoulder.  But as the camel sobs, his tears enter the dreams of the merchant who sleeps in the cool shade just steps away from the camel tethered in the hot sun.  When the merchant awakens from his grief-stricken sleep filled with tears and heartache, the Prophet simply asks, "Can't you see that the camel is sad?"  Yes, he finally can.

Inspired by a traditional Muslim hadith–an account of the Prophet Muhammad's teachings–Griffin Ondaatje (yes, son of Michael Ondaatje) simply and eloquently conveys the lesson that empathy has value in making respectful connections between living things, resulting in greater peace and contentment.  The text of The Camel in the Sun is appropriately subdued, never rushed but epitomizes the plodding burdens, physical and emotional, endured by the camel. The illustrations by Austrian Linda Wolfsgruber complement the very essence of this retelling of the hadith, conveying the vastness of the world and its overwhelming nature while still emphasizing the importance of compassion on a one-to-one scale.  Respectfully, the Prophet is never illustrated and the faces of both the merchant and camel are ambiguous, allowing the reader to extend the message in The Camel in the Sun–empathy as the foundation of all positive relationships–to all living things, human and otherwise.