Anna at the Art Museum

Written by Hazel Hutchins and Gail Herbert

Illustrated by Lil Crump
Annick Press

978-1-77321-043-8

36 pp.

Ages 4-7

September 2018

Little Anna's mother has taken the girl to an art museum where everything seems "old and boring." But when Anna goes exploring and tries to have a little fun, roaring at the Babylonian ceramic panel of a lion, the guard chastizes her to be quiet. When she plays peekaboo with a baby, she almost topples a decorative urn. Even a colourful modern sculpture that looks like an interactive toy is not to be touched. Again her mother has to have the talk with her about "No shouting. No running. No climbing. No touching."

From Anna at the Art Museum by Hazel Hutchins & Gail Herbert, illus. by Lil Crump

While art is emulated unknowingly by the patrons (this will be the fun part for young readers to find), Anna thinks about "If only the museum could be turned inside out. Or the world outside in." But after the attendant allows her to peek in a workroom where conservators work at restoring art, including one in which she sees a little girl just like her (Mary Cassatt's Little Girl in a Blue Armchair, 1878), Anna's perspective on art changes.

From Anna at the Art Museum by Hazel Hutchins and Gail Herbert, illus. by Lil Crump

Anna at the Art Museum is so charming and so real.  Any teacher or parent who has ever taken a young child to a museum or art gallery for the first time knows that, in order to grab a child's attention, a connection must be made. Without a connection, art is just stuff on the wall and on pedestals. It's the same for text and people and ... everything.  Problem is that, while Anna is trying to find her connection with the art, all the adults around her are telling her she's making the wrong connections because she's trying to do it through touch and play. Finally, when she is able to make a visual connection, the art in the museum and her world come together and become real.

From Anna at the Art Museum by Hazel Hutchins and Gail Herbert, illus. by Lil Crump

Authors Hazel Hutchins and Gail Herbert have taken a big story of a little girl in an overwhelming art museum and brought it to the perspective of a child. We see and hear what Anna does, how she is experiencing the museum.  For that reason, Anna at the Art Museum will be a worthwhile addition to home, classroom and school libraries for reading prior to and after visits to places like museums and art galleries where, on the surface, children might be challenged to make connections easily.  But connections can be made and, if the plethora of artwork depicted by Nova Scotia artist Lil Crump is any indication, there's always something with which a person can connect. 

From Anna at the Art Museum by Hazel Hutchins and Gail Herbert, illus. by Lil Crump

Still Lil Crump's illustrations go beyond the famous artwork she reproduces in cameos throughout the book. (The appendix About the Art describes each piece and its creator, as well as details about the medium and gallery where it is displayed.) Lil Crump gives Anna life and lots of it. She is bored and playful and inquisitive and surprised. She is a child and, thank heavens, she still has the spark to see beyond the surface.

In Anna at the Art Museum, Hazel Hutchins, Gail Herbert and Lil Crump have shown us that there is much life in art and art in life and that seeing it might just take a fortuitous connection.

Fania's Heart: Book launch (Montreal, QC)

The Montreal Holocaust Museum
(current home of the historic object highlighted in the book) 

and 

Second Story Press

host

the book launch 

for 

Fania's Heart

Written by Anne Renaud

Illustrated by Richard Rudnicki

Second Story Press

978-1-77260-057-5

32 pp.

Ages 7-10

March 2018

on

Sunday, March 25, 2018

2 p.m. Guided tour of museum
3 p.m. Reading by author Anne Renaud and book signing

at

The Montreal Holocaust Museum
5151 ch. de la Cote-Ste-Catherine
Montreal, QC

Here is the blurb about this lovely illustrated true story–which I will review tomorrow–as posted on the publisher's website:

A tiny birthday card, crafted against all odds within the confines of Auschwitz.

Ten-year-old Sorale discovers a tiny heart-shaped book among her mother’s belongings. Its pages are shaped like four-petaled flowers, upon which are written words in languages Sorale does not understand. Who wrote these words? Where did the heart come from? Why has her mother never mentioned this tiny book before? 

Fania’s Heart reveals the true story of the crafting of the heart, against all odds, within the confines of Auschwitz, and of the women of immeasurable resilience, courage, and loyalty who risked their lives for Sorale’s mother, their friend.

Retrieved from https://secondstorypress.ca/kids/fanias-heart on March 21, 2018.

Big Blue Forever: The Story of Canada's Largest Blue Whale Skeleton

Written by Anita Miettunen

Red Deer Press

978-0-88995-542-4

64 pp.

Ages 8-12

February 2017

When you have a book with "largest" and "skeleton" in its subtitle, children are sure to gravitate to it.  Moreover, for every young reader who loves non-fiction–and sadly there are many who are repeatedly given the impression that only fiction reading counts–and bones and science and real mystery, Big Blue Forever will impress with the breadth of its story and depth of its details.  There's more to this story than just a blue whale washing up on PEI's shore and being reincarnated in a new form over twenty years later.  Big Blue Forever is a story of people's efforts to ensure Big Blue lived on.

From Big Blue Forever 

by Anita Miettunen 

Photo credit  Kim Woolcock

The blue whale is the world's largest mammal and when one washed up on the northwestern coast of PEI in 1987, it must have been an dramatic sight.  Officials made the wise decision to bury her body in the red clay in the hopes that one day it could be excavated for science or education.  In 2007, Big Blue, as she was affectionately named, was rediscovered by a team from UBC, the home of the Beaty Biodiversity Museum, and the slow and stinky process of recovery, cleaning and reconstruction of the skeleton began.  This is the story that Anita Miettunen tells in story and informational text with photographs documenting all steps in the process.  In addition, she expands on key team members involved in Big Blue's recovery to skeletal display and provides background information about blue whales and threats to their safety, including collisions with ships which probably led to Big Blue's own demise.

By following her own curiosity to enquire about Big Blue's life in the wild, the great whale's death and arrival at the Beaty Biodiversity Museum, Anita Miettunen brings Big Blue full circle, while educating and connecting young readers with a remarkable animal and those who sought to keep her alive, figuratively. It's an amazing read of tireless efforts and mysteries solved (including a missing fin) with a full cast of characters, including Big Blue herself, and a cautionary tale of impacts on blue whales and other creatures of the sea.  Foremost, Anita Miettunen has proven that it is possible to amalgamate the attributes of story-telling with those of informational text to create a book as substantial as Big Blue herself.

From Big Blue Forever 

by Anita Miettunen 

Photo Credit DFO

Dial "M" for Morna: The Dead Kid Detective Agency, Book 2

Written by Evan Munday
ECW Press
978-1-77041-073-2
296 pp.
Ages 8-13
October, 2013

Dial "M" for Morna and for middle-grade, murder, mystery and for Munday, author Evan Munday, whose first book The Dead Kid Detective Agency (ECW Press, 2011) was shortlisted for the Silver Birch award and Sunburst Award for Young Adult Speculative Fiction.  In this sequel, Evan Munday has October Schwartz starting to make good on her promise to help solve the mysteries of the deaths of her five dead accomplices: Morna MacIsaac, Cyril Cooper,  Tabetha Scott, Kirby LaFlamme, and Derek Running Water.  First up: Morna, who died when she was thirteen years old in 1914 while living with her family at the Crooked Arms boarding house in their town of Sticksville.

With the help of the new history teacher and museum volunteer, Ms. Fenstermacher, October locates the old Crooked Arms and learns the identities and backgrounds of its former residents.  Amongst the MacIsaac's neighbours were an alleged traitor, an inventor, a suffragette, and a doctor, and, with input from a woman who speaks to October through a disconnected old-fashioned phone, the living teen delves into Morna's demise.

Meanwhile, in October's living world, her friends Yumi and Stacey earn a slot deejaying on the school radio station. While they know that Devin McGriff, member of the Phantom Moustache band and boyfriend of queen bee Ashlie Salmons, is enraged for losing out to them, a spate of hostilities couched in racist remarks catches Yumi, Stacey and October by surprise.

Luckily, October is able to breach both worlds to help solve Morna's death and the attacks staged against Yumi.  And, with a couple of surprise connections and revelations, Evan Munday left me (and undoubtedly all other readers) longing to learn more about Mr. Santuzzi and Fairfax Crisparkle and anticipating Book 3 in the series.

Past or present, there are a lot of nasty people around making others' lives miserable, willing to murder for their own needs, and directed by fears, arrogance and greed (and maybe even magic here). But with the Dead Kid Detective Agency (i.e., October and her deceased cohorts), wrongs are righted, the guilty are identified and justice is anticipated.  Evan Munday will draw you in so subtly that you'll be snagged before you realize it.  However, never think that you are just a reader, the vesicle into which words are poured from the page, when reading Dial "M" for Morna.  Evan Munday breaks down the fifth wall, speaking directly to his audience of young readers, enlightening them, reassuring them, humouring them, apologizing, and even hinting at plot developments.

You can expect the same kind of madcap exploits featured in book one – our plucky heroine with a penchant for black eyeliner and her five most deadest BFFs uncovering dark secrets that will rock the quiet town of Sticksville to its secretly rotten core and doing so in the zaniest possible manner. (pg. 11)

Watch for font changes to help determine whether the narrator is October or a third person (a.k.a. Evan Munday). And be prepared to enjoy Evan Munday's dry wit which he doles out generously in his subplots, his action scenes, and the voices and foibles of his characters.  While answers to the big questions i.e., "How did Morna die?" and "Who is harrassing Yumi?" are inevitable, don't expect all plot lines to find closure.  The beginnings of new mysteries, ready to be solved by The Dead Kid Detective Agency, are embedded, leaving clues sure to bear fruitful storylines.