The Tweedles Go Online

Written by Monica Kulling

Illustrated by Marie Lafrance

Groundwood Books

978-1-55498-353-7

32 pp.

Ages 4-7

For release May 2015

Monica Kulling and Marie Lafrance's endearingly old-fashioned family, the Tweedles, has returned and this time they're looking to go online.  Telephone line, that is.

"I see we are going modern," sighed Papa. "Again."

First they moved from bicycles and horse and carriage to electric car in The Tweedles Go Electric (Groundwood, 2014).  Now Mama, with children Franny and Frankie, is ready to embrace the new technology that has their neighbour Mrs. Hamm raving about staying connected with her sister and friends, and about ordering her groceries online.  Papa still prefers the olds ways of getting about, i.e., walking and horses, and spending time with family playing crokinole.  And the noisy bells, the incessant chatter at all hours, and the time the new contraption takes away from their family time has him quietly resentful, though he says nothing. Papa is too much of a gentleman and wants to keep his family happy.  But when the telephone would surely have been useful in communicating an emergency, it falls short and the Tweedles recognize its limitations, with charming acceptance.

It seems the new developments of the first half of the 20th century produced similar effects to those of our 21st century: suspicion, caution, acceptance, overuse, disappointment, and finally comfort.  And how Monica Kulling is able to pack all that into a mere 32 pages, while still creating an engaging family of individuals—Papa, Mama, Franny and Frankie are completely unique and recognizable—with friends–Gladys Hamm is surely a woman we all know or knew–is astounding to me.  I said it before and I’ll say it again: I love the Tweedles!  They are refreshing, honest, unique and their take on all things new and 20th century is enchanting.

And Marie Lafrance puts colour and form to Monica Kulling’s Tweedles and story that I’m not sure anyone else could do so completely.  From their hair to their clothes, and the manner of their movements or even stances, Marie Lafrance has given life to the Tweedles and established a calming and rich environment–her colour palette is impeccable!– in which they can thrive, nay, progress.

Dial "M" for Morna: The Dead Kid Detective Agency, Book 2

Written by Evan Munday
ECW Press
978-1-77041-073-2
296 pp.
Ages 8-13
October, 2013

Dial "M" for Morna and for middle-grade, murder, mystery and for Munday, author Evan Munday, whose first book The Dead Kid Detective Agency (ECW Press, 2011) was shortlisted for the Silver Birch award and Sunburst Award for Young Adult Speculative Fiction.  In this sequel, Evan Munday has October Schwartz starting to make good on her promise to help solve the mysteries of the deaths of her five dead accomplices: Morna MacIsaac, Cyril Cooper,  Tabetha Scott, Kirby LaFlamme, and Derek Running Water.  First up: Morna, who died when she was thirteen years old in 1914 while living with her family at the Crooked Arms boarding house in their town of Sticksville.

With the help of the new history teacher and museum volunteer, Ms. Fenstermacher, October locates the old Crooked Arms and learns the identities and backgrounds of its former residents.  Amongst the MacIsaac's neighbours were an alleged traitor, an inventor, a suffragette, and a doctor, and, with input from a woman who speaks to October through a disconnected old-fashioned phone, the living teen delves into Morna's demise.

Meanwhile, in October's living world, her friends Yumi and Stacey earn a slot deejaying on the school radio station. While they know that Devin McGriff, member of the Phantom Moustache band and boyfriend of queen bee Ashlie Salmons, is enraged for losing out to them, a spate of hostilities couched in racist remarks catches Yumi, Stacey and October by surprise.

Luckily, October is able to breach both worlds to help solve Morna's death and the attacks staged against Yumi.  And, with a couple of surprise connections and revelations, Evan Munday left me (and undoubtedly all other readers) longing to learn more about Mr. Santuzzi and Fairfax Crisparkle and anticipating Book 3 in the series.

Past or present, there are a lot of nasty people around making others' lives miserable, willing to murder for their own needs, and directed by fears, arrogance and greed (and maybe even magic here). But with the Dead Kid Detective Agency (i.e., October and her deceased cohorts), wrongs are righted, the guilty are identified and justice is anticipated.  Evan Munday will draw you in so subtly that you'll be snagged before you realize it.  However, never think that you are just a reader, the vesicle into which words are poured from the page, when reading Dial "M" for Morna.  Evan Munday breaks down the fifth wall, speaking directly to his audience of young readers, enlightening them, reassuring them, humouring them, apologizing, and even hinting at plot developments.

You can expect the same kind of madcap exploits featured in book one – our plucky heroine with a penchant for black eyeliner and her five most deadest BFFs uncovering dark secrets that will rock the quiet town of Sticksville to its secretly rotten core and doing so in the zaniest possible manner. (pg. 11)

Watch for font changes to help determine whether the narrator is October or a third person (a.k.a. Evan Munday). And be prepared to enjoy Evan Munday's dry wit which he doles out generously in his subplots, his action scenes, and the voices and foibles of his characters.  While answers to the big questions i.e., "How did Morna die?" and "Who is harrassing Yumi?" are inevitable, don't expect all plot lines to find closure.  The beginnings of new mysteries, ready to be solved by The Dead Kid Detective Agency, are embedded, leaving clues sure to bear fruitful storylines.