A Single Dreadlock

Written by Xaiver Michael Campbell

Illustrated by Eugenie Fernandes

Groundwood Books

978-1-77306-938-8

32 pp.

Ages 3–6

September 2025 

 

For many, our hair, or lack thereof, can define us. If hair is present, it can be one of the first attributes by which people identify others: colour, length, texture, appearance. And when you're new to a community and your hair is unusual, it can unfortunately become the difference that separates rather than connects. Ask Lovie.

From A Single Dreadlock, written by Xaiver Michael Campbell, illustrated by Eugenie Fernandes

As a young child in Jamaica with his dads and grandma, Lovie grew up feeling like he belonged. He looked like the other kids, and his grandmother would care for his hair every Sunday before bedtime. She would grease and comb and then style it whatever way he wanted. But then he and his dads move to Newfoundland, and no one, not even his fathers, know how to tame his curly hair. In the summer, his hair is free and full and playful, dreading in one spot only. Lovie likes that. But when he goes to school, a bully pulls at the one dreadlock and makes fun of Lovie's hair. Now, instead of appreciating all the loveliness of his hair, Lovie wants to hide the dreadlock and avoid the teasing. 

From A Single Dreadlock, written by Xaiver Michael Campbell, illustrated by Eugenie Fernandes

When his grandmother comes for a surprise visit for Chanukkah, she reassures him that dreading is what their hair type does naturally, and that his strands are full of love. Loving the idea of his hair hugging itself in dreads, he's pleased when his grandmother gets out her hair grease and works on Lovie's hair, making perfect dreads. Proudly he displays them at school. When he's taunted once again, he tells the kids, "They're called dreadlocks, and I love them. And please don't touch my hair."(pg. 28)

From A Single Dreadlock, written by Xaiver Michael Campbell, illustrated by Eugenie Fernandes

Lovie's story is Xaiver Michael Campbell's story. It's one of immigration from Jamaica to Newfoundland. It's one of fitting in to a new community and self-acceptance. It's one of heritage and family, of traditions and self-love. It's a big story about hair. You just wish young Lovie didn't need to endure any intolerance of his differences, but we can be thankful that he has a grandmother with such wisdom and love to help him see the joy of his hair. A writer of both fiction and non-fiction, A Single Dreadlock is Xaiver Michael Campbell's first children's book. And it is a deeply personal one because it is one that was lived. Still, Xaiver Michael Campbell's focus is on the joy that is his hair and the help he gets from his grandmother–as well as some generous aids–rather than the bullying. By placing the emphasis on Lovie rather than his unnamed bully, Xaiver Michael Campbell lets young readers see that Lovie and how he feels about his own hair is the story.

 

The joy of Lovie's life in Jamaica and in Newfoundland is depicted in Eugenie Fernandes's paintings (acrylic on watercolour paper). She emphasizes Jamaica's tropical nature and Newfoundland's temperate climate with shades of yellow and blue, but she always makes Lovie this beacon of happiness. Eugenie Fernandes has always been able to bring the warmth of goodness into her art work (e.g., When Rabbit Was a Lion, 2023, and Finding Lucy, 2019), showing children, or animals, finding the strength to be themselves, regardless of those who cannot accept differences. Between her choice of colours and the lushness of the lines she uses to create shapes, whether mangoes, water, or hair, Eugenie Fernandes makes us feel the warmth of place and people.

 

We all have something that makes us unique. It might be a single dreadlock, or a physical attribute, or a skill. But a difference does not need to isolate us. It can be a difference that bears strength and individuality rather than inequality. I hope that Xaiver Michael Campbell always celebrates his hair in whatever style he wants now.

The Perfect Paper Airplane

Written by Robert Munsch

Illustrated by Michael Martchenko

Scholastic Canada

978-1-0397-1518-9

32 pp.

Ages 3–7

October 2025 

 

When Kevin's father, a lobster fisherman in New Brunswick, makes a paper airplane at the breakfast table, they're all impressed. Then Kevin's mom takes up the challenge and makes a paper airplane that flies around the kitchen three times. Definitely more impressive. But when Kevin makes one, it doesn't go ZOOOM! or ZOOOOOM! Instead, it goes SCHLORB. (Notably without any exclamation.)

From The Perfect Paper Airplane, written by Robert Munsch, illustrated by Michael Martchenko

There was nothing to do but practise, so Kevin heads to his fort to make one paper airplane after another, but they all go GESCHLURP into the pond. But just before heading to catch his school bus, Kevin makes one last paper airplane with purple and orange flames, and it goes ZOOOOOOOOOM! In fact, it zooms off so well that Kevin can't see it anymore, and he says to himself, "Well, that's that." (pg. 10)

From The Perfect Paper Airplane, written by Robert Munsch, illustrated by Michael Martchenko

But it's not the end of that incredible paper airplane. Kevin soon sees it keeping pace with the school bus, and then it flies into the classroom through the window and creates chaos. When he goes to meet his father's boat at the dock, the crew are busy trying to nab that same paper airplane. Days later, it flies through the family car as his mother drives to school.

 

Everywhere that paper plane soars and glides, mayhem ensues. Would that perfect paper airplane continue to cause pandemonium, or could it actually do good? 

 

This latest Robert Munsch–Michael Martchenko collaboration has all the elements that have made their picture books such favourites. There's the familiarity of a common childhood experience (making paper airplanes), the wonderful silliness of an extreme scenario (a paper airplane that goes on for days), and sounds with oomph (like "geschlurp" and "schlorb"). Robert Munsch bases his stories in reality but takes them into the dimension of improbability and gives us laughs at the playfulness of kids being kids. It's sweet, and it's funny. Michael Martchenko, who has illustrated over twenty-five books written by Robert Munsch, matches the story's whimsy with his playful artwork. From the breakfast table with its colourful and messy cereal, to mom in her curlers and bunny slippers, to the dock scene with laughing gulls, escaping lobsters, and drying socks, Michael Martchenko makes us see the ridiculousness of the paper airplane fiasco. And still, it's just a story about a kid who has fun with his family, who goes to school and who wants to achieve something. As silly as it all is, it's still very real.

From The Perfect Paper Airplane, written by Robert Munsch, illustrated by Michael Martchenko

I won't be surprised if young readers are inspired to try their hands at making their own perfect paper airplane. (Fortunately, there are how-to instructions at the back of the book.) Their planes may not fly for days or become a nuisance to their teacher or to a boatload of lobster fishermen, but the kids will delight with the opportunity for competition and accomplishment, and perhaps a tall tale or two.

Call Me Gray

Written by Andrew Larsen and Bells Larsen

Illustrated by Tallulah Fontaine

Kids Can Press

978-1-5253-1135-2

32 pp.

Ages 4-8

October 2025 

 

For a four-letter word, "gray" packs a lot of meaning. It can mean the colour that is between black and white, the two sides that allow no middle ground. It can mean the dullness of a cloudy day with the absence of sun pulling a pall over everything. It can also reflect a feeling of detachment or depression, far more profound than the blues of sadness. But, for the child in Andrew Larsen and Bells Larsen's story, it's a name that holds colour and brightness, sunshine and joy.

From Call Me Gray, written by Andrew Larsen and Bells Larsen, illustrated by Tallulah Fontaine

It's the beginning of winter, and an unnamed child is looking forward to some wonderful traditions that they and their father partake in, starting with the building of their ice rink. But this year, this child knows something has changed.

But this year feels different.

 

It's not the snow

and it's not the cold.

 

It's me. 

 (pg. 6)

 

From Call Me Gray, written by Andrew Larsen and Bells Larsen, illustrated by Tallulah Fontaine

As they build their ice rink, the child hesitantly tries to gain some clarity to their feelings. A  recent incident, in which their best friend doesn't invite them to her sleepover because it's only for girls, has them saddened and perplexed. Talking to their dad, the child asks some very big questions including, "Do you ever feel mixed up about who you are?" (pg.12) Their dad tries to answer this and other questions but it's obvious that he's not grasping exactly what his child is asking. Still, as their work progresses, there is one statement that makes their dad stop and think and appreciate what his child is saying. 

"I look like a boy but

sometimes I feel more

like a girl."  

   (pg. 15)

And with that meaningful communication,  a subtle but monumental change begins to take place in the midst of enduring winter traditions.

From Call Me Gray, written by Andrew Larsen and Bells Larsen, illustrated by Tallulah Fontaine

I have reviewed so many Andrew Larsen books, both picture books and middle-grade fiction, including Goodnight, Hockey Fans (2017),  Dingus (2017), and Me, Toma and the Concrete Jungle (2019), and each one seems deeply personal. Call Me Gray has that same overtone, perhaps because Andrew Larsen has written it with his son, and the two have spoken of Bells Larsen's own experiences as a transgender person. I don't know if Andrew Larsen and Bells Larsen built ice rinks together and enjoyed hot chocolate afterwards, but the relationship between father and child in Call Me Gray is a touching one without being saccharine. In fact, it's quite real. They speak, they interact, and they question as they try to understand themselves and the other. And it's obviously a safe space in which to question and to make choices. 

From Call Me Gray, written by Andrew Larsen and Bells Larsen, illustrated by Tallulah Fontaine

This is the first children's picture book that Edmonton's Tallulah Fontaine has illustrated,  though her work has been featured on advertising displays and in numerous publications including the New Yorker, the New York Times, and The Economist. Rendered in gouache and finished digitally, her illustrations focus on that which is important: the relationship between the child and their father, as well as others. Tallulah Fontaine shows them pounding stakes, shovelling snow, and chatting while they work. She shows them putting on their skates and skating and always interacting, either in silence or in important conversations. Their work, together to build rink or to build understanding, is the goal. And Tallulah Fontaine always conveys much in the faces of her characters, whether it be disappointment, confusion, contentment, or hope.

Call Me Gray may become a wonderful story starter for challenging conversations about gender identities or about encouraging self-expression or about building an ice rink. It might help children share their feelings, or help their parents establish safe spaces to discuss big issues. But Call Me Gray may also take "gray" out of the unfavourable realm and move it into one of inclusivity and association and positive change.

The Inquisitive Raven

Written by Richard Wagamese

Illustrated by Bridget George

D & M Kids (Douglas & McIntyre)

978-1-771624497

32 pp.

All ages

September 2025 

 

Last year, the first book in the Richard Wagamese Storybook Collection, The Animal People Choose a Leader, was published. This beautiful book, a retelling of a short story by the late Richard Wagamese with illustrations by Bridget George, introduced new readers to his writings. Now, with The Inquisitive Raven, the second book in this collection, a story of curiosity, determination, and self-acceptance, there will be new readers of all ages who will be drawn to the wisdom in Richard Wagamese's Ojibwe storytelling and the beauty of Bridget George's digital artwork.

From The Inquisitive Raven, written by Richard Wagamese, illustrated by Bridget George

Rueben is the titular inquisitive raven. Some might see him as nosy, but he just finds the world to be an amazing place. He is especially curious about the other animals and what they do.  Grampa Raven, ever supportive, tells Rueben, "Wonder is the glue that holds everything together. It keeps you searching, eager for more." (pg. 10) 

 

When Rueben sees a magnificent eagle with its impressive wingspan and ability to soar, his grandfather tells him of Migizi and that she is blessed with many gifts. Sadly, Rueben then sees himself as lacking and decides to learn to soar like Migizi. 

He craved the sensation of becoming more: bigger somehow, more beautiful, less a raven and more revered and respected like an eagle, through the singular act of soaring. (pg. 17) 

From The Inquisitive Raven, written by Richard Wagamese, illustrated by Bridget George

With great determination and much practice, Rueben learns to soar, but when he goes to demonstrate his newfound ability, fatigue and fear get the better of him and he plummets to the ground. He is devastated to think that others will not respect him as they do Migizi, but Grampa Raven has wise words to share about Rueben's own gifts and the blessing that is respect.

From The Inquisitive Raven, written by Richard Wagamese, illustrated by Bridget George

Taken from Richard Wagamese's One Drum: Stories and Ceremonies for a Planet (Douglas & McIntyre, 2013), The Inquisitive Raven has an important message about self-acceptance. Like many of us, Rueben aspires to be admired, though he doesn't recognize that he already is appreciated by the other animals for his curiosity and enthusiasm for learning. In fact, it is that curiosity and passion for knowledge that takes him to try something new and work hard at achieving it. He may not reach the heights of Migizi, but his skill at soaring and his consequent plummeting are recognized as amazing just the same. Through Rueben, Richard Wagamese helps us respect the best in ourselves.

 

Bridget George is an Anishinaabe illustrator who has also authored her award-winning picture book It's a Mitig! (D & M Kids, 2020). Her art is created digitally with a Woodland style to her animals, giving shape and movement with the internal lines. While Rueben and many animals are in earthy browns and blacks, Bridget George adds colour in her landscape features like the blues and pinks of her skies and water, and in her decorative, embroidery-like flowers.

From The Inquisitive Raven, written by Richard Wagamese, illustrated by Bridget George

The Inquisitive Raven will be a much-cherished gift that will be appreciated for many years and countless generations. Beautifully covered in textured buckram, and decorated with Bridget George's Woodland-style art, The Inquisitive Raven lets us connect once again with Richard Wagamese and share in his insight into the value of curiosity and recognizing the gifts we have.

 

• • • • • • •

 

For teachers, there is a Teacher's Guide available from Douglas & McIntyre here.

 

 • • • • • • •

The One About the Blackbird

Written by Melanie Florence

Illustrated by Matt James

Tundra Books

978-1-774882665

40 pp.

Ages 4–8

October 2025 

 

I don't know which song is the one about the blackbird, but I've been humming Paul McCartney's song from the Beatles' White Album ever since I read this picture book, and I could see why it had such an impact on young Jack. This is the story of Jack and the music that imbued his family life, and the connection he made with it and his grandfather. 

From The One About the Blackbird, written by Melanie Florence, illustrated by Matt James

Jack recalls being a kid with music all around at home, whether his grandfather was playing one of his many instruments—sax, guitar, trumpet, keyboard, drums—or spinning an LP from his extensive collection. The day his grandfather agrees to teach him to play the guitar, especially his favourite song, the one about the blackbird, Jack is thrilled. But, playing the song as well as his grandfather does not come instantly.

He struck the strings wildly, almost dropping the guitar at the loud, tuneless BROOOONG that honked out of the instrument. (pg. 15)

From The One About the Blackbird, written by Melanie Florence, illustrated by Matt James

Though it is hard, Jack perseveres and can finally play the song and others. And when he is older and leaves home, Jack plays for crowds worldwide. 

 

When Jack returns home, his grandfather has forgotten how to play that favourite song and even that he'd given his old guitar to Jack. But, when Jack plays the song for him, reconnecting the two to each other and their past, his grandfather remembers it as "the one about the blackbird."

 

Earlier this week, I reviewed a book about music bridging generations, and now we have another about the power of song to connect across time. But Melanie Florence, whose earlier picture books emphasize connections between young people and their Indigenous family (e.g., Missing Nimâmâ, 2015, Stolen Words, 2017, and Kaiah's Garden, 2024), makes music the bond between a grandfather and their grandchild. First, that bond comes from the grandfather sharing his love of music with a child, and then a grown man reminding his elderly grandfather of that bond. Regardless of who was teaching about the music, the message that, "If it was easy, everyone would do it" is repeated, both encouraging and uniting. Melanie Florence helps us see that change does not mean loss, just a reconfiguration that can be just as rich as the original.

From The One About the Blackbird, written by Melanie Florence, illustrated by Matt James

Matt James, illustrator of award-winning books including I Know Here (Laurel Croza, 2010), The Northwest Passage (Stan Rogers, 2013), and When the Moon Comes (Paul Harbridge, 2017), gets deeper into that relationship with his acrylic artwork that also includes textured elements. Whether the boy is hanging out with his grandfather, struggling to hold a guitar, or showing his grandfather how to move his fingers into position, Matt James makes us feel the effort of their attachment. The emotion in their struggles and their joys jump from the page, reflected in their faces, their body language, and their actions. 

 

Like the blackbird of that song, the boy, and later young man, learned to fly. He learned to take flight in song and in life, gathering knowledge at the feet of one who knew how. And when that knowledge wanes, as happens with time and age, that grandson helps his beloved grandfather hear the song again.

Levi's Gift

Written by Kathy Stinson

Illustrated by Ellie Arscott

Nimbus Publishing

978-1-77471-498-0

32 pp.

Ages 3–7

November 2025 

 

Kathy Stinson's latest picture book, beautifully illustrated by Ellie Arscott, tells the story of Levi, a boy who loved to play his violin while his brother Ezra played the accordion. But that was before the war came, and Levi and his family are forced from their home. The yellow star on Levi's shirt tells us more of his tragedy. By the time he is sixteen, the war is over, and his family is gone, as is his home. But he dreams of getting a violin again and making music.

From Levi's Gift, written by Kathy Stinson, illustrated by Ellie Arscott

Frugality and hard work help him buy a violin again and he "poured his great sadness about all he had seen and all he had lost in the war." (pg.9) With time, he emigrates, marries and has a child for whom he plays the beloved Brahm's "Lullaby" that he'd played with his brother. For many years, Levi plays his violin, but when his hands grow stiff and it becomes difficult to play, he stores his violin away.

 

When a call goes out for donations of used musical instruments for a school, Levi hesitantly decides to take his violin out of storage and give it away. When he receives a letter from a little girl who invites him to visit her at her school, Levi learns that his violin and the music played on it have the capacity to heal in many ways.

From Levi's Gift, written by Kathy Stinson, illustrated by Ellie Arscott

Kathy Stinson, award-winning author of picture books, non-fiction, and middle-grade and YA novels, has a lovely connection with stories of the violin (e.g., The Man with the Violin, 2013; Dance with the Violin, 2017), and Levi's Gift is another wistful story of those touched by music and the playing of the violin. But, with Levi's Gift, Kathy Stinson also reminds us of the many losses that happened during the war. For Levi, that violin was more than just an instrument. It was a connection to his past, to his family, to happy times, and more. It was a joyful connection to a time before. To give up his violin, even to a worthy cause, was a challenge for Levi. Yet, that gift begat a new one, with Levi making a new connection and one that related to his past. I was tearful realizing how Levi's story had come full circle with different characters, with a different violin, and in a different place, but with quiet consequence and subtle benevolence. 

Ellie Arscott, who illustrated Night Walk (Sara O'Leary, 2020), A is for Anne (Mo Duffy Cobb, 2023), and The Warmest Blanket in the World (Tamara Levine, 2025), has a lightness to her artwork that works well with gentle stories such as Levi's Gift. Ellie Arscott uses paint and pencil to give context for Kathy Stinson's words, showing us more than just people and place. She gives the reader history and ancestry as well as story, and there's much tenderness reflected in her illustrations. Levi may be an elderly man but making connections with his past and with others is what elevates him. Ellie Arscott's  use of pastel colours, particularly blues and pinks, keeps that softness of feeling and story.

From Levi's Gift, written by Kathy Stinson, illustrated by Ellie Arscott

Through their words and art, Kathy Stinson and Ellie Arscott remind us that music and generosity contribute and communicate beyond the immediate. You never know when a simple act of giving can touch another and in unexpected ways. For Levi, it is magical, even spiritualistic. (Once you see his reaction to the girl's playing of the violin, you'll understand.) I could see Levi's Gift being based on a true story, but, even if it isn't, this story offers hope that sometimes that which is lost returns in a different way to reconnect us to the past and to complete us in the now.

Star Sailor, the Story of Words

Written by Sara Cassidy

Illustrated by Julie McLaughlin

Orca Book Publishers

978-1-4598-3663-1 

40 pp.

Ages 6–8

August 2025 

 

Where would we be without words? With a few letters, or sometimes a lot of them, words either alone or with others can inspire, inform, entertain, emote, and connect. They help us communicate that which we need to share, and to learn, and so much more. Their story is one of endowment, giving readers and listeners the bounty of their wealth, and empowerment.

From Star Sailor, the Story of Words, written by Sara Cassidy, illustrated by Julie McLaughlin

Sara Cassidy begins with an introduction to what words are and how words arise, including the titular "star sailor" which is an astronaut. She discusses how words can be very old while others can arise daily. (Did you know that every day at least ten English words are spoken for the first time? [p. 4]) Sara Cassidy also talks of words coming from sounds that they imitate (e.g., hum), from the combination of words (e.g., bedroom), including to form portmanteaus like "hangry," and from sharing common characteristics (e.g., the ribs of an umbrella and our body's ribs).  

From Star Sailor, the Story of Words, written by Sara Cassidy, illustrated by Julie McLaughlin

There are multiple pages of the geographical and cultural origin of words, whether it's cheddar named after a village in England, and Dalmatians originating in Dalmatia, Croatia, or those arising from languages of First Peoples, like canoe, skunk and the cayenne pepper, and from foreign languages (e.g., patio, glitch, and sauna). Words can be built from roots, prefixes and suffixes, and they can be modified as needed. With all this information shared in a snappy presentation, Sara Cassidy still acknowledges that sometimes words have arisen by mistake, that they've arisen without our understanding of their origins, and that sometimes words need to be retired when they become inappropriate or obsolete. There's a lot to know about words, but Sara Cassidy breaks it down into manageable chunks, which will help inspire new lexophiles.

From Star Sailor, the Story of Words, written by Sara Cassidy, illustrated by Julie McLaughlin

Sara Cassidy, who has written everything from picture books (e.g., Helen's Birds, 2019) and early readers (e.g., The Great Googlini, 2018) to middle-grade fiction (e.g., A Boy Named Queen, 2016) and hi-lo YA (e.g., Skylark, 2014), gives us an illustrated non-fiction book about lexicology, the study of the form, meaning, and use of words. Just like words, it is informative, creative, inspiring, and definitely entertaining. And with Julie McLaughlin's illustrations, Star Sailor, the Story of Words is also colourful and playful.

 

Julie McLaughlin, who illustrated the award-winning Why We Live Where We Live (Kira Vermond, 2015), complements Sara Cassidy's light-hearted approach to an involved topic with her digital artwork that is vibrant and whimsical, inclusive and detailed. Beyond the text, there are many information elements to parse out of Julie McLaughlin's illustrations. Whether it's her depictions of onomatopoeia or her use of LEGO as building blocks for words, Julie McLaughlin keeps everything informative in a playfully enlightening way. 

I love a book that celebrates words and how they work. Because language is always evolving, Star Sailor, the Story of Words gives readers the basics of how words come to be and come to change, helping young people to understand the role words play in culture and how all of us have and will continue to be a part of that.