Making Bombs for Hitler

by Marsha Forchuk Skrypuch

Scholastic Canada

978-1-4431-0730-3

186 pp.

Ages 8-12

2012

The title of Marsha Skrypuch's newest book may blindside you, even knock you senseless about reading it, but it would be a shame for anyone not to read this compassionate historical fiction about a little known tragedy of World War II.  As always, Skrypuch demonstrates that she is to be trusted and respected for her ability to transform even horrific history into gentle but honest and enlightening stories.

With Russian Communist rule in Ukraine and Stalin determined to destroy the country to keep it from the Germans coupled with the Nazis heading for Moscow by invading Ukraine, Ukrainians were in an unfortunate position, territorially and psychologically, during World War II.  Sadly, this senseless situation leads to the murder of eight-year-old Lida Ferezuk's father by the Russians and her mother by the Nazis.  Separated from her younger sister, Larissa, Lida is taken with numerous Ukrainian children to Germany to be Ostarbeiter (eastern workers) for the Nazis.

Housed in barracked camps, provided with no clothes or shoes, and essentially starved on watery broth once a day, Lida and other children are slave workers for the Nazis, kept only as long as they are useful.  After showing her skills with needle and thread, Lida is assigned to the Nazi laundry. But, after being gifted a cast-off shirt by the laundress, Officer Schmidt decides Lida has been too privileged and assigns her with five others girls to construct bombs in a compound away from the camp. 

With repeated defeats at the front, many Nazis retreat and, without supervision, the girls begin to sabotage the bombs to ensure they are ineffective.  But, relentless bombing by the Allies destroys the camp, allowing many to escape. Unfortunately, a number of them, including Lida, are captured and taken to a German town where their enslavement is reimposed under a man manufacturing ammunition.  Locked in a basement, they endure inhumane conditions, worsened when they are abandoned by the departing Germans feeling the threat of the Allied forces.

The inevitable arrival of Allied soldiers and their discovery of Lida and others brings the reader small pleasure, as the deaths of many and the images of the starved with legs turning to sticks and teeth loosening cannot be erased or ameliorated.  Even with their rescue and care by compassionate soldiers and nurses, the Ukrainian children are in jeopardy from the Soviets who view them as Nazis, deserving of punishment.  If they do survive the machinations of the Soviets to retrieve and punish them, many will spend years in displaced persons camps, waiting, hoping to be reunited with family.

This heart-breaking story, as told from Lida's young eyes and heart, offers an opportunity for our young readers to get a different perspective of World War II beyond the battles expounded upon in history books or Remembrance Day activities at school or the tragedy of the Jewish people.  It provides an opportunity to see war from a Ukrainian child's perspective, hopefully sparking discussions with grandparents or research to understand more fully the plight of so many during war.  [n.b.  I may begin my own research with A History of Ukraine by Paul R. Magocsi (University of Toronto Press, 1996)]

Being of Ukrainian heritage, recalling vague discussions about Ukrainians dealing with the enemy they knew and the enemy they didn't, I recognize that choices were more akin to gambles, made with the single goal of survival.  As Lida acknowledges, even with the difficulty in believing that people could be so cruel, they saw hope even when there was none, just as Lida tries to see beauty anywhere, just as her mother deemed it was possible.

The Time Time Stopped

by Don Gillmor

Scholastic Canada

978-1-4431-0231-1

151 pp.

Ages 8-11

2011

Tristan Burberry has come to the conclusion that time is responsible for all his current miseries.  His family has moved and he's at a new school and not even at the beginning of the year when everyone is new.  He desperately wants to visit the zoo and his parents are always at work, having no time for him.  His twelve-year-old sister, Bella, lives for spending time at the mall.  And when he gets on the bus, there is only one seat available - the one beside Lump, the class bully, who threatens Tristan with "getting it" if he doesn't help him change the clocks so the teachers will let the students out early.  In a burst of frustration, Tristan pronounces his hatred of time and his wish for it to end immediately.  Coincidentally, the Time Keeper is walking by and, hearing Tristan, decides to quit his job, tired of all the complaints. 

If it weren't for the tongue-in-cheek humour, I might have wondered if Antoine de Saint-Exupéry had written a sequel to The Little Prince (1943) substituting the concept of time in his search for that which is essential.  Tristan and Bella, in search of the Time Keeper, visit a variety of locales, including the zoo, the mall and a small town, meeting a menagerie of characters, including the Time Bandits and the Thief of Time.  So, as Tristan and his sister look to bring the Time Keeper back from retirement, the Thief of Time with his Time Bandits is looking to possess his machine and go into business selling time.

Gillmor's ever-present wit reminds us of our powerful relationship with time: needing to make time for ourselves; watching time fly; having too much time on our hands; not having enough hours in the day; feeling time sneaking up on us; having no time for friends and family; knowing that time continues to march on; and always wishing for more time, particularly for those circumstances we enjoy.  But, through the puns and slapstick, it is evident that, although there may be a machine to make time,  making time requires experience, patience and judgement.  The book's poignant message in these times of overworked parents, over-scheduled children and a nebulous future makes it an exceptional nominee for this year's Silver Birch Express Award.

The Circle Game

Text by Joni Mitchell

Illustrations by Brian Deines

Dancing Cat Books

978-1-77086-042-1

32 pp.

Ages 3-6

2011

Turning song lyrics into children's books is not unusual, especially for those tunes that were originally written for children such as nursery rhymes and camp-fire songs.  There are wonderful children's performers like Eddie Douglas who take poetry (e.g., Dennis Lee's poems from Alligator Pie (Macmillan, 1974), Garbage Delight (Macmillan, 1977),  Jelly Belly (Macmillan, 1983) and The Ice Cream Store (HarperCollins, 1991) and adapt it for children's music.  But, in Canada, we don't have a long history of taking the poetry in song or hymn lyrics and adding graphics to produce children's books. Until now, I can only think of two such songs:

• The Huron Carol by Father Jean de Brebeuf, illustrated by Frances Tyrrell (Key Porter, 2003) 
• The Huron Carol by Father Jean de Brebeuf, illustrated by Ian Wallace (Groundwood, 2006)
• Canadian Railroad Trilogy by Gordon Lightfoot, illustrated by Ian Wallace (Groundwood, 2010)

Now we can add Joni Mitchell's song, The Circle Game, to that list. 

The lyrics of Canadian-born Mitchell's song describe growing up and looking forward to new experiences, apparently in response to Neil Young's lament of lost youth in "Sugar Mountain". (1) The honest but hopeful words are beautifully embodied by Deines' paintings in complementary colours of purples and oranges.  Although impossible to tell whether Deines' medium is oil or pastel on canvas, the softness of his illustrations, whether the warm joys of capturing a dragonfly or the dark tremors of thunder and falling stars, always with uniquely dotted backgrounds, capably expresses the joys with the uneasiness of new experiences.  Moreover, just as our perspective of these experiences change as we grow up (dare I say it, age), so does the view of and from the carousel, never allowing one to return but accessible in our memories.

(1) Joni Mitchell interview notes

Accomplice

Written by Valerie Sherrard
Dundurn Press
978-1554887644
142 pp.
Ages13-16
2011

Dundurn's newly established Keystone Hi-Lo series hits the mark with Accomplice by Valerie Sherrard, enticing readers with a cover suggestive of a female criminal, a less likely combo than you might expect.  Our covergirl, fifteen-year-old Lexie Malton, starts her story with her arrest, and spends the remainder describing the circumstances by which she ends up nestled in a sheriff's van.

The story is fairly simple: Lexie gets her boyfriend, Devlin, to go to a party where she is enticed into trying heroin and encourages the reluctant Devlin to follow.  Unlike her, Devlin becomes addicted, eventually ending up on the street.  Though Lexie eventually moves on and starts going out with Oscar, her overwhelming guilt at her role in turning a great guy into a junkie continues to compel her to get what little money she can for Devlin whenever he calls.  Regardless of Devlin's insistence that he's going to stop the drugs and get clean, even returning to rehab, he thoughtlessly wrenches Lexie into a brutal situation that results in a death and Lexie marked as an accomplice.

The mandate of Hi-Lo books, i.e., grabbing the reader with its engrossing plot without dissuading reading with challenging vocabulary, can result in uninspired writing around a weak storyline.  However, in the hands of an accomplished writer such as Valerie Sherrard, most recently winner of the 2011 Geoffrey Bilson Historical Fiction for Young People Award for The Glory Wind (Fitzhenry & Whiteside, 2010), there is no chance of mediocrity.  Accomplice presents a straightforward but not light-weight plot involving common teen trials dealing with curiosity about drugs, discriminating between right and wrong, dating and communicating, and accepting responsibility.  More than just a hi-lo read, Accomplice provides a glimpse into how innocent errors in judgement can produce unfathomable consequences.

Blink and Caution

Written by Tim Wynne-Jones

Candlewick Press

978-0-7636-3983-9

342 pp.

Ages 14+

2011

Selecting a book cover is not a simple process of finding an image and a font that work. Check out Quill & Quire's regular page, Cover to Cover, to witness just a few steps in the design process of a single cover. That said and with the enriching reads of earlier books by Tim Wynne-Jones (see November 30, 2011 blog),  I should have known better than to hastily (and consequently erroneously) predict the story of Blink & Caution (Candlewick Press, 2011). It is not a story of crime and violence, or of a dark place where bad things happen, or even of traffic. (Don't ask me how I got that one, but I did.) It is a story of family.

Having left his mother and abusive stepfather for a life on the streets, Brent Conboy a.k.a. Blink has established a variety of strategies to get by without bringing attention to himself: following teens to their lockers to get fresh clothes, grabbing breakfasts from trays outside of hotel rooms and finding privacy at the Toronto Reference Library. When he witnesses a ruse to create the impression of the abduction of Jack Niven, CEO of a high-profile mining development company, Blink carelessly involves himself by snatching Niven's Blackberry from the scene. Relentless phone calls from Niven's daughter, whose photo captivates Blink, further entangle him in a journey, both physical and emotional, for which he is unprepared.

Caution is actually seventeen-year-old Kitty Pettigrew from the countryside of Wahnapitae. Caution, who took to the streets after the accidental shooting death of her cherished older brother, Spence, has evolved handily into the benumbed girlfriend of drug-dealer Merlin, taking extraordinary chances as though willing death upon herself. But, when Caution realizes the twisted nature of Merlin's "love" for her, she embarks on her own journey, away from Merlin and with a reluctant baby-step towards family.

The inevitable merging of Blink's and Caution's stories at Union Station may begin with conflict but each unconsciously recognizes the other as an opportunity, a chance to journey together, with the possibility of some positive outcome. Luckily, Blink and Caution are both gutsy teens with the insight that comes from lives rich in experiences, both comforting and despairing. Together they pursue the truth behind Niven's disappearance, hopeful that it should prove lucrative for them, never guessing the true value of the wealth they will gain.

The use of second-person narrative (with Blink referred to as "you") is very rare in literature, even more so when coupled with third-person narrative (as Caution's story is told), but Tim Wynne-Jones uses this bold technique impressively, emotionally engaging the reader from several perspectives. Through Blink's and Caution's eyes, we see through "the knife-blade of your vision"(pg. 9) or the "rooming house, tall as a nightmare" (pg. 72); we experience their need for sleep, finally getting "to work on those years of rest" (pg. 173) or Blink's inner Captain Panic, always his herald; we understand Blink's reluctance to ask questions "too jittery to land near a grumpy girl" (pg. 169) and how his voice could be "just a tattered bit of white cloth" (pg. 317).

Tim Wynne-Jones's expressive writing, remarkable characters and intricate plot are perfection. But, word of warning: read with caution, as it flows so seamlessly that it'll be read in just a blink.

Dear Baobab

by Cheryl Foggo

Illustrated by Qin Leng

Second Story Press

978-1-897187-91-3

24 pp.

Ages 5-8

2011

After the death of his parents, seven-year-old Maiko is transplanted from his home in Africa to live with his Uncle Peter and Aunt Ajia in a country like Canada, where there are spruce trees, Halloween, snow, and Leonard, a boy who laughs at Maiko's ears.  Missing the massive baobab tree in his birth village, Maiko connects with a small spruce tree at his new home, sharing his secrets and loneliness with the little evergreen. But the spruce is growing too close to the house's foundation and its fate must be decided upon.

For Maiko, his "Hello tree, same age as me" spruce is his confidant and empath, as they both experience a tenuous future, clashing with their environments. Fortunately, Maiko's aunt, uncle and others show the compassion and wisdom necessary to help the little ones, be they arboreal or human, flourish.

Calgarian Cheryl Foggo's impressive writing credentials foretold the jewel of Dear Baobab, her first children's picture book, a sympathetic but hopeful portrayal of finding a way to fit it.  Qin Leng's ink and paint illustrations (also in Blue Spruce nominated A Flock of Shoes, Sarah Tsiang, Annick Press, 2010) have a freshness that recreate the Africa of Maiko's memories and his expansive and overwhelming new surroundings of his new country.

A perfect gift for a child new to Canada, sure to elicit hope for their new circumstances.

Once Every Never

by Lesley Livingston
Puffin Canada
978-0-14-317795-1
302 pp.
Ages 12+
2011


Lesley Livingston, author of the Canadian Library Association's Young Adult Book of the Year Wondrous Strange (HarperCollins Canada, 2008), continues to provide young adult readers with riveting fantasy based in the supernatural with just a shimmering of romance and an ample seasoning of humour in her newest, Once Every Never (Puffin Canada, 2011).

Torontonian Clare (Clarinet) Reid is sent to England to stay with her Aunt Maggie, a professor of archaeology, while her parents are away on their orchestra's world tour.  Luckily her best friend, Allie (Alice) McAllister, also 17, has managed to arrange a stay in London with relatives including her former-geek-turned-hottie cousin, Milo, an Oxford student working with the British map-making agency.

Although Clare considers her supervision under her aunt mundane, Allie, an archaeology buff, is thrilled to get an opportunity to examine a new exhibit of bog people (perfectly preserved corpses found in a peat bog) and a variety of antiquities such as a shield, torcs (neck rings), and helmets set for restoration.  While her Aunt Maggie consults with the curator, Dr. Ceciley Jenkins, Clare unpardonably touches the shield and discovers herself in another time and place, witnessing a meeting of two men, one in possession of the shield.

Returning to the museum, Clare enlists Allie's help to witness her disappearance after touching the Snettisham Great Torc (a particularly unique torc).  This time Clare returns with an account of the handsome young man seen earlier interacting with a raging, red-haired woman who'd been whipped and to whom he gives the torc.   Hidden behind a rock, Clare is not seen by anyone until a young woman chances to touch her, thereby making her visible.  After asking for Clare's help and surreptitiously slipping a brooch to her, the young woman is grabbed by a Roman soldier.

Based on Clare's observations and what she hears (and understands, although in a unknown language), the girls' internet research reveals the injured woman to be Boudicca, the Queen of Britain in 1 AD, who rebels against the Romans, and the young woman who asks for Clare's help is Comorra, one of Boudicca's two daughters.

When the Snettisham Torc is stolen from the museum, Aunt Maggie suspects a former colleague, now presumed dead.  Unfortunately, she is correct and this same man, Stuart Morholt, who claims to be a Celtic mystic, learns of Clare's gift of shimmering (that's what they call her time-travel) and uses threats to coerce her into locating a buried cache from Bouticca's time.

The plot is complex but not confounding, all the more substantial for the different times into which Clare shimmers, sometimes earlier, sometimes later, always revealing.  Livingston excels at bringing two very different worlds into contact, without either losing integrity.  In each, the voices, hearts and actions of the times' characters successfully immerse the reader in that time.  Even poor Clare, who must modify her behaviour to meld with those in the past, is true to herself, showing less cockiness  when dealing with the Celts and Druids, although her erratic train of thoughts still compel her to misspeak occasionally.

But, it is the humour that continues to pull me along for the journey, particularly Clare's attitude that comes across as self-deprecation with snarkiness.   When returning from the time when Connal's blue body paint (in preparation for his sacrifice) smeared onto her, Clare declares that, "I was partying with Smurfs.  I wanted to fit in." Teens will also appreciate the hint of romance in Once Every Never, particularly as Clare is attracted to two different young men, one in the present, one in the past, confusing her even more.  Expertly, Livingston epitomizes the teenage mind, sharing Clare's thoughts, both erratic and sure, as she tries to figure things out, whether it be history or people and their motivations.

Just added: video of Lesley Livingston talking about Once Every Never