August 29, 2017

YoungCanLit Who's Who: Illustrators H-Q, List III


Let's continue recognizing illustrators of youngCanLit with today's post of those artists whose surnames begin with letters H through Q.


Josh Holinaty

Denise Holmes

Colin Jack

Laura James

Jacqui Lee

Christina Leist

Irene Luxbacher

Renata Liwska

Tim Mack

Josée Masse

Carmen Mok

Gillian Newland

Eric Orchard

Previous posts of youngCanLit illustrators whose surnames begin with letters H through Q are linked here:

Illustrators H-Q List I

Illustrators H-Q List II

August 28, 2017

YoungCanLit Who's Who: Illustrators A-G, List III


It's surprising that, although I tried to divvy up the following three lists of Canadian illustrators, this first one, of artists whose surnames begin with letters A through G, is extraordinarily long, almost twice the length of each of the following.  So, let's dispatch with the formalities and another introduction and go for it.  


Tara Anderson


Marion Arbona



Germaine Arnaktauyok



Cale Atkinson



Ashley Barron



Christine Battuz



Eva Campbell



Danny Christopher



Charlene Chua



Lisa Cinar



Tyler Clark Burke



Kelly Collier



Paul Covello



Danielle Daniel



Willow Dawson



Lori Doody



Darka Erdelji



Banafsheh Erfanian



Eric Fan and Terry Fan (a.k.a. The Fan Brothers)



Marilyn Faucher



Marianne Ferrer



Helen Flook



Carolyn Gan



Manon Gauthier



Phoebe Gilman



Doretta Groenendyk


Just a reminder that the previous lists for illustrators with surnames beginning with letters A to G can be found at the following links:

Illustrators A-G List I
Illustrators A-G List II

Even more youngCanLit Illustrators to celebrate: LIST III

In 2013 and 2015,  I prepared lists of Canadian illustrators whose artwork featured prominently in youngCanLit.  Guess what?  I covered over 100 artists and I've still omitted key illustrators whose work graces Canadian children's books.  Some of them are very new to children's book illustration, with only one or two books to their publishing credit, and others are respected artists whose work has enhanced picture books for decades.  This is my way of acknowledging all their efforts.  Even though I know I'll be updating this list in another 2 years, undoubtedly having missed some and uncovering new ones, I hope this helps complete my ever-growing Who's Who of Canadian illustrators.

Here are the names of all the illustrators I've previously listed, including the links so that you can reexamine their work, and the names of  those whose work I will feature in the next three posts.


LIST I from 2013:
Illustrators A-G
Illustrators H-Q
Illustrators R-Z




LIST II from 2015:
Illustrators A-G
Illustrators H-Q
Illustrators R-Z




Now, here's LIST III for 2017:
Illustrators A-G
Tara Anderson
Marion Arbona
Germaine Arnaktauyok
Cale Atkinson
Ashley Barron
Christine Battuz
Alexandra Boiger
Eva Campbell
Danny Christopher
Charlene Chua
Lisa Cinar
Tyler Clark Burke
Kelly Collier
Paul Covello
Danielle Daniel
Willow Dawson
Lori Doody
Darka Erdelji
Banafsheh Erfanian
Eric Fan and Terry Fan
Marilyn Faucher
Marianne Ferrer
Helen Flook
Carolyn Gan
Manon Gauthier
Phoebe Gilman
Doretta Groenendyk

Illustrators H-Q
Josh Holinaty
Denise Holmes
Colin Jack
Laura James
Jacqui Lee
Christina Leist
Irene Luxbacher
Renata Liwska
Tim Mack
Josée Masse
Carmen Mok
Gillian Newland
Eric Orchard

Illustrators R-Z
Peter H. Reynolds
Scot Ritchie
Amanda Sandland
Ben Shannon
Esmé Shapiro
Carey Sookocheff
Tamara Thiebaux Heikalo
Sue Todd
Marie-Ève Tremblay
Werner Zimmerman


The first of these new three lists of the Even More youngCanLit Illustrators follows!

August 24, 2017

Me, Me, Me

Written by Annika Dunklee
Illustrated by Lori Joy Smith
Kids Can Press
978-1-77138-660-9
32 pp.
Ages 4-7
September 5, 2017

Yep, it's all about her.  Annie, friend of Lillemor and Lilianne, and the girl in charge.  Or so she thinks, putting herself in control of all decisions relating to a talent show in which the three friends hope to enter as an all-girl singing group.  Sadly, every idea Lillemor and Lilianne bring up at their picnic meeting is vetoed by Annie.  Though the three seem to appreciate the different aspects each girl brings including the languages they speak and the treats they bring, when it comes to their orders of business, Annie decides all "because this whole thing was my idea."  Lillemor and Lilianne may comply but reluctantly.  It isn't till Annie has decided on the song they will sing, the outfits they will wear, the singing role each will play and the name of the group–Mi Mi Mis– that Lillemor and Lilianne speak up.
From Me, Me, Me 
from Annika Dunklee 
illus. by Lori Joy Smith
At first Annie is fine about being a solo act. But she decides something is missing and invites Penny and Ella to join her.  Unfortunately, the two girls give Annie a taste of what she gave her friends.  They decide on the costumes and the name, and relegate Annie, to her dismay, to background dancer.  Annie realizes her mistake and apologizes to Lillemor and Lilianne, promising to listen to their ideas.  A new meeting is held with the same orders of business but with very different outcomes that lead to a winning act.

Annika Dunklee, who wrote the award-winning My Name is Elizabeth (Kids Can Press, 2011), tells a simple story of getting along with friends for the success of all.  By making the girls different in languages spoken–Swedish, French and one Annie creates herself–and in delicious treats shared at their picnic, Annika Dunklee is able to emphasize that differences do not preclude children from coming together.  In fact, these differences make the combination of friends so much richer.

Lori Joy Smith, a PEI illustrator whose name most definitely will be added to an update of youngCanLit Who's Who of illustrators, adds the vivacity of youth to Me, Me, Me, making it like a literary cupcake in colour and tone.  Like Annika Dunklee's text which is never heavy-handed with embedding diversity, Lori Joy Smith makes sure to highlight the differences in the girls' hair, skin and dress while still blending their similarities through expression and friendship.
From Me, Me, Me 
by Annika Dunklee 
illus. by Lori Joy Smith
Character ed is pedagogical programming whereby children develop positive character values like cooperation and responsibility.  Though not planned as a pun on words, I believe book characters can be used to educate readers about situations that would require the establishment of such positive characteristics, perhaps by witnessing circumstances in which they are lacking.  Me, Me, Me as the name implies tells the story of a self-centred child who needs to see the value of cooperation and listening in order to succeed.  As teachers, we know that whether children are 4, 9 or 15, there will be conflicts between friends and they are conflicts that may seem like the end of the world.  Me, Me Me demonstrates that that end may only be a temporary one if the Me, Me, Me becomes Us, Us, Us.

August 21, 2017

Best Pirate

Written by Kari-Lynn Winters
Illustrated by Dean Griffiths
Pajama Press
978-1-77278-019-2
32 pp.
Ages 5-8
For release September, 2017

First she was a Bad Pirate (2015) and then she was a Good Pirate (2016) but now Augusta, daughter of Captain Barnacle Garrick, is on her way to becoming an even better pirate. That is, until she burns a hole in her father's treasure map, the one that would lead them to the same treasure the Tuna Lubbers (i.e., cats) were on their way to grab on Crossbones Island.
From Best Pirate 
by Kari-Lynn Winters 
illus. by Dean Griffiths
Scully who is supposed to retrieve the treasure is sure he can help her become that better pirate.  So he works her at being crafty and nimble and fearless.  But when she drops a cannonball on his one good foot, his treasure-seeking mission is thwarted.  Augusta is determined to make things right and heads off to the island herself.

On the island, she encounters a cat pirate just as they both fall into the pit harbouring the treasure.  As they argue over whose booty it is, they realize they have to get out first.  Scuppers is afraid–he truly is a scaredy cat–but Augusta turns on her craftiness and gets Scuppers to help her jam swords and daggers into the pit's walls.  Turning on her nimbleness, she scampers up the walls using the swords as footholds.  And when a dagger comes away and Scuppers is in danger, she sets aside her fear and reaches out a paw and saves him.  
From Best Pirate 
by Kari-Lynn Winters 
illus. by Dean Griffiths
Though Scuppers recognizes Augusta as the best pirate, deserving of the treasure, she acknowledges their teamwork as leading to their success and insists they split the booty.
From Best Pirate 
by Kari-Lynn Winters 
illus. by Dean Griffiths
Too bad that Augusta doesn't get the credit from her father for finding the treasure–he believes Scully actually retrieved it–and lauded as a hero as Scuppers is by his father and the crew of the Tuna Lubbers.  Captain Barnacle still doesn't get how accomplished his daughter is at being a pirate, though Scully, Squid and Bones and Scuppers acknowledge this readily.  Readers will certainly learn a lesson from Augusta and Kari-Lynn Winters about determination and fulfilment that comes from success without the need for accolades.  She may be a dog but she's a gutsy lassy.

Dean Griffiths, who illustrated Kari-Lynn Winters' earlier Pirate books, continues to endow the story with colour richness and opulent textures from another time, just like the recurring yellow parchment backgrounds and scroll banners. And you can almost feel the movement of the sea and smell the saltiness of the air.  Even the lushness of the island's vegetation is palpable. Of course, young readers will love the dogs and cats of all species with their distinguishing features of fur and shape as well as the wide array of their expressions: friendliness,  fear, surprise, dismay, anger.

Aye, blow me down but Best Pirate is a treasure of a fine tale for pirate lovers on both sea and land.

August 17, 2017

Federica

Written and illustrated by Scot Ritchie
Groundwood Books
978-1-55498-968-3
32 pp.
Ages 4-7
August 2017

The cover of Federica may suggest a little girl herding sheep and, though she's not, I think it would be far easier than herding her family to keep the house tidy.  Because everyone is so busy–there's mum and dad and baby in addition to Federica–"her house was a buggy, buzzy mess." Yech!
From Federica by Scot Ritchie
No wonder Federica enjoys the peace and solitude of the park, a space with an assortment of free-roaming goats, sheep, raccoons and more. Watching the animals, she gets her big idea.

For the first part of her plan, she brings the sheep and goats home.  She's a very good girl, though, and asks her dad's permission for her "friends" to come in.  He's too busy to notice and answers with an "Uh-huh." Similarly, she brings in some spiders and dragonflies, a toad and an owl, and some raccoons, always asking her inattentive parents first.
From Federica by Scot Ritchie
The second part of her plan is getting her family out of the house for a picnic at the park.  This is easy-peasy.  As soon as the door closes behind them, Federica's new friends get to work.  They eat bugs and mice and scraps off the floor and plates and even wash the dishes and the kitchen counters.  Mum and Dad may be shocked by the animals in the house but "The flies were gone, the carpet was clean.  The grass was cut, and the kitchen spotless."  But could the family keep up the cleaning once Federica's friends returned to their homes?

In most households, it's the parents and guardians hounding children to keep their rooms and other areas tidy, but Scot Ritchie turns that tale around by Federica being the impetus for getting and keeping the house clean.  I suspect that there are numerous households like Federica's where the parents are so focused on their own activities that they fail to notice what their children who, getting what they want, may not get what they need. In Federica's case, she craves cleanliness.  And though she finds an unconventional way to get that what she needs, she does instill that need for tidiness in her family that will keep them all healthy and happy in the future.

Scot Ritchie's take on getting a family to come together to clean at the behest of one of the children is charming.  Federica is never heavy-handed or angry, though that would be perfectly warranted.  The text is cherry and the illustrations are the same, light and airy and never burdensome as cleaning can be.  Cleaning has never been so animated and entertaining.
From Federica by Scot Ritchie